Nunc dimittis a 4-5 (Giovanni Pierluigi da Palestrina): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2012-04-07}} {{CPDLno|25867}} [[Media:pal-nunc-a5.pdf|{{pdf}}]]
*{{NewWork|2012-04-07}} {{CPDLno|25867}} [{{filepath:pal-nunc-a5.pdf}} {{pdf}}]  
{{Editor|Adrian Wall|2012-04-07}}{{ScoreInfo|A4|2|189}}{{Copy|Personal}}
{{Editor|Adrian Wall|2012-04-07}}{{ScoreInfo|A4|2|189}}{{Copy|Personal}}
:'''Edition notes:''' Transposed down a tone, for {{cat|SATBB|SATBarB}}. Polyphony for verse 2 supplied editorially.
:{{EdNotes|Transposed down a tone, for {{cat|SATBB|SATBarB}}. Polyphony for verse 2 supplied editorially.}}
<!--
*{{:Edition:CPDL 22529}}


*{{CPDLno|22529}} [{{filepath:Palestrina_-_Nunc_dimittis_a4-5.pdf}} {{pdf}}]
*{{:Edition:CPDL 22520}}
{{Editor|Edward Tambling|2010-10-28}}{{ScoreInfo|A4|3|52}}{{Copy|CPDL}}
-->
:'''Edition notes:''' At original pitch for {{cat|SATTB}}
 
*{{CPDLno|22520}} [{{filepath:Palestrina_-_Nunc_dimittis_a4-5_down_a_perfect_4th.pdf}} {{pdf}}]
{{Editor|Edward Tambling|2010-10-27}}{{ScoreInfo|A4|3|53}}{{Copy|CPDL}}
:'''Edition notes:''' Transposed down a perfect fourth for {{cat|ATTBB|ATTBarB}}


==General Information==
==General Information==
'''Title:''' ''Nunc dimittis a5''<br>
{{Title|''Nunc dimittis a5''}}
{{Composer|Giovanni Pierluigi da Palestrina}}
{{Composer|Giovanni Pierluigi da Palestrina}}


{{Voicing|5|SATTB}}<br>
{{Voicing|5|SATTB}}
{{Genre|Sacred|Evening Canticles|sort=Palestrina, Giovanni Pierluigi da}}
{{Genre|Sacred|Evening Canticles|sort=Palestrina, Giovanni Pierluigi da}}
{{Language|Latin}}
{{Language|Latin}}
'''Instruments:''' {{acap}}<br>
{{Instruments|A cappella}}
'''Published:''' 1892, in F X Haberl's ''Giovanni Pierluigi da Palestrina: Werke'', volume XXXI
{{Pub|1|1892|in F X Haberl's ''Giovanni Pierluigi da Palestrina: Werke'', volume XXXI}}
 
{{Descr|Clearly, the setting of verse 2 in Haberl's publication is a variant of Palestrina's [[Nunc dimittis (a4) (Giovanni Pierluigi da Palestrina)|4-part setting]] of the ''Nunc dimittis'', and doesn't really belong with this 5-part setting. To those familiar with [[Carols for Choirs 2]] (Oxford, 1970), this Nunc dimittis (and not a Magnificat as stated in Carols for Choirs 2) - and the plainsong tone upon which it is based - was used as the musical material for an arrangement of the Matin Responsory by David Willcocks and John Rutter. The principal material from which the arrangement of the Matin Responsory is taken is from the two halves of verse 2 (as provided by Haberl) and the first half of verse 4 with some adaptations.}}
'''Description:''' Clearly, the setting of verse 2 in Haberl's publication is a variant of Palestrina's [[Nunc dimittis (a4) (Giovanni Pierluigi da Palestrina)|4-part setting]] of the ''Nunc dimittis'', and doesn't really belong with this 5-part setting.
{{#ExtWeb:
 
*[[IMSLP:Supplementus II (Palestrina, Giovanni Pierluigi da)]]}}
To those familiar with [[Carols for Choirs 2]] (Oxford, 1970), this Nunc dimittis (and not a Magnificat as stated in Carols for Choirs 2) - and the plainsong tone upon which it is based - was used as the musical material for an arrangement of the Matin Responsory by David Willcocks and John Rutter. The principal material from which the arrangement of the Matin Responsory is taken is from the two halves of verse 2 (as provided by Haberl) and the first half of verse 4 with some adaptations.
 
'''External websites:'''
*[[IMSLP:Supplementus II (Palestrina, Giovanni Pierluigi da)]]
 
==Original text and translations==
==Original text and translations==
{{LinkText|Nunc dimittis}}
{{LinkText|Nunc dimittis}}

Latest revision as of 07:04, 11 January 2024

Music files

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  • (Posted 2012-04-07)  CPDL #25867:   
Editor: Adrian Wall (submitted 2012-04-07).   Score information: A4, 2 pages, 189 kB   Copyright: Personal
Edition notes: Transposed down a tone, for SATBarB. Polyphony for verse 2 supplied editorially.

General Information

Title: Nunc dimittis a5
Composer: Giovanni Pierluigi da Palestrina

Number of voices: 5vv   Voicing: SATTB
Genre: SacredEvening Canticles

Language: Latin
Instruments: A cappella

First published: 1892 in F X Haberl's Giovanni Pierluigi da Palestrina: Werke, volume XXXI
Description: Clearly, the setting of verse 2 in Haberl's publication is a variant of Palestrina's 4-part setting of the Nunc dimittis, and doesn't really belong with this 5-part setting. To those familiar with Carols for Choirs 2 (Oxford, 1970), this Nunc dimittis (and not a Magnificat as stated in Carols for Choirs 2) - and the plainsong tone upon which it is based - was used as the musical material for an arrangement of the Matin Responsory by David Willcocks and John Rutter. The principal material from which the arrangement of the Matin Responsory is taken is from the two halves of verse 2 (as provided by Haberl) and the first half of verse 4 with some adaptations.

External websites:

Original text and translations

Original text and translations may be found at Nunc dimittis.