O come in one (Thomas Tallis): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2021-04-25}} {{CPDLno|64204}} [[Media:Tallis_Fourth_tune.pdf|{{pdf}}]] [[Media:Tallis_Fourth_tune.mxl|{{XML}}]] | |||
{{Editor|Charles Gurnham|2021-04-25}}{{ScoreInfo|A4|2|53}}{{Copy|CPDL}} | |||
:{{EdNotes|Original spelling.}} | |||
*{{PostedDate|2015-10-17}} {{CPDLno|37237}} [[Media:Psalm95Tallis1567bpr.pdf|{{pdf}}]] [[Media:Psalm95Tallis1567bpr.mid|{{mid}}]] [[Media:Psalm95Tallis1567bpr.mxl|{{XML}}]] | *{{PostedDate|2015-10-17}} {{CPDLno|37237}} [[Media:Psalm95Tallis1567bpr.pdf|{{pdf}}]] [[Media:Psalm95Tallis1567bpr.mid|{{mid}}]] [[Media:Psalm95Tallis1567bpr.mxl|{{XML}}]] | ||
{{Editor|Barry Johnston|2015-10-17}}{{ScoreInfo|Letter|2|55}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2015-10-17}}{{ScoreInfo|Letter|2|55}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|Oval note edition. A few minor edits, otherwise as written in 1567. Archaic words explained on sheet music. Three more pairs of stanzas added from Parker's paraphrase.}} | ||
*{{PostedDate|2015-10-16}} {{CPDLno|37236}} [[Media:Psalm95Tallis1567a.pdf|{{pdf}}]] | *{{PostedDate|2015-10-16}} {{CPDLno|37236}} [[Media:Psalm95Tallis1567a.pdf|{{pdf}}]] [[Media:Psalm95Tallis1567a.mxl|{{XML}}]] | ||
{{Editor|Barry Johnston|2015-10-16}}{{ScoreInfo|7 x 10 in (landscape)|1|46}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2015-10-16}}{{ScoreInfo|7 x 10 in (landscape)|1|46}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|Note shapes added (4-shape). Three more pairs of stanzas added from Parker's paraphrase.}} | ||
*{{PostedDate|2005-10-10}} {{CPDLno|9936}} [[Media:Tunes_for_Archbishop_Parker's_Psalter-_4.pdf|{{pdf}}]] [[Media:Tunes_for_Archbishop_Parker's_Psalter-_4.mid|{{mid}}]] [[Media:Tallis Fourth Tune.mxl|{{XML}}]] [[Media:Tallis Fourth Tune.MUS|{{mus}}]] (Finale 2005) | *{{PostedDate|2005-10-10}} {{CPDLno|9936}} [[Media:Tunes_for_Archbishop_Parker's_Psalter-_4.pdf|{{pdf}}]] [[Media:Tunes_for_Archbishop_Parker's_Psalter-_4.mid|{{mid}}]] [[Media:Tallis Fourth Tune.mxl|{{XML}}]] [[Media:Tallis Fourth Tune.MUS|{{mus}}]] (Finale 2005) | ||
{{Editor|Tim Blickhan|2005-10-10}}{{ScoreInfo|Octavo|1|115}}{{Copy|Public Domain}} | {{Editor|Tim Blickhan|2005-10-10}} {{ScoreInfo|Octavo|1|115}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|}} | ||
==General Information== | ==General Information== | ||
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{{Lyricist|Matthew Parker}} | {{Lyricist|Matthew Parker}} | ||
{{Voicing|4|SATB}} | {{Voicing|4|SATB}} | ||
{{Genre|Sacred|Hymns}} {{Meter|88. 88 (L.M.)}} (actually 44. 44. 44. 44.) | {{Genre|Sacred|Hymns}} {{Meter|88. 88 (L.M.)}} (actually 44. 44. 44. 44.) | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1567|in ''[[The whole Psalter translated (1567)]]''|no=}} | {{Pub|1|1567|in ''[[The whole Psalter translated (1567)]]''|no=}} | ||
{{Descr|Words by [[Matthew Parker]]. 1567, paraphrase of Psalm 95, in eleven stanzas. Tallis used the first two stanzas in his composition.}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{top}} | {{top}} | ||
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To this strong rock, | To this strong rock, | ||
2. His face with praise | 2. His face with praise | ||
Line 47: | Line 47: | ||
Our psalms and hymns | Our psalms and hymns | ||
3. For why? This Lord | 3. For why? This Lord | ||
Line 56: | Line 55: | ||
He passeth all Gods | He passeth all Gods | ||
4. All coasts of earth | 4. All coasts of earth | ||
Line 65: | Line 63: | ||
And stoop to Him, | And stoop to Him, | ||
5. The sea is His: | 5. The sea is His: | ||
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Whom God so stayed | Whom God so stayed | ||
6. O then come we, | 6. O then come we, | ||
Line 151: | Line 147: | ||
His voice today | His voice today | ||
8. Beware, say I, | 8. Beware, say I, | ||
Line 160: | Line 155: | ||
Like tempting day | Like tempting day | ||
9. In which pastime, | 9. In which pastime, | ||
Line 169: | Line 163: | ||
Where yet my works | Where yet my works | ||
10. Full forty years, | 10. Full forty years, | ||
Line 178: | Line 171: | ||
They err in part | They err in part | ||
11. To whom I sware | 11. To whom I sware |
Latest revision as of 19:10, 26 May 2022
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Finale | |
File details | |
Help |
- Editor: Charles Gurnham (submitted 2021-04-25). Score information: A4, 2 pages, 53 kB Copyright: CPDL
- Edition notes: Original spelling.
- Editor: Barry Johnston (submitted 2015-10-17). Score information: Letter, 2 pages, 55 kB Copyright: Public Domain
- Edition notes: Oval note edition. A few minor edits, otherwise as written in 1567. Archaic words explained on sheet music. Three more pairs of stanzas added from Parker's paraphrase.
- Editor: Barry Johnston (submitted 2015-10-16). Score information: 7 x 10 in (landscape), 1 page, 46 kB Copyright: Public Domain
- Edition notes: Note shapes added (4-shape). Three more pairs of stanzas added from Parker's paraphrase.
- Editor: Tim Blickhan (submitted 2005-10-10). Score information: Octavo, 1 page, 115 kB Copyright: Public Domain
- Edition notes:
General Information
Title: O come in one
Composer: Thomas Tallis
Lyricist: Matthew Parker
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn Meter: 88. 88 (L.M.) (actually 44. 44. 44. 44.)
Language: English
Instruments: A cappella
First published: 1567 in The whole Psalter translated (1567)
Description: Words by Matthew Parker. 1567, paraphrase of Psalm 95, in eleven stanzas. Tallis used the first two stanzas in his composition.
External websites:
Original text and translations
English text 1. O come in one |
Let us sing to the Lord, |
|
7. For God He is |
As our Lord and our stay, |