Ode to Saint Thomas Aquinas (Francisco Valls): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{PostedDate|2007-02-02}} {{CPDLno|13530}} [[Media:Valls-aqui.pdf|{{pdf}}]] [[Media:Valls-aqui.mid|{{mid}}]] [[Media:Valls-aqui.mxl|{{XML}}]] [[Media:Valls-aqui.sib|{{sib}}]] (Sibelius 2) | |||
*{{ | {{Editor|Jonathan Goodliffe|2007-02-02}}{{ScoreInfo|A4|24|149}}{{Copy|CPDL}} | ||
:{{EdNotes|Repeat bar lines are in the original score but the composer presumably intended the piece to be repeated only to the end of bar 51. This has been indicated accordingly. Some repeated quavers (8th notes) and semiquavers (16th notes) replaced by tremolos.}} | |||
: | |||
==General Information== | ==General Information== | ||
{{Title|''Ode to Saint Thomas Aquinas''}} | |||
{{Composer|Francisco Valls}} | |||
{{Voicing|8|SSAB.SATB}} | |||
{{Genre|Sacred|Arias}} for {{Cat|St. Thomas Aquinas}} 28 January (7 March, until 1969) | |||
{{Language|Spanish}} | {{Language|Spanish}} | ||
{{Instruments|Two violin and oboe parts (in unison), two trumpets and continuo}} | |||
'' | {{Pub|1|1742|in ''{{NoCo|Mapa Armónico Práctico}}''|no= }} | ||
{{Descr|Facsimile manuscript, including this score, published by Consejo Superior de Investigaciones Cientificas.}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{top}}{{Text|Spanish| | |||
{{Text|Spanish | |||
'''Recitado''' | '''Recitado''' | ||
Ya que el aplauso soy más eloquente, | |||
Ya que el aplauso soy más eloquente, | elevo justamente | ||
elevo justamente | del inclito Tomás las altas glorias, | ||
del inclito Tomás las altas glorias, | en eternas memorias. | ||
en eternas memorias. | Soy quien immortalizo | ||
Soy quien immortalizo | cuando fiel solemnizo; | ||
con que en su obsequio por diversos modos | con que en su obsequio por diversos modos | ||
mi fineza encarezco más que todos. | mi fineza encarezco más que todos. | ||
'''Aria''' | '''Aria''' | ||
¿Quién ha de poder sondar el profundo y vasto mar de tu mérito y valor? | ¿Quién ha de poder sondar el profundo y vasto mar de tu mérito y valor? | ||
Si en lo heroico de tu ser, tuvo el cielo que admirar, en tu angélico candor. | Si en lo heroico de tu ser, tuvo el cielo que admirar, en tu angélico candor.}} | ||
{{mdl}} | |||
{{Translation|English| | |||
{{Translation|English | |||
'''Recitative''' | '''Recitative''' | ||
Since my own words are more eloquent than any applause, I raise into everlasting memory the great glories of the illustrious Thomas. I am the one who can immortalize when I faithfully celebrate; and so my eulogy, more than anyone else's, extols his renown in every way. | Since my own words are more eloquent than any applause, I raise into everlasting memory the great glories of the illustrious Thomas. I am the one who can immortalize when I faithfully celebrate; and so my eulogy, more than anyone else's, extols his renown in every way. | ||
'''Aria''' | '''Aria''' | ||
Who can fathom the deep and vast sea of your worth and bravery? | Who can fathom the deep and vast sea of your worth and bravery? | ||
Did Heaven too admire your heroism and your angelic candour? | Did Heaven too admire your heroism and your angelic candour?}} | ||
{{btm}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Baroque music]] | [[Category:Baroque music]] |
Latest revision as of 17:58, 6 May 2022
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Sibelius | |
File details | |
Help |
- Editor: Jonathan Goodliffe (submitted 2007-02-02). Score information: A4, 24 pages, 149 kB Copyright: CPDL
- Edition notes: Repeat bar lines are in the original score but the composer presumably intended the piece to be repeated only to the end of bar 51. This has been indicated accordingly. Some repeated quavers (8th notes) and semiquavers (16th notes) replaced by tremolos.
General Information
Title: Ode to Saint Thomas Aquinas
Composer: Francisco Valls
Number of voices: 8vv Voicing: SSAB.SATB
Genre: Sacred, Aria for St. Thomas Aquinas 28 January (7 March, until 1969)
Language: Spanish
Instruments: Two violin and oboe parts (in unison), two trumpets and continuo
First published: 1742 in Mapa Armónico Práctico, no.
Description: Facsimile manuscript, including this score, published by Consejo Superior de Investigaciones Cientificas.
External websites:
Original text and translations
Spanish text Recitado |
English translation Recitative |