Messa à 4, Sesto Tono (Michelangelo Grancini): Difference between revisions

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(Posted 2017-07-20) CPDL #45529:

Editor: William Evans (submitted 2017-07-20). Score information: A4, 54 pages, 2.78 MB Copyright: CPDL

Edition notes: Original key

(Posted 2017-07-20) CPDL #45528:

Editor: William Evans (submitted 2017-07-20). Score information: A4, 54 pages, 2.8 MB Copyright: CPDL

Edition notes: Transposed up a minor third. Grancini, M. Armonia ecclesiastica de concerti, Op. 1; Milan: Giorgio Rolla, 1622. RISM A/I: G 3397; RISM B/I: 1622. Note values halved, tempo markings are editorial. Published source provides no underlay except incipits to each piece. Underlay supplied by editor according to stylistic convention. A basso continuo has been realised from the vocal parts. Only one iteration of the Agnus Dei is in the source, a suitable chant has been supplied and a dona nobis pacem movement arranged from the final Kyrie. Original key has a generally low range for all parts - would suit A, A/T, T/Bar, B. Transposed edition more suitable for SATB.

General Information

Title: Messa à 4, Sesto Tono
Composer: Michelangelo Grancini
Lyricist:

Number of voices: 4vv Voicing: SATB
Genre: Sacred, Mass

Language: Latin
Instruments: Basso continuo

First published: 1622 Transcribed from Dell’Armonia ecclesiastica de concerti á 1, 2, 3, e 4 voci, con una Messa, Magnificat, Letanie, Falsibordoni, & Canzoni Francese, parimente à quattro di Michel’Angelo Grancini, organista di S. Maria del Paradiso in Milano. Dedicati al Molto Illus. & M. R. mio Signore & Patrone offervandiss. Monsig. Ludovico Besozzi Canonico, Ordinario nella metropolitana di Milano &c. In Milano, per Giorgio Rolla. 1622. Con licenza de’ Superiori
Description: Performance edition by William Evans, 2017.

External websites:

http://imslp.org/wiki/Armonia_ecclesiastica_de_concerti%2C_Op.1_(Grancini%2C_Michel_Angelo)

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

Kyrie • Gloria • Credo • Sanctus & Benedictus • Agnus Dei

Retrieved from "https://www.cpdl.org/wiki/index.php?title=Messa_à_4,_Sesto_Tono_(Michelangelo_Grancini)&oldid=1558114"

@@ Line 1: / Line 1: @@
 ==Music files==
 {{#Legend:}}
-*{{PostedDate|2017-07-20}} {{CPDLno|45529}} [[Media:Grancini,_Messa_a_Sesto_Tono,_score_and_Bc_(Original_key).pdf|{{pdf}}]]
+*{{PostedDate|2017-07-20}} {{CPDLno|45529}} [[Media:Grancini,_Messa_a_Sesto_Tono,_score_and_Bc_(Original_key).pdf|{{pdf}}]] [[Media:Grancini,_Messa_a_Sesto_Tono,_score_and_Bc_(Original_key).mxl|{{XML}}]]
 {{Editor|William Evans|2017-07-20}}{{ScoreInfo|A4|54|2842}}{{Copy|CPDL}}
-:'''Edition notes:''' Original key
+:{{EdNotes|Original key}}
 *{{PostedDate|2017-07-20}} {{CPDLno|45528}} [[Media:Grancini,_Messa_a_4,_Sesto_Tono,_score_and_Bc_(Up_a_minor_3rd).pdf|{{pdf}}]]
 {{Editor|William Evans|2017-07-20}}{{ScoreInfo|A4|54|2864}}{{Copy|CPDL}}
-:'''Edition notes:''' Transposed up a minor third. Grancini, M. Armonia ecclesiastica de concerti, Op. 1; Milan: Giorgio Rolla, 1622. RISM A/I: G 3397; RISM B/I: 1622
+:{{EdNotes|Transposed up a minor third. Grancini, M. Armonia ecclesiastica de concerti, Op. 1; Milan: Giorgio Rolla, 1622. RISM A/I: G 3397; RISM B/I: 1622. Note values halved, tempo markings are editorial. Published source provides no underlay except incipits to each piece. Underlay supplied by editor according to stylistic convention. A basso continuo has been realised from the vocal parts. Only one iteration of the Agnus Dei is in the source, a suitable chant has been supplied and a dona nobis pacem movement arranged from the final Kyrie. Original key has a generally low range for all parts - would suit A, A/T, T/Bar, B. Transposed edition more suitable for SATB.}}
-:Note values halved, tempo markings are editorial. Published source provides no underlay except incipits to each piece. Underlay supplied by editor according to stylistic convention. A basso continuo has been realised from the vocal parts. Only one iteration of the Agnus Dei is in the source, a suitable chant has been supplied and a dona nobis pacem movement arranged from the final Kyrie.
-:Original key has a generally low range for all parts - would suit A, A/T, T/Bar, B. Transposed edition more suitable for SATB.
 ==General Information==
-'''Title:''' ''Messa à 4, Sesto Tono''<br>
+{{Title|''Messa à 4, Sesto Tono''}}
 {{Composer|Michelangelo Grancini}}
 {{Lyricist|}}
-{{Voicing|4|SATB}}<br>
+{{Voicing|4|SATB}}
 {{Genre|Sacred|Masses}}
 {{Language|Latin}}
 {{Instruments|Basso continuo}}
 {{Pub|1|1622|Transcribed from Dell’Armonia ecclesiastica de concerti á 1, 2, 3, e 4 voci, con una Messa, Magnificat, Letanie, Falsibordoni, & Canzoni Francese, parimente à quattro di Michel’Angelo Grancini, organista di S. Maria del Paradiso in Milano. Dedicati al Molto Illus. & M. R. mio Signore & Patrone offervandiss. Monsig. Ludovico Besozzi Canonico, Ordinario nella metropolitana di Milano &c. In Milano, per Giorgio Rolla. 1622. Con licenza de’ Superiori.}}
+{{Descr|Performance edition by William Evans, 2017.}}
-'''Description:''' Performance edition by William Evans, 2017.
+{{#ExtWeb:
+http://imslp.org/wiki/Armonia_ecclesiastica_de_concerti%2C_Op.1_(Grancini%2C_Michel_Angelo)}}
-'''External websites:''' http://imslp.org/wiki/Armonia_ecclesiastica_de_concerti%2C_Op.1_(Grancini%2C_Michel_Angelo)
 ==Original text and translations==
 {{MassText}}