De Profundis H 156 (Marc-Antoine Charpentier): Difference between revisions
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'''Description:''' This setting of Psalm 130 concludes with a "Requiem aeternam." I've provided the option of returning to the opening verse and skipping the Requiem verse.<br><br>In the original manuscript, Charpentier did not complete more than a couple of opening verses, providing an harmonic sketch, some rhythmic pointing (''e.g.'', the first verse) and the remaining text. I presume that, as in Anglican chant, his singers would have filled in the words, with their own text rhythms, to the given harmonies.<br><br>This edition provides a practical approach to Charpentier's original, along with a continuo realization.<br> | '''Description:''' This setting of Psalm 130 concludes with a "Requiem aeternam." I've provided the option of returning to the opening verse and skipping the Requiem verse.<br><br>In the original manuscript, Charpentier did not complete more than a couple of opening verses, providing an harmonic sketch, some rhythmic pointing (''e.g.'', the first verse) and the remaining text. I presume that, as in Anglican chant, his singers would have filled in the words, with their own text rhythms, to the given harmonies.<br><br>This edition provides a practical approach to Charpentier's original, along with a continuo realization.<br> |
Revision as of 05:20, 2 September 2016
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- Editor: Paul Cienniwa (submitted 2006-01-10). Score information: Letter, 7 pages, 66 kB Copyright: CPDL
- Edition notes:
General Information
Title: De profundis, H 156
Composer: Marc-Antoine Charpentier
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Motet
Language: Latin
Instruments: Basso continuo
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: This setting of Psalm 130 concludes with a "Requiem aeternam." I've provided the option of returning to the opening verse and skipping the Requiem verse.
In the original manuscript, Charpentier did not complete more than a couple of opening verses, providing an harmonic sketch, some rhythmic pointing (e.g., the first verse) and the remaining text. I presume that, as in Anglican chant, his singers would have filled in the words, with their own text rhythms, to the given harmonies.
This edition provides a practical approach to Charpentier's original, along with a continuo realization.
External websites:
Original text and translations
Original text and translations may be found at Psalm 130.