Exultate justi (Ludovico da Viadana): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2017-10-14}} {{CPDLno|46796}} [[Media:Exsultate_justi_Viadana_JG.pdf|{{pdf}}]] [[Media:Exsultate_justi_Viadana_JG.mid|{{mid}}]] [[Media:Exsultate_justi_Viadana_JG.mxl|{{XML}}]] [[Media:Exsultate_justi_Viadana_JG.capx|{{Capx}}]]
*{{PostedDate|2019-08-26}} {{CPDLno|55173}} [[Media:Viadana,_Exsultate_Justi_adapted_to_English.pdf|{{pdf}}]] [[Media:Exsultate_Justi,_Viadana_adapt_to_english_Lift_Your_Voices_To_Heaven,_Yelm_Community_Choir,_Spring.mp3|{{mp3}}]]
{{Editor|James Gibb|2017-10-14}}{{ScoreInfo|A4|4|58}}{{Copy|CPDL}}
{{Editor|Warren Shaffer|2019-08-26}}{{ScoreInfo|Letter|9|150}}{{Copy|Creative Commons Attribution}}
:'''Edition notes:''' in G. {{MXL}}
:'''Edition notes:'''
{{ScoreError|Several errors.}}
 
*{{PostedDate|2019-07-24}} {{CPDLno|54883}} [[Media:Exsultate_justi.pdf|{{pdf}}]] [[Media:Exsultate_justi.mid|{{mid}}]] [[Media:Exsultate_justi.mp3|{{mp3}}]] [[Media:Exsultate_justi.mxl|{{XML}}]] [[Media:Exsultate_justi.mscz|{{Muse}}]]<br><b>Practice mp3s</b>: Soprano: [[Media:Exsultate_justiSopr.mp3|{{mp3}}]] Alto: [[Media:Exsultate_justiAlto.mp3|{{mp3}}]] Tenor: [[Media:Exsultate_justiTenor.mp3|{{mp3}}]] Bass: [[Media:Exsultate_justiBass.mp3|{{mp3}}]]  
{{Editor|William Chimiak|2019-07-24}}{{ScoreInfo|Letter|4|92}}{{Copy|CPDL}}
:'''Edition notes:''' {{MXL}}
 
*{{PostedDate|2019-06-15}} {{CPDLno|54552}} [[Media:Exsultate_iusti_(Viadana)_Original_pitch.pdf|{{pdf}}]]
{{Editor|Simon Biazeck|2019-06-15}}{{ScoreInfo|Unknown||}}{{Copy|CPDL}}
:'''Edition notes:''' Original pitch: F
 
*{{PostedDate|2019-06-15}} {{CPDLno|54551}} [[Media:Exsultate_iusti_(Viadana)_G.pdf|{{pdf}}]]
{{Editor|Simon Biazeck|2019-06-15}}{{ScoreInfo|A4|8|115}}{{Copy|CPDL}}
:'''Edition notes:''' In G. Transposed up a whole tone for SATB


*{{PostedDate|2016-11-21}} {{CPDLno|41985}} [[Media:Exsultate_iusti_(Viadana)_A-flat.pdf|{{pdf}}]] [[Media:Exsultate_iusti_(Viadana)_A-flat.mid|{{mid}}]]  
*{{PostedDate|2019-06-13}} {{CPDLno|54543}} [[Media:Exsultate_iusti_(Viadana)_A-flat.pdf|{{pdf}}]]  
{{Editor|Simon Biazeck|2016-11-21}}{{ScoreInfo|A4|8|122}}{{Copy|CPDL}}
{{Editor|Simon Biazeck|2019-06-13}}{{ScoreInfo|A4|8|116}}{{Copy|CPDL}}
:'''Edition notes:''' (A-flat edition)
:'''Edition notes:''' In A-flat. Transposed up a minor third for SATB
{{ScoreError|Tenor m.19. The first fusa should be D flat instead of B flat.}}


*{{PostedDate|2016-11-21}} {{CPDLno|41984}} [[Media:Exsultate iusti (Viadana) G.pdf|{{pdf}}]] [[Media:Exsultate_iusti_(Viadana)_G.mid|{{mid}}]]
*{{PostedDate|2017-10-14}} {{CPDLno|46796}} [[Media:Exsultate_justi_Viadana_JG.pdf|{{pdf}}]] [[Media:Exsultate_justi_Viadana_JG.mid|{{mid}}]] [[Media:Exsultate_justi_Viadana_JG.mxl|{{XML}}]] [[Media:Exsultate_justi_Viadana_JG.capx|{{Capx}}]]
{{Editor|Simon Biazeck|2016-11-21}}{{ScoreInfo|A4|8|120}}{{Copy|CPDL}}
{{Editor|James Gibb|2017-10-14}}{{ScoreInfo|A4|4|63}}{{Copy|CPDL}}
:'''Edition notes:''' (Edition in G.)
:'''Edition notes:''' in G. {{MXL}} Revised files uploaded 08/09/19.
:Regarding the much-discussed question of tempo relationships, performers should probably observe the contemporary Venetian practice in which a whole bar in triple time equals a half bar in duple time (dotted breve = minim). This is best achieved by setting a quick and light three (one beat per bar) at the beginning.
:The Basso Continuo (merely a Basso seguente here) is not necessary unless the ensemble lacks musical acumen or is unable to hold the pitch. In editions comprising works in Prima Prattica and Seconda Prattica it was common to provide an instrumental bass throughout, regardless of whether or not it was considered ideal for works in Old Roman Style.
:Why make a new edition of this most well-known work? A transcription prepared from Vincenti’s 1605 print reveals a few persistent errors in most modern editions (probably perpetuated by popular “on sale” material), most of which seem inexplicable even if their editors thought it necessary to “improve“ Viadana’s counterpoint. I have no such reservations.
:The most egregious mistake concerns the counterpoint in bar 19 of the Tenor part where he should descend, rather than ascend a tone after the four quavers. This is almost certainly a casual error, but the fact that it causes a doubled third with the Cantus should have been the first clue to the fault. Those who claim that they “like” it, or in truth, have simply grown accustomed to it through repetition, should consider that the composer would not have written it this way, and his version, faithfully (I believe) transmitted in the print, is both correct and idiomatic.
:Less easy to explain is the omission of a repeat of 'in cithara' for the Altus & Tenor in bar 20, which is perfectly clear in the original print, and written out in full where one may have reasonably expected the customary repeat sign.
{{ScoreError|Tenor m.19. The first fusa should be C instead of A}}


*{{PostedDate|2015-07-20}} {{CPDLno|34854}} [[Media:Viadana - Exsultate Justi.pdf|{{pdf}}]]
*{{PostedDate|2015-07-20}} {{CPDLno|34854}} [[Media:Viadana - Exsultate Justi.pdf|{{pdf}}]]
Line 27: Line 31:
* {{CPDLno|33161}} [[Media:Exsultate_justi_Viadana.pdf|{{pdf}}]] [[Media:Exsultati_justi_Viadana.mid|{{mid}}]] [[Media:Exsultati_Justi_Viadana.mxl|{{XML}}]] [[Media:Exsultati_Justi_Viadana.sib|{{sib}}]] (Sibelius 4)  
* {{CPDLno|33161}} [[Media:Exsultate_justi_Viadana.pdf|{{pdf}}]] [[Media:Exsultati_justi_Viadana.mid|{{mid}}]] [[Media:Exsultati_Justi_Viadana.mxl|{{XML}}]] [[Media:Exsultati_Justi_Viadana.sib|{{sib}}]] (Sibelius 4)  
{{Editor|Brian Marble|2014-10-18}}{{ScoreInfo|Letter|4|69}}{{Copy|CPDL}}
{{Editor|Brian Marble|2014-10-18}}{{ScoreInfo|Letter|4|69}}{{Copy|CPDL}}
:'''Edition notes:''' In G.  Corrected edition uploaded 7-21-15. {{MXL}}
:'''Edition notes:''' In G.  Corrected edition (per errors below) uploaded 5-29-19. {{MXL}}
{{ScoreError|Several errors.}}


*{{CPDLno|3307}} [[Media:ws-via-exsu.pdf|{{Pdf}}]]  
*{{CPDLno|3307}} [[Media:ws-via-exsu.pdf|{{Pdf}}]]  
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{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1627|in ''{{NoComp|Promptuarii musici concentus ecclesiasticos, Pars Tertia|Johann Donfrid}}''|no=248}}
{{Pub|1|1627|in ''{{NoComp|Promptuarii musici concentus ecclesiasticos, Pars Tertia|Johann Donfrid}}''|no=248}}
{{Pub|2|1977|in ''[[Chester Book of Motets 1]]''|no=12}}
{{Pub|2|1977|in ''[[The Chester Book of Motets]]''|vol=Book 1|no=12}}
'''Description:'''  
'''Description:'''  



Revision as of 06:54, 18 December 2019

Music files

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Icon_snd.gif Midi
Icon_mp3.gif Mp3
MusicXML.png MusicXML
Logo_capella-software_kurz_2011_16x16.png Capella
Encore_Icon2.png Encore
MuScor.png MuseScore
Sibelius.png Sibelius
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  • (Posted 2019-08-26)  CPDL #55173:     
Editor: Warren Shaffer (submitted 2019-08-26).   Score information: Letter, 9 pages, 150 kB   Copyright: CC BY
Edition notes:
  • (Posted 2019-07-24)  CPDL #54883:           
    Practice mp3s: Soprano:   Alto:   Tenor:   Bass:  
Editor: William Chimiak (submitted 2019-07-24).   Score information: Letter, 4 pages, 92 kB   Copyright: CPDL
Edition notes: MusicXML source file(s) in compressed .mxl format.
  • (Posted 2019-06-15)  CPDL #54552:   
Editor: Simon Biazeck (submitted 2019-06-15).   Score information: Unknown   Copyright: CPDL
Edition notes: Original pitch: F
  • (Posted 2019-06-15)  CPDL #54551:   
Editor: Simon Biazeck (submitted 2019-06-15).   Score information: A4, 8 pages, 115 kB   Copyright: CPDL
Edition notes: In G. Transposed up a whole tone for SATB
  • (Posted 2019-06-13)  CPDL #54543:   
Editor: Simon Biazeck (submitted 2019-06-13).   Score information: A4, 8 pages, 116 kB   Copyright: CPDL
Edition notes: In A-flat. Transposed up a minor third for SATB
  • (Posted 2017-10-14)  CPDL #46796:         
Editor: James Gibb (submitted 2017-10-14).   Score information: A4, 4 pages, 63 kB   Copyright: CPDL
Edition notes: in G. MusicXML source file(s) in compressed .mxl format. Revised files uploaded 08/09/19.
  • (Posted 2015-07-20)  CPDL #34854:   
Editor: Doug Poppen (submitted 2015-03-22).   Score information: Letter, 7 pages, 82.7 kB   Copyright: CPDL
Edition notes: Transposed and revoiced into C Major for TTBB
  • CPDL #33161:        (Sibelius 4)
Editor: Brian Marble (submitted 2014-10-18).   Score information: Letter, 4 pages, 69 kB   Copyright: CPDL
Edition notes: In G. Corrected edition (per errors below) uploaded 5-29-19. MusicXML source file(s) in compressed .mxl format.
  • CPDL #03307:   
Editor: Christopher Moore (submitted 2002-03-05).   Score information: A4, 6 pages, 159 kB   Copyright: Personal
Edition notes: Does not include any underlay.
  • CPDL #00429:       
Editors: Paco Marmol and Manolo Casaus (submitted 1999-10-14).   Score information: A4, 6 pages, 99 kB   Copyright: CPDL
Edition notes:

General Information

Title: Exultate justi
Composer: Ludovico da Viadana
Source of text: Psalm 32 (V) vv. 1-3

Number of voices: 4vv   Voicings: SATB or TTBB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1627 in Promptuarii musici concentus ecclesiasticos, Pars Tertia, no. 248
    2nd published: 1977 in The Chester Book of Motets, Book 1, no. 12
Description:

External websites:

Original text and translations

Original text and translations may be found at Psalm 33.

English.png English translation

Rejoice in the Lord, O ye just; praise befits the upright.
Give praise to the Lord on the harp; sing to him with the psaltery, the instrument of ten strings.
Sing to him a new canticle, sing well unto him with a loud noise.
Rejoice in the Lord, O ye just; praise befits the upright.

Translation by St Ann choir