Madrigali novamente composti a 5 voci (Orlando di Lasso): Difference between revisions
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'''Description:''' [[Orlando di Lasso]]'s 5th and last book of madrigals for 5 voices. The closing piece of the first edition, {{NoComp|Come la cera al foco|Orlando di Lasso}}, is a 6-voice canon, not a madrigal. | '''Description:''' [[Orlando di Lasso]]'s 5th and last book of madrigals for 5 voices. The closing piece of the first edition, {{NoComp|Come la cera al foco|Orlando di Lasso}}, is a 6-voice canon, not a madrigal. | ||
'''First | '''First''' {{PubDatePlace|1585|Noribergae: Catharinae Gerlachiae.|Edition 1}}<br> | ||
{{PubDatePlace|1587|Venetia: Angelo Gardano.|Edition 2}} | |||
'''Known editions:''' 2. The second edition appends five extra works to the first. | '''Known editions:''' 2. The second edition appends five extra works to the first. | ||
Line 9: | Line 10: | ||
*1587 - ''Di Orlando Lasso maestro di capella del sereniss. duca di Bavera (sic), Libro Quinto de Madrigali a cinque voci. Novamente composti, et dati in luce. In Venetia appresso Angelo Gardano. 1587.'' | *1587 - ''Di Orlando Lasso maestro di capella del sereniss. duca di Bavera (sic), Libro Quinto de Madrigali a cinque voci. Novamente composti, et dati in luce. In Venetia appresso Angelo Gardano. 1587.'' | ||
'''Facsimile:''' [http://daten.digitale-sammlungen.de/~db/0008/bsb00083501/image_1 Original 1585 edition], from the [ | {{GenreLanguage|Secular|Madrigals|Italian|5}} | ||
'''Facsimile:''' | |||
*[http://daten.digitale-sammlungen.de/~db/0008/bsb00083501/image_1 Original 1585 edition], from the [https://www.digitale-sammlungen.de/ Munich Digitization Center]. | |||
*[https://books.google.com/books?id=VGFnVJUNAcoC 1585 Edition from Google Books] | |||
==List of works== | ==List of works== | ||
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<!-- # -->|1{{hs|.01}} | <!-- # -->|1{{hs|.01}} | ||
<!-- Title -->|{{NoComp|De l'eterne tue sante | <!-- Title -->|{{NoComp|De l'eterne tue sante |Orlando di Lasso}} | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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<!-- # -->|1{{hs|.02}} | <!-- # -->|1{{hs|.02}} | ||
<!-- Title -->|{{NoComp|Per questi alti misteri}} | <!-- Title -->|{{NoComp|Per questi alti misteri|Orlando di Lasso}} | ||
<!-- Comments -->|''Seconda parte'' | <!-- Comments -->|''Seconda parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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<!-- # -->|2{{hs|.01}} | <!-- # -->|2{{hs|.01}} | ||
<!-- Title -->|{{NoComp|Io, | <!-- Title -->|{{NoComp|Io, che l'età più verde|Orlando di Lasso}} | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
Line 47: | Line 52: | ||
<!-- # -->|2{{hs|.02}} | <!-- # -->|2{{hs|.02}} | ||
<!-- Title -->|{{NoComp|Ma conven che di speme io mi disarmi}} | <!-- Title -->|{{NoComp|Ma conven che di speme io mi disarmi|Orlando di Lasso}} | ||
<!-- Comments -->|''Seconda parte'' | <!-- Comments -->|''Seconda parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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<!-- # -->|3{{hs|.01}} | <!-- # -->|3{{hs|.01}} | ||
<!-- Title -->|{{NoComp|O tempo, o ciel volubil | <!-- Title -->|{{NoComp|O tempo, o ciel volubil |Orlando di Lasso}} | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
Line 63: | Line 68: | ||
<!-- # -->|3{{hs|.02}} | <!-- # -->|3{{hs|.02}} | ||
<!-- Title -->|{{NoComp|E sarebbe hora et è passata homai}} | <!-- Title -->|{{NoComp|E sarebbe hora et è passata homai|Orlando di Lasso}} | ||
<!-- Comments -->|''Seconda parte'' | <!-- Comments -->|''Seconda parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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<!-- # -->|4{{hs|.01}} | <!-- # -->|4{{hs|.01}} | ||
<!-- Title -->|{{NoComp|Le voglie e l'opre mie | <!-- Title -->|{{NoComp|Le voglie e l'opre mie|Orlando di Lasso}} | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
Line 79: | Line 84: | ||
<!-- # -->|4{{hs|.02}} | <!-- # -->|4{{hs|.02}} | ||
<!-- Title -->|{{NoComp|Non fu colle, o campagna, o riva, o fiume}} | <!-- Title -->|{{NoComp|Non fu colle, o campagna, o riva, o fiume|Orlando di Lasso}} | ||
<!-- Comments -->|''Seconda parte'' | <!-- Comments -->|''Seconda parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->|5 | <!-- # -->|5 | ||
<!-- Title -->|{{NoComp|Un dubbio verno | <!-- Title -->|{{NoComp|Un dubbio verno|Orlando di Lasso}} | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|6 | ||
<!-- Title -->|{{NoComp| | <!-- Title -->|{{NoComp|Or vi riconfortate|Orlando di Lasso}} | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
<!-- Poet -->|{{ss|Francesco|Petrarca}} | <!-- Poet -->|{{ss|Francesco|Petrarca}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|7{{hs|.01}} | ||
<!-- Title -->|{{NoComp|U' son gl'ingegni pellegrini | <!-- Title -->|{{NoComp|U' son gl'ingegni pellegrini|Orlando di Lasso}} | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|7{{hs|.02}} | ||
<!-- Title -->|{{NoComp|Ahi, che la forza de l'ingegno}} | <!-- Title -->|{{NoComp|Ahi, che la forza de l'ingegno|Orlando di Lasso}} | ||
<!-- Comments -->|''Seconda parte'' | <!-- Comments -->|''Seconda parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|8 | ||
<!-- Title -->|{{NoComp|Io non sapea di | <!-- Title -->|{{NoComp|Io non sapea |Orlando di Lasso}} | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|9{{hs|.01}} | ||
<!-- Title -->|{{NoComp|Quand'io penso al fuggir | <!-- Title -->|{{NoComp|Quand'io penso al fuggir|Orlando di Lasso}} | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|9{{hs|.02}} | ||
<!-- Title -->|{{NoComp|Vedi, gli dico, ch'a tuoi danni spira}} | <!-- Title -->|{{NoComp|Vedi, gli dico, ch'a tuoi danni spira|Orlando di Lasso}} | ||
<!-- Comments -->|''Seconda parte'' | <!-- Comments -->|''Seconda parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|10{{hs|.01}} | ||
<!-- Title -->|{{NoComp|Io son sì stanco sotto'l fascio antico}} | <!-- Title -->|{{NoComp|Io son sì stanco sotto'l fascio antico |Orlando di Lasso}} | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|10{{hs|.02}} | ||
<!-- Title -->|{{NoComp|Ma la sua voce ancor qua giù}} | <!-- Title -->|{{NoComp|Ma la sua voce ancor qua giù|Orlando di Lasso}} | ||
<!-- Comments -->|''Seconda parte'' | <!-- Comments -->|''Seconda parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|11{{hs|.01}} | ||
<!-- Title -->|{{NoComp|Quando il giorno da l'onde | <!-- Title -->|{{NoComp|Quando il giorno da l'onde|Orlando di Lasso}} | ||
<!-- Comments -->|''Sestina'' | <!-- Comments -->|''Sestina'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|11{{hs|.02}} | ||
<!-- Title -->|{{NoComp|Non hebbe huom forse | <!-- Title -->|{{NoComp|Non hebbe huom forse|Orlando di Lasso}} | ||
<!-- Comments -->|''Seconda parte'' | <!-- Comments -->|''Seconda parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|11{{hs|.03}} | ||
<!-- Title -->|{{NoComp|Hor come i rai del sol | <!-- Title -->|{{NoComp|Hor come i rai del sol|Orlando di Lasso}} | ||
<!-- Comments -->|''Terza parte'' | <!-- Comments -->|''Terza parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|11{{hs|.04}} | ||
<!-- Title -->|{{NoComp|Parmi che sempre sian | <!-- Title -->|{{NoComp|Parmi che sempre sian|Orlando di Lasso}} | ||
<!-- Comments -->|''Quarta parte'' | <!-- Comments -->|''Quarta parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|11{{hs|.05}} | ||
<!-- Title -->|{{NoComp|Il mondo muta ogni hor | <!-- Title -->|{{NoComp|Il mondo muta ogni hor|Orlando di Lasso}} | ||
<!-- Comments -->|''Quinta parte'' | <!-- Comments -->|''Quinta parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
Line 198: | Line 203: | ||
|- | |- | ||
<!-- # -->| | <!-- # -->|11{{hs|.06}} | ||
<!-- Title -->|{{NoComp|Poggi, valli, campagne, fiumi e boschi}} | <!-- Title -->|{{NoComp|Poggi, valli, campagne, fiumi e boschi|Orlando di Lasso}} | ||
<!-- Comments -->|''Sesta parte'' | <!-- Comments -->|''Sesta parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|12 | ||
<!-- Title -->|{{NoComp|Come la cera al foco | <!-- Title -->|{{NoComp|Come la cera al foco|Orlando di Lasso}} (6vv) | ||
<!-- Comments -->|''Canon a l'unisono'' | <!-- Comments -->|''Canon a l'unisono'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
Line 214: | Line 219: | ||
|- | |- | ||
<!-- # -->| | <!-- # -->|13{{hs|.1}} | ||
<!-- Title -->|{{NoComp|Soleasi nel mio cor | <!-- Title -->|{{NoComp|Soleasi nel mio cor|Orlando di Lasso}} | ||
<!-- Comments -->|[1587 edition only] | <!-- Comments -->|[1587 edition only] | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|13{{hs|.2}} | ||
<!-- Title -->|{{NoComp|Che piangon dentro ov'ogni orecchia}} | <!-- Title -->|{{NoComp|Che piangon dentro ov'ogni orecchia|Orlando di Lasso}} | ||
<!-- Comments -->|[1587 edition only] ''Seconda parte'' | <!-- Comments -->|[1587 edition only] ''Seconda parte'' | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|14 | ||
<!-- Title -->|{{NoComp|Segui già le | <!-- Title -->|{{NoComp|Segui già le speranze|Orlando di Lasso}} | ||
<!-- Comments -->|[1587 edition only] | <!-- Comments -->|[1587 edition only] | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|15 | ||
<!-- Title -->|{{NoComp|Nessun visse giamai | <!-- Title -->|{{NoComp|Nessun visse giamai piu di me lieto|Orlando di Lasso}} | ||
<!-- Comments -->|[1587 edition only] | <!-- Comments -->|[1587 edition only] | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|16 | ||
<!-- Title -->|{{NoComp|O fugace dolcezza | <!-- Title -->|{{NoComp|O fugace dolcezza|Orlando di Lasso}} | ||
<!-- Comments -->|[1587 edition only] | <!-- Comments -->|[1587 edition only] | ||
<!-- Composer -->|{{ss|Orlando di|Lasso}} | <!-- Composer -->|{{ss|Orlando di|Lasso}} | ||
Line 253: | Line 258: | ||
|} | |} | ||
==Works at CPDL== | |||
===1585 Edition=== | |||
{{MultiPubList|seq,lyr,gen,subg,vo,voices|1585}} | |||
===1587 Edition=== | |||
{{MultiPubList|seq,lyr,gen,subg,vo,voices|1587}} | |||
[[Category:Music publications]] | [[Category:Music publications]] | ||
[[Category:Lasso publications|0800 ]] |
Revision as of 01:52, 24 May 2019
General information
Description: Orlando di Lasso's 5th and last book of madrigals for 5 voices. The closing piece of the first edition, Come la cera al foco, is a 6-voice canon, not a madrigal.
First Publication date and place: 1585 Noribergae: Catharinae Gerlachiae. – Edition 1
Publication date and place: 1587 Venetia: Angelo Gardano. – Edition 2
Known editions: 2. The second edition appends five extra works to the first.
- 1585 - Madrigali: novamente composti a cinque voci: per Orlando Lasso: mastro di capella: del serenissimo duca di Bavera (sic). Cum gratia et privilegio imperiali. Norimbergae: in officina typographica Catharinae Gerlachiae. 1585.
- 1587 - Di Orlando Lasso maestro di capella del sereniss. duca di Bavera (sic), Libro Quinto de Madrigali a cinque voci. Novamente composti, et dati in luce. In Venetia appresso Angelo Gardano. 1587.
Genre, Subgenre: Secular, Madrigals. Language: Italian, 5 voices.
Facsimile:
List of works
Works at CPDL
1585 Edition
No. | Title | Lyricist | Genre | Subgenre | Vo. | Voices |
---|---|---|---|---|---|---|
1 | De l'eterne tue sante | Gabriele Fiamma | Secular | Madrigals | 5 | SATTB |
2 | Io, che l'età più verde | Gabriele Fiamma | Secular | Madrigals | 5 | SATTB |
3 | O tempo, o ciel volubil | Francesco Petrarca | Secular | Madrigals | 5 | SATTB |
4 | Le voglie e l'opre mie | Gabriele Fiamma | Secular | Madrigals | 5 | SSATB |
5 | Un dubbio verno | Francesco Petrarca | Secular | Madrigals | 5 | SSATB |
6 | Or vi riconfortate | Francesco Petrarca | Secular | Madrigals | 5 | SSATB |
7 | U' son gl'ingegni pellegrini | Gabriele Fiamma | Secular | Madrigals | 5 | SSATB |
8 | Io non sapea | Francesco Petrarca | Secular | Madrigals | 5 | SSATB |
9 | Quand'io penso al fuggir | Gabriele Fiamma | Secular | Madrigals | 5 | SSATB |
10 | Io son sì stanco sotto'l fascio antico | Francesco Petrarca | Secular | Madrigals | 5 | SSATB |
11 | Quando il giorno da l'onde | Gabriele Fiamma | Secular | Madrigals | 5 | SATTB |
12 | Come la cera al foco | Gabriele Fiamma | Secular | Madrigals | 6 | SSATTB |
1587 Edition
No. | Title | Lyricist | Genre | Subgenre | Vo. | Voices |
---|---|---|---|---|---|---|
13 | Soleasi nel mio cor | Francesco Petrarca | Secular | Madrigals | 5 | SATTB |
14 | Segui già le speranze | Francesco Petrarca | Secular | Madrigals | 5 | SATTB |
15 | Nessun visse giamai piu di me lieto | Francesco Petrarca | Secular | Madrigals | 5 | SAATB |
16 | O fugace dolcezza | Francesco Petrarca | Secular | Madrigals | 5 | STTTB,SATTB |