Ancor che col partire (Cipriano de Rore): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2018-09-07}} {{CPDLno|51232}} [[Media:Ancor_che_col_partire_Rore.pdf|{{pdf}}]] [[Media:Ancor_che_col_partire_Rore.mid|{{mid}}]] [[Media:Ancor_che_col_partire_Rore.mxl|{{XML}}]] [[Media:Ancor_che_col_partire_Rore.capx|{{Capx}}]]  
* {{PostedDate|2024-03-13}} {{CPDLno|79512}} [[Media:Cipriano_de_Rore_-_Ancor_che_col_partire.pdf|{{pdf}}]] [[Media:Cipriano_de_Rore_-_Ancor_che_col_partire.midi|{{mid}}]] [[Media:Cipriano_de_Rore_-_Ancor_che_col_partire.mxl|{{XML}}]] [[Media:Cipriano_de_Rore_-_Ancor_che_col_partire.ly|{{Ly}}]]
{{Editor|Pothárn Imre|2024-03-13}}{{ScoreInfo|A4|2|62}}{{Copy|CPDL}}
:{{EdNotes|Transcribed from first edition of 1547. Original key (chiavi naturali) and note values. We only changed ''Anchor'' to ''ancor''.
:I consulted three editions (all by Antonio Gardano): Perissone Primo libro 1547, Madrigali della fama 1548 and Rore's Primo libro the 1569 reprint. They all differ in minor details. The most important is in measures 27 and 38, where the Bass imitates the Cantus, but the 1547 print has F natural, whereas the later editions have F sharp. Gardano's 1548 edition also adds sharp signs to the F natural in the Bass in measures 11 and 13, which are cancelled in later editions, but not those in 27 and 38. The cadences are also somewhat different in the Canto in measures 17 and 40. The copy of this madrigal in the new Lassus complete edition on IMSLP (it is printed there since Lassus composed a parody Magnificat on this madrigal) gives the 1547 first print, without even ficta signs in measures 27 and 38.}}
 
*{{PostedDate|2018-09-07}} {{CPDLno|51232}} [[Media:Ancor_che_col_partire_Rore.pdf|{{pdf}}]] [[Media:Ancor_che_col_partire_Rore.mid|{{mid}}]] [[Media:Ancor_che_col_partire_Rore.mxl|{{XML}}]] [[Media:Ancor_che_col_partire_Rore.capx|{{Capx}}]]
{{Editor|James Gibb|2018-09-07}}{{ScoreInfo|A4|3|56}}{{Copy|CPDL}}
{{Editor|James Gibb|2018-09-07}}{{ScoreInfo|A4|3|56}}{{Copy|CPDL}}
:'''Edition notes:''' Reformatting of #16883, with minor adjustments to underlay. {{MXL}}
{{ScoreError}}
:{{EdNotes|Reformatting of #16883, with minor adjustments to underlay.}}


*{{PostedDate|2015-01-02}} {{CPDLno|34035}} [[Media:11-anchor_che_col_partire---0-score.pdf|{{pdf}}]] [[Media:11-anchor_che_col_partire---0-score.midi|{{mid}}]]  
*{{PostedDate|2015-01-02}} {{CPDLno|34035}} [[Media:11-anchor_che_col_partire---0-score.pdf|{{pdf}}]] [[Media:11-anchor_che_col_partire---0-score.midi|{{mid}}]] [[Media:11-anchor_che_col_partire---0-score.mxl|{{XML}}]]
{{Editor|Allen Garvin|2015-01-02}}{{ScoreInfo|Letter|3|80}}{{Copy|Creative Commons Attribution Non-Commercial}}
{{Editor|Allen Garvin|2015-01-02}}{{ScoreInfo|Letter|3|80}}{{Copy|Creative Commons Attribution Non-Commercial}}
:'''Edition notes:''' Parts and source available at IMSLP.
:{{EdNotes|Parts and source available at IMSLP.    N.B. (from Pothárn Imre) In the score you can read the title of the first edition of this madrigal, but the present edition was not made of it, but (most probably) of Gardano's 1569 reprint of the 1550 edition of Rore's first book for 4 voices}}


* {{CPDLno|31451}} [[Media:De_Rore-Anchor_chi_col_partire.pdf|{{pdf}}]] [[Media:De_Rore-Anchor_chi_col_partire.MID|{{mid}}]] [[Media:De_Rore-Anchor_chi_col_partire.mxl|{{XML}}]] [[Media:De_Rore-Anchor_chi_col_partire.MUS|{{mus}}]] (Finale 2008)
*{{PostedDate|2014-03-08}} {{CPDLno|31451}} [[Media:De_Rore-Anchor_chi_col_partire.pdf|{{pdf}}]] [[Media:De_Rore-Anchor_chi_col_partire.MID|{{mid}}]] [[Media:De_Rore-Anchor_chi_col_partire.mxl|{{XML}}]] [[Media:De_Rore-Anchor_chi_col_partire.MUS|{{mus}}]] (Finale 2008)
{{Editor|André Vierendeels|2014-03-08}}{{ScoreInfo|A4|4|97}}{{Copy|CPDL}}
{{Editor|André Vierendeels|2014-03-08}}{{ScoreInfo|A4|4|97}}{{Copy|CPDL}}
:'''Edition notes:''' {{MXL}}
{{ScoreError}}
:{{EdNotes|}}


*{{CPDLno|18204}} [[Media:Rore-Ancor_Che_Col_Partire.pdf|{{pdf}}]] [[Media:Rore-anc.mid|{{mid}}]] [[Media:Rore-anc.mxl|{{XML}}]] [[Media:Rore-anc.mus|{{mus}}]] (Finale 2006)
*{{PostedDate|2008-10-30}} {{CPDLno|18204}} [[Media:Rore-Ancor_Che_Col_Partire.pdf|{{pdf}}]] [[Media:Rore-anc.mid|{{mid}}]] [[Media:Rore-anc.mxl|{{XML}}]] [[Media:Rore-anc.mus|{{mus}}]] (Finale 2006)
{{Editor|Sabine Cassola|2008-10-30}}{{ScoreInfo|A4|2|91}}{{Copy|CPDL}}
{{Editor|Sabine Cassola|2008-10-30}}{{ScoreInfo|A4|2|91}}{{Copy|CPDL}}
:'''Edition notes:''' {{MXL}}
{{ScoreError}}
:{{EdNotes|}}


*{{CPDLno|16883}} [[Media:700.pdf|{{pdf}}]] [[Media:br-700.mid|{{mid}}]] [[Media:br-700.nwc|{{NWC}}]]
*{{PostedDate|2008-05-09}} {{CPDLno|16883}} [[Media:700.pdf|{{pdf}}]] [[Media:br-700.mid|{{mid}}]] [[Media:br-700.mxl|{{XML}}]] [[Media:br-700.nwc|{{NWC}}]]
{{Editor|Brian Russell|2008-05-09}}{{ScoreInfo|A4|3|31}}{{Copy|CPDL}}
{{Editor|Brian Russell|2008-05-09}}{{ScoreInfo|A4|3|31}}{{Copy|CPDL}}
:'''Edition notes:''' {{NWCV}}
:{{EdNotes|{{NWCV}}}}


*{{CPDLno|4641}} {{IMSLPLink|work=Ancor che col partire (Rore, Cipriano de)}} PDF and MUP files available.
*{{PostedDate|2003-02-22}} {{CPDLno|4641}} {{IMSLPWork|Ancor che col partire (Rore, Cipriano de)}} PDF and MUP files available.
{{Editor|Vincent Carpentier|2003-02-22}}{{ScoreInfo|A4|2|236}}{{Copy|CPDL}}
{{Editor|Vincent Carpentier|2003-02-22}}{{ScoreInfo|A4|2|236}}{{Copy|CPDL}}
:'''Edition notes:''' Link changed (11/13/03) to Icking archive.
:{{EdNotes|Link changed (11/13/03) to Icking archive.}}


==General Information==
==General Information==
'''Title:''' ''Ancor che col partire''<br>
{{Title|''Ancor che col partire''}}
{{Composer|Cipriano de Rore}}
{{Composer|Cipriano de Rore}}
{{Lyricist|Alfonso d'Avalos}}
{{Lyricist|Alfonso d'Avalos}}


{{Voicing|4|SATB}}<br>
{{Voicing|4|SATB}}
{{Genre|Secular|Madrigals}}
{{Genre|Secular|Madrigals}}
{{Language|Italian}}
{{Language|Italian}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1547| in ''Primo libro di madrigali a quatro voci di Perissone Cambio con alcuni di Cipriano Rore'' (Gardano, Venice)}}
{{Pub|1|1547|in {{NoComp|Primo libro di madrigali a quatro voci|Perissone Cambio}} (Perissone Cambio) (Gardano, Venice)|no=25}}
{{Pub|2|1550|in ''{{NoCo|Il primo libro de madrigali a quatro voci}}''|no=7}}
{{Pub|2|1548|in {{NoComp|Madrigali de la fama a quatro voci|Antonio Gardano}} (Gardano, Venice)|no=3}}
{{Pub|3|1583|in ''[[Musica divina di 19 autori illustri]]''|no=11}}
{{Pub|3|1550|in ''{{NoCo|Il primo libro de madrigali a quatro voci}}''|no=7}}
'''Description:'''  
{{Pub|4|1569|in {{NoComp|Corona libro primo|Zuan Iacomo di Zorzi}} (Zorzi, Venice)|no=19}}
 
{{Pub|5|1583|in ''[[Musica divina di 19 autori illustri]]'' (Phalèse, Antwerp)|no=12}}
'''External websites:'''
{{Pub|6|1584|in ''[[Sesieme livre de chansons a quatre et cinc parties]]'' (Le Roy & Ballard, Paris)|vol=Edition 2|no=5}}
{{Pub|7|1584|in {{NoComp|Pratum musicum|Emanuel Adriaenssen}} (ed. Emanuel Adriaenssen) – arr. for two voices and lute|vol=Edition 1|no=8}}
{{Pub|8|1588|in {{NoComp|Gemma musicalis liber primus|Friedrich Lindner}} (ed. Friedrich Lindner)|no=49}}
{{Pub|9|1593|in ''[[Nuova spoglia amorosa]]'' (Vincenti, Venice) |no=1}}
{{Descr|Parodied by numerous other composers:
*[[Missa Ancor che col partire (Philippe de Monte)]]
*[[Magnificat Ancor che col partire (Orlando di Lasso)]]
*[[Ancor che col partire (Andrea Gabrieli)]]
*intabulations & divisions by Rognoni, Bassano, Cabezon, &c}}
{{#ExtWeb:
*{{WikipediaLink|Ancor che col partire}}}}


==Original text and translations==
==Original text and translations==
{{Top}}
{{LinkText|Ancor che col partire}}
{{Text|Italian|
Ancor che col partire
io mi sento morire,
partir vorrei ogn' hor, ogni momento:
tant' il piacer ch'io sento
de la vita ch'acquisto nel ritorno:
et cosi mill' e mille volt' il giorno
partir da voi vorrei:
tanto son dolci gli ritorni miei.
}}
{{mdl|4}}
{{Translation|German|
Obwohl ich beim Scheiden
Spüren sollte, daß ich sterbe,
Möchte ich jederzeit, jeden Augenblick scheiden,
So groß ist die Freude, die ich fühle
Am neuen Leben, das ich in der Wiederkehr erhalte.
Und so möchte ich tausende Male am Tag
Von Euch scheiden,
So süß ist mein Wiederkehren.}}
{{Translator|Peter Rottländer}}
{{mdl|4}}
{{Translation|Spanish|
Aunque al partir
yo me siento morir
partir querría cada hora, cada instante:
tanto es el placer que siento
de la vida que adquiero en el retorno:
y así, miles de veces al día
partir de vos querría:
tan dulces son los retornos míos.}}
{{Translator|Andrés García}}
{{mdl|4}}
{{Translation|English|
Although when I part from you
it is a kind of dying,
I would be glad to leave you every hour, every moment,
so great is my joy
as life comes flooding back to me on my return:
and so a thousand times a day
I would that I could part from you:
for so my heart leaps when we are reunited.
{{Translator|Mick Swithinbank}}}}
{{btm}}
{{Translation|French|
Bien que de partir
Je me sente mourir,
Partir j’aimerais, chaque heure, chaque instant
Tant de plaisir je ressent
De la vie acquise dans le retour,
Et ainsi mille et mille fois chaque jour,
Partir de vous je suis envieux
tant mes retours sont délicieux.}}
{{Translator|Alain Gervreau}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Latest revision as of 00:11, 1 April 2024

Music files

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  • (Posted 2024-03-13)  CPDL #79512:         
Editor: Pothárn Imre (submitted 2024-03-13).   Score information: A4, 2 pages, 62 kB   Copyright: CPDL
Edition notes: Transcribed from first edition of 1547. Original key (chiavi naturali) and note values. We only changed Anchor to ancor.
I consulted three editions (all by Antonio Gardano): Perissone Primo libro 1547, Madrigali della fama 1548 and Rore's Primo libro the 1569 reprint. They all differ in minor details. The most important is in measures 27 and 38, where the Bass imitates the Cantus, but the 1547 print has F natural, whereas the later editions have F sharp. Gardano's 1548 edition also adds sharp signs to the F natural in the Bass in measures 11 and 13, which are cancelled in later editions, but not those in 27 and 38. The cadences are also somewhat different in the Canto in measures 17 and 40. The copy of this madrigal in the new Lassus complete edition on IMSLP (it is printed there since Lassus composed a parody Magnificat on this madrigal) gives the 1547 first print, without even ficta signs in measures 27 and 38.
  • (Posted 2018-09-07)  CPDL #51232:         
Editor: James Gibb (submitted 2018-09-07).   Score information: A4, 3 pages, 56 kB   Copyright: CPDL
Error.gif Possible error(s) identified. See the discussion page for full description.
Edition notes: Reformatting of #16883, with minor adjustments to underlay.
  • (Posted 2015-01-02)  CPDL #34035:       
Editor: Allen Garvin (submitted 2015-01-02).   Score information: Letter, 3 pages, 80 kB   Copyright: CC BY NC
Edition notes: Parts and source available at IMSLP.    N.B. (from Pothárn Imre) In the score you can read the title of the first edition of this madrigal, but the present edition was not made of it, but (most probably) of Gardano's 1569 reprint of the 1550 edition of Rore's first book for 4 voices
  • (Posted 2014-03-08)  CPDL #31451:        (Finale 2008)
Editor: André Vierendeels (submitted 2014-03-08).   Score information: A4, 4 pages, 97 kB   Copyright: CPDL
Error.gif Possible error(s) identified. See the discussion page for full description.
Edition notes:
  • (Posted 2008-10-30)  CPDL #18204:        (Finale 2006)
Editor: Sabine Cassola (submitted 2008-10-30).   Score information: A4, 2 pages, 91 kB   Copyright: CPDL
Error.gif Possible error(s) identified. See the discussion page for full description.
Edition notes:
  • (Posted 2008-05-09)  CPDL #16883:         
Editor: Brian Russell (submitted 2008-05-09).   Score information: A4, 3 pages, 31 kB   Copyright: CPDL
Edition notes: NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer.
  • (Posted 2003-02-22)  CPDL #04641:  IMSLP.png PDF and MUP files available.
Editor: Vincent Carpentier (submitted 2003-02-22).   Score information: A4, 2 pages, 236 kB   Copyright: CPDL
Edition notes: Link changed (11/13/03) to Icking archive.

General Information

Title: Ancor che col partire
Composer: Cipriano de Rore
Lyricist: Alfonso d'Avalos

Number of voices: 4vv   Voicing: SATB
Genre: Secular, Madrigal

Language: Italian
Instruments: A cappella

First published: 1547 in Primo libro di madrigali a quatro voci (Perissone Cambio) (Gardano, Venice), no. 25
    2nd published: 1548 in Madrigali de la fama a quatro voci (Gardano, Venice), no. 3
    3rd published: 1550 in Il primo libro de madrigali a quatro voci, no. 7
    4th published: 1569 in Corona libro primo (Zorzi, Venice), no. 19
    5th published: 1583 in Musica divina di 19 autori illustri (Phalèse, Antwerp), no. 12
    6th published: 1584 in Sesieme livre de chansons a quatre et cinc parties (Le Roy & Ballard, Paris), Edition 2, no. 5
    7th published: 1584 in Pratum musicum (ed. Emanuel Adriaenssen) – arr. for two voices and lute, Edition 1, no. 8
    8th published: 1588 in Gemma musicalis liber primus (ed. Friedrich Lindner), no. 49
    9th published: 1593 in Nuova spoglia amorosa (Vincenti, Venice), no. 1
Description: Parodied by numerous other composers:

External websites:

Original text and translations

Original text and translations may be found at Ancor che col partire.   

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