Epitalamio (Giovanni Ghizzolo): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2012-01-14}} {{CPDLno|25376}} [[Media:Ghiz-eplm-fs.pdf|{{pdf}}]] [[Media:Ghzl-eplm.mid|{{mid}}]] | *{{PostedDate|2012-01-14}} {{CPDLno|25376}} [[Media:Ghiz-eplm-fs.pdf|{{pdf}}]] [[Media:Ghzl-eplm.mid|{{mid}}]] [[Media:Ghiz-eplm-fs.mxl|{{XML}}]] | ||
{{Editor|David Millard|2012-01-14}}{{ScoreInfo|Letter|19|190}}{{Copy|Personal}} | {{Editor|David Millard|2012-01-14}}{{ScoreInfo|Letter|19|190}}{{Copy|Personal}} | ||
:{{EdNotes|This is a full director's score. It includes a continuo realization and written out repeats of the opening refrain as well as editorial notes and an English translation.}} | :{{EdNotes|This is a full director's score. It includes a continuo realization and written out repeats of the opening refrain as well as editorial notes and an English translation.}} | ||
*{{PostedDate|2012-01-14}} {{CPDLno|25377}} [[Media:Ghiz-eplm-vs.pdf|{{pdf}}]] | |||
*{{PostedDate|2012-01-14}} {{CPDLno|25377}} [[Media:Ghiz-eplm-vs.pdf|{{pdf}}]] [[Media:Ghiz-eplm-vs.mxl|{{XML}}]] | |||
{{Editor|David Millard|2012-01-14}}{{ScoreInfo|Letter|12|109}}{{Copy|Personal}} | {{Editor|David Millard|2012-01-14}}{{ScoreInfo|Letter|12|109}}{{Copy|Personal}} | ||
:{{EdNotes|This is an abbreviated vocal score for Ghizzolo's Epitalamio CPDL #25376.}} | :{{EdNotes|This is an abbreviated vocal score for Ghizzolo's Epitalamio CPDL #25376.}} | ||
*{{PostedDate|2010-07-07}} {{CPDLno|21926}} [[Media:Ghizz-epitalamio.pdf|{{pdf}}]] [[Media:Ghizz-epitalamio.MID|{{mid}}]] [[Media:Ghizz-epitalamio.mxl|{{XML}}]] [[Media:Ghizz-epitalamio.MUS|{{mus}}]] (Finale 2008) | *{{PostedDate|2010-07-07}} {{CPDLno|21926}} [[Media:Ghizz-epitalamio.pdf|{{pdf}}]] [[Media:Ghizz-epitalamio.MID|{{mid}}]] [[Media:Ghizz-epitalamio.mxl|{{XML}}]] [[Media:Ghizz-epitalamio.MUS|{{mus}}]] (Finale 2008) | ||
{{Editor|André Vierendeels|2010-07-07}}{{ScoreInfo|A4|9|198}}{{Copy|CPDL}} | {{Editor|André Vierendeels|2010-07-07}}{{ScoreInfo|A4|9|198}}{{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
:{{ScoreError|}} | :{{ScoreError|}} | ||
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{{Composer|Giovanni Ghizzolo}} | {{Composer|Giovanni Ghizzolo}} | ||
{{Voicing|5|SSATB, SATTB}} | {{Voicing|5|SSATB, SATTB}} | ||
{{Genre|Secular|Madrigals}} | {{Genre|Secular|Madrigals}} | ||
{{Language|Italian}} | {{Language|Italian}} | ||
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{{#ExtWeb:}} | {{#ExtWeb:}} | ||
==Original text and translations== | ==Original text and translations== | ||
Note: An Epithalamium is a song or poem to be performed in honour of a {{Cat| | Note: An Epithalamium is a song or poem to be performed in honour of a {{Cat|marriage}}. This particular example is intended to usher the bride and groom to the bridal chamber. | ||
{| | {| | ||
|valign="top"| | |valign="top"| | ||
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E i pregi suoi con mille freg’accresce | E i pregi suoi con mille freg’accresce | ||
s’ul crin dorato mesce, | s’ul crin dorato mesce, | ||
Del crin dorat’ à bei | Del crin dorat’ à bei natii tesori | ||
Primavera gentil d’eterni fiori. | Primavera gentil d’eterni fiori. | ||
[Canto e Basso] Parte del crin torregia | [Canto e Basso] Parte del crin torregia | ||
sù la fronte raccolto | sù la fronte raccolto | ||
Parte | Parte disciolt’ ondeggia | ||
per le nev’ indorar di quel bel volto | per le nev’ indorar di quel bel volto | ||
Parte frà gemm’ avolto | Parte frà gemm’ avolto | ||
tessut’ in treccia | tessut’ in treccia indi ristrett’ in nodi | ||
S’agira aureo meandr’ in mille modi. | S’agira aureo meandr’ in mille modi. | ||
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in frà l’oro e le sete | in frà l’oro e le sete | ||
Da l’orecchie pendenti | Da l’orecchie pendenti | ||
scintillan risi amorosett’ | scintillan risi amorosett’ e liete; | ||
Ella di vaga rete | Ella di vaga rete | ||
cresp’ e candido giro al coll’ hà | cresp’ e candido giro al coll’ hà intorno, | ||
Quasi bel Sol de suoi bei ragg’adorno. | Quasi bel Sol de suoi bei ragg’adorno. | ||
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felic’ amant’ il suo bel coll’ abbraccia. | felic’ amant’ il suo bel coll’ abbraccia. | ||
[Quinto] Ell’ amica | [Quinto] Ell’ amica, e rubella | ||
ne sembianti si mostra | ne sembianti si mostra | ||
Mentr’ Himeneo l’appella | Mentr’ Himeneo l’appella | ||
co’l suo dolce nemico à dolce giostra; | co’l suo dolce nemico à dolce giostra; | ||
Le belle guancie | Le belle guancie inostra | ||
mà ben dir non saprei, se quel | mà ben dir non saprei, se quel rossore | ||
è | è rossor di vergogn’ ò pur d’amore. | ||
[Coro] D’amorett’ una schiera | [Coro] D’amorett’ una schiera |
Latest revision as of 09:05, 23 January 2023
Music files
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Help |
- Editor: David Millard (submitted 2012-01-14). Score information: Letter, 19 pages, 190 kB Copyright: Personal
- Edition notes: This is a full director's score. It includes a continuo realization and written out repeats of the opening refrain as well as editorial notes and an English translation.
- Editor: David Millard (submitted 2012-01-14). Score information: Letter, 12 pages, 109 kB Copyright: Personal
- Edition notes: This is an abbreviated vocal score for Ghizzolo's Epitalamio CPDL #25376.
- Editor: André Vierendeels (submitted 2010-07-07). Score information: A4, 9 pages, 198 kB Copyright: CPDL
- Edition notes:
- Possible error(s) identified. See the discussion page for full description.
General Information
Title: Epitalamio
Composer: Giovanni Ghizzolo
Number of voices: 5vv Voicings: SSATB or SATTB
Genre: Secular, Madrigal
Language: Italian
Instruments: Basso continuo
First published: 1613 in Madrigali et arie, libro terzo, no. 22
Description:
External websites:
Original text and translations
Note: An Epithalamium is a song or poem to be performed in honour of a marriage. This particular example is intended to usher the bride and groom to the bridal chamber.
Italian text [Coro] Già delle Grazie il coro |
English translation [Coro] Now, the choir of Graces |
- * Hymen: The Roman god of marriage.
- † Hesperus: The evening star (i.e. Venus at the times of the year when it is visible in the evening sky).
- ‡ There is a double meaning here. The image culminates the metaphor of lovemaking as warfare while it graphically describes the aftermath of the bride’s deflowering.