Missa Octavi toni (Orlando di Lasso): Difference between revisions
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{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1577|in ''[[Missae variis concentibus ornatae cum cantico beatae Mariae octo modis musicis variato (Orlando di Lasso)]]''}} | {{Pub|1|1577|in ''[[Missae variis concentibus ornatae cum cantico beatae Mariae octo modis musicis variato (Orlando di Lasso)]]''}} | ||
{{Pub| | {{Pub|2|1853|in ''[[Musica Divina Vol. I (Carl Proske)]]''|no=4}} | ||
{{Pub|3|1894|in ''Sämtliche Werke''}} | {{Pub|3|1894|in ''Sämtliche Werke''}} | ||
Revision as of 06:54, 27 March 2019
Music files
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Complete Score
- Editor: Allen Garvin (submitted 2018-11-07). Score information: Letter, 8 pages, 186 kB Copyright: CC BY NC
- Edition notes: Set from the 1588 'Misse Decem' collection from Gardano press. Parts available at http://dfwviols.com/new/2018-11-06-01
- Editor: Simon Biazeck (submitted 2018-02-09). Score information: A4, 19 pages, 849 kB Copyright: CPDL
- Edition notes: Source: Missa venatorum / 4.or vocum. / Orlandus de Lasso. Choir book, 1555 - 1575 (c. 1565), ff. 197-215. Clefs: C1, C3, C4, F4. Original pitch and note-values retained. Cue-sized & cautionary accidentals are editorial. Bracketed text is editorial. All plainsong has been provided by the editor.
- Editor: Simon Biazeck (submitted 2015-01-02). Score information: A4, 14 pages, 223 kB Copyright: CPDL
- Edition notes: Complete Mass. Original note values retained.
- Editor: Fritz Brodersen (submitted 2006-07-20). Score information: A4, 22 pages, 178 kB Copyright: Personal
- Edition notes: 2 editions available, one in original key, and one transposed up a major second. Scroll down to Fritz Brodersen.
Individual movements
- Kyrie
- Editor: Staffan Lundberg (submitted 2003-04-23). Score information: Letter, 1 page, 29 kB Copyright: Personal
- Edition notes: Scroll down to Staffan Lundberg.
- Editor: Marco Gallo (submitted 2002-06-18). Score information: A4, 1 page, 21 kB Copyright: Personal
- Edition notes: listed alphabetically by composer.
- Editor: Thomas F. Savoy (submitted 2001-01-29). Score information: Letter, 2 pages, 40 kB Copyright: CPDL
- Edition notes: MusicXML source file(s) in compressed .mxl format.
- Gloria in excelsis
- Editor: Thomas F. Savoy (submitted 2001-01-29). Score information: Letter, 5 pages, 81 kB Copyright: CPDL
- Edition notes: MusicXML source file(s) in compressed .mxl format.
- Sanctus - Benedictus
- Editor: Thomas F. Savoy (submitted 2001-01-29). Score information: Letter, 5 pages, 117 kB Copyright: CPDL
- Edition notes: MusicXML source file(s) in compressed .mxl format.
- Sanctus
- Editor: Marco Gallo (submitted 2002-06-18). Score information: A4, 2 pages, 33 kB Copyright: Personal
- Edition notes: listed alphabetically by composer.
- Benedictus
- Editor: Marco Gallo (submitted 2002-06-18). Score information: A4, 2 pages, 28 kB Copyright: Personal
- Edition notes: listed alphabetically by composer
- Agnus Dei
- Editor: Thomas F. Savoy (submitted 2001-01-29). Score information: Letter, 2 pages, 42 kB Copyright: CPDL
- Edition notes: MusicXML source file(s) in compressed .mxl format.
General Information
Title: Missa Jäger (Missa octavi toni)
Composer: Orlando di Lasso
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Mass
Language: Latin
Instruments: A cappella
First published: 1577 in Missae variis concentibus ornatae cum cantico beatae Mariae octo modis musicis variato (Orlando di Lasso)
2nd published: 1853 in Musica Divina Vol. I (Carl Proske), no. 4
3rd published: 1894 in Sämtliche Werke
Description: The Missa Octavi Toni by Orlande de Lassus (also Roland de Lassus, Orlando di Lasso, Orlandus Lassus, or Roland de Lattre) is commonly known as the Missa Jäger or Missa Venatorum - the “Hunters’ Mass”. Of his 60 complete masses, most of which are imitation (or parody) settings, it falls into the category of missae breves, “brief masses”. It is the most extreme example of settings made to order for Lassus’s employer, Duke Albrecht V of Bavaria (1528 - 1579), who disliked having his progress to hunting impeded by prolix polyphonic essays. Demanding aristocracy aside, this superbly economical mass combines much syllabic word setting, brief and concise imitative episodes, typically colourful chromatic inflections and is ideal for any liturgical celebration where time is at a premium.
External websites:
Text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: