Psalmes, Sonnets and Songs (William Byrd): Difference between revisions
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====Sonnets and Pastorals==== | ====Sonnets and Pastorals==== | ||
*''11. [[I joy not in no earthly bliss (William Byrd)|I joy not in no earthly bliss]]'' | *''11. [[I joy not in no earthly bliss (William Byrd)|I joy not in no earthly bliss]]'' | ||
*''12. [[Though Amarillis Dance in Green (William Byrd)|Though | *''12. [[Though Amarillis Dance in Green (William Byrd)|Though Amaryllis dance in green]]'' | ||
*''13. [[Who likes to love (William Byrd)|Who likes to love]]'' | *''13. [[Who likes to love (William Byrd)|Who likes to love]]'' | ||
*''14. [[My Mind to me a Kingdom is (William Byrd)|My mind to me a kingdom is]]'' | *''14. [[My Mind to me a Kingdom is (William Byrd)|My mind to me a kingdom is]]'' | ||
*''15. [[Where fancy fond (William Byrd)|Where | *''15. [[Where fancy fond (William Byrd)|Where fancy fond]]'' | ||
*''16. [[O you that hear this voice (William Byrd)|O you that hear this voice]]'' | *''16. [[O you that hear this voice (William Byrd)|O you that hear this voice]]'' | ||
*''17. [[If women could be fair (William Byrd)|If women could be fair]]'' | *''17. [[If women could be fair (William Byrd)|If women could be fair]]'' | ||
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*''24. [[La Verginella (William Byrd)|La Verginella]]'' | *''24. [[La Verginella (William Byrd)|La Verginella]]'' | ||
*''25. [[Farewell false Love (William Byrd)|Farewell false Love]]'' | *''25. [[Farewell false Love (William Byrd)|Farewell false Love]]'' | ||
*''26. [[ | *''26. [[The match that's made (William Byrd)|The match that's made]]'' | ||
====Songs of sadness and piety==== | ====Songs of sadness and piety==== | ||
Revision as of 13:54, 1 September 2008
General Information
Published: 1588
Composer: William Byrd
Following the commercial failure of the Cantiones Sacrae, published jointly with Tallis in 1575, Byrd waited another eleven years before venturing into print again. This time, he trusted his fortunes to a collection of secular music, no doubt encouraged by the growing popularity in England of Italian madrigals adapted to English words, and specifically to the success in the same year of Nicholas Yonge's collection Musica Transalpina (which had itself included a piece by him). This time, too, he had judged public taste better, as the collection was a great success and went through several editions in the following years.
Despite the popularity of the pieces, all of which are for 5 voices, it appears that none of them were originally written as unaccompanied polyphonic songs, but that all originated as consort songs for a single voice and four viols. Byrd acknowledges these origins in the print, often designating the original solo voice as "the first singing part".
The collection is dedicated to Sir Christopher Hatton, who had become Lord Chancellor in the previous year.
Contents of the Psalmes, sonets, & songs of sadnes and pietie
Psalms
- 1. O God give ear
- 2. Mine eyes with fervency
- 3. My soul oppressed with care
- 4. How shall a young man
- 5. O Lord, how long wilt thou forget
- 6. O Lord who in thy sacred tent
- 7. Help Lord for wasted are those men
- 8. Blessed is he that fears the Lord
- 9. Lord in thy wrath reprove me not
- 10. Even from the depth
Sonnets and Pastorals
- 11. I joy not in no earthly bliss
- 12. Though Amaryllis dance in green
- 13. Who likes to love
- 14. My mind to me a kingdom is
- 15. Where fancy fond
- 16. O you that hear this voice
- 17. If women could be fair
- 18. Ambitious Love
- 19. What pleasure have great princes
- 20. As I beheld I saw a herdman wild
- 21. Although the heathen poets
- 22. In fields abroad
- 23. Constant Penelope
- 24. La Verginella
- 25. Farewell false Love
- 26. The match that's made
Songs of sadness and piety
- 27. Prostrate O Lord I lie
- 28. All as a sea
- 29. Susanna fair
- 30. If that a sinner's sighs
- 31. Care for thy soul
- 32. Lullaby my sweet little baby
- 33. Why do I use my paper, ink and pen?