Francesco Bianciardi: Difference between revisions

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'''Biography:''' Italian organist and composer of motets, psalms and madrigals. In the preface to his ''Sacrarum modulationum'' (1596) he said that he was of humble origins. Until not later than 1596 he was organist, and from no later than 20 June 1597 ''maestro di cappella'' of Siena Cathedral. In his manuscript ''Notitia de contrapuntisti e de compositori di musica'', Pitoni called him a ‘grandissimo suonatore di organo’ (very great organ player), and he was praised as ''maestro di cappella'' by Banchieri in his ''Conclusioni nel suono dell’organo'' (1609). By 1601 and probably until his death he was responsible for musical affairs in the Accademia degli Intronati. According to Isidoro Ugurgieni Azzolini (''Pompe sanesi'', Pistoia, 1649), Bianciardi was 35 when he died. He was mainly a composer of church music in the style of Palestrina, whose pupil he may have been. The ''Canzonette spirituali'' is in a lighter style, however, and another late collection, the fourth set of ''Sacrarum modulationum'' (1608), is in the concertato tradition inaugurated by Viadana. Bianciardi’s posthumous fly-sheet ''Breve regola'' is a useful source for the early practice of thoroughbass.
'''Biography:''' Italian organist and composer of motets, psalms and madrigals. In the preface to his ''Sacrarum modulationum'' (1596) he said that he was of humble origins. Until not later than 1596 he was organist, and from no later than 20 June 1597 ''maestro di cappella'' of Siena Cathedral. In his manuscript ''Notitia de contrapuntisti e de compositori di musica'', Pitoni called him a ‘grandissimo suonatore di organo’ (very great organ player), and he was praised as ''maestro di cappella'' by Banchieri in his ''Conclusioni nel suono dell’organo'' (1609). By 1601 and probably until his death he was responsible for musical affairs in the Accademia degli Intronati. According to Isidoro Ugurgieni Azzolini (''Pompe sanesi'', Pistoia, 1649), Bianciardi was 35 when he died. He was mainly a composer of church music in the style of Palestrina, whose pupil he may have been. The ''Canzonette spirituali'' is in a lighter style, however, and another late collection, the fourth set of ''Sacrarum modulationum'' (1608), is in the concertato tradition inaugurated by Viadana. Bianciardi’s posthumous fly-sheet ''Breve regola'' is a useful source for the early practice of thoroughbass.
{{WikipediaLink}}
{{WikipediaLink}}
==List of choral works==
==List of choral works==
{{Legend}}
{{#SortWorks:}}
{{Recent_additions}}
{{CheckMissing}}
*{{NoCo|Benedictus es Domine}}   ( [{{filepath:Bian-ben.pdf}} {{pdf}}] [{{filepath:Bian-ben.mid}} {{mid}}] )
 
 
 
 
*{{NoCo|Ave gratia plena a 6}}   ( [{{filepath:1,38_Bianciardi,F._Ave_gratia_plena_a_6.pdf}} {{pdf}}] [{{filepath:1,38_Bianciardi,F._Ave_gratia_plena_a_6.mid}} {{mid}}] )
*{{NoCo|Ave rex noster a 8}}   ( [{{filepath:1,72_Bianciardi,_F._Ave_rex_noster_a_8.pdf}} {{pdf}}] [{{filepath:1,72_Bianciardi,_F._Ave_rex_noster_a_8.mid}} {{mid}}] )
*{{NoCo|Extollens vocem a 6}}   ( [{{filepath:1,62_Bianciardi,_F._Extollens_vocem_a_6.pdf}} {{pdf}}] [{{filepath:1,62_Bianciardi,_F._Extollens_vocem_a_6.mid}} {{mid}}] )
*{{NoCo|Exultet et laetentur a 6}}   ( [{{filepath:Bianciardi,_F._Exultet_&_laetentur_a_6.pdf}} {{pdf}}] [{{filepath:Bianciardi,_F._Exultet_&_laetentur_a_6.mid}} {{mid}}] )
*{{NoCo|Hei mihi Domine a 8}}   ( [{{filepath:1,48_Bianciardi,_F._Hei_mihi_a_8.pdf}} {{pdf}}] [{{filepath:1,48_Bianciardi,_F._Hei_mihi_a_8.mid}} {{mid}}] )
*{{NoCo|Hierusalem citò venient a 5}}   ( [{{filepath:1,1_Bianciardi,_F._Hierusalem_citò_venient_a_5.pdf}} {{pdf}}] [{{filepath:1,1_Bianciardi,_F._Hierusalem_citò_venient_a_5.mid}} {{mid}}] )
*{{NoCo|Laudate Dominum}}   {{LLink|No63-Laudate_Dominum.pdf|No63-Laudate_Dominum.MID|No63-Laudate_Dominum.mus|Finale 2006}}
*{{NoCo|Omnia quae fecisti a 8}}   ( [{{filepath:1,53_Bianciardi_Omnia_quae_fecisti_a_8.pdf}} {{pdf}}] [{{filepath:1,53_Bianciardi_Omnia_quae_fecisti_a_8.mid}} {{mid}}] )
*{{NoCo|Surgite pastores}} {{editions|2}}
 
{{Whatlinkshere}}
{{Whatlinkshere}}
==Publications==
==Publications==
* ''Breve regola per imparar' a sonare sopra il Basso con ogni sorta d'istrumento'', Siena 1607.
* ''Breve regola per imparar' a sonare sopra il Basso con ogni sorta d'istrumento'', Siena 1607.
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* [http://www.polifonicisenesi.it/polisacra.htm Polifonia sacra e profana nell'antica Siena] (in Italian)
* [http://www.polifonicisenesi.it/polisacra.htm Polifonia sacra e profana nell'antica Siena] (in Italian)


[[Category:1572 births|Bianciardi, Francesco]]
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[[Category:1607 deaths|Bianciardi, Francesco]]
[[Category:1572 births]]
[[Category:Composers|Bianciardi, Francesco]]
[[Category:1607 deaths]]
[[Category:Renaissance composers|Bianciardi, Francesco]]
[[Category:Composers]]
[[Category:Italian composers|Bianciardi, Francesco]]
[[Category:Renaissance composers]]
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[[Category:Italian composers]]

Revision as of 23:51, 27 October 2019

Aliases: Franciscus Bianciardus (Biaciartus, Bianchardus, Bianchiardus); Francesco Biancardi

Life

Born: c. 1572, Casole d'Elsa, Italia

Died: September 1607, Siena, Italia

Biography: Italian organist and composer of motets, psalms and madrigals. In the preface to his Sacrarum modulationum (1596) he said that he was of humble origins. Until not later than 1596 he was organist, and from no later than 20 June 1597 maestro di cappella of Siena Cathedral. In his manuscript Notitia de contrapuntisti e de compositori di musica, Pitoni called him a ‘grandissimo suonatore di organo’ (very great organ player), and he was praised as maestro di cappella by Banchieri in his Conclusioni nel suono dell’organo (1609). By 1601 and probably until his death he was responsible for musical affairs in the Accademia degli Intronati. According to Isidoro Ugurgieni Azzolini (Pompe sanesi, Pistoia, 1649), Bianciardi was 35 when he died. He was mainly a composer of church music in the style of Palestrina, whose pupil he may have been. The Canzonette spirituali is in a lighter style, however, and another late collection, the fourth set of Sacrarum modulationum (1608), is in the concertato tradition inaugurated by Viadana. Bianciardi’s posthumous fly-sheet Breve regola is a useful source for the early practice of thoroughbass.

View the Wikipedia article on Francesco Bianciardi.

List of choral works

Other works not listed above (See Template:CheckMissing for possible reasons and solutions)


Click here to search for this composer on CPDL

Publications

  • Breve regola per imparar' a sonare sopra il Basso con ogni sorta d'istrumento, Siena 1607.


External links