Cancionero de Upsala: Difference between revisions
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==General information== | ==General information== | ||
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'''Translated title:''' ''Villancicos from various authors, for 2, and 3, and 4, and 5 voices, now again revised. There are also 8 tones of plainchants, and 8 tones of organum for the benefit of those that are still learning to sing. Venice, by Geronimo Scotto, 1556'' | '''Translated title:''' ''Villancicos from various authors, for 2, and 3, and 4, and 5 voices, now again revised. There are also 8 tones of plainchants, and 8 tones of organum for the benefit of those that are still learning to sing. Venice, by Geronimo Scotto, 1556'' | ||
{{PubDatePlace|1556|by Girolamo Scotto in Venice| }} | {{PubDatePlace|1556|by [[Girolamo Scotto]] in Venice| }} | ||
{{Descr|The '''Cancionero de Upsala''', also known by the titles '''Cancionero del Duque de Calabria''' and '''Cancionero de Venecia''', is a volume of mostly anonymous Spanish music printed in Venice in 1556. It survives in a unique copy at the Uppsala University Library and was edited in 1909 by Rafael Mitjana; the subsequent literature has mostly adopted his spelling "Upsala" [sic]. A facsimile was published by Alamire (Peer, Belgium 1984) and a scan is available at IMSLP. | |||
The manuscript contains 70 pieces in total: | |||
* 54 ''villancicos'', listed below | |||
* 16 works for one and two voices: 8 ''tonos'' in {{w|plainchant}} and 8 ''tonos'' in {{w|organum}}. In both cases, works are sorted from the first to the eighth tone, and have an educational purpose, as suggested in the original title. | |||
A quote from Stevenson 1995: | |||
:Querol Rosso's prize-winning thesis, La poesia del Cancionero de Upsala, became the basis for his "estudio introductorio sobre la poesia y la tecnica musical" that prefaces Mitjanas transcription of the fifty-four songs -- only one of which bears a composer attribution in the 1556 imprint (Nicolas Gombert, no. 49), the others all lacking ascriptions. Concordances permitted his attributing the music of nos. 7 and 10 to Juan del Encina; 26, 35, and 36 to Mateo Flecha; 23 to Carceres; 34 to Juan Aldomar; and of considering as possible composers Mateo Flecha of nos. 33, 45, 46, 51, and 52; Juan Vasquez of nos. 29, 32, and 50; Cristobal de Morales of no. 13; and Encina additionally of no. 25. | |||
All works are in Spanish except nos. 17, 18, 29 & 39 (Catalan) and no. 48 (Galician-Portuguese). ''Verbum caro'' has a macaronic refrain.}} | |||
{{WikipediaLink}} | |||
'''References:''' | |||
*Querol Gavaldá, Miguel. 1992. ''Antología Polifónica Práctica de la Época de los Reyes Católicos.'' Granada: Disputación Provincial. Reprinted in ''La Música Española en torno a 1492'', 1995. | |||
*Stevenson, Robert. 1995. Review of ''Antología Polifónica Práctica de la Época de los Reyes Católicos'' by Miguel Querol Gavaldá. Music Library Association Notes 51(4):1452-1453. | |||
{{#ExtWeb: | |||
*{{IMSLP2|Cancionero_de_Uppsala_(Various)}}}} | |||
==List of works== | ==List of works== | ||
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!width=150 align=left|Composer | !width=150 align=left|Composer | ||
|} | |} | ||
{{top}} | |||
===''Villancicos a dos bozes''=== | ===''Villancicos a dos bozes''=== | ||
{|cellpadding="1" cellspacing="0" | {|cellpadding="1" cellspacing="0" | ||
|- | |- | ||
|width=30 align=left| 1. | |width=30 align=left| 1. | ||
|width=280 align=left| | |width=280 align=left|[[Como puedo yo bivir (Anonymous)|Como puedo yo bivir]] | ||
|width=300 align=left|[[Anonymous]] | |width=300 align=left|[[Anonymous]] | ||
|- | |- | ||
| | | 2. || [[Y dezid Serranicas he (Anonymous)|Y decid serranicas he]] || [[Anonymous]] | ||
|- | |- | ||
| | | 3. || [[Dime Robadora a 2 (Anonymous)|Dime, robadora ¿que te mereci?]] || [[Anonymous]] | ||
|- | |- | ||
| | | 4. || [[No so yo quien a 2 (Anonymous)|No soy yo quien veis bivir]] || [[Anonymous]] | ||
|- | |- | ||
| | | 5. || [[No me las amuestres mas (Anonymous)|No me las amuestres más]] || [[Anonymous]] | ||
|- | |- | ||
| | | 6. || [[Yendo me y viniendo (Anonymous)|Yéndome y viniendo]] || [[Anonymous]] | ||
|- | |- | ||
| | | 7. || [[No tienen vado mis males (Juan del Encina)|No tienen vado mis males]] || [[Juan del Encina]] | ||
|- | |- | ||
| | | 8. || [[Andarán siempre mis ojos (Anonymous)|Andarán siempre mis ojos]] || [[Gabriel Mena]]? | ||
|- | |- | ||
| | | 9. || [[Mal se cura muyto mal (Anonymous)|Mal se cura muyto mal]] || [[Anonymous]] | ||
|- | |- | ||
| | |10. || [[Para verme con ventura (Juan del Encina)|Para verme con ventura]] || [[Juan del Encina]] | ||
|- | |- | ||
| | |11. || [[Un dolor tengo (Anonymous)|Un dolor tengo en ell alma]] || [[Anonymous]] | ||
|- | |- | ||
| | |12. || [[Que todos se pasan (Anonymous)|Que todos se pasan en flores]] || [[Anonymous]] | ||
|} | |} | ||
===Villancicos a tres bozes=== | ===Villancicos a tres bozes=== | ||
{|cellpadding="1" cellspacing="0" | {|cellpadding="1" cellspacing="0" | ||
|- | |- | ||
|width=30 align=left| | |width=30 align=left|13. | ||
|width=280 align=left| | |width=280 align=left|[[Si no os hubiera mirado (Cristóbal de Morales)|Si no os hubiera mirado]] | ||
|width=300 align=left|[[Cristóbal de Morales]] | |width=300 align=left|[[Cristóbal de Morales]] | ||
|- | |- | ||
| | |14. ||[[Si la noche haze escura (Anonymous)|Si la noche haze escura]] || [[Anonymous]] | ||
|- | |- | ||
| | |15. ||[[Deposastes os senyora (Anonymous)|Deposastes os senyora]] || [[Anonymous]] | ||
|- | |- | ||
| | |16. ||[[Desdenyado soy (Anonymous)|Desdenyado soy]] || [[Anonymous]] | ||
|- | |- | ||
| | |17. ||[[No so yo quien a3 (Anonymous)|No so yo quien a3]] || [[Anonymous]] | ||
|- | |- | ||
| | |18. ||[[Vesame y abraçame (Anonymous)|Vesame y abraçame]] || [[Anonymous]] | ||
|- | |- | ||
| | |19. ||[[Alta estava la penya (Anonymous)|Alta estava la penya]] || [[Anonymous]] | ||
|- | |- | ||
| | |20. ||[[Dime Robadora a3 (Anonymous)|Dime Robadora a3]] || [[Anonymous]] | ||
|- | |- | ||
| | |21. ||[[Alça la ninya (Anonymous)|Alça la ninya]] || [[Anonymous]] | ||
|- | |- | ||
| | |22. ||[[Ay de mi (Anonymous)|Ay de mi]] || [[Anonymous]] | ||
|- | |- | ||
| | |23. ||[[Soleta so yo (Bartomeu Carceres)|Soleta so yo]] || [[Bartomeu Carceres]]? | ||
|- | |||
|24. ||[[Vella de vos son amoros (Mateo Flecha el Viejo)|Vella de vos son amoros]] || [[Mateo Flecha el Viejo]] | |||
|- | |- | ||
|} | |} | ||
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{|cellpadding="1" cellspacing="0" | {|cellpadding="1" cellspacing="0" | ||
|- | |- | ||
|width=30 align=left| | |width=30 align=left|25. | ||
|width=280 align=left| | |width=280 align=left|[[Ojos garços ha la niña (Francisco Guerrero)|Ojos garços a la niña]] | ||
|width=300 align=left|[[Francisco Guerrero]] | |width=300 align=left|[[Francisco Guerrero]] or [[Mateo Flecha el Viejo]]? | ||
|- | |- | ||
| | |26. ||[[Estas noches a tan largas (Anonymous)|Estas noches a tan largas]] || [[Anonymous]] | ||
|- | |- | ||
| | |27. ||[[¡Ay luna que reluces! (Anonymous)|¡Ay luna que reluces!]] || [[Anonymous]] | ||
|- | |- | ||
| | |28. ||[[Vi los barcos, madre (Anonymous)|Vi los barcos, madre]] || [[Anonymous]] | ||
|- | |- | ||
| | |29. ||[[¿Con qué la lavaré? (Anonymous)|¿Con qué la lavaré?]] || [[Anonymous]] | ||
|- | |- | ||
| | |30. ||[[Soy serranica, y vengo d'Estremadura (Anonymous)|Soy serranica, y vengo d'Estremadura]] || [[Anonymous]] | ||
|- | |- | ||
| | |31. ||[[Si te vas a bañar, Juanilla (Anonymous)|Si te vas a bañar, Juanilla]] || [[Anonymous]] | ||
|- | |- | ||
| | |32. || [[Tan mala noche (Anonymous)|Tan mala noche]] || [[Anonymous]] (= Serrana donde dormistes?) | ||
|- | |- | ||
| | |33. ||[[Falalalán, falalalera (Anonymous)|Falalalán, falalalera]] || [[Bartomeu Carceres|Bartomeu Cárceres]] or [[Mateo Flecha el Viejo]]? | ||
|- | |- | ||
| | |34. ||[[A Pelayo que desmayo (Juan Aldomar)|A Pelayo que desmayo]] || [[Juan Aldomar]] or [[Anonymous]] | ||
|- | |- | ||
| | |35. ||[[Que farem del pobre Joan (Mateo Flecha el Viejo)|Que farem del pobre Joan]] || [[Mateo Flecha el Viejo]] | ||
|- | |- | ||
| | |36. ||[[Teresica hermana (Mateo Flecha el Viejo)|Teresica hermana]] || [[Mateo Flecha el Viejo]] | ||
|} | |} | ||
{{mdl}} | |||
===Villancicos de Navidad a quatro bozes=== | ===Villancicos de Navidad a quatro bozes=== | ||
{|cellpadding="1" cellspacing="0" | {|cellpadding="1" cellspacing="0" | ||
|- | |- | ||
|width=30 align=left| | |width=30 align=left|37. | ||
|width=280 align=left| | |width=280 align=left|[[No la devemos dormir (Anonymous)|No la devemos dormir (La Noche Sancta)]] | ||
|width=300 align=left|[[Anonymous]] | |width=300 align=left|[[Anonymous]] | ||
|- | |- | ||
| | |38. ||[[Rey a quien reyes adoran (Anonymous)|Rey a quien reyes adoran]] || [[Anonymous]] | ||
|- | |- | ||
| | |39. ||[[Verbum caro factum est (Anonymous)|Verbum caro factum est]] || [[Mateo Flecha el Viejo]]? | ||
|- | |- | ||
| | |40. ||[[Alta Reyna soberana (Anonymous)|Alta Reyna soberana]] || [[Anonymous]] | ||
|- | |- | ||
| | |41. ||[[Gózate, Virgen sagrada (Anonymous)|Gózate, Virgen sagrada]] || [[Anonymous]] | ||
|- | |- | ||
| | |42. ||[[Un niño nos es nascido (Anonymous)|Un niño nos es nascido]] || [[Anonymous]] | ||
|- | |- | ||
| | |43. ||[[Dadme albricias (Anonymous)|Dadme albricias]] || [[Anonymous]] | ||
|- | |- | ||
| | |44. ||[[Yo me soy la morenica (Anonymous)|Yo me soy la morenica]] || [[Anonymous]] | ||
|- | |- | ||
| | |45. ||[[E la don don Verges Maria (Anonymous)|E la don don Verges Maria]] || [[Mateo Flecha el Viejo]] or [[Bartomeu Carceres|Bartomeu Cárceres]]? | ||
|- | |- | ||
| | |46. ||[[Riu, riu, chiu (Mateo Flecha el Viejo)|Riu, riu, chiu]] || [[Mateo Flecha el Viejo]] | ||
|} | |} | ||
===Villancicos de Navidad a tres bozes=== | ===Villancicos de Navidad a tres bozes=== | ||
{|cellpadding="1" cellspacing="0" | {|cellpadding="1" cellspacing="0" | ||
|- | |- | ||
|width=30 align=left| | |width=30 align=left|47. | ||
|width=280 align=left| | |width=280 align=left|[[Señores, el qu'es nascido (Anonymous)|Señores, el qu'es nasçido]] | ||
|width=300 align=left|[[Pedro de Pastrana]]? | |width=300 align=left|[[Pedro de Pastrana]]? | ||
|- | |- | ||
| | |48. ||[[Vos, Virgen, soys nuestra Madre (Anonymous)|Vos, Virgen, soys nuestra Madre]] || [[Anonymous]] | ||
| | |||
|[[Anonymous]] | |||
|} | |} | ||
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{|cellpadding="1" cellspacing="0" | {|cellpadding="1" cellspacing="0" | ||
|- | |- | ||
|width=30 align=left| | |width=30 align=left|49. | ||
|width=280 align=left| | |width=280 align=left|[[Dezilde al cavallero que non se quexe (Nicolas Gombert)|Dezilde al cavallero que non se quexe]] | ||
|width=300 align=left|[[Nicolas Gombert]] | |width=300 align=left|[[Nicolas Gombert]] | ||
|- | |- | ||
| | |50. ||[[Dizen a mi que los amores he (Anonymous)|Dizen a mi que los amores he]] || [[Anonymous]] | ||
|- | |- | ||
| | |51. ||[[Si amores me han de matar (Mateo Flecha el Viejo)|Si amores me han de matar]] || [[Mateo Flecha el Viejo]] | ||
|- | |- | ||
| | |52. ||[[Si de vos mi bien me aparto (Anonymous)|Si de vos mi bien me aparto]] || [[Anonymous]] | ||
|- | |- | ||
| | |53. ||[[Hartaos ojos de llorar (Anonymous)|Hartaos ojos de llorar]] || [[Anonymous]] | ||
|- | |- | ||
| | |54. ||[[Falai, meus olhos, si me quereis beñy (Anonymous)|Falai, meus olhos, si me quereis beñy]] || [[Anonymous]] | ||
|} | |} | ||
{{btm}} | |||
{{ | |||
<table> | <table> | ||
<tr><td valign="top"> | <tr><td valign="top"> | ||
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[[Image:UpsalaIndex2.gif|thumb|left|Index (cont.)]] | [[Image:UpsalaIndex2.gif|thumb|left|Index (cont.)]] | ||
</td></tr></table> | </td></tr></table> | ||
==Works at CPDL== | |||
{{MultiPubList|yr,com,seq,lan,gen,subg,vo,voices|1556}} | |||
[[Category:Music publications]] | [[Category:Music publications]] | ||
[[Category:Music facsimiles]] | [[Category:Music facsimiles]] |
Latest revision as of 23:41, 7 October 2023
General information
Title: Villancicos de diuersos Autores, a dos, y a tres, y a quatro, y a cinco bozes, agora nvevamente corregidos. Ay mas ocho tonos de Canto llano, y ocho tonos de Canto de Organo para que puedam aprouechar los que, A cantar començaren. Venetiis, Apud Hieronymum Scotum, MDLVI
Translated title: Villancicos from various authors, for 2, and 3, and 4, and 5 voices, now again revised. There are also 8 tones of plainchants, and 8 tones of organum for the benefit of those that are still learning to sing. Venice, by Geronimo Scotto, 1556
Publication date and place: 1556 by Girolamo Scotto in Venice.
Description: The Cancionero de Upsala, also known by the titles Cancionero del Duque de Calabria and Cancionero de Venecia, is a volume of mostly anonymous Spanish music printed in Venice in 1556. It survives in a unique copy at the Uppsala University Library and was edited in 1909 by Rafael Mitjana; the subsequent literature has mostly adopted his spelling "Upsala" [sic]. A facsimile was published by Alamire (Peer, Belgium 1984) and a scan is available at IMSLP.
The manuscript contains 70 pieces in total:
- 54 villancicos, listed below
- 16 works for one and two voices: 8 tonos in plainchant and 8 tonos in organum. In both cases, works are sorted from the first to the eighth tone, and have an educational purpose, as suggested in the original title.
A quote from Stevenson 1995:
- Querol Rosso's prize-winning thesis, La poesia del Cancionero de Upsala, became the basis for his "estudio introductorio sobre la poesia y la tecnica musical" that prefaces Mitjanas transcription of the fifty-four songs -- only one of which bears a composer attribution in the 1556 imprint (Nicolas Gombert, no. 49), the others all lacking ascriptions. Concordances permitted his attributing the music of nos. 7 and 10 to Juan del Encina; 26, 35, and 36 to Mateo Flecha; 23 to Carceres; 34 to Juan Aldomar; and of considering as possible composers Mateo Flecha of nos. 33, 45, 46, 51, and 52; Juan Vasquez of nos. 29, 32, and 50; Cristobal de Morales of no. 13; and Encina additionally of no. 25.
All works are in Spanish except nos. 17, 18, 29 & 39 (Catalan) and no. 48 (Galician-Portuguese). Verbum caro has a macaronic refrain.
View the Wikipedia article on Cancionero de Upsala.
References:
- Querol Gavaldá, Miguel. 1992. Antología Polifónica Práctica de la Época de los Reyes Católicos. Granada: Disputación Provincial. Reprinted in La Música Española en torno a 1492, 1995.
- Stevenson, Robert. 1995. Review of Antología Polifónica Práctica de la Época de los Reyes Católicos by Miguel Querol Gavaldá. Music Library Association Notes 51(4):1452-1453.
External websites:
- Cancionero de Upsala at the Petrucci Music Library (IMSLP)
List of works
No. | Title | Composer |
---|
Works at CPDL
Title | Year | Composer | No. | Language | Genre | Subgenre | Vo. | Voices |
---|---|---|---|---|---|---|---|---|
A Pelayo que desmayo | 1556 | Juan Aldomar | 34 | Spanish | Secular | Villancicos | 4 | SATB |
Alta Reyna soberana | 1556 | Anonymous | 40 | Spanish | Sacred | Villancicos | 4 | SATB |
Alta estava la penya | 1556 | Anonymous | 19 | Spanish | Secular | Villancicos | 3 | TTB |
Alça la ninya | 1556 | Anonymous | 21 | Spanish | Secular | Villancicos | 3 | STT |
Andarán siempre mis ojos | 1556 | Anonymous | 8 | Spanish | Secular | Villancicos | 2 | SA |
Ay de mi | 1556 | Anonymous | 22 | Spanish | Secular | Villancicos | 3 | STT |
Como puedo yo bivir | 1556 | Anonymous | 1 | Spanish | Secular | Villancicos | 2 | SA |
Dadme albricias | 1556 | Anonymous | 43 | Spanish | Sacred | Villancicos | 4 | SATB |
Deposastes os senyora | 1556 | Anonymous | 15 | Spanish | Secular | Villancicos | 3 | TTB |
Desdenyado soy | 1556 | Anonymous | 16 | Spanish | Secular | Villancicos | 3 | TTB |
Dezilde al cavallero que non se quexe | 1556 | Nicolas Gombert | 49 | Spanish | Secular | Villancicos | 5 | SAATB |
Dime Robadora a3 | 1556 | Anonymous | 20 | Spanish | Secular | Villancicos | 3 | SST |
Dime Robadora a 2 | 1556 | Anonymous | 3 | Spanish | Secular | Villancicos | 2 | SS |
Dizen a mi que los amores he | 1556 | Anonymous | 50 | Spanish | Secular | Villancicos | 5 | SATTB |
E la don don Verges Maria | 1556 | Anonymous | 45 | Catalan | Sacred | Villancicos | 4 | SATB |
Estas noches a tan largas | 1556 | Anonymous | 26 | Spanish | Secular | Villancicos | 4 | SATB |
Falai, meus olhos, si me quereis beñy | 1556 | Anonymous | 54 | Galician-Portuguese | Secular | Villancicos | 5 | SSATB |
Falalalán, falalalera | 1556 | Anonymous | 33 | Spanish | Secular | Villancicos | 4 | SATB |
Gózate, Virgen sagrada | 1556 | Anonymous | 41 | Spanish | Sacred | Villancicos | 4 | SATB |
Hartaos ojos de llorar | 1556 | Anonymous | 53 | Spanish | Secular | Villancicos | 5 | SATTB |
Mal se cura muyto mal | 1556 | Anonymous | 9 | Spanish | Secular | Villancicos | 2 | SA |
No la devemos dormir | 1556 | Anonymous | 37 | Spanish | Sacred | Villancicos | 4 | SATB |
No me las amuestres mas | 1556 | Anonymous | 5 | Spanish | Secular | Villancicos | 2 | TT |
No so yo quien a3 | 1556 | Anonymous | 17 | Spanish | Secular | Villancicos | 3 | STT |
No so yo quien a 2 | 1556 | Anonymous | 4 | Spanish | Secular | Villancicos | 2 | ST |
No tienen vado mis males | 1556 | Juan del Encina | 7 | Spanish | Secular | Villancicos | 2 | AA |
Ojos garços a la niña | 1556 | Mateo Flecha el Viejo | 25 | Spanish | Secular | Villancicos | 4 | ATTB |
Ojos garços ha la niña | 1556 | Francisco Guerrero | 25 | Spanish | Secular | Villancicos | 4 | SATB |
Para verme con ventura | 1556 | Juan del Encina | 10 | Spanish | Secular | Villancicos | 2 | SA |
Que farem del pobre Joan | 1556 | Mateo Flecha el Viejo | 35 | Catalan | Secular | Villancicos | 4 | SATB |
Que todos se pasan | 1556 | Anonymous | 12 | Spanish | Secular | Villancicos | 2 | TT |
Rey a quien reyes adoran | 1556 | Anonymous | 38 | Spanish | Sacred | Villancicos | 4 | SATB |
Riu, riu, chiu | 1556 | Mateo Flecha el Viejo | 46 | Spanish | Sacred | Villancicos | 4 | SATB |
Señores, el qu'es nascido | 1556 | Anonymous | 47 | Spanish | Secular | Christmas (secular) | 3 | SAB |
Si amores me han de matar | 1556 | Mateo Flecha el Viejo | 51 | Spanish | Secular | Villancicos | 5 | SSATB |
Si de vos mi bien me aparto | 1556 | Anonymous | 52 | Spanish | Secular | Villancicos | 5 | SSATB |
Si la noche haze escura | 1556 | Anonymous | 14 | Spanish | Secular | Villancicos | 3 | TTB |
Si no os hubiera mirado | 1556 | Cristóbal de Morales | 13 | Spanish | Secular | Villancicos | 3 | TTB |
Si te vas a bañar, Juanilla | 1556 | Anonymous | 31 | Spanish | Secular | Villancicos | 4 | SATB |
Soleta so jo açí | 1556 | Anonymous | 23 | Catalan | Secular | Villancicos | 3 | SAT |
Soleta so yo | 1556 | Bartomeu Carceres | 23 | Spanish | Secular | Villancicos | 3 | SAT |
Soy serranica, y vengo d'Estremadura | 1556 | Anonymous | 30 | Spanish | Secular | Villancicos | 4 | SATB |
Tan mala noche me distes | 1556 | Anonymous | 32 | Spanish | Secular | Villancicos | 4 | SATB |
Teresica hermana | 1556 | Mateo Flecha el Viejo | 36 | Spanish | Secular | Villancicos | 4 | SATB |
Un dolor tengo | 1556 | Anonymous | 11 | Spanish | Secular | Villancicos | 2 | AA |
Un niño nos es nascido | 1556 | Anonymous | 42 | Spanish | Sacred | Villancicos | 4 | SATB |
Vella de vos son amoros | 1556 | Mateo Flecha el Viejo | 24 | Catalan | Secular | Villancicos | 3 | SAT, TTB |
Verbum caro factum est | 1556 | Anonymous | 39 | 2 | Sacred | Villancicos | 4 | SATB, ATTB, ATBB |
Vesame y abraçame | 1556 | Anonymous | 18 | Spanish | Secular | Villancicos | 3 | SSA |
Vi los barcos, madre | 1556 | Anonymous | 28 | Spanish | Secular | Villancicos | 4 | SATB |
Vos, Virgen, soys nuestra Madre | 1556 | Anonymous | 48 | Spanish | Secular | Christmas (secular) | 3 | SAT,SSA |
Y dezid Serranicas he | 1556 | Anonymous | 2 | Spanish | Secular | Villancicos | 2 | ST |
Yendo me y viniendo | 1556 | Anonymous | 6 | Spanish | Secular | Villancicos | 2 | ST |
Yo me soy la morenica | 1556 | Anonymous | 44 | Spanish | Secular | Villancicos | 4 | SATB |
¡Ah Pelayo, que desmayo! | 1556 | Anonymous | 34 | Spanish | Secular | Madrigals | 4 | SATB |
¡Ay luna que reluces! | 1556 | Anonymous | 27 | Spanish | Secular | Villancicos | 4 | SATB |
¿Con qué la lavaré? | 1556 | Anonymous | 29 | Spanish | Secular | Villancicos | 4 | SATB |