Absence, hear thou my protestation (Thomas Morley): Difference between revisions
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{{Voicing|1|T}}<br> | {{Voicing|1|T}}<br> | ||
{{Genre|Secular| | {{Genre|Secular|Lute songs}} | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|Lute}} | {{Instruments|Lute}} | ||
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'''Description:''' #14 from Morley's First Book of Ayres. | '''Description:''' #14 from Morley's First Book of Ayres. | ||
'''External websites:''' | '''External websites:''' | ||
==Original text and translations== | ==Original text and translations== | ||
Revision as of 09:46, 21 January 2017
Music files
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- (Posted 2017-01-21) CPDL #42737:
- Editor: James Gibb (submitted 2017-01-21). Score information: A4, 2 pages, 52 kB Copyright: CPDL
- Edition notes: Reformatting of #16208, with minor corrections to underlay.
- CPDL #16208:
(NoteWorthy Composer)
- Editor: Brian Russell (submitted 2008-02-19). Score information: A4, 2 pages, 22 kB Copyright: CPDL
- Edition notes: NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer.
General Information
Title: Absence, hear thou my protestation
Composer: Thomas Morley
Number of voices: 1v Voicing: T
Genre: Secular, Lute song
Language: English
Instruments: Lute
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: #14 from Morley's First Book of Ayres.
External websites:
Original text and translations
English text
Absence, hear thou my protestation
Against thy strength,
Distance and length:
Do what thou canst for alteration;
For hearts of truest mettle
Absence doth join, and time doth settle.
Who loves a mistress of such quality,
He soon hath found
Affection's ground
Beyond time, place, and all mortality.
To hearts that cannot vary
Absence is present, time doth tarry.
My senses want their outward motions,
Which now within
Reason doth win
Redoubl'd in her secret notions;
Like rich men that take pleasure
In hiding, more than handling, treasure.
By absence this good means I gain,
That I can catch her
Where none can watch her,
In some close corner of my brain.
There I embrace and kiss her,
And so I both enjoy and miss her.