Anonymous/A-C: Difference between revisions
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===A=== | ===A=== | ||
*{{NoCo|Aan den Nacht}} | *{{NoCo|Aan den Nacht}} | ||
*{{NoCo|A bente y siete de março}} ([[Cancionero de Medinaceli]], 16c) | *{{NoCo|A bente y siete de março}} ([[Cancionero de Medinaceli]], 16c) | ||
*{{NoCo|A Dieu dame}} ([[Susato]], 1555 | *{{NoCo|A Dieu dame}} ([[Susato]], 1555) | ||
*{{NoCo|A Fiddler and a Fuddler, a Catch}} (''The Catch Club or Merry Companions '', 1730's) | *{{NoCo|A Fiddler and a Fuddler, a Catch}} (''The Catch Club or Merry Companions '', 1730's) | ||
*{{NoCo|A la guerra}} (Codice 2241 Basevi, Firenze | *{{NoCo|A la guerra}} (Codice 2241 Basevi, Firenze) | ||
*{{NoCo|A la villa voy}} ([[Cancioneiro de Elvas] | *{{NoCo|A la villa voy}} ([[Cancioneiro de Elvas]]) | ||
*{{NoCo|A los maytines era}} (Cancionero de la Colombina, 1480){ | *{{NoCo|A los maytines era}} (Cancionero de la Colombina, 1480){ | ||
*{{NoCo|Although soft sleep}} | *{{NoCo|Although soft sleep}} | ||
*{{NoCo|A Madre do que livrou dos}} ([[Cantigas de Santa Maria]], 13c) | *{{NoCo|A Madre do que livrou dos}} ([[Cantigas de Santa Maria]], 13c) | ||
*{{NoCo|A solis ortus cardine}} ([[Trent codices] | *{{NoCo|A solis ortus cardine}} ([[Trent codices]]) | ||
*{{NoCo|Acabarseam mis plazeres}} | *{{NoCo|Acabarseam mis plazeres}} | ||
*{{NoCo|Ach Gott, wie manches Herzeleid}} (Weyse collection, late 17c? | *{{NoCo|Ach Gott, wie manches Herzeleid}} (Weyse collection, late 17c?) | ||
*{{NoCo|Ad cenam agni providi}} ([[Trent codices] | *{{NoCo|Ad cenam agni providi}} ([[Trent codices]]) | ||
*{{NoCo|Adie mis amors}} | *{{NoCo|Adie mis amors}} | ||
*{{NoCo|Adoramus te Domine}} (Codex Montecassino, 16c?) | *{{NoCo|Adoramus te Domine}} (Codex Montecassino, 16c?) | ||
*{{NoCo|Adoramus te, Christe}} (19c?) | *{{NoCo|Adoramus te, Christe}} (19c?) | ||
*{{NoCo|Adoramus te, Christe}} | *{{NoCo|Adoramus te, Christe}} | ||
*{{NoCo|Adoramus (in Es) | *{{NoCo|Adoramus (in Es)}} | ||
*{{NoCo|Adoro te devote}} | *{{NoCo|Adoro te devote}} | ||
*{{NoCo|Aetas Carmen Melodiae | *{{NoCo|Aetas Carmen Melodiae}} | ||
*{{NoCo|Afraid, alas, and why so suddenly?}} ([[Fayrfax Manuscript]], c.1500) | *{{NoCo|Afraid, alas, and why so suddenly?}} ([[Fayrfax Manuscript]], c.1500) | ||
*{{NoCo|Agnus Christus}} | |||
*{{NoCo|Agnus Christus}} | *{{NoCo|Agnus Dei (Old Hall Manuscript)}} | ||
*{{NoCo|Agnus Dei (Old Hall Manuscript)}} | *{{NoCo|Agnus Dei}} | ||
*{{NoCo|Agnus Dei}} | *{{NoCo|Agwillare habeth standiff}} | ||
*{{NoCo|Agwillare habeth standiff}} | *{{NoCo|Ah, for wings to soar}} (19c?) | ||
*{{NoCo|Ah, for wings to soar}} (19c?) | *{{NoCo|¡Ah Pelayo, que desmayo!}} ([[Cancionero de Upsala]], 1556; attr. [[Juan Aldomar]]) | ||
*{{NoCo|¡Ah Pelayo, que desmayo!}} ([[Cancionero de Upsala]], 1556; attr. [[Juan Aldomar] | *{{NoCo|Aimer et Plaire}} | ||
*{{NoCo|Aimer et Plaire | *{{NoCo|Ak, nāc, ak, nāc, Emanuel}} (Latvian trans. ''Veni, veni, Emmanuel'') | ||
*{{NoCo|Ak, nāc, ak, nāc, Emanuel}} (Latvian trans. ''Veni, veni, Emmanuel'') | *{{NoCo|Al alba venid}} | ||
*{{NoCo|Al alba venid | *{{NoCo|Al Paraclito divino}} (Hymn-tune) | ||
*{{NoCo|Al Paraclito divino}} (Hymn-tune) | *{{NoCo|Alburquerque}} ([[Cancionero de Palacio]]) | ||
*{{NoCo|Alburquerque}} ([[Cancionero de Palacio]]) | *{{NoCo|All people that on earth do dwell|All people that on earth do dwell}} (formerly attrib. Tallis) | ||
*{{NoCo|All people that on earth do dwell|All people that on earth do dwell}} (formerly attrib. Tallis) | *{{NoCo|Alle Dei Filius}} [[Trent codices]]) | ||
*{{NoCo|Alle Dei Filius}} [[Trent codices]]) | *{{NoCo|Alle psallite cum luya}} ([[Montpellier codex]] c. 1300 | ||
*{{NoCo|Alle psallite cum luya}} ([[Montpellier codex]] c.1300 | *{{NoCo|Allegez moy}} (''Le Livre VIIième des Chansons'', P. Matthys 1644) | ||
*{{NoCo|Allegez moy}} (''Le Livre VIIième des Chansons'', P.Matthys 1644) | *{{NoCo|Allein Gott in der Höh sei Ehr (full score)}} | ||
*{{NoCo|Allein Gott in der Höh sei Ehr (full score) | *{{NoCo|Allein Gott in der Höh sei Ehr (KB 1872)}} | ||
*{{NoCo|Allein Gott in der Höh sei Ehr (KB 1872)}} | *{{NoCo|Alleluia}} | ||
*{{NoCo|Alleluia | *{{NoCo|Alleluya: A nywe werke}} (''Selden Carol Book'', 15c) | ||
*{{NoCo|Alleluya: A nywe werke}} (''Selden Carol Book'', 15c) | *{{NoCo|Alleluia Anna Mater}} (Annaberg choirbooks, c1500) | ||
*{{NoCo|Alleluia Anna Mater}} (Annaberg choirbooks, c1500 | *{{NoCo|Alleluja in B}} | ||
*{{NoCo|Alleluja in B | *{{NoCo|Alleluia in resurrectione}} | ||
*{{NoCo|Alleluia in resurrectione | |||
*{{NoCo|Alta Reyna soberana}} ([[Cancionero de Upsala]], 1556) | *{{NoCo|Alta Reyna soberana}} ([[Cancionero de Upsala]], 1556) | ||
*{{NoCo|Alleluia Sancta Dei Genitrix}} (Annaberg choirbooks, c.1500 | *{{NoCo|Alleluia Sancta Dei Genitrix}} (Annaberg choirbooks, c. 1500) | ||
*{{NoCo|Alleluia - Tu es Petrus}} | *{{NoCo|Alleluia - Tu es Petrus}} | ||
*{{NoCo|Alta Trinita beata | *{{NoCo|Alta Trinita beata}} ("15c", but harmonized in much later style) | ||
*{{NoCo|Amarilli mijn schoone}} | *{{NoCo|Amarilli mijn schoone}} | ||
*{{NoCo|Amavit eum Dominus}} | *{{NoCo|Amavit eum Dominus}} | ||
*{{NoCo|Amid the silence}} (Polish carol "Wsrod nocnej ciszy") | *{{NoCo|Amid the silence}} (Polish carol "Wsrod nocnej ciszy") | ||
*{{NoCo|Amor che deggio far}} | *{{NoCo|Amor che deggio far}} | ||
*{{NoCo|Amor potest - Ad amorem}} ([[Montpellier Codex]], 13c) | *{{NoCo|Amor potest - Ad amorem}} ([[Montpellier Codex]], 13c) | ||
*{{NoCo|Amor quando m'invia}} | *{{NoCo|Amor quando m'invia}} | ||
*{{NoCo|Amor que me cautivas}} (=[[Belle qui tiens ma vie (Thoinot Arbeau)]]) | *{{NoCo|Amor que me cautivas}} (=[[Belle qui tiens ma vie (Thoinot Arbeau)]]) | ||
*{{NoCo|Amour se veult}} | *{{NoCo|Amour se veult}} | ||
*{{NoCo|Andarán siempre mis ojos}} ([[Cancionero de Upsala]], 1556) | *{{NoCo|Andarán siempre mis ojos}} ([[Cancionero de Upsala]], 1556) | ||
*{{NoCo|Angelorum Gloriae | *{{NoCo|Angelorum Gloriae}} | ||
*{{NoCo|Angels from the realms of glory|Angels from the realms of glory (New Park) | *{{NoCo|Angels from the realms of glory|Angels from the realms of glory (New Park)}} | ||
*{{NoCo|Angels from the realms of glory (Iris)|Angels from the realms of glory (Iris)}} | *{{NoCo|Angels from the realms of glory (Iris)|Angels from the realms of glory (Iris)}} | ||
*{{NoCo|Angelus ad Virginem}} (13c) | *{{NoCo|Angelus ad Virginem}} (13c) | ||
*{{NoCo|Anima Christi}} (1507) | *{{NoCo|Anima Christi}} (1507) | ||
*{{NoCo|Annue Christe}} | *{{NoCo|Annue Christe}} | ||
*{{NoCo|Aquella buena mujer}} ([[Cancionero de Palacio]], 15c) | *{{NoCo|Aquella buena mujer}} ([[Cancionero de Palacio]], 15c) | ||
*{{NoCo|Aquella fuerça grande}} ([[Cancionero de Medinaceli]], 16c) | *{{NoCo|Aquella fuerça grande}} ([[Cancionero de Medinaceli]], 16c) | ||
*{{NoCo|Asperges me Domine}} ([[Trent codices]], 15c) | *{{NoCo|Asperges me Domine}} ([[Trent codices]], 15c) | ||
*{{NoCo|Assit herus}} | *{{NoCo|Assit herus}} | ||
*{{NoCo|Assumpta est Maria - Beata est}} | *{{NoCo|Assumpta est Maria - Beata est}} | ||
*{{NoCo|Aurea luce}} | *{{NoCo|Aurea luce}} | ||
*{{NoCo|Ave Jhesu Christe}} ([[Trent codices] | *{{NoCo|Ave Jhesu Christe}} ([[Trent codices]]) | ||
*{{NoCo|Ave Maria | *{{NoCo|Ave Maria}} | ||
*{{NoCo|Ave Maria 3-part|Ave Maria a 3 | *{{NoCo|Ave Maria 3-part|Ave Maria a 3}} | ||
*{{NoCo|Ave maris stella I | *{{NoCo|Ave maris stella I}} | ||
*{{NoCo|Ave maris stella II | *{{NoCo|Ave maris stella II}} | ||
*{{NoCo|Ave maris stella III}} ([[Trent codices]], 1470's) | *{{NoCo|Ave maris stella III}} ([[Trent codices]], 1470's) | ||
*{{NoCo|Ave maris stella IV}} ([[Trent codices] | *{{NoCo|Ave maris stella IV}} ([[Trent codices]]) | ||
*{{NoCo|Ave maris stella V}} | *{{NoCo|Ave maris stella V}} | ||
*{{NoCo|Ave maris stella VI}} | *{{NoCo|Ave maris stella VI}} | ||
*{{NoCo|Ave mundi spes/Gotes namen fahren wir a 8}} (Codex Tridentinus, c. 1480) | *{{NoCo|Ave mundi spes/Gotes namen fahren wir a 8}} (Codex Tridentinus, c. 1480) [{{filepath:Cod.Trid._In_Gottes_Namen_a_8.mus}} Finale 2006] ) | ||
*{{NoCo|Ave preclara (tr91)}} | *{{NoCo|Ave preclara (tr91)}} | ||
*{{NoCo|Ave preclara (tr93)}} | *{{NoCo|Ave preclara (tr93)}} | ||
*'''Ave Regina Caelorum''' | *'''Ave Regina Caelorum''' | ||
**{{NoCo|Ave Regina cælorum}} ([[Trent codices] | **{{NoCo|Ave Regina cælorum}} ([[Trent codices]]) | ||
**{{NoCo|Ave Regina celorum}} ([[Trent codices]], 1470's) | **{{NoCo|Ave Regina celorum}} ([[Trent codices]], 1470's) | ||
**{{NoCo|Gloria-Ave Regina coelorum}} ([[Trent codices]]) | **{{NoCo|Gloria-Ave Regina coelorum}} ([[Trent codices]]) | ||
**{{NoCo|Ave Regina coelorum}} ([[Musica colonial archive] | **{{NoCo|Ave Regina coelorum}} ([[Musica colonial archive]]) | ||
*{{NoCo|Ave vivens hostia}} | *{{NoCo|Ave vivens hostia}} | ||
*{{NoCo|Ay de le noble vile de Pris}} ([[Cancionero de Palacio]], 15c) | *{{NoCo|Ay de le noble vile de Pris}} ([[Cancionero de Palacio]], 15c) | ||
*{{NoCo|¡Ay de mi, sin ventura!}} | *{{NoCo|¡Ay de mi, sin ventura!}} | ||
*{{NoCo|Ay luna que reluces! | *{{NoCo|Ay luna que reluces!}} | ||
*{{NoCo|Ay, Santa Maria | *{{NoCo|Ay, Santa Maria}} | ||
===B=== | ===B=== | ||
Revision as of 16:01, 22 April 2016
This is a subpage of Anonymous, please check there for any changes made here.