Behold and have regard (Thomas Clark): Difference between revisions

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* {{CPDLno|30704}} [{{filepath:ClarT-BeholdAndHaveRegard.pdf}} {{pdf}}] [{{filepath:ClarT-BeholdAndHaveRegard.mid}} {{mid}}] [{{filepath:ClarT-BeholdAndHaveRegard.sib}} Sibelius 7] {{sib}}  
* {{CPDLno|30704}} [{{filepath:ClarT-BeholdAndHaveRegard.pdf}} {{pdf}}] [{{filepath:ClarT-BeholdAndHaveRegard.mid}} {{mid}}] [{{filepath:ClarT-BeholdAndHaveRegard.sib}} {{sib}}] (Sibelius 7) {{sib}}  
{{Editor|Edmund Gooch|2013-12-04}}{{ScoreInfo|A4|2|52}}{{Copy|Public Domain}}
{{Editor|Edmund Gooch|2013-12-04}}{{ScoreInfo|A4|2|52}}{{Copy|Public Domain}}
:'''Edition notes:''' The original order of parts is 2nd - 1st - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] thereafter. The alto part is printed in the source in the treble clef, an octave above sounding pitch: the second part of the concluding symphony is given on the tenor stave in the source, but is given on the alto stave in the present edition at the same written pitch. 1st and 2nd time bar markings at bars 30-31 have been added editorially to accommodate the repeat and concluding symphony which are shown in the source. Verses 2-3 of the text are printed after the music in the source, and have here been underlaid editorially.
:'''Edition notes:''' The original order of parts is 2nd - 1st - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] thereafter. The alto part is printed in the source in the treble clef, an octave above sounding pitch: the second part of the concluding symphony is given on the tenor stave in the source, but is given on the alto stave in the present edition at the same written pitch. 1st and 2nd time bar markings at bars 30-31 have been added editorially to accommodate the repeat and concluding symphony which are shown in the source. Verses 2-3 of the text are printed after the music in the source, and have here been underlaid editorially.

Revision as of 19:16, 2 August 2016

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  • CPDL #30704:  Icon_pdf.gif Icon_snd.gif Sibelius.png (Sibelius 7) Sibelius.png
Editor: Edmund Gooch (submitted 2013-12-04).   Score information: A4, 2 pages, 52 kB   Copyright: Public Domain
Edition notes: The original order of parts is 2nd - 1st - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] thereafter. The alto part is printed in the source in the treble clef, an octave above sounding pitch: the second part of the concluding symphony is given on the tenor stave in the source, but is given on the alto stave in the present edition at the same written pitch. 1st and 2nd time bar markings at bars 30-31 have been added editorially to accommodate the repeat and concluding symphony which are shown in the source. Verses 2-3 of the text are printed after the music in the source, and have here been underlaid editorially.

General Information

Title: Behold and have regard
Composer: Thomas Clark
Lyricist: William Whittingham

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn   Meter: 66. 86 (S.M.)

Language: English
Instruments: Basso continuo

Published: 1814

Description: This setting of Psalm 134 in the metrical Old Version was published on pages 19-20 of Thomas Clark's A Sixth Set of Psalm Tunes (London: [c1814]). Hymn Tune Index tune number 15638.

External websites:

Original text and translations

Original text and translations may be found at Psalm 134.