Niccolò Machiavelli: Difference between revisions

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*''Chi non fa prova, amore'' (''La Mandragola II'' and ''La Clizia II'') (anon.)
*''Chi non fa prova, amore'' (''La Mandragola II'' and ''La Clizia II'') (anon.)
*''Quanto sia lieto il giorno'' (''La Clizia'', prologue) ([[Quanto sia liet' il giorno (Philippe Verdelot)|Philippe Verdelot]])
*''Sì suave è l'inghanno'' (''La Mandragola IV'' and ''La Clizia V'') (anon.)
*''Sì suave è l'inghanno'' (''La Mandragola IV'' and ''La Clizia V'') (anon.)



Revision as of 10:39, 23 January 2017

Life

Born: 3 May 1469

Died: 21 June 1527

Biography

Though he is best remembered for the political discourses The Prince and The Republic, Machiavelli's plays La Mandragola and La Clizia contain songs that were set by Philippe Verdelot as well as Scotto, Balbi and anonymous. Machiavelli was also a musician and friend to Heinrich Isaac.

View the Wikipedia article on Niccolò Machiavelli.

Musical settings of literary works

Settings of text by Niccolò Machiavelli

  • Chi non fa prova, amore (La Mandragola II and La Clizia II) (anon.)
  • Sì suave è l'inghanno (La Mandragola IV and La Clizia V) (anon.)

Publications

Works in verse include:

  • Decennale primo (1506), a Florentine chronicle in terza rima.
  • Decennale secondo (1509), incomplete continuation
  • Andria or The Woman of Andros (1517), a translation from Terence.
  • Mandragola (1518), five-act prose comedy, with a verse prologue.
  • Clizia (1525), prose comedy after Plautus
  • Asino d'oro (1517), terza rima translation of Apuleius' The Golden Ass

External links

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