Difference between revisions of "Sub tuum praesidium (Benedictus de Opiciis)"

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(General Information: Included all content about publication inside 'Published' template)
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{{Language|Latin}}
 
{{Language|Latin}}
 
{{Instruments|A cappella}}
 
{{Instruments|A cappella}}
{{Published|1515|in ''Lofzangen'' [Lofzangen ter ere van Keizer Maximiliaan en zijn kleinzoon Karel den Vijfden] (Antwerp).|1516/1517|in the [[Royal 11 E. xi]] manuscript.}}
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{{Pub|1|1515|in ''Lofzangen'' [Lofzangen ter ere van Keizer Maximiliaan en zijn kleinzoon Karel den Vijfden] (Antwerp)}}
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{{Pub|2|1516|in ''[[Royal 11 E. xi]]''|no=3}}
  
 
'''Description:''' This motet is one of only two surviving works by the composer, the other of which (''Summae laudis O Maria'') is contained (along with this one) in the 1515 publication (see above).
 
'''Description:''' This motet is one of only two surviving works by the composer, the other of which (''Summae laudis O Maria'') is contained (along with this one) in the 1515 publication (see above).

Latest revision as of 20:58, 14 June 2019

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  • CPDL #22133: This edition has been withdrawn at the request of the editor.
Editor: Edward Tambling (submitted 2010-08-19).   Score information: A4, 4 pages, 63 kB   Copyright: CPDL
Edition notes: In original key for ATTB

General Information

Title: Sub tuum praesidium
Composer: Benedictus de Opiciis

Number of voices: 4vv   Voicing: ATTB
Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1515 in Lofzangen [Lofzangen ter ere van Keizer Maximiliaan en zijn kleinzoon Karel den Vijfden] (Antwerp)
  2nd published: 1516 in Royal 11 E. xi, no. 3

Description: This motet is one of only two surviving works by the composer, the other of which (Summae laudis O Maria) is contained (along with this one) in the 1515 publication (see above).

External websites:

Original text and translations

Original text and translations may be found at Sub tuum praesidium.
The text differs slightly from the usual version.