Ecce amica mea (Maistre Jhan): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
* {{CPDLno|29906}} [[Media:Ecce_amica_mea_Morales.pdf|{{pdf}}]] [[Media:Ecce_amica_mea_Morales.mid|{{mid}}]] [[Media:Ecce_amica_mea_Morales.mxl|{{XML}}]] [[Media:Ecce_amica_mea_Morales.capx|{{Capx}}]]
{{Editor|James Gibb|2013-08-21}}{{ScoreInfo|A4|8|127}}{{Copy|CPDL}}
:'''Edition notes:''' Reformating of #11017, with minor corrections, as noted on the discussion page. Revised files uploaded 3/3/18. {{MXL}}


*'''CPDL #11017:''' [http://www.cpdl.org/wiki/images/e/e0/Morales1546-18.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/b/b8/Morales1546-18.cap Capella]
*{{CPDLno|11017}} [[Media:Morales1546-18.pdf|{{pdf}}]] [[Media:Morales1546-18.mid|{{mid}}]] [[Media:Morales1546-18.cap|{{Cap}}]]
:'''Editor:''' [[User:Michael Wendel|Michael Wendel]] ''(added 2006-02-18)''.   '''Score information:''' A4, 7 pages, 157 kbytes   '''Copyright:''' [[ChoralWiki:Personal|Personal]]
{{Editor|Michael Wendel|2006-02-18}}{{ScoreInfo|A4|7|157}}{{Copy|Personal}}
:'''Edition notes:''' Copyright © Michael Wendel 2005, This edition may be freely duplicated, distributed, performed or recorded for non-profit performance or use.  
:'''Edition notes:''' Copyright © Michael Wendel 2005, This edition may be freely duplicated, distributed, performed or recorded for non-profit performance or use.  
{{ScoreError|Very little to report here: editorial B flats needed in alto (bars 94-96) and bass (bar 127). Mick Swithinbank}}
{{ScoreError}}


==General Information==
==General Information==
'''Title:''' ''Ecce, amica mea''<br>
'''Title:''' ''Ecce, amica mea''<br>
{{Composer|Cristóbal de Morales}}
{{Composer|Cristóbal de Morales}}
'''Source of text:''' Song of Songs 2:8b-14, with minor alterations and insertions.


'''Number of voices:''' 4vv '''Voicing:''' SATB<br>
{{Voicing|4|SATB}}<br>
'''Genre:''' [[:Category:Sacred music|Sacred]], [[:Category:Motets|Motet]]<br>
{{Genre|Sacred|Motets}}
{{Language|Latin}}
{{Language|Latin}}
'''Instruments:''' {{acap}}<br>
{{Instruments|A cappella}}
'''Published:''' 1546
{{Pub|1|1543|in ''[[Moralis Hispani]]''|no=24}}


'''Description:''' No. 18 of 20 motets published in 1546 in Venice by Antonio Gardano. (facsimile from the Bayerische Staatsbibliothek Munich (4° Mus.pr. 42/3)). A Song of Songs motet to the Virgin Mary.<br>
'''Description:''' No. 18 of 20 motets published in 1546 in Venice by Antonio Gardano. (facsimile from the Bayerische Staatsbibliothek Munich (4° Mus.pr. 42/3)). A Song of Songs motet to the Virgin Mary.<br>


'''External websites:'''  
'''External websites:'''


==Original text and translations==
==Original text and translations==
{{Text|Latin}}
Insertions in the Vulgate text are italicised.
<poem>
{{Top}}
{{Text|Latin|
'''Prima pars'''
'''Prima pars'''
Ecce amica mea,
''Ecce amica mea, columba mea,speciosa mea,formosa mea,''
columba mea,
{{Vs|8b}} venit saliens in montibus, transiliens colles.
speciosa mea,
{{Vs|9}} Similis est dilecta mea capree hynuloque cervorum. ''En dilecta mea,formosa mea''
formosa mea,
stat post parietem nostrum respiciens per fenestras, prospiciens per cancellos.
venit saliens in montibus,  
{{Vs|10}} En dilectus meus loquitur mihi: "Surge, amica mea, columba mea, formosa mea,  
transiliens colles.
Similis est dilecta mea
capree hynuloque cervorum.
En dilecta mea,
formosa mea
stat post parietem nostrum  
respiciens per fenestras,  
prospiciens per cancellos.
En dilectus meus loquitur mihi:  
"Surge, amica mea,  
columba mea,  
formosa mea,  
et veni.
et veni.
Iam enim hiems transiit,  
{{Vs|11}} Iam enim hiems transiit, imber abiit et recessit. ''Columba mea, veni.''
imber abiit et recessit.
Columba mea, veni.


'''Secunda Pars'''
'''Secunda Pars'''
Flores apparuerunt in terra nostra,  
{{Vs|12}} Flores apparuerunt in terra ''nostra'', tempus putationis advenit; vox turturis audita est  
tempus putationis advenit;  
in terra nostra,
vox turturis audita est in terra nostra,
{{Vs|13}} ficus protulit grossos suos, vineae florentes dederunt odorem ''suum''; surge, amica mea,  
ficus protulit grossos suos,  
propera, speciosa mea, et veni,  
vineae florentes dederunt odorem suum;  
{{Vs|14}} columba mea, in foraminibus petrae, in caverna maceriae. Ostende faciem tuam mihi, sonet vox tua in auribus meis; vox enim tua dulcis, et facies tua decora.
surge, amica mea,  
}}
propera, speciosa mea,  
{{Middle}}
et veni, columba mea,  
{{Translation|English|
in foraminibus petrae,  
'''Prima pars'''
in caverna maceriae.  
''Behold, O my love, my dove, my beautiful, my beautiful one''
Ostende faciem tuam mihi,  
{{Vs|8b}} She cometh leaping upon the mountains, skipping over the hills.
sonet vox tua in auribus meis;  
{{Vs|9}} My beloved is like a roe, or a young hart. Behold ''my beloved, my beautiful one'',
vox enim tua dulcis,  
standeth behind our wall, looking through the windows, looking through the lattices.
et facies tua decora".
{{Vs|10}} Behold my beloved speaketh to me: Arise, make haste, my love, my dove, my beautiful one,
</poem>
and come.
{{Vs|11}} For winter is now past, the rain is over and gone. ''Come, my dove.''
 
'''Secunda pars'''
{{Vs|12}} The flowers have appeared in our land, the time of pruning is come: the voice of the turtle is heard
in our land:
{{Vs|13}} The fig tree hath put forth her green figs: the vines in flower yield their sweet smell. Arise, my love,
my beautiful one, and come:
{{Vs|14}} My dove in the clefts of the rock, in the hollow places of the wall, shew me thy face, let thy voice sound in my ears: for thy voice is sweet, and thy face comely.
}}
{{Bottom}}
[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Sacred music]]
[[Category:Motets]]
[[Category:SATB]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 16:41, 15 August 2019

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  • CPDL #29906:         
Editor: James Gibb (submitted 2013-08-21).   Score information: A4, 8 pages, 127 kB   Copyright: CPDL
Edition notes: Reformating of #11017, with minor corrections, as noted on the discussion page. Revised files uploaded 3/3/18. MusicXML source file(s) in compressed .mxl format.
  • CPDL #11017:       
Editor: Michael Wendel (submitted 2006-02-18).   Score information: A4, 7 pages, 157 kB   Copyright: Personal
Edition notes: Copyright © Michael Wendel 2005, This edition may be freely duplicated, distributed, performed or recorded for non-profit performance or use.
Error.gif Possible error(s) identified. See the discussion page for full description.

General Information

Title: Ecce, amica mea
Composer: Cristóbal de Morales
Source of text: Song of Songs 2:8b-14, with minor alterations and insertions.

Number of voices: 4vv   Voicing: SATB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1543 in Moralis Hispani, no. 24

Description: No. 18 of 20 motets published in 1546 in Venice by Antonio Gardano. (facsimile from the Bayerische Staatsbibliothek Munich (4° Mus.pr. 42/3)). A Song of Songs motet to the Virgin Mary.

External websites:

Original text and translations

Insertions in the Vulgate text are italicised.

Latin.png Latin text

Prima pars
Ecce amica mea, columba mea,speciosa mea,formosa mea,
8b  venit saliens in montibus, transiliens colles.
9  Similis est dilecta mea capree hynuloque cervorum. En dilecta mea,formosa mea
stat post parietem nostrum respiciens per fenestras, prospiciens per cancellos.
10  En dilectus meus loquitur mihi: "Surge, amica mea, columba mea, formosa mea,
et veni.
11  Iam enim hiems transiit, imber abiit et recessit. Columba mea, veni.

Secunda Pars
12  Flores apparuerunt in terra nostra, tempus putationis advenit; vox turturis audita est
in terra nostra,
13  ficus protulit grossos suos, vineae florentes dederunt odorem suum; surge, amica mea,
propera, speciosa mea, et veni,
14  columba mea, in foraminibus petrae, in caverna maceriae. Ostende faciem tuam mihi, sonet vox tua in auribus meis; vox enim tua dulcis, et facies tua decora.
 

English.png English translation

Prima pars
Behold, O my love, my dove, my beautiful, my beautiful one
8b  She cometh leaping upon the mountains, skipping over the hills.
9  My beloved is like a roe, or a young hart. Behold my beloved, my beautiful one,
standeth behind our wall, looking through the windows, looking through the lattices.
10  Behold my beloved speaketh to me: Arise, make haste, my love, my dove, my beautiful one,
and come.
11  For winter is now past, the rain is over and gone. Come, my dove.

Secunda pars
12  The flowers have appeared in our land, the time of pruning is come: the voice of the turtle is heard
in our land:
13  The fig tree hath put forth her green figs: the vines in flower yield their sweet smell. Arise, my love,
my beautiful one, and come:
14  My dove in the clefts of the rock, in the hollow places of the wall, shew me thy face, let thy voice sound in my ears: for thy voice is sweet, and thy face comely.