Psalmes, Sonnets and Songs (William Byrd): Difference between revisions

From ChoralWiki
Jump to navigation Jump to search
m (Text replace - "'''Published:''' 1588" to "{{Published|1588}}")
Line 25: Line 25:
====Sonnets and Pastorals====
====Sonnets and Pastorals====
*''11. [[I joy not in no earthly bliss (William Byrd)|I joy not in no earthly bliss]]''
*''11. [[I joy not in no earthly bliss (William Byrd)|I joy not in no earthly bliss]]''
*''12. [[Though Amarillis Dance in Green (William Byrd)|Though Amaryllis dance in green]]''
*''12. [[Though Amarillis dance in green (William Byrd)|Though Amaryllis dance in green]]''
*''13. [[Who likes to love (William Byrd)|Who likes to love]]''
*''13. [[Who likes to love (William Byrd)|Who likes to love]]''
*''14. [[My Mind to me a Kingdom is (William Byrd)|My mind to me a kingdom is]]''
*''14. [[My Mind to me a Kingdom is (William Byrd)|My mind to me a kingdom is]]''

Revision as of 14:11, 13 March 2017

General Information

{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.

Composer: William Byrd

Following the commercial failure of the Cantiones Sacrae, published jointly with Tallis in 1575, Byrd waited another eleven years before venturing into print again. This time, he trusted his fortunes to a collection of secular music, no doubt encouraged by the growing popularity in England of Italian madrigals adapted to English words, and specifically to the success in the same year of Nicholas Yonge's collection Musica Transalpina (which had itself included a piece by him). This time, too, he had judged public taste better, as the collection was a great success and went through several editions in the following years.

Despite the popularity of the pieces, all of which are for 5 voices, it appears that none of them were originally written as unaccompanied polyphonic songs, but that all originated as consort songs for a single voice and four viols. Byrd acknowledges these origins in the print, often designating the original solo voice as "the first singing part".

The collection is dedicated to Sir Christopher Hatton, who had become Lord Chancellor in the previous year.

Contents of the Psalmes, sonets, & songs of sadnes and pietie

Psalms

Sonnets and Pastorals

Songs of sadness and piety

Funeral Songs