In That Morning (William Walker): Difference between revisions
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*{{PostedDate|2018-06-19}} {{CPDLno|50190}} [[Media:InThatMorningWalker1845a.pdf|{{pdf}}]] [[Media:InThatMorningWalker1845a.mid|{{mid}}]] [[Media:InThatMorningWalker1845a.mxl|{{XML}}]] [[Media:InThatMorningWalker1845a.mscz|{{Muse}}]] | *{{PostedDate|2018-06-19}} {{CPDLno|50190}} [[Media:InThatMorningWalker1845a.pdf|{{pdf}}]] [[Media:InThatMorningWalker1845a.mid|{{mid}}]] [[Media:InThatMorningWalker1845a.mxl|{{XML}}]] [[Media:InThatMorningWalker1845a.mscz|{{Muse}}]] | ||
{{Editor|Barry Johnston|2018-06-19}}{{ScoreInfo|7 x 10 inches (landscape)|1|61}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2018-06-19}}{{ScoreInfo|7 x 10 inches (landscape)|1|61}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|Notes in four-shape format, as originally published in 1846. Alto from William Walker's ''Christian Harmony'', 1867. The whole song converted from 4:4 time to 2:4 time, to eliminate long rests in the original. All twelve stanzas from Walker 1846 included.}} | ||
==General Information== | ==General Information== | ||
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{{Lyricist|Anonymous}} | {{Lyricist|Anonymous}} | ||
{{Voicing|4|SATB}} | {{Voicing|4|SATB}} | ||
{{Genre|Sacred|}} | {{Genre|Sacred|}} | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1846|in ''[[Southern and Western Pocket Harmonist]]'', 1846, p. 173, for three voices: Treble-Tenor Bass; Alto added by William Walker in his ''Christian Harmony'', 1867, p. 215.}} | {{Pub|1|1846|in ''[[Southern and Western Pocket Harmonist]]'', 1846, p. 173, for three voices: Treble-Tenor Bass; Alto added by William Walker in his ''Christian Harmony'', 1867, p. 215.}} | ||
{{Descr|This is apparently the first arrangement of this tune, based on a camp meeting folk hymn from the last eighteenth or early nineteenth century. Other arrangements from the same source are by John G. McCurry (''Burges'', from The Social Harp, 1855) and Henry S. Reese (''Sweet Morning'', from ''The Sacred Harp'', p. 421, 1860 to the present). ''Sweet Morning'' in ''The Sacred Harp'' is based on an English folk tune (Jackson 1953, No. 168); ''Burges'' in ''The Social Harp'' is said to be based on an African-American spiritual (Jackson 1933, pp. 259-260). The words by one or more anonymous authors; verses first appear in 1790. There are twelve stanzas in the ''Southern and Western Pocket Harmonist''.}} | |||
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==Original text and translations== | ==Original text and translations== | ||
{{top}} | {{top}} |
Latest revision as of 19:50, 20 July 2021
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- Editor: Barry Johnston (submitted 2018-06-19). Score information: 7 x 10 inches (landscape), 1 page, 61 kB Copyright: Public Domain
- Edition notes: Notes in four-shape format, as originally published in 1846. Alto from William Walker's Christian Harmony, 1867. The whole song converted from 4:4 time to 2:4 time, to eliminate long rests in the original. All twelve stanzas from Walker 1846 included.
General Information
Title: In That Morning
First Line: Jesus, my all to heaven is gone
Composer: William Walker
Lyricist: Anonymous
Number of voices: 4vv Voicing: SATB
Genre: Sacred
Language: English
Instruments: A cappella
First published: 1846 in Southern and Western Pocket Harmonist, 1846, p. 173, for three voices: Treble-Tenor Bass; Alto added by William Walker in his Christian Harmony, 1867, p. 215
Description: This is apparently the first arrangement of this tune, based on a camp meeting folk hymn from the last eighteenth or early nineteenth century. Other arrangements from the same source are by John G. McCurry (Burges, from The Social Harp, 1855) and Henry S. Reese (Sweet Morning, from The Sacred Harp, p. 421, 1860 to the present). Sweet Morning in The Sacred Harp is based on an English folk tune (Jackson 1953, No. 168); Burges in The Social Harp is said to be based on an African-American spiritual (Jackson 1933, pp. 259-260). The words by one or more anonymous authors; verses first appear in 1790. There are twelve stanzas in the Southern and Western Pocket Harmonist.
External websites:
Original text and translations
English text 1. Jesus, my all, to heaven is gone, |
5. This is the way I long have sought, |
9. Lo! glad I come, and thou, blest Lamb, |