Table: editions

edition_numbereditorcontributorsubmission_datepublication_dateedition_notesedition_statusstatus_dateviewerpage_idpage_titlework_titlecomposer_namelast_editedlast_updated
31447Mark Liversidge2014-03-082014-03-08Breaths are marked with commas where permitted; they should be avoided wherever possible where not marked. Those singing B sharps on page three (bars 17-18) may find it easier to think of them as C naturals. The Gloria should be faster, at the same tempo as the Magnificat if sung together. A piano reduction of the score is available on request by e-mail to the composer.97719Magnificat and Nunc dimittis in D (Mark Liversidge)Magnificat and Nunc dimittis in DMark Liversidge2023-09-16 09:12:57

Table: files

file_idnameedition_numberlocationclasssubclasstypeiconcontentsizecopyrightpage_formatpagesdurationlast_editedlast_updated
31447.3Numc_Dimittis_in_D_pdf.mxl31447internalsourcesourceMusic XML{{XML}} 2023-09-16 09:12:57
31447.2Mark_Liversidge-Numc_Dimittis_in_D_midi.mid31447internalsoundsoundmid{{Mid}} 2023-09-16 09:12:57
31447.1Numc_Dimittis_in_D_pdf.pdf31447internalscorescorepdf{{Pdf}} 75PersonalA442023-09-16 09:12:57