Francisco Valls: Difference between revisions

From ChoralWiki
Jump to navigation Jump to search
(→‎Life: thumbnail)
(adding Ave Maria)
(27 intermediate revisions by 5 users not shown)
Line 20: Line 20:
*{{NoCo|Veni electa mea}}
*{{NoCo|Veni electa mea}}


===Arias, sacred, and solo motets===
===Arias, sacred, and other solo works===
 
Soprano
*{{NoCo|Ad alligandos reges}}
*{{NoCo|Ad alligandos reges}}
*{{NoCo|Filii hominum}}
*Gratias agimus tibi (see "mass movements" below)
*Gratias agimus tibi (see "mass movements" below)
*{{NoCo|O quam gloriosum}}
Alto
*Et in spiritum (see Missa Haec in "mass movements" below)
*Et in spiritum (see Missa Haec in "mass movements" below)
*{{NoCo|Filii hominum}}
*{{NoCo|Laudate pueri Dominum}}
*{{NoCo|Laudate pueri Dominum}}
*{{NoCo|O quam gloriosum}}
*{{NoCo|O rex gloriae}}
*{{NoCo|Super omnia ligna cedrorum}}
*{{NoCo|Super omnia ligna cedrorum}}
*{{NoCo|Suscipe verbum}}
*{{NoCo|Suscipe verbum}}
Tenor
*{{NoCo|O rex gloriae}}
*{{NoCo|Petrum charitas nascentem}}
*{{NoCo|Tibi soli peccavi II}}
*{{NoCo|Tibi soli peccavi II}}


Line 48: Line 55:
*{{NoCo|O gloriosa Virginum}}
*{{NoCo|O gloriosa Virginum}}
*{{NoCo|O memoriale mortis}}
*{{NoCo|O memoriale mortis}}
*{{NoCo|Pange lingua}}
*{{NoCo|Te Joseph Celebrent}}
*{{NoCo|Te Joseph Celebrent}}
*{{NoCo|Te lucis ante terminum}}
*{{NoCo|Te lucis ante terminum}}


===Invitatories===
===Invitatories===
*{{NoCo|Ave Maria a 8 con violines}}
*{{NoCo|In honorem beatae Mariae virginis}}
*{{NoCo|In honorem beatae Mariae virginis}}
*{{NoCo|Venite exultemus}}
*{{NoCo|Venite exultemus}}
Line 62: Line 71:
*{{NoCo|Magnificat a 8 con violines}}
*{{NoCo|Magnificat a 8 con violines}}
*{{NoCo|Magnificat a 10}}
*{{NoCo|Magnificat a 10}}
*{{NoCo|Magnificat in Dorian mode}} (a 8)
*{{NoCo|Magnificat a 6 in Dorian mode}}
*{{NoCo|Magnificat sexti toni}} [in G minor]
*{{NoCo|Nunc dimittis a 6}}
*{{NoCo|Nunc dimittis a 6}}
*{{NoCo|Nunc dimittis a 10}}
*{{NoCo|Nunc dimittis a 10}}
{{middle|3}}
 
===Mass, full setting of===
===Mass, full setting of===
*{{NoCo|Missa a 5 (hypodorian mode)}}
*{{NoCo|Missa a 5 (hypodorian mode)}}
*{{NoCo|Mass in Locrian mode}}
*{{NoCo|Mass in Locrian mode}}
 
{{middle|3}}
===Mass, movements from the===
===Mass, movements from the===
*{{NoCo|Agnus Dei}}
*{{NoCo|Agnus Dei}} 6vv from ''Mapa Armónico Práctico''
*{{NoCo|Benedictus qui venit}}
*{{NoCo|Benedictus qui venit}} 4vv pari MAP
*{{NoCo|Christe eleison (Missa Scala Aretina)}}
*{{NoCo|Christe eleison (Missa Scala Aretina)}} 7vv
*{{NoCo|Cum Sancto Spiritu}}
*{{NoCo|Cum Sancto Spiritu}} 10vv 2vlni
*{{NoCo|Et incarnatus est}}
*{{NoCo|Et incarnatus est}} 8vv (canon in MAP)
*{{NoCo|Et unam sanctam catholicam}}
*{{NoCo|Et unam sanctam catholicam}} 4vv 2vlni MAP
*{{NoCo|Gratias agimus tibi}}
*{{NoCo|Gratias agimus tibi}} S solo 2vlni (''Missa Ut queant'')
*{{NoCo|Hosanna in excelsis}}
*{{NoCo|Hosanna in excelsis}} 8vv MAP
*{{NoCo|Laudamus te}}
*{{NoCo|Laudamus te}} 9vv MAP
*{{NoCo|Missa a 11}} (Kyrie and Agnus Dei only)
*{{NoCo|Missa a 11}} (Kyrie and Agnus Dei only)
*{{NoCo|Missa Haec est virgo sapiens}} (Kyrie, Et in spiritum and Benedictus only)
*{{NoCo|Missa Haec est virgo sapiens}} (Kyrie, Et in spiritum and Benedictus only)
*{{NoCo|Missa regalis}} (Kyrie only)
*{{NoCo|Missa regalis}} (Kyrie only)
*{{NoCo|Patrem omnipotentem}}
*{{NoCo|Patrem omnipotentem}} 8vv (breaks off at "…Dominum Jesum Christum.") MAP


===Motets, choral===
===Motets, choral===
*{{NoCo|Asumente non concisus}} 6vv
*{{NoCo|Ave stella matutina}} 9vv
*{{NoCo|Beata Dei genitrix Maria}} 6vv
*{{NoCo|Beata Dei genitrix Maria}} 6vv
*{{NoCo|Beata quae credidisti}} 12vv
*{{NoCo|Beata quae credidisti}} 12vv
Line 91: Line 105:
*{{NoCo|Crucem tuam adoramus}} 4vv + violini
*{{NoCo|Crucem tuam adoramus}} 4vv + violini
*{{NoCo|Dilexisti justitiam}} 8vv
*{{NoCo|Dilexisti justitiam}} 8vv
*{{NoCo|Dogma datur}} 6vv
*{{NoCo|Ecce panis angelorum}} 7vv
*{{NoCo|Ecce panis angelorum}} 7vv
**see also ''Bone pastor''
**see also ''Bone pastor''
*{{NoCo|Et misericordia}} 5vv (Magnificat fragment)
*{{NoCo|Et misericordia}} 5vv (Magnificat fragment)
*{{NoCo|Hodie Maria Virgo}} 8vv
*{{NoCo|Hodie Maria Virgo}} 8vv
*{{NoCo|Lauda Sion salvatorem a 8}}
*{{NoCo|Non est alia natio}} 6vv
*{{NoCo|Non est alia natio}} 6vv
*{{NoCo|O sacramentum pietatis}} 3vv
*{{NoCo|O sacramentum pietatis}} 3vv
Line 104: Line 120:
*{{NoCo|Confitebor tibi Domine}}
*{{NoCo|Confitebor tibi Domine}}
*{{NoCo|Credidi propter quod locutus est}}
*{{NoCo|Credidi propter quod locutus est}}
*{{NoCo|Cum invocarem}} a 9
*{{NoCo|Cum invocarem}} a 9 (with chirimías and sackbuts)
*{{NoCo|Cum invocarem a 6}}
*{{NoCo|Cum invocarem a 6}}
*{{NoCo|Dixit Dominus}}
*{{NoCo|Dixit Dominus}}
Line 122: Line 138:
*{{NoCo|Justus ut palma florebit}}
*{{NoCo|Justus ut palma florebit}}
*{{NoCo|Magnificavit eum}}
*{{NoCo|Magnificavit eum}}
*{{NoCo|Maria Magdalena a 14}} with chirimías and sackbuts
*{{NoCo|Peccantem me quotidie}} 4vv
*{{NoCo|Peccantem me quotidie}} 4vv
*{{NoCo|Virtute magna reddebant apostoli}} 10vv


===Sequences===
===Sequences===
*{{NoCo|Adest dies triumphalis}}
*{{NoCo|Lauda Sion salvatorem a 10}}
*{{NoCo|Veni sancte spiritus}}
*{{NoCo|Veni sancte spiritus}}
*{{NoCo|Victimae paschali laudes}}
*{{NoCo|Virginalis hortuli}}


===Te Deum, movements from the===
===Te Deum, movements from the===
Line 173: Line 195:
{{bottom}}
{{bottom}}
{{Whatlinkshere}}
{{Whatlinkshere}}
==Publications==
* {{NoCo|Mapa Armónico Práctico}} 1742


==Publications==
==External links==
:'''Extracts from text of "Mapa Armónico Práctico"'''
:'''Extracts from text of "Mapa Armónico Práctico"'''
*[https://digital.csic.es/handle/10261/144450 CSIC book about chapters I-XIV]
*[{{website|wimascores}}valls/mapa/valls-comment.pdf Chapter XVI "On cancrizans canons"]
*[{{website|wimascores}}valls/mapa/valls-comment.pdf Chapter XVI "On cancrizans canons"]
*[http://www.jgoodliffe.co.uk/scores/mapa105.pdf Chapter XIX "On accompaniment and its purpose in music"]
*[http://www.jgoodliffe.co.uk/scores/mapa105.pdf Chapter XIX "On accompaniment and its purpose in music"]
*[{{website|wimascores}}valls/mapa/valls-enhcom.pdf Chapter XXVIII "On the enharmonic style"]
*[{{website|wimascores}}valls/mapa/valls-enhcom.pdf Chapter XXVIII "On the enharmonic style"]


==External links==
*[http://www.scalaaretina.com ScalaAretina] - Commercial publishers of some of Valls' music.
*[http://www.scalaaretina.com ScalaAretina] - Commercial publishers of some of Valls' music.
*[http://www.dinsic.com Dinsic Publicacions Musicals] - Commercial publishers of some of Valls' music.
*[http://www.dinsic.com Dinsic Publicacions Musicals] - Commercial publishers of some of Valls' music.

Revision as of 10:06, 22 March 2020

Aliases: Valls, Francesc

Life

Born: c. 1665? 1671 has recently been proposed.

Died: 03 February 1747

Biography: Valls was first employed as a parish musician in 1688, then maestro de capilla at Gerona Cathedral in 1689, and in 1696 at S María del Mar Barcelona. He joined the Barcelona Cathedral in 1696 as substitute, interim, and finally as maestro in 1709. His retirement is given variously as 1726 or 1741 (the year he began his treatise Mapa armonico). Among lost works are 4 oratorios.


View the Wikipedia article on Francisco Valls.

and extended article on Valls including a list of his published works on the Catalonian edition of Wikipedia.

List of choral works (includes all choral works from "Mapa Armónico Práctico)

Antiphons

Arias, sacred, and other solo works

Soprano

Alto

Tenor

Canons and fugues, sacred, Latin text

Hymns, Latin text

Invitatories

Lamentations

Canticles

Mass, full setting of

Mass, movements from the

Motets, choral

Psalms

Responsories

Sequences

Te Deum, movements from the

Other sacred compositions, or fragments, in Latin

Sacred works in Spanish

Theatrical or operatic compositions in Spanish

Illustration of choral techniques


Click here to search for this composer on CPDL

Publications

External links

Extracts from text of "Mapa Armónico Práctico"