Beatam me dicent a 4 (Francisco Valls): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{PostedDate|2006-09-01}} {{CPDLno|12472}} [[Media:Valls-bea.pdf|{{pdf}}]] [[Media:Valls-bea.mid|{{mid}}]] [[Media:Valls-bea.mxl|{{XML}}]] [[Media:Valls-bea.sib|{{sib}}]] (Sibelius 2) | |||
*{{CPDLno|12472}} [ | |||
{{Editor|Jonathan Goodliffe|2006-09-01}}{{ScoreInfo|A4|3|50}}{{Copy|CPDL}} | {{Editor|Jonathan Goodliffe|2006-09-01}}{{ScoreInfo|A4|3|50}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Bar lengths halved.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Beatam me dicent''}} | |||
{{Composer|Francisco Valls}} | {{Composer|Francisco Valls}} | ||
{{Voicing|4|SSAT}} | {{Voicing|4|SSAT}} | ||
{{Genre|Sacred|Canons}} | {{Genre|Sacred|Canons}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|Basso continuo}} | {{Instruments|Basso continuo}} | ||
'' | {{Pub|1|1742|in ''{{NoCo|Mapa Armónico Práctico}}''|no= }} | ||
{{Descr|Manuscript, including this score, published by Consejo Superior de Investigaciones Cientificas. The composer made the following comment on this piece: "En el canon siguiente van todas las vozes fundadas sobre el tiple 1° que es la guía, el contralto en subdiapente, el tenor en subeptacordo, y el tiple 2° semítono del mismo tiple 1°".}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Magnificat}} | {{LinkText|Magnificat}} | ||
Latest revision as of 16:13, 9 July 2021
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Sibelius | |
File details | |
Help |
- Editor: Jonathan Goodliffe (submitted 2006-09-01). Score information: A4, 3 pages, 50 kB Copyright: CPDL
- Edition notes: Bar lengths halved.
General Information
Title: Beatam me dicent
Composer: Francisco Valls
Number of voices: 4vv Voicing: SSAT
Genre: Sacred, Canon
Language: Latin
Instruments: Basso continuo
First published: 1742 in Mapa Armónico Práctico, no.
Description: Manuscript, including this score, published by Consejo Superior de Investigaciones Cientificas. The composer made the following comment on this piece: "En el canon siguiente van todas las vozes fundadas sobre el tiple 1° que es la guía, el contralto en subdiapente, el tenor en subeptacordo, y el tiple 2° semítono del mismo tiple 1°".
External websites:
Original text and translations
Original text and translations may be found at Magnificat.