Niccolò Machiavelli: Difference between revisions
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Richard Mix (talk | contribs) (Created page with "<!-- '''Aliases:''' --> ==Life== '''Born:''' 3 May 1469 '''Died:''' 21 June 1527 '''Biography''' Though he is best remembered for the political discourses ''The Prince''...") |
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==Musical settings of literary works== | ==Musical settings of literary works== | ||
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*''Chi non fa prova, amore'' (''La Mandragola II'' and ''La Clizia II'') (anon.) | *''Chi non fa prova, amore'' (''La Mandragola II'' and ''La Clizia II'') (anon.) | ||
*''Quanto sia lieto il giorno'' (''La Clizia'', prologue) ([[Quanto sia liet' il giorno (Philippe Verdelot)|Philippe Verdelot]]) | *''Quanto sia lieto il giorno'' (''La Clizia'', prologue) ([[Quanto sia liet' il giorno (Philippe Verdelot)|Philippe Verdelot]]) | ||
*''Sì suave è l'inghanno'' (''La Mandragola IV'' and ''La Clizia V'') (anon.) | *''Sì suave è l'inghanno'' (''La Mandragola IV'' and ''La Clizia V'') (anon.) | ||
==Publications== | ==Publications== | ||
Revision as of 10:39, 23 January 2017
Life
Born: 3 May 1469
Died: 21 June 1527
Biography
Though he is best remembered for the political discourses The Prince and The Republic, Machiavelli's plays La Mandragola and La Clizia contain songs that were set by Philippe Verdelot as well as Scotto, Balbi and anonymous. Machiavelli was also a musician and friend to Heinrich Isaac.
View the Wikipedia article on Niccolò Machiavelli.
Musical settings of literary works
Settings of text by Niccolò Machiavelli
- Amor, io sento l'alma (Girolamo Scotto)
- Amor, io sento l'alma (Philippe Verdelot)
- O dolce nocte (Philippe Verdelot)
- Quanto sia liet' il giorno (Philippe Verdelot)
- Chi non fa prova, amore (La Mandragola II and La Clizia II) (anon.)
- Quanto sia lieto il giorno (La Clizia, prologue) (Philippe Verdelot)
- Sì suave è l'inghanno (La Mandragola IV and La Clizia V) (anon.)
Publications
Works in verse include:
- Decennale primo (1506), a Florentine chronicle in terza rima.
- Decennale secondo (1509), incomplete continuation
- Andria or The Woman of Andros (1517), a translation from Terence.
- Mandragola (1518), five-act prose comedy, with a verse prologue.
- Clizia (1525), prose comedy after Plautus
- Asino d'oro (1517), terza rima translation of Apuleius' The Golden Ass
External links
add web links here