Cantiones quae ab argumento sacrae vocantur: Difference between revisions
(Moved works list to table) |
|||
(8 intermediate revisions by 4 users not shown) | |||
Line 1: | Line 1: | ||
One of the first sets of sacred music printed in England (1575), the ''Cantiones Sacrae'' were a joint publication by [[William Byrd]] and [[Thomas Tallis]]. The dedication to [[wikipedia:Elizabeth I of England|Queen Elizabeth]] was intended both in gratitude for her granting the composers the sole right to publish music in England, and to mark the 17th year of her reign. To this end, each composer contributed 17 pieces to the collection (although some separate numbering of sections of longer works was required to reach this total). In spite of the composers' initial optimism, the venture was a commercial failure, few copies being sold either at home or in Europe.<br> | One of the first sets of sacred music printed in England (1575), the ''Cantiones Sacrae'' were a joint publication by [[William Byrd]] and [[Thomas Tallis]]. The dedication to [[wikipedia:Elizabeth I of England|Queen Elizabeth]] was intended both in gratitude for her granting the composers the sole right to publish music in England, and to mark the 17th year of her reign. To this end, each composer contributed 17 pieces to the collection (although some separate numbering of sections of longer works was required to reach this total). In spite of the composers' initial optimism, the venture was a commercial failure, few copies being sold either at home or in Europe.<br> | ||
{{PubDatePlace|1575|in London| }} | |||
At the time of publication, Byrd was about 35 and had recently returned to London from a post in Lincoln; Tallis was about 70. The collection contains relatively new pieces as well as those written some years previously.<br> | At the time of publication, Byrd was about 35 and had recently returned to London from a post in Lincoln; Tallis was about 70. The collection contains relatively new pieces as well as those written some years previously.<br> | ||
Line 10: | Line 12: | ||
!width=150 style="border-bottom: 1px solid"|Composer | !width=150 style="border-bottom: 1px solid"|Composer | ||
|- | |- | ||
|align="right"|1 ||{{NoComp|Salvator | |align="right"|1 ||{{NoComp|Salvator mundi I|Thomas Tallis}}||{{ss|Thomas|Tallis}} | ||
|- | |- | ||
|align="right"|2 ||{{NoComp|Absterge Domine|Thomas Tallis}}||{{ss|Thomas|Tallis}} | |align="right"|2 ||{{NoComp|Absterge Domine|Thomas Tallis}}||{{ss|Thomas|Tallis}} | ||
Line 28: | Line 30: | ||
|align="right"|9 ||{{NoComp|O sacrum convivium|Thomas Tallis}}||{{ss|Thomas|Tallis}} | |align="right"|9 ||{{NoComp|O sacrum convivium|Thomas Tallis}}||{{ss|Thomas|Tallis}} | ||
|- | |- | ||
|align="right"|10 ||{{NoComp|Aspice Domine|William Byrd}}||{{ss|William|Byrd}} | |align="right"|10 ||{{NoComp|Aspice Domine quia facta est|William Byrd}}||{{ss|William|Byrd}} | ||
|- | |- | ||
|align="right"|11 ||{{NoComp|Attollite portas|William Byrd}}||{{ss|William|Byrd}} | |align="right"|11 ||{{NoComp|Attollite portas|William Byrd}}||{{ss|William|Byrd}} | ||
Line 50: | Line 52: | ||
|align="right"|20 ||{{NoComp|Te lucis ante terminum|Thomas Tallis}}||{{ss|Thomas|Tallis}} | |align="right"|20 ||{{NoComp|Te lucis ante terminum|Thomas Tallis}}||{{ss|Thomas|Tallis}} | ||
|- | |- | ||
|align="right"|21 ||{{NoComp|Salvator | |align="right"|21 ||{{NoComp|Salvator mundi II|Thomas Tallis}}||{{ss|Thomas|Tallis}} | ||
|- | |- | ||
|align="right"|22 ||{{NoComp|Candidi facti sunt|Thomas Tallis}}||{{ss|Thomas|Tallis}} | |align="right"|22 ||{{NoComp|Candidi facti sunt|Thomas Tallis}}||{{ss|Thomas|Tallis}} | ||
Line 68: | Line 70: | ||
|align="right"|29 ||{{NoComp|Miserere mihi Domine|William Byrd}}||{{ss|William|Byrd}} | |align="right"|29 ||{{NoComp|Miserere mihi Domine|William Byrd}}||{{ss|William|Byrd}} | ||
|- | |- | ||
|align="right"|30 ||{{hs| | |align="right"|30 ||{{hs|Tribue Domine}}Part 1: [[Tribue Domine - Te deprecor - Gloria Patri (William Byrd)|''Tribune domine'']]||{{ss|William|Byrd}} | ||
|- | |- | ||
|align="right"|31 ||{{hs|Te deprecor}}Part 2: [[Tribue Domine - Te deprecor - Gloria Patri (William Byrd)|''Te deprecor'']]||{{ss|William|Byrd}} | |align="right"|31 ||{{hs|Te deprecor}}Part 2: [[Tribue Domine - Te deprecor - Gloria Patri (William Byrd)|''Te deprecor'']]||{{ss|William|Byrd}} | ||
Line 78: | Line 80: | ||
|align="right"|34 ||{{NoComp|Miserere nostri|Thomas Tallis}}||{{ss|Thomas|Tallis}} | |align="right"|34 ||{{NoComp|Miserere nostri|Thomas Tallis}}||{{ss|Thomas|Tallis}} | ||
|} | |} | ||
==Works at CPDL== | |||
{{MultiPubList|yr,seq,com,gen,subg,vo,voices|1575}} | |||
[[Category:Music publications]] | [[Category:Music publications]] |
Revision as of 07:26, 6 June 2019
One of the first sets of sacred music printed in England (1575), the Cantiones Sacrae were a joint publication by William Byrd and Thomas Tallis. The dedication to Queen Elizabeth was intended both in gratitude for her granting the composers the sole right to publish music in England, and to mark the 17th year of her reign. To this end, each composer contributed 17 pieces to the collection (although some separate numbering of sections of longer works was required to reach this total). In spite of the composers' initial optimism, the venture was a commercial failure, few copies being sold either at home or in Europe.
Publication date and place: 1575 in London.
At the time of publication, Byrd was about 35 and had recently returned to London from a post in Lincoln; Tallis was about 70. The collection contains relatively new pieces as well as those written some years previously.
List of works
Works at CPDL
Title | Year | No. | Composer | Genre | Subgenre | Vo. | Voices |
---|---|---|---|---|---|---|---|
Absterge Domine | 1575 | 2 | Thomas Tallis | Sacred | Motets | 5 | ATTBB |
Aspice Domine quia facta est | 1575 | 10 | William Byrd | Sacred | Motets | 6 | AATTBB |
Attollite portas | 1575 | 11 | William Byrd | Sacred | Motets | 6 | SATTTB |
Candidi facti sunt | 1575 | 22 | Thomas Tallis | Sacred | Motets | 5 | ATBBB,SATTB,SATBB |
Da mihi auxilium | 1575 | 23 | William Byrd | Sacred | Motets | 6 | ATTBBB |
Derelinquit impius | 1575 | 13 | Thomas Tallis | Sacred | Motets | 5 | ATTBB |
Diliges Dominum | 1575 | 25 | William Byrd | Sacred | Canons | 8 | SSAATTBB,SSTTTTBB,AATTTTBB |
Domine secundum actum meum | 1575 | 24 | William Byrd | Sacred | Motets | 6 | STTBBB |
Dum transisset Sabbatum | 1575 | 14 | Thomas Tallis | Sacred | Motets | 5 | SSATT |
Emendemus in melius | 1575 | 4 | William Byrd | Sacred | Motets | ||
Honor, virtus et potestas | 1575 | 15 | Thomas Tallis | Sacred | Motets | 5 | SAATT |
In jejunio et fletu | 1575 | 26 | Thomas Tallis | Sacred | Motets | 5 | ATTBB |
In manus tuas Domine | 1575 | 3 | Thomas Tallis | Sacred | Motets | 5 | SATTB |
Laudate pueri Dominum | 1575 | 17 | William Byrd | Sacred | Motets | 6 | ATTBBB |
Libera me, Domine, de morte aeterna | 1575 | 33 | William Byrd | Sacred | Motets | 5 | ATTBB |
Memento homo | 1575 | 18 | William Byrd | Sacred | Motets | 6 | ATTBBB |
Mihi autem nimis | 1575 | 7 | Thomas Tallis | Sacred | Motets | 5 | ATTBB |
Miserere mihi Domine | 1575 | 29 | William Byrd | Sacred | Motets | 6 | ATTBBB, SAATTB |
Miserere nostri | 1575 | 34 | Thomas Tallis | Sacred | Motets | 7 | SSTTTBB, AATTBBB |
O lux beata Trinitas | 1575 | 12 | William Byrd | Sacred | Motets | 6 | AATTBB |
O sacrum convivium | 1575 | 9 | Thomas Tallis | Sacred | Motets | 5 | ATTBB, SAATB, SATTB |
Peccantem me quotidie | 1575 | 6 | William Byrd | Sacred | Motets | 5 | SATTB |
Salvator mundi II | 1575 | 21 | Thomas Tallis | Sacred | Motets | 5 | ATTBB, SATTB |
Salvator mundi I | 1575 | 1 | Thomas Tallis | Sacred | Motets | 5 | ATTBB |
Sermone blando | 1575 | 16 | Thomas Tallis | Sacred | Motets | 5 | STTBB |
Siderum rector | 1575 | 19 | William Byrd | Sacred | Motets | 5 | SAATB,SATTB |
Suscipe quaeso Domine - Si enim iniquitates | 1575 | 27-28 | Thomas Tallis | Sacred | Motets | 7 | AATTBBB, SSAATBB |
Te lucis ante terminum | 1575 | 20 | Thomas Tallis | Sacred | Office hymns | 5 | ATTBB |
Tribue Domine - Te deprecor - Gloria Patri | 1575 | 30-32 | William Byrd | Sacred | Motets | 6 | SATTBB |