File:White Ad Te Levavi.pdf
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White_Ad_Te_Levavi.pdf (file size: 124 KB, MIME type: application/pdf)
The alto parts are laid out for high tenors. The tenor part has been reconstructed. This sounds well up a tone or semitone because of the pitch change, but has been presented untransposed for reasons of practicability. The bipartite form and full imitative texture derive from Taverner's Quemadmodum, scores on IMSLP, probably the first of a distinguished line of psalm motets stretching to Gibbons' O Clap Your Hands of 1622.
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| Date/Time | Dimensions | User | Comment | |
|---|---|---|---|---|
| current | 22:20, 30 November 2017 | (124 KB) | Gervais O Frykman (talk | contribs) | The alto parts are laid out for high tenors. The tenor part has been reconstructed. This sounds well up a tone or semitone because of the pitch change, but has been presented untransposed for reasons of practicability. The bipartite form and full imita... |
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