Ihesu Criste piissime (Johannes Martini): Difference between revisions
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==Original text and translations== | ==Original text and translations== | ||
{{Text|Latin| | |||
{{Text|Latin | |||
Ihesu Christe piissime,cuius ubique potestas est, | Ihesu Christe piissime,cuius ubique potestas est, | ||
a cuius calore non est qui se abscondit, | a cuius calore non est qui se abscondit, | ||
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Francesco Petrarca - Oratio contra tempestates | Francesco Petrarca - Oratio contra tempestates | ||
(to see the full text follow the 2nd external link above) | (to see the full text follow the 2nd external link above)}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Medieval music]] | [[Category:Medieval music]] | ||
Revision as of 11:13, 23 March 2015
Music files
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File details |
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Help |
- CPDL #24971:
MusicXML
- Editor: Renato Calcaterra (submitted 2011-11-21). Score information: A4, 3 pages, 125 kB Copyright: CPDL
- Edition notes: MusicXML files is zipped. Original note values, no barlines.
General Information
Title: Ihesu Criste piissime (Jesu Christe piisime)
Composer: Johannes Martini
Lyricist: Francesco Petrarca
Number of voices: 4vv Voicing: STTB
(B-d';f-g';f-a'; c'-f)
Genre: Sacred, Mass
Language: Latin
Instruments: A cappella
Published: Trent 91
Description: A “contrafactum” of the Agnus II of the “missa coda pavon” (pfobenschwantz) transcribed from the Trent manuscript tr91. The time signatures, proportion signs, notes' values, accidentals and colourings are as in the manuscript, the perfect notes are dotted and the coloured notes are “hemiolæ. The notes' values within the ligaturæ are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The "musica ficta" suggestions are in the MIDI and MusicXML files.
External websites:
Original text and translations
Latin text
Ihesu Christe piissime,cuius ubique potestas est,
a cuius calore non est qui se abscondit,
quoniam etsi in celum adscendero tu illic es,
etsi descendero ad infernum ades
Francesco Petrarca - Oratio contra tempestates
(to see the full text follow the 2nd external link above)