Madre, la de los primores (Juana Inés de la Cruz): Difference between revisions

From ChoralWiki
Jump to navigation Jump to search
(→‎Music files: Exported Sibelius file as MXL one, uploaded and added link)
m (Text replacement - "\{\{Voicing\|(.*)\|(.*)\}\}\<br\> " to "{{Voicing|$1|$2}} ")
 
(15 intermediate revisions by 6 users not shown)
Line 1: Line 1:
==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{CPDLno|24549}} [[Media:Cru-mad.pdf|{{pdf}}]] [[Media:Cru-mad.mid|{{mid}}]] [[Media:Cru-mad.mxl|{{XML}}]] [[Media:Cru-mad.sib|{{sib}}]] (Sibelius 5)  
*{{PostedDate|2011-09-23}} {{CPDLno|24549}} [[Media:Cru-mad.pdf|{{pdf}}]] [[Media:Cru-mad.mid|{{mid}}]] [[Media:Cru-mad.mxl|{{XML}}]] [[Media:Cru-mad.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2011-09-23}}{{ScoreInfo|A4|3|42}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2011-09-23}}{{ScoreInfo|A4|3|42}}{{Copy|CPDL}}
:'''Edition notes:''' Corrected version uploaded 2012-02-10. Thanks to Mick Swithinbank and Zulma Ramirez for emendations. From the [[Música Colonial Archive]]. There seem to be errors in manuscript, which has resulted in some extensive editing. Bar 1 Tiple 2, 3rd note changed from G to A. Bar 17, B flat should possibly be changed to G.
:{{EdNotes|Corrected version uploaded 2012-02-10. Thanks to Mick Swithinbank and Zulma Ramirez for emendations. From the [[Música Colonial Archive]]. There seem to be errors in manuscript, which has resulted in some extensive editing. Bar 1 Tiple 2, 3rd note changed from G to A. Bar 17, B flat should possibly be changed to G.}}
:{{MXL}}


==General Information==
==General Information==
'''Title:''' ''Madre, la de los primores''<br>
{{Title|''Madre, la de los primores''}}
{{Composer|Juana Inés de la Cruz}}
{{Composer|Juana Inés de la Cruz}}
'''Attribution:''' The attribution of this work has been questioned.


{{Voicing|3|SSA}}<br>
{{Voicing|3|SSA}}
{{Voicing|4|SSAT}}<br>
{{Voicing|4|SSAT}}
{{Genre|Sacred|Villancicos}}
{{Genre|Sacred|Villancicos}}
{{Language|Spanish}}
{{Language|Spanish}}
{{Instruments|Basso continuo}}
{{Instruments|Basso continuo, a cappella}}
{{Published|1686}}
{{Pub|1|1686}}
 
{{Descr|A villancico described as "A 4", although the prosody was not completed for the tenor/bass part. So it is possible that it may have been intended to be sung by female voices with the fourth part as accompaniment.}}
'''Description:''' A villancico described as "A 4", although the prosody was not completed for the tenor/bass part. So it is possible that it may have been intended to be sung by female voices with the fourth part as accompaniment.
{{#ExtWeb:
 
*[http://conan.lib.muohio.edu/musica/frame.html?filename=3-049.djvu Microfilmed source] from Música Colonial (requires "Dejavu" software, free download available [http://www.dejavusoftware.com/ here]).
'''External websites:''' [http://conan.lib.muohio.edu/musica/frame.html?filename=3-049.djvu Microfilmed source] from Música Colonial (requires "Dejavu" software, free download available [http://www.dejavusoftware.com/ here]). There is also a more legible modern scan which may be obtained from the editor.
*{{IMSLP2|Madre la de los primores (Juana Inés de la Cruz)}}}}
 
==Original text and translations==
==Original text and translations==
{{Top}}
{{Top}}
{{Text|Spanish|
{{Text|Spanish|
Madre, la de los primores,  
Madre, la de los primores,
la que es virgen siendo madre,  
la que es virgen siendo madre,
la madre de tantas hijas,  
la madre de tantas hijas,
y madre de tantos padres.
y madre de tantos padres.
:Goza hoy en tu templo felicidades,  
:Goza hoy en tu templo felicidades,
:pues de tu esposo eres divino Atlante.
:pues de tu esposo eres divino Atlante.


Señora reformadora,  
Señora reformadora,
la que a sus benditos frailes,  
la que a sus benditos frailes,
los trae por esos desiertos,  
los trae por esos desiertos,
al sol, a la nieve, al aire.
al sol, a la nieve, al aire.
:Goza hoy en tu templo felicidades,  
:Goza hoy en tu templo felicidades,
:pues de tu esposo eres divino Atlante.
:pues de tu esposo eres divino Atlante.


El premio de sus trabajos  
El premio de sus trabajos
paga el cielo conmandarle,  
paga el cielo conmandarle,
que para que al cielo suban,  
que para que al cielo suban,
les haga que descalsen.
les haga que descalsen.
:Goza hoy…
:Goza hoy…


Quien la vido [vió?] y la ve agora [ahora?]  
Quien la vido [vió?] y la ve agora [ahora?]
andar por sotos, y valles  
andar por sotos, y valles
entonces, y en esas fiestas  
entonces, y en esas fiestas
ocupar mil altares.
ocupar mil altares.
:Goza hoy…
:Goza hoy…


Por dios my señora monja,  
Por dios my señora monja,
que supo de amor los lances,  
que supo de amor los lances,
pues se hechó la cruz a cuestas  
pues se hechó la cruz a cuestas
por seguir bien a su amante,
por seguir bien a su amante,
:Goza hoy…
:Goza hoy…


Descanse muy en buen hora  
Descanse muy en buen hora
en el templo que le hace,  
en el templo que le hace,
quien amante solicita
quien amante solicita
  que de trabajar descanse.
  que de trabajar descanse.
Line 68: Line 67:
[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Baroque music]]
[[Category:Baroque music]]
[[Category:Música colonial scores]]

Latest revision as of 18:51, 24 July 2021

Music files

L E G E N D Disclaimer How to download
ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
MusicXML.png MusicXML
Sibelius.png Sibelius
File details.gif File details
Question.gif Help
  • (Posted 2011-09-23)  CPDL #24549:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2011-09-23).   Score information: A4, 3 pages, 42 kB   Copyright: CPDL
Edition notes: Corrected version uploaded 2012-02-10. Thanks to Mick Swithinbank and Zulma Ramirez for emendations. From the Música Colonial Archive. There seem to be errors in manuscript, which has resulted in some extensive editing. Bar 1 Tiple 2, 3rd note changed from G to A. Bar 17, B flat should possibly be changed to G.

General Information

Title: Madre, la de los primores
Composer: Juana Inés de la Cruz
Attribution: The attribution of this work has been questioned.

Number of voices: 3vv   Voicing: SSA
Number of voices: 4vv   Voicing: SSAT
Genre: SacredVillancico

Language: Spanish
Instruments: Basso continuo, a cappella

First published: 1686
Description: A villancico described as "A 4", although the prosody was not completed for the tenor/bass part. So it is possible that it may have been intended to be sung by female voices with the fourth part as accompaniment.

External websites:

Original text and translations

Spanish.png Spanish text

Madre, la de los primores,
la que es virgen siendo madre,
la madre de tantas hijas,
y madre de tantos padres.
Goza hoy en tu templo felicidades,
pues de tu esposo eres divino Atlante.

Señora reformadora,
la que a sus benditos frailes,
los trae por esos desiertos,
al sol, a la nieve, al aire.
Goza hoy en tu templo felicidades,
pues de tu esposo eres divino Atlante.

El premio de sus trabajos
paga el cielo conmandarle,
que para que al cielo suban,
les haga que descalsen.
Goza hoy…

Quien la vido [vió?] y la ve agora [ahora?]
andar por sotos, y valles
entonces, y en esas fiestas
ocupar mil altares.
Goza hoy…

Por dios my señora monja,
que supo de amor los lances,
pues se hechó la cruz a cuestas
por seguir bien a su amante,
Goza hoy…

Descanse muy en buen hora
en el templo que le hace,
quien amante solicita
 que de trabajar descanse.
Goza hoy…

English.png English translation requested