Non vos relinquam orphanos (Charles H. Giffen): Difference between revisions

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'''Published:''' 2011
'''Published:''' 2011


'''Description:''' This work is composed in the octatonic scale mode in which B, D, F, and G-sharp are removed from the chromatic scale, and hence the scale consists of alternating whole and half steps.  Although essentially tonal, the octatonic mode will seem somewhat unusual to many.  The work is appropriate for {{cat|Ascension}} or {{cat|Pentecost}}.
'''Description:''' This work is composed in the octatonic scale mode in which B, D, F, and G-sharp are removed from the chromatic scale, and hence the scale consists of alternating whole and half steps.  Although essentially tonal, the octatonic mode will seem somewhat unusual to many.  Note that, musically, measures 1-8 appear in strict inversion as measures 9-16.  Then measures 1-5, transposed down an octave, and measures 9-14, transposed up an octave, form a strict double canon by inversion delayed by two measures beginning at measure 17.  The style of this motet is intended to evoke both chant and early polyphony, albeit in modern terms. – Charles H. Giffen
 
This work is appropriate for {{cat|Ascension}} or {{cat|Pentecost}}.


'''External websites:'''
'''External websites:'''

Revision as of 16:54, 21 April 2011

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CPDL #23401: [ Icon_pdf.gif] Icon_mp3.gif
Editor: Charles H. Giffen (submitted 2011-04-20).   Score information: Letter, 4 pages, 85 kB   Copyright: Personal
Edition notes: Bilingual (Latin, English) edition. Copyright by the composer for CPDL, this work may be freely copied, distributed, performed, or recorded. Please inform the composer of any performances of this work.

General Information

Title: Non vos relinquam Orphanos (I will not leave you Comfortless)
Composer: Charles H. Giffen

Number of voices: 4vv   Voicing: SATB

Genre: SacredMotet

Languages: Latin, English
Instruments: a cappella
Published: 2011

Description: This work is composed in the octatonic scale mode in which B, D, F, and G-sharp are removed from the chromatic scale, and hence the scale consists of alternating whole and half steps. Although essentially tonal, the octatonic mode will seem somewhat unusual to many. Note that, musically, measures 1-8 appear in strict inversion as measures 9-16. Then measures 1-5, transposed down an octave, and measures 9-14, transposed up an octave, form a strict double canon by inversion delayed by two measures beginning at measure 17. The style of this motet is intended to evoke both chant and early polyphony, albeit in modern terms. – Charles H. Giffen

This work is appropriate for Ascension or Pentecost.

External websites:

Original text and translations

Latin.png Latin text

Non vos relinquam Orphanos: Alleluia.
Vado, et venio ad vos: Alleluia.
Et gaudebit cor nostrum. Amen. Alleluia.

English.png English text

I will not leave you Comfortless: Alleluia.
I will come to you yet again: Alleluia.
And your hearts shall sing and rejoice. Amen. Alleluia.