Hodie Christus natus est (Jan Pieterszoon Sweelinck): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2017-12-25}} {{CPDLno|48180}} [[Media:Swee-ho2_Double.pdf|{{pdf}}]] [[Media:swee-ho2 Double.mid|{{mid}}]]
*{{PostedDate|2022-06-17}} {{CPDLno|69732}} [[Media:Sweelinck-Hodie_Christus_natus_est-CS13.pdf|{{pdf}}]] [[Media:Sweelinck-Hodie_Christus_natus_est-CS13.mid|{{mid}}]] [[Media:Sweelinck-Hodie_Christus_natus_est-CS13.mxl|{{XML}}]] [[Media:Sweelinck-Hodie_Christus_natus_est-CS13.musx|{{F14}}]]
{{Editor|Wim Looyestijn|2022-06-17}}{{ScoreInfo|A4|10|217}}{{Copy|CPDL}}
:{{EdNotes|In B-flat (down whole step).}}
 
* {{PostedDate| 2020-06-05}} {{CPDLno|59088}} [[Media:17-sweelinck--hodie_christus_natus_est----0-score.pdf|{{pdf}}]] [[Media:17-sweelinck--hodie_christus_natus_est----0-score.midi|{{mid}}]]  [[Media:17-sweelinck--hodie_christus_natus_est----0-score.mxl|{{XML}}]] [[Media:17-sweelinck-motet-a5-hodie_christus-source.zip|{{zip}}]] (LilyPond)
{{Editor|Allen Garvin|2020-06-05}} {{ScoreInfo|Letter|5|111}}{{Copy|Creative Commons Attribution Non-Commercial}}
:{{EdNotes|Set in the original (high) clefs. For a transposition, mail me. Also, I left the continuo out, which is largely a basso seguente part with a few figures.}}
 
*{{PostedDate|2017-12-25}} {{CPDLno|48180}} [[Media:Swee-ho2_Double.pdf|{{pdf}}]] [[Media:swee-ho2 Double.mid|{{mid}}]] [[Media:Swee-ho2_Double.mxl|{{XML}}]]
{{Editor|Simon Biazeck|2017-12-25}}{{ScoreInfo|A4|13|157}}{{Copy|CPDL}}
{{Editor|Simon Biazeck|2017-12-25}}{{ScoreInfo|A4|13|157}}{{Copy|CPDL}}
:'''Edition notes:''' On the matter of tempo and proportional interpretation of the triple and duple sections, performers should consider adopting early 17th c. Venetian practice: dotted semibreve = minim. This necessitates a fast triple time at Hodie - perhaps uncustomarily so for modern performers - but makes more sense of the Laetantur and Exsultant sections. It also allows a constant pulse to be maintained throughout and a smooth transition from triple to duple time; vital for singers who read from single parts.
:{{EdNotes|On the matter of tempo and proportional interpretation of the triple and duple sections, performers should consider adopting early 17th c. Venetian practice: dotted semibreve = minim. This necessitates a fast triple time at Hodie - perhaps uncustomarily so for modern performers - but makes more sense of the Laetantur and Exsultant sections. It also allows a constant pulse to be maintained throughout and a smooth transition from triple to duple time; vital for singers who read from single parts.}}


*{{CPDLno|27349}} [http://www.jonathanschakel.com/editions.html {{net}}]  
*{{PostedDate|2012-10-15}} {{CPDLno|27349}} [http://www.jonathanschakel.com/editions.html {{net}}]
{{Editor|Jonathan Schakel|2012-10-15}}{{ScoreInfo|Letter|7|147}}{{Copy|Personal}}
{{Editor|Jonathan Schakel|2012-10-15}}{{ScoreInfo|Letter|7|147}}{{Copy|Personal}}
:'''Edition notes:''' In B-flat (down whole step). Basso continuo included.
:{{EdNotes|In B-flat (down whole step). Basso continuo included.}}


*{{CPDLno|27259}} [[Media:Hodie_Christus_natus_est_13.pdf|{{pdf}}]] [[Media:Hodie_Christus_natus_est_13.mid|{{mid}}]]  
*{{PostedDate|2012-10-03}} {{CPDLno|27259}} [[Media:Hodie_Christus_natus_est_13.pdf|{{pdf}}]] [[Media:Hodie_Christus_natus_est_13.mid|{{mid}}]] [[Media:Hodie_Christus_natus_est_13.mxl|{{XML}}]]
{{Editor|James Gibb|2012-10-03}}{{ScoreInfo|A4|8|88}}{{Copy|CPDL}}
{{Editor|James Gibb|2012-10-03}}{{ScoreInfo|A4|8|88}}{{Copy|CPDL}}
:'''Edition notes:''' Original key and note length. {{KbdAcc}} accompaniment.
:{{EdNotes|Original key and note length. {{KbdAcc}} accompaniment.}}


*{{CPDLno|25534}} [http://www.notamos.co.uk/145504.shtml {{net}}]  
*{{PostedDate|2012-02-04}} {{CPDLno|25534}} [http://www.notamos.co.uk/145504.shtml {{net}}]
{{Editor|Christopher Shaw|2012-02-04}}{{ScoreInfo|A4|10|153}}{{Copy|Personal}}
{{Editor|Christopher Shaw|2012-02-04}}{{ScoreInfo|A4|10|153}}{{Copy|Personal}}
:'''Edition notes:''' {{KbdRed}} This edition is offered at one tone below original key for {{Cat|SSATB}} or transposed down a further fourth for {{Cat|SATTB}}. Please click on the link for preview/playback/PDF download.
:{{EdNotes|{{KbdRed}} This edition is offered at one tone below original key for {{Cat|SSATB}} or transposed down a further fourth for {{Cat|SATTB}}. Please click on the link for preview/playback/PDF download.}}


*{{CPDLno|3065}} [[Media:ws-swee-ho2.pdf|{{Pdf}}]] [[Media:ws-swee-ho2.mid|{{Mid}}]] [[Media:ws-swee-ho2.sib|{{Sib}}]]  
*{{PostedDate|2001-10-22}} {{CPDLno|3065}} [[Media:ws-swee-ho2.pdf|{{Pdf}}]] [[Media:ws-swee-ho2.mid|{{Mid}}]] [[Media:ws-swee-ho2.sib|{{Sib}}]]
{{Editor|Denis Mason|2001-10-22}}{{ScoreInfo|A4|7|132}}{{Copy|Personal}}
{{Editor|Denis Mason|2001-10-22}}{{ScoreInfo|A4|7|132}}{{Copy|Personal}}
:'''Edition notes:''' arranged a fourth lower for men's voices, {{Cat|AATBB}}. Sibelius file is unzipped, A4 page format.
:{{EdNotes|arranged a fourth lower for men's voices, {{Cat|AATBB}}. Sibelius file is unzipped, A4 page format.}}
{{ScoreError|comment from Ultimarko: p. 1 bar 3 baritone voice – should be 8th rest not quarter; the entering "Chri-" should be a syncopated quarter. Consider using a slightly faster duple tempo, and dotted quarter from the first equaling quarter in the duple.}}
{{ScoreError|comment from Ultimarko: p. 1 bar 3 baritone voice – should be 8th rest not quarter; the entering "Chri-" should be a syncopated quarter. Consider using a slightly faster duple tempo, and dotted quarter from the first equaling quarter in the duple.}}


*{{CPDLno|2072}} [[Media:ws-swee-hod.pdf|{{Pdf}}]] [[Media:ws-swee-hod.mid|{{Mid}}]] [[Media:ws-swee-hod.mxl|{{XML}}]] [[Media:ws-swee-hod.mus|{{mus}}]] (Finale 2000)
*{{PostedDate|2001-02-10}} {{CPDLno|2072}} [[Media:ws-swee-hod.pdf|{{Pdf}}]] [[Media:ws-swee-hod.mid|{{Mid}}]] [[Media:ws-swee-hod.mxl|{{XML}}]] [[Media:ws-swee-hod.mus|{{mus}}]] (Finale 2000)
{{Editor|Rafael Ornes|2001-02-10}}{{ScoreInfo|A4|8|152}}{{Copy|CPDL}}
{{Editor|Rafael Ornes|2001-02-10}}{{ScoreInfo|A4|8|152}}{{Copy|CPDL}}
:'''Edition notes:''' {{MXL}}
:{{EdNotes|}}


==General Information==
==General Information==
'''Title:''' ''Hodie Christus natus est''<br>
{{Title|''Hodie Christus natus est''}}
{{Composer|Jan Pieterszoon Sweelinck}}
{{Composer|Jan Pieterszoon Sweelinck}}


{{MultiVoicing|5|n=3|1st=SSATB|2nd=SATTB|3rd=AATBB}}<br>
{{Voicing|5|SSATB,SATTB,AATBB}}
{{Genre|Sacred|Motets|Magnificat antiphons}} for {{Cat|Christmas Day}}
{{Genre|Sacred|Motets|Magnificat antiphons}} for {{Cat|Christmas Day}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella & Keyboard}}
{{Instruments|A cappella & Keyboard}}
{{Pub|1|1619|in ''{{NoComp|Cantiones sacrae|Jan Pieterszoon Sweelinck}}''|no=13}}
{{Pub|1|1619|in ''{{NoComp|Cantiones sacrae|Jan Pieterszoon Sweelinck}}''|no=13}}
 
{{Pub|2|1980| in ''[[The Chester Book of Motets]]''|vol=Book 12|no=9}}
'''Description:'''  
{{Descr| }}
 
{{#ExtWeb:}}
'''External websites:'''


==Text and translations==
==Text and translations==
{{LinkText|Hodie Christus natus est}}
{{LinkText|Hodie Christus natus est}}



Latest revision as of 02:43, 1 January 2023

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Finale_2014_icon.png Finale 2014
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  • (Posted 2022-06-17)  CPDL #69732:         
Editor: Wim Looyestijn (submitted 2022-06-17).   Score information: A4, 10 pages, 217 kB   Copyright: CPDL
Edition notes: In B-flat (down whole step).
  • (Posted 2020-06-05)  CPDL #59088:        (LilyPond)
Editor: Allen Garvin (submitted 2020-06-05).   Score information: Letter, 5 pages, 111 kB   Copyright: CC BY NC
Edition notes: Set in the original (high) clefs. For a transposition, mail me. Also, I left the continuo out, which is largely a basso seguente part with a few figures.
  • (Posted 2017-12-25)  CPDL #48180:       
Editor: Simon Biazeck (submitted 2017-12-25).   Score information: A4, 13 pages, 157 kB   Copyright: CPDL
Edition notes:
  • (Posted 2012-10-15)  CPDL #27349:  Network.png
Editor: Jonathan Schakel (submitted 2012-10-15).   Score information: Letter, 7 pages, 147 kB   Copyright: Personal
Edition notes: In B-flat (down whole step). Basso continuo included.
  • (Posted 2012-10-03)  CPDL #27259:       
Editor: James Gibb (submitted 2012-10-03).   Score information: A4, 8 pages, 88 kB   Copyright: CPDL
Edition notes: Original key and note length. Keyboard accompaniment.
  • (Posted 2012-02-04)  CPDL #25534:  Network.png
Editor: Christopher Shaw (submitted 2012-02-04).   Score information: A4, 10 pages, 153 kB   Copyright: Personal
Edition notes: Includes a keyboard reduction of the a cappella choral score. This edition is offered at one tone below original key for SSATB or transposed down a further fourth for SATTB. Please click on the link for preview/playback/PDF download.
  • (Posted 2001-10-22)  CPDL #03065:       
Editor: Denis Mason (submitted 2001-10-22).   Score information: A4, 7 pages, 132 kB   Copyright: Personal
Edition notes: arranged a fourth lower for men's voices, AATBB. Sibelius file is unzipped, A4 page format.
Error.gif Possible error(s) identified. Error summary: comment from Ultimarko: p. 1 bar 3 baritone voice – should be 8th rest not quarter; the entering "Chri-" should be a syncopated quarter. Consider using a slightly faster duple tempo, and dotted quarter from the first equaling quarter in the duple.
  • (Posted 2001-02-10)  CPDL #02072:        (Finale 2000)
Editor: Rafael Ornes (submitted 2001-02-10).   Score information: A4, 8 pages, 152 kB   Copyright: CPDL
Edition notes:

General Information

Title: Hodie Christus natus est
Composer: Jan Pieterszoon Sweelinck

Number of voices: 5vv   Voicings: SSATB, SATTB or AATBB
Genre: SacredMotetMagnificat antiphon for Christmas Day

Language: Latin
Instruments: A cappella & Keyboard

First published: 1619 in Cantiones sacrae, no. 13
    2nd published: 1980 in The Chester Book of Motets, Book 12, no. 9
Description: 

External websites:

Text and translations

Original text and translations may be found at Hodie Christus natus est.