Jacob Handl: Difference between revisions

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*[[Resonet in laudibus (Jacob Handl)|<i>Resonet in laudibus</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/handl/gall-re2.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/handl/gall-re2.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/handl/gall-re2.zip Finale-2000]&nbsp;) ''3 editions available''
*[[Resonet in laudibus (Jacob Handl)|<i>Resonet in laudibus</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/handl/gall-re2.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/handl/gall-re2.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/handl/gall-re2.zip Finale-2000]&nbsp;) ''3 editions available''
*[[Super solium David (Jacob Handl)|<i>Super solium David</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/handl/gall-sup.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/handl/gall-sup.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/handl/gall-sup.zip Finale-2001]&nbsp;)
*[[Super solium David (Jacob Handl)|<i>Super solium David</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/handl/gall-sup.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/handl/gall-sup.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/handl/gall-sup.zip Finale-2001]&nbsp;)
*''[[Tempore felici multi numerantur amici (Jacob Handl)|Tempore felici multi numerantur amici]]''&nbsp;&nbsp;&nbsp;(&nbsp;[http://www.cpdl.org/wiki/images/a/a2/GALLUS_Tempore_felici_multi_numerantur_amici.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://www.cpdl.org/wiki/images/f/f7/GALLUS_Tempore_felici_multi_numerantur_amici.MID http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://www.cpdl.org/wiki/images/b/b5/GALLUS_Tempore_felici_multi_numerantur_amici.MUS Finale-2004]&nbsp;)
*[[Vae nobis (Jacob Handl)|<i>Vae nobis</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/handl/gall-vae.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/handl/gall-vae.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/handl/gall-vae.zip Finale-2000]&nbsp;)
*[[Vae nobis (Jacob Handl)|<i>Vae nobis</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/handl/gall-vae.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/handl/gall-vae.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/handl/gall-vae.zip Finale-2000]&nbsp;)



Revision as of 20:41, 26 July 2006

Aliases: Jacobus Gallus, Jacobus Gallus Carniolus

Life

Born: 03 July 1550

Died: 18 July 1591

Biography Gallus was born as Jakob Petelin in 1550 in Ribnica, Slovenia. He is best known for his sacred music. A Cistercian monk, Gallus travelled in Bohemia, Moravia, and Silesia, and went to Melk Abbey, in Lower Austria. He was a member of the Viennese court chapel in 1574, and was choirmaster to the bishop of Olomouc, Moravia between 1579 and 1585.

He used the Latin form of his name, to which he often added the adjective Carniolus, thus giving credit to his home land, Carniola. His most notable work is the six part Opus musicum, 1577, a collection of motets that would eventually cover the liturgical needs of the entire ecclesiastical year. The motet O magnum mysterium comes from the first volume (printed in 1586) which covers the period from the first Sunday of Advent to the Septuagesima. This motet for 8 voices shows evidence of influence by the Venetian polychoral style, with its use of the coro spezzato technique.

His wide-ranging, eclectic style blended archaism and modernity. He rarely used the cantus firmus technique, preferring the then-new Venetian polychoral manner, yet he was equally conversant with earlier imitative techniques. Some of his chromatic transitions foreshadowed the breakup of modality; his five-voice motet Mirabile mysterium contains chromaticism worthy of Don Carlo Gesualdo. He enjoyed word painting in the style of the madrigal, yet he could write the simple Ecce quomodo moritur justus later used by George Frideric Handel in his funeral anthem The Ways of Zion Do Mourn. Gallus died on July 18, 1591 in Prague.

(Retrieved from Wikipedia article)

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