O what unhoped (Thomas Campion): Difference between revisions

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m (Text replace - ''''Number of voices:''' 3vv '''Voicing:''' SAB<br>' to '{{Voicing|3|SAB}}<br>')
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{{Composer|Thomas Campion}}
{{Composer|Thomas Campion}}


'''Number of voices:''' 3vv '''Voicing:''' SAB<br>
{{Voicing|3|SAB}}<br>
'''Genre:''' {{pcat|Secular| music}}, [[:Category:Partsongs|Partsong]]<br>
'''Genre:''' {{pcat|Secular| music}}, [[:Category:Partsongs|Partsong]]<br>
{{Language|English}}
{{Language|English}}

Revision as of 18:08, 30 December 2011

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  • CPDL #18126:  Network.png
Editor: Christoph Dalitz (submitted 2008-10-05).   Score information: A4, 2 pages, 32 kB   Copyright: CC BY 3.0 Germany
Edition notes: Bass part arranged to better fit for singing rather than playing on a viol.

General Information

Title: O what unhoped
Composer: Thomas Campion

Number of voices: 3vv   Voicing: SAB

Genre: Secular, Partsong

Language: English
Instruments: Renaissance lute in G
Published: about 1613

Description: A simple song that can optionally be performed as a part song or as a solo song with lute accompaniment.

Original text and translations

English.png English text

O what unhop't for sweet supply !
O what ioyes exceeding !
What an affecting charme feele I,
From delight proceeding !
That which I long despair'd to be,
To her I am, and shee to mee.

Shee that alone in cloudy griefe
Long to mee appeared,
Shee now alone with bright reliefe
All those clouds hath cleared.
Both are immortall and diuine :
Since I am hers, and she is mine.