O nata lux (Thomas Tallis): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
* {{PostedDate|2021-01-03}} {{CPDLno|62236}} [[Media:O_Nata_Lux_mm.pdf|{{pdf}}]] [[Media:O_Nata_Lux_mm.mid|{{mid}}]] [[Media:O_Nata_Lux_mm.mxl|{{XML}}]] [[Media:O_Nata_Lux_mm.sib|{{Sib}}]]
* {{PostedDate|2024-01-07}} {{CPDLno|78641}} [[Media:Nata-lux-satbb_mrm.pdf|{{pdf}}]] [[Media:Nata-lux-satbb_mrm.mxl|{{XML}}]] [[Media:Nata-lux-satbb_mrm.sib|{{Sib}}]]
{{Editor|Maia McCormick|2024-01-07}}{{ScoreInfo|Letter|3|82}}{{Copy|CPDL}}
:{{EdNotes|SATBarB (two flats). Duple vs. triple meter marked (via bracket) for optimal text stresses. Text contains emphasis markings, includes full text and translation.}}
 
*{{PostedDate|2023-09-10}} {{CPDLno|75304}} [[Media:Tallis-ONataLux1.pdf|{{pdf}}]] [[Media:Tallis-ONataLux1.mid|{{mid}}]]
{{Editor|Adrian Wall|2023-09-10}}{{ScoreInfo|A4|2|254}}{{Copy|Personal}}
:{{EdNotes|Transposed up a tone for {{cat|SSATB|SMATB}}. Note values halved.}}
 
*{{PostedDate|2023-08-05}} {{CPDLno|74754}} [[Media:Tallis,_O_nata_lux_de_lumine_-_Full_Score.pdf|{{pdf}}]] [[Media:Tallis,_O_nata_lux_de_lumine.mp3|{{mp3}}]]
{{Editor|Simon Biazeck|2023-08-05}}{{ScoreInfo|A4|3|200}}{{Copy|CPDL}}
:{{EdNotes|Original pitch, note-values, key signatures, and mensuration sign retained.  Barlines, cue-size accidentals within the staves and accidentals in square brackets above the staves are editorial; the latter serving, in part, to reinforce the editor’s approach to <i>musica ficta</i>—the modern conception of performers’ accidentals.  Cue-size notes are editorial.  Coloration is indicated by thick corner brackets.  Dashed syllabic slurs are editorial.}}
 
*{{PostedDate|2022-07-08}} {{CPDLno|69901}} [[Media:Tallis-ONataLux.pdf|{{pdf}}]] [[Media:Tallis-ONataLux.mid|{{mid}}]]
{{Editor|Jason Smart|2022-07-08}}{{ScoreInfo|A4|3|115}}{{Copy|Creative Commons Attribution Non-Commercial No Derivatives}}
:{{EdNotes|Edited from the Byrd/Tallis 1575 Cantiones Sacrae. Original pitch and note values retained.}}
 
*{{PostedDate|2022-06-15}} {{CPDLno|69713}} [[Media:O_nata_lux_(Hilton).pdf|{{pdf}}]] [[Media:O_nata_lux_(Hilton).midi|{{mid}}]] [[Media:O_nata_lux_(Hilton).mxl|{{XML}}]] [https://raw.githubusercontent.com/hilton/sheet-music/master/Tallis/O%20nata%20lux.ly {{extly}}]
{{Editor|Peter Hilton|2022-06-15}}{{ScoreInfo|A4|1|83}}{{Copy|Creative Commons Attribution Non-Commercial Share Alike}}
:{{EdNotes|Set on one page without bar lines, note lengths halved.}}
 
*{{PostedDate|2021-01-03}} {{CPDLno|62236}} [[Media:O_Nata_Lux_mm.pdf|{{pdf}}]] [[Media:O_Nata_Lux_mm.mid|{{mid}}]] [[Media:O_Nata_Lux_mm.mxl|{{XML}}]] [[Media:O_Nata_Lux_mm.sib|{{Sib}}]]
{{Editor|Maia McCormick|2021-01-03}}{{ScoreInfo|A4|2|45}}{{Copy|CPDL}}
{{Editor|Maia McCormick|2021-01-03}}{{ScoreInfo|A4|2|45}}{{Copy|CPDL}}
:{{EdNotes|Transposed up a whole step (to Am) for SAATB. Duple vs. triple meter marked (via bracket) for optimal text stresses.}}
:{{EdNotes|Transposed up a whole step (to Am) for SAATB. Duple vs. triple meter marked (via bracket) for optimal text stresses.}}


* {{PostedDate| 2020-05-21}} {{CPDLno|58740}} [[Media:08-tallis--o_nata_lux_de_lumine----0-score.pdf|{{pdf}}]] [[Media:08-tallis--o_nata_lux_de_lumine----0-score.midi|{{mid}}]] [[Media:08-tallis-cantiones_sacrae-o_nata_lux-a5-source.zip|{{Ly}}]]
* {{PostedDate| 2020-05-21}} {{CPDLno|58740}} [[Media:08-tallis--o_nata_lux_de_lumine----0-score.pdf|{{pdf}}]] [[Media:08-tallis--o_nata_lux_de_lumine----0-score.midi|{{mid}}]] [[Media:08-tallis--o_nata_lux_de_lumine----0-score.mxl|{{XML}}]] [[Media:08-tallis-cantiones_sacrae-o_nata_lux-a5-source.zip|{{zip}}]] (LilyPond)
{{Editor|Allen Garvin|2020-05-21}}{{ScoreInfo|Letter|2|57}}{{Copy|Creative Commons Attribution Non-Commercial}}
{{Editor|Allen Garvin|2020-05-21}}{{ScoreInfo|Letter|2|57}}{{Copy|Creative Commons Attribution Non-Commercial}}
:{{EdNotes| }}
:{{EdNotes|}}


*{{PostedDate|2017-03-14}} {{CPDLno|43550}} [[Media:Tallis_O_nata_lux_edPW.pdf|{{pdf}}]] [[Media:Tallis_O_nata_lux_edPW.mxl|{{XML}}]]
*{{PostedDate|2017-03-14}} {{CPDLno|43550}} [[Media:Tallis_O_nata_lux_edPW.pdf|{{pdf}}]] [[Media:Tallis_O_nata_lux_edPW.mxl|{{XML}}]]
Line 15: Line 35:
*{{PostedDate|2016-06-12}} {{CPDLno|39987}} [[Media:O_nata_lux_Tallis.pdf|{{pdf}}]] [[Media:O_nata_lux_Tallis.mid|{{mid}}]] [[Media:O_nata_lux_Tallis.mxl|{{XML}}]] [[Media:O_nata_lux_Tallis.capx|{{Capx}}]]
*{{PostedDate|2016-06-12}} {{CPDLno|39987}} [[Media:O_nata_lux_Tallis.pdf|{{pdf}}]] [[Media:O_nata_lux_Tallis.mid|{{mid}}]] [[Media:O_nata_lux_Tallis.mxl|{{XML}}]] [[Media:O_nata_lux_Tallis.capx|{{Capx}}]]
{{Editor|James Gibb|2016-06-12}}{{ScoreInfo|A4|2|46}}{{Copy|CPDL}}
{{Editor|James Gibb|2016-06-12}}{{ScoreInfo|A4|2|46}}{{Copy|CPDL}}
:{{EdNotes| }}
:{{EdNotes|}}


*{{PostedDate|2013-11-28}} {{CPDLno|30659}} [[Media:TallisOnataluxDUAL.pdf|{{pdf}}]] [[Media:TallisOnataluxDUAL.mxl|{{XML}}]]
*{{PostedDate|2013-11-28}} {{CPDLno|30659}} [[Media:TallisOnataluxDUAL.pdf|{{pdf}}]] [[Media:TallisOnataluxDUAL.mxl|{{XML}}]]
Line 23: Line 43:
*{{PostedDate|2013-01-31}} {{CPDLno|28181}} [[Media:Tallis_ONata.pdf|{{pdf}}]] [[Media:Tallis_ONata.mid|{{mid}}]] [[Media:Tallis_ONata.mxl|{{XML}}]] [[Media:Tallis_ONata.capx|{{Capx}}]]
*{{PostedDate|2013-01-31}} {{CPDLno|28181}} [[Media:Tallis_ONata.pdf|{{pdf}}]] [[Media:Tallis_ONata.mid|{{mid}}]] [[Media:Tallis_ONata.mxl|{{XML}}]] [[Media:Tallis_ONata.capx|{{Capx}}]]
{{Editor|Gerd Eichler|2013-01-31}}{{ScoreInfo|A4|2|61}}{{Copy|CPDL}}
{{Editor|Gerd Eichler|2013-01-31}}{{ScoreInfo|A4|2|61}}{{Copy|CPDL}}
:{{EdNotes|Mensural notation, original note values and key signature, clefs modernized, musica ficta clearly marked.}}
:{{EdNotes|Mensural notation, original note values and key signature, clefs modernized, ''musica ficta'' clearly marked.}}
:'''Last revised:''' 2013-02-23
:'''Last revised:''' 2013-02-23
<!--
<!--
Line 32: Line 52:
*{{PostedDate|2009-10-10}} {{CPDLno|20315}} [[Media:Tallis-o-nata-lux.pdf|{{pdf}}]] [[Media:Tallis-o-nata-lux.mid|{{mid}}]]
*{{PostedDate|2009-10-10}} {{CPDLno|20315}} [[Media:Tallis-o-nata-lux.pdf|{{pdf}}]] [[Media:Tallis-o-nata-lux.mid|{{mid}}]]
{{Editor|Sjouke Bruining|2009-10-10}}{{ScoreInfo|A4|2|256}}{{Copy|CPDL}}
{{Editor|Sjouke Bruining|2009-10-10}}{{ScoreInfo|A4|2|256}}{{Copy|CPDL}}
:{{EdNotes| }}
:{{EdNotes|}}


*{{PostedDate|2008-04-15}} {{CPDLno|16625}} [[Media:TALL-ONA.pdf|{{pdf}}]] [[Media:TALL-ONA.mid|{{mid}}]]
*{{PostedDate|2008-04-15}} {{CPDLno|16625}} [[Media:TALL-ONA.pdf|{{pdf}}]] [[Media:TALL-ONA.mid|{{mid}}]]
{{Editor|David Fraser|2008-04-15}}{{ScoreInfo|A4|2|92}}{{Copy|CPDL}}
{{Editor|David Fraser|2008-04-15}}{{ScoreInfo|A4|2|92}}{{Copy|CPDL}}
:{{EdNotes| }}
:{{EdNotes|}}


*{{PostedDate|2007-12-21}} {{CPDLno|15704}} [http://www.wilbertberendsen.nl/node/414 {{net}}] PDF with LilyPond source included.
*{{PostedDate|2007-12-21}} {{CPDLno|15704}} [http://www.wilbertberendsen.nl/node/414 {{net}}] PDF with LilyPond source included.
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{{Pub|1|1575|in ''[[Cantiones quae ab argumento sacrae vocantur]]'', no. 8}}
{{Pub|1|1575|in ''[[Cantiones quae ab argumento sacrae vocantur]]'', no. 8}}
{{Pub|2|1980|in ''[[The Chester Book of Motets]]''|vol=Book 9|no=6}}
{{Pub|2|1980|in ''[[The Chester Book of Motets]]''|vol=Book 9|no=6}}
{{Descr| }}
{{Descr|}}
{{#ExtWeb:{{Choralia|filter=tt01}}}}
{{#ExtWeb:{{Choralia|filter=tt01}}}}
==Original text and translations==
==Original text and translations==
{{LinkText|O nata lux}}
{{LinkText|O nata lux}}

Revision as of 18:28, 2 February 2024

Music files

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  • (Posted 2024-01-07)  CPDL #78641:       
Editor: Maia McCormick (submitted 2024-01-07).   Score information: Letter, 3 pages, 82 kB   Copyright: CPDL
Edition notes: SATBarB (two flats). Duple vs. triple meter marked (via bracket) for optimal text stresses. Text contains emphasis markings, includes full text and translation.
  • (Posted 2023-09-10)  CPDL #75304:     
Editor: Adrian Wall (submitted 2023-09-10).   Score information: A4, 2 pages, 254 kB   Copyright: Personal
Edition notes: Transposed up a tone for SMATB. Note values halved.
  • (Posted 2023-08-05)  CPDL #74754:     
Editor: Simon Biazeck (submitted 2023-08-05).   Score information: A4, 3 pages, 200 kB   Copyright: CPDL
Edition notes: Original pitch, note-values, key signatures, and mensuration sign retained. Barlines, cue-size accidentals within the staves and accidentals in square brackets above the staves are editorial; the latter serving, in part, to reinforce the editor’s approach to musica ficta—the modern conception of performers’ accidentals. Cue-size notes are editorial. Coloration is indicated by thick corner brackets. Dashed syllabic slurs are editorial.
  • (Posted 2022-07-08)  CPDL #69901:     
Editor: Jason Smart (submitted 2022-07-08).   Score information: A4, 3 pages, 115 kB   Copyright: CC BY NC ND
Edition notes: Edited from the Byrd/Tallis 1575 Cantiones Sacrae. Original pitch and note values retained.
  • (Posted 2022-06-15)  CPDL #69713:        Icon_ly_ext.png
Editor: Peter Hilton (submitted 2022-06-15).   Score information: A4, 1 page, 83 kB   Copyright: CC BY NC SA
Edition notes: Set on one page without bar lines, note lengths halved.
  • (Posted 2021-01-03)  CPDL #62236:         
Editor: Maia McCormick (submitted 2021-01-03).   Score information: A4, 2 pages, 45 kB   Copyright: CPDL
Edition notes: Transposed up a whole step (to Am) for SAATB. Duple vs. triple meter marked (via bracket) for optimal text stresses.
  • (Posted 2020-05-21)  CPDL #58740:        (LilyPond)
Editor: Allen Garvin (submitted 2020-05-21).   Score information: Letter, 2 pages, 57 kB   Copyright: CC BY NC
Edition notes:
  • (Posted 2017-03-14)  CPDL #43550:     
Editor: Phoebe Wing (submitted 2017-03-14).   Score information: Letter, 2 pages, 52 kB   Copyright: CPDL
Edition notes: Transposed up a minor third for SSATB. Text underlay as in part book "Cantiones quae ab argumento sacrae vocantur."
  • (Posted 2016-06-12)  CPDL #39987:         
Editor: James Gibb (submitted 2016-06-12).   Score information: A4, 2 pages, 46 kB   Copyright: CPDL
Edition notes:
  • (Posted 2013-11-28)  CPDL #30659:     
Editor: Tony Compton (submitted 2013-11-28).   Score information: A4, 2 pages, 33 kB   Copyright: CPDL
Edition notes: English words provided also, as an alternative to Latin in performance
  • (Posted 2013-01-31)  CPDL #28181:         
Editor: Gerd Eichler (submitted 2013-01-31).   Score information: A4, 2 pages, 61 kB   Copyright: CPDL
Edition notes: Mensural notation, original note values and key signature, clefs modernized, musica ficta clearly marked.
Last revised: 2013-02-23
  • (Posted 2009-10-10)  CPDL #20315:     
Editor: Sjouke Bruining (submitted 2009-10-10).   Score information: A4, 2 pages, 256 kB   Copyright: CPDL
Edition notes:
  • (Posted 2008-04-15)  CPDL #16625:     
Editor: David Fraser (submitted 2008-04-15).   Score information: A4, 2 pages, 92 kB   Copyright: CPDL
Edition notes:
  • (Posted 2007-12-21)  CPDL #15704:  Network.png PDF with LilyPond source included.
Editor: Wilbert Berendsen (submitted 2007-12-21).   Score information: A4, 2 pages, 68 kB   Copyright: CPDL
Edition notes: LilyPond source included in PDF. SATTB voicing.
  • (Posted 2004-05-20)  CPDL #07022:  Network.png PDF file available.
Editor: Ted Dean (submitted 2004-05-20).   Score information: A4, 4 pages, 78 kB   Copyright: Personal
Edition notes: Transposed up a major second. Voicing described as SATTB on external site but SAATB is perhaps more appropriate.
  • (Posted 2000-04-18)  CPDL #00806:         
Editor: John Henry Fowler (submitted 2000-04-18).   Score information: Letter, 3 pages, 39 kB   Copyright: CPDL
Edition notes: SATTB voicing.

General Information

Title: O nata lux
Composer: Thomas Tallis
Source of text: 10th century hymn

Number of voices: 5vv   Voicing: SATBarB, SATTB, SAATB, or ATTBarB
Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1575 in Cantiones quae ab argumento sacrae vocantur, no. 8
    2nd published: 1980 in The Chester Book of Motets, Book 9, no. 6
Description: 

External websites:

  • Free choir training aids for this work are available at Choralia.

Original text and translations

Original text and translations may be found at O nata lux.