Ruggero Leoncavallo: Difference between revisions
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'''Biography:'''<br> | '''Biography:'''<br> | ||
The son of a judge, Leoncavallo was educated at the Conservatorio San Pietro a Majella in his native city, Naples (the date 1858, given for his birth in older histories of music, is incorrect). After some years spent teaching and in ineffective attempts to obtain the production of more than one opera, he saw the enormous success of Mascagni's Cavalleria Rusticana in 1890, and he wasted no time in producing his own verismo hit, Pagliacci. (According to Leoncavallo, the plot of this work had a real-life origin: he claimed it derived from a murder trial over which his father had presided.) | The son of a judge, Leoncavallo was educated at the Conservatorio San Pietro a Majella in his native city, Naples (the date 1858, given for his birth in older histories of music, is incorrect). After some years spent teaching and in ineffective attempts to obtain the production of more than one opera, he saw the enormous success of Mascagni's Cavalleria Rusticana in 1890, [http://ladbrokescasinoweb.co.uk ladbrokes casino online] and he wasted no time in producing his own verismo hit, Pagliacci. (According to Leoncavallo, the plot of this work had a real-life origin: he claimed it derived from a murder trial over which his father had presided.) | ||
Pagliacci was performed in Milan in 1892 with immediate success; today it is the only work by Leoncavallo in the standard operatic repertory. Its most famous aria Vesti la giubba ("Put on the trappings" or, in the better-known older translation, "On with the motley") was recorded by Enrico Caruso and became the world's first record to sell a million copies. | Pagliacci was performed in Milan in 1892 with immediate success; today it is the only work by Leoncavallo in the standard operatic repertory. Its most famous aria Vesti la giubba ("Put on the trappings" or, in the better-known older translation, "On with the motley") was recorded by Enrico Caruso and [http://learnonlinepokerrules.co.uk online poker] became the world's first record to sell a million copies. | ||
The next year his I Medici was also produced in Milan, but neither it nor Chatterton (1896)—both early works—obtained any favour, and it was not until La Bohème was performed in 1897 in Venice that his talent obtained public confirmation. (Its two tenor arias are still occasionally performed, especially in Italy, yet it was outshone by Puccini's opera of the same name and on the same subject (albeit a better libretto), which was premiered in 1896.) Subsequent operas by Leoncavallo were Zazà (1900) (the opera of Geraldine Farrar's famous farewell performance at the Met), and Der Roland (1904). Nothing from the latter opera is heard today, but the baritone aria from Zazà is still sometimes sung. | The next year his I Medici was also produced in Milan, but neither it nor Chatterton (1896)—both early works—obtained any favour, and it was not until [http://freeslots-game.co.uk slots] La Bohème was performed in 1897 in Venice that his talent obtained public confirmation. (Its two tenor arias are still occasionally performed, especially in Italy, yet it was outshone by Puccini's opera of the same name and on the same subject (albeit a better libretto), which was premiered in 1896.) Subsequent operas by Leoncavallo were Zazà (1900) (the opera of Geraldine Farrar's famous farewell performance at the Met), [http://slotsonlinegame.co.uk online slots game] and Der Roland (1904). Nothing from the latter opera is heard today, but the baritone aria from Zazà is still sometimes sung. | ||
Leoncavallo also wrote songs, most famously Mattinata. He died in Montecatini, Tuscany, in 1919. | Leoncavallo also wrote songs, most famously Mattinata. He died in Montecatini, Tuscany, in 1919. | ||
Leoncavallo was the librettist for all of his own operas. Many considered him the greatest Italian librettist of his time after Boito. Among Leoncavallo's librettos for other composers is his contribution to the libretto for Puccini's Manon Lescaut. | Leoncavallo was the librettist for all of his own operas. Many considered him the greatest Italian librettist of his time after Boito. Among Leoncavallo's librettos for other composers is his contribution to the libretto for [http://smartonlinebetting.co.uk betting online] Puccini's Manon Lescaut. | ||
{{WikipediaLink2}} | {{WikipediaLink2}} | ||
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Der Roland von Berlin (13 December 1904 Deutsche Oper, Berlin) <br> | Der Roland von Berlin (13 December 1904 Deutsche Oper, Berlin) <br> | ||
Maia (15 January 1910 Teatro Costanzi, Rome) <br> | Maia (15 January 1910 Teatro Costanzi, Rome) <br> | ||
Gli Zingari (16 September 1912 Hippodrome, London) <br> | Gli Zingari (16 September 1912 Hippodrome, [http://livebingoruleuk.co.uk bingo rule] London) <br> | ||
Mimi Pinson (1913 Teatro Massimo, Palermo) [rev. of La Bohème] <br> | Mimi Pinson (1913 Teatro Massimo, Palermo) [rev. of La Bohème] <br> | ||
Edipo Re (13 December 1920 Opera Theatre, Chicago) <br> | Edipo Re (13 December 1920 Opera Theatre, Chicago) <br> | ||
| Line 44: | Line 44: | ||
Goffredo Mameli (27 April 1916 Teatro Carlo Felice, Genoa) <br> | Goffredo Mameli (27 April 1916 Teatro Carlo Felice, Genoa) <br> | ||
A chi la giarrettiera? (16 October 1919 Teatro Adriano, Rome) <br> | A chi la giarrettiera? (16 October 1919 Teatro Adriano, Rome) <br> | ||
Il primo bacio (29 April 1923 Salone di cura, Montecatini) <br> | Il primo bacio [http://freecasino-bonus.co.uk casino bonus] (29 April 1923 Salone di cura, Montecatini) <br> | ||
La maschera nuda (26 June 1925 Teatro Politeama, Naples) <br> | La maschera nuda (26 June 1925 Teatro Politeama, Naples) <br> | ||
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==External links== | ==External links== | ||
* [http://archive.operainfo.org/broadcast/composer.cgi?id=108&language=1 Biographical information] | * [http://archive.operainfo.org/broadcast/composer.cgi?id=108&language=1 Biographical information] | ||
* [http://best-pokerdiary.co.uk bets poker] | |||
* [http://blackjack-games-guides.co.uk blackjack games guide] | |||
* [http://sportsbettingguideonline.com sports betting guide] | |||
{{DEFAULTSORT:Leoncavallo, Ruggero}} | {{DEFAULTSORT:Leoncavallo, Ruggero}} | ||
Revision as of 13:11, 27 January 2014
 | This composer is out of copyright but editions of their works have yet to be contributed to CPDL. You may be able to buy scores from Sheet Music Plus, which provides CPDL up to 8% of every sale we refer. This helps with the costs of running CPDL's web site. |
Life
Born: 23 April 1857
Died: 9 August 1919
Biography:
The son of a judge, Leoncavallo was educated at the Conservatorio San Pietro a Majella in his native city, Naples (the date 1858, given for his birth in older histories of music, is incorrect). After some years spent teaching and in ineffective attempts to obtain the production of more than one opera, he saw the enormous success of Mascagni's Cavalleria Rusticana in 1890, ladbrokes casino online and he wasted no time in producing his own verismo hit, Pagliacci. (According to Leoncavallo, the plot of this work had a real-life origin: he claimed it derived from a murder trial over which his father had presided.)
Pagliacci was performed in Milan in 1892 with immediate success; today it is the only work by Leoncavallo in the standard operatic repertory. Its most famous aria Vesti la giubba ("Put on the trappings" or, in the better-known older translation, "On with the motley") was recorded by Enrico Caruso and online poker became the world's first record to sell a million copies.
The next year his I Medici was also produced in Milan, but neither it nor Chatterton (1896)—both early works—obtained any favour, and it was not until slots La Bohème was performed in 1897 in Venice that his talent obtained public confirmation. (Its two tenor arias are still occasionally performed, especially in Italy, yet it was outshone by Puccini's opera of the same name and on the same subject (albeit a better libretto), which was premiered in 1896.) Subsequent operas by Leoncavallo were Zazà (1900) (the opera of Geraldine Farrar's famous farewell performance at the Met), online slots game and Der Roland (1904). Nothing from the latter opera is heard today, but the baritone aria from Zazà is still sometimes sung.
Leoncavallo also wrote songs, most famously Mattinata. He died in Montecatini, Tuscany, in 1919.
Leoncavallo was the librettist for all of his own operas. Many considered him the greatest Italian librettist of his time after Boito. Among Leoncavallo's librettos for other composers is his contribution to the libretto for betting online Puccini's Manon Lescaut.
- The above is an excerpt from Wikipedia. For the full article, click here.
List of choral works
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Operas
Pagliacci (May 21, 1892 Teatro Dal Verme, Milan)
I Medici (9 November 1893 Teatro Dal Verme, Milan) [first part of the trilogy Crepusculum - not completed ]
Chatterton (10 March 1896 Teatro Argentina, Rome) [rev. of a work written in 1876 ]
La Bohème (6 May 1897 Teatro La Fenice, Venice)
Zazà (10 November 1900 Teatro Lirico, Milan)
Der Roland von Berlin (13 December 1904 Deutsche Oper, Berlin)
Maia (15 January 1910 Teatro Costanzi, Rome)
Gli Zingari (16 September 1912 Hippodrome, bingo rule London)
Mimi Pinson (1913 Teatro Massimo, Palermo) [rev. of La Bohème]
Edipo Re (13 December 1920 Opera Theatre, Chicago)
Operettas
La jeunesse de Figaro (1906, USA)
Malbrouck (19 January 1910 Teatro Nazionale, Rome)
La reginetta delle rose (24 June 1912 Teatro Costanzi, Rome)
Are You There? (1 November 1913 Theatre Prince of Wales, London)
La candidata (6 February 1915 Teatro Nazionale, Rome)
Prestami tua moglie (2 September 1916 Casino delle Terme, Montecatini)
Goffredo Mameli (27 April 1916 Teatro Carlo Felice, Genoa)
A chi la giarrettiera? (16 October 1919 Teatro Adriano, Rome)
Il primo bacio casino bonus (29 April 1923 Salone di cura, Montecatini)
La maschera nuda (26 June 1925 Teatro Politeama, Naples)
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