Francisco Valls: Difference between revisions
Jump to navigation
Jump to search
Jgoodliffe (talk | contribs) mNo edit summary |
Jgoodliffe (talk | contribs) (adding Ave Maria) |
||
(12 intermediate revisions by 4 users not shown) | |||
Line 20: | Line 20: | ||
*{{NoCo|Veni electa mea}} | *{{NoCo|Veni electa mea}} | ||
===Arias, sacred, and solo | ===Arias, sacred, and other solo works=== | ||
Soprano | |||
*{{NoCo|Ad alligandos reges}} | *{{NoCo|Ad alligandos reges}} | ||
*Gratias agimus tibi (see "mass movements" below) | *Gratias agimus tibi (see "mass movements" below) | ||
*{{NoCo|O quam gloriosum}} | |||
Alto | |||
*Et in spiritum (see Missa Haec in "mass movements" below) | *Et in spiritum (see Missa Haec in "mass movements" below) | ||
*{{NoCo|Filii hominum}} | |||
*{{NoCo|Laudate pueri Dominum}} | *{{NoCo|Laudate pueri Dominum}} | ||
*{{NoCo|Super omnia ligna cedrorum}} | *{{NoCo|Super omnia ligna cedrorum}} | ||
*{{NoCo|Suscipe verbum}} | *{{NoCo|Suscipe verbum}} | ||
Tenor | |||
*{{NoCo|O rex gloriae}} | |||
*{{NoCo|Petrum charitas nascentem}} | |||
*{{NoCo|Tibi soli peccavi II}} | *{{NoCo|Tibi soli peccavi II}} | ||
Line 53: | Line 60: | ||
===Invitatories=== | ===Invitatories=== | ||
*{{NoCo|Ave Maria a 8 con violines}} | |||
*{{NoCo|In honorem beatae Mariae virginis}} | *{{NoCo|In honorem beatae Mariae virginis}} | ||
*{{NoCo|Venite exultemus}} | *{{NoCo|Venite exultemus}} | ||
Line 63: | Line 71: | ||
*{{NoCo|Magnificat a 8 con violines}} | *{{NoCo|Magnificat a 8 con violines}} | ||
*{{NoCo|Magnificat a 10}} | *{{NoCo|Magnificat a 10}} | ||
*{{NoCo|Magnificat in Dorian mode}} | *{{NoCo|Magnificat in Dorian mode}} (a 8) | ||
*{{NoCo|Magnificat a 6 in Dorian mode}} | |||
*{{NoCo|Magnificat sexti toni}} [in G minor] | |||
*{{NoCo|Nunc dimittis a 6}} | *{{NoCo|Nunc dimittis a 6}} | ||
*{{NoCo|Nunc dimittis a 10}} | *{{NoCo|Nunc dimittis a 10}} | ||
Line 129: | Line 138: | ||
*{{NoCo|Justus ut palma florebit}} | *{{NoCo|Justus ut palma florebit}} | ||
*{{NoCo|Magnificavit eum}} | *{{NoCo|Magnificavit eum}} | ||
*{{NoCo|Maria Magdalena a 14}} | *{{NoCo|Maria Magdalena a 14}} with chirimías and sackbuts | ||
*{{NoCo|Peccantem me quotidie}} 4vv | *{{NoCo|Peccantem me quotidie}} 4vv | ||
*{{NoCo|Virtute magna reddebant apostoli}} 10vv | *{{NoCo|Virtute magna reddebant apostoli}} 10vv | ||
===Sequences=== | ===Sequences=== | ||
*{{NoCo|Adest dies triumphalis}} | |||
*{{NoCo|Lauda Sion salvatorem a 10}} | *{{NoCo|Lauda Sion salvatorem a 10}} | ||
*{{NoCo|Veni sancte spiritus}} | *{{NoCo|Veni sancte spiritus}} | ||
Line 185: | Line 195: | ||
{{bottom}} | {{bottom}} | ||
{{Whatlinkshere}} | {{Whatlinkshere}} | ||
==Publications== | |||
* {{NoCo|Mapa Armónico Práctico}} 1742 | |||
== | ==External links== | ||
:'''Extracts from text of "Mapa Armónico Práctico"''' | :'''Extracts from text of "Mapa Armónico Práctico"''' | ||
*[https://digital.csic.es/handle/10261/144450 CSIC book about chapters I-XIV] | |||
*[{{website|wimascores}}valls/mapa/valls-comment.pdf Chapter XVI "On cancrizans canons"] | *[{{website|wimascores}}valls/mapa/valls-comment.pdf Chapter XVI "On cancrizans canons"] | ||
*[http://www.jgoodliffe.co.uk/scores/mapa105.pdf Chapter XIX "On accompaniment and its purpose in music"] | *[http://www.jgoodliffe.co.uk/scores/mapa105.pdf Chapter XIX "On accompaniment and its purpose in music"] | ||
*[{{website|wimascores}}valls/mapa/valls-enhcom.pdf Chapter XXVIII "On the enharmonic style"] | *[{{website|wimascores}}valls/mapa/valls-enhcom.pdf Chapter XXVIII "On the enharmonic style"] | ||
*[http://www.scalaaretina.com ScalaAretina] - Commercial publishers of some of Valls' music. | *[http://www.scalaaretina.com ScalaAretina] - Commercial publishers of some of Valls' music. | ||
*[http://www.dinsic.com Dinsic Publicacions Musicals] - Commercial publishers of some of Valls' music. | *[http://www.dinsic.com Dinsic Publicacions Musicals] - Commercial publishers of some of Valls' music. |
Revision as of 10:06, 22 March 2020
Aliases: Valls, Francesc
Life
Born: c. 1665? 1671 has recently been proposed.
Died: 03 February 1747
Biography: Valls was first employed as a parish musician in 1688, then maestro de capilla at Gerona Cathedral in 1689, and in 1696 at S María del Mar Barcelona. He joined the Barcelona Cathedral in 1696 as substitute, interim, and finally as maestro in 1709. His retirement is given variously as 1726 or 1741 (the year he began his treatise Mapa armonico). Among lost works are 4 oratorios.
View the Wikipedia article on Francisco Valls.
and extended article on Valls including a list of his published works on the Catalonian edition of Wikipedia.
List of choral works (includes all choral works from "Mapa Armónico Práctico)
- For works at CPDL sorted alphabetically by title, see Francisco Valls compositions
Click here to search for this composer on CPDL
Publications
External links
- Extracts from text of "Mapa Armónico Práctico"
- CSIC book about chapters I-XIV
- Chapter XVI "On cancrizans canons"
- Chapter XIX "On accompaniment and its purpose in music"
- Chapter XXVIII "On the enharmonic style"
- ScalaAretina - Commercial publishers of some of Valls' music.
- Dinsic Publicacions Musicals - Commercial publishers of some of Valls' music.
- Consejo Superior de Investigaciones Cientificas - Publishers of Mapa Armonico Practico.
- Cancrizans compositions by Valls on Werner Icking Music Archive.