Talk:Lord Nelson Mass (Mass no. 11 in D minor) (Joseph Haydn): Difference between revisions
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[[User:Mike Gibson|Mike Gibson]] 09:35, 2 March 2011 | [[User:Mike Gibson|Mike Gibson]] 09:35, 2 March 2011 | ||
== Score | == Score errors in CPDL #38566 == | ||
The last note of measure 33 of the Quoniam | A few missed pitches: | ||
The last note of measure 33 of the Quoniam tu Solus (p. 13), for the tenors, is a D in #38566. In #07907 and #45895, it is an E. | |||
The last note of measure 39 of the Credo (p. 19), for the sopranos and tenors, is an A in #38566. In #07907 and #45895, it is a B. | The last note of measure 39 of the Credo (p. 19), for the sopranos and tenors, is an A in #38566. In #07907 and #45895, it is a B. | ||
The third note of measure 36 of the Credo, for the sopranos, is a D in #38566. In #07907 and #45895, it is an E. | |||
The last note of measure 59 (p. 20), for the sopranos and tenors, is a B in #38566. In #07907 and #45895, it is a C-sharp. | The last note of measure 59 (p. 20), for the sopranos and tenors, is a B in #38566. In #07907 and #45895, it is a C-sharp. | ||
[[User:Ariel Barton|Ariel Barton]] ([[User talk:Ariel Barton|talk]]) 21:56, 7 March 2019 (UTC) | [[User:Ariel Barton|Ariel Barton]] ([[User talk:Ariel Barton|talk]]) 21:56, 7 March 2019 (UTC) |
Latest revision as of 15:03, 13 February 2023
Score error in Gloria CPDL #7902
In the score, edited by Mike Gibson, URL
I found an error:
In bar number 98, a "tutti" is missing for all voices. Aspergillus 08:03, 1 March 2011 (CST)
Possible Score error in Credo CPDL #7903
In the score, edited by Mike Gibson, URL
I see a problem with the Fermata and the following rest in bar 77 + 78 (all voices).
The notes now are
- a whole note with fermata, followed by
- a 3/4 rest and
- the quarter note for the melody ("de" in "descendit")
That says, that the rest has to be exactly 3/4.
In all other paper editions I found, the fermata is on a 3/4 note, imediately following the 1/4 note in the same bar (no rest), what makes one bar less and a difference in bar counting.
When singing, nearly nobody will make a rest of 3/4 at that point. Only taking new breath is nescessary. Therefore in bar 77 the sequence shoudt be
- 3/4 note with fermata
- Optional, a breath mark
- The quarter note to continue the melody (text: "de")
Aspergillus 08:45, 1 March 2011 (CST)
You are quite right. I performed this work some years ago under an eminent conductor in London who insisted on a dramatic silent pause before the last phrase. He convinced me that this was artistically effective and I incorporated it in my edition. I should have made it clear that this was editorial. Thank you for pointing it out.
Mike Gibson 09:35, 2 March 2011
Score errors in CPDL #38566
A few missed pitches:
The last note of measure 33 of the Quoniam tu Solus (p. 13), for the tenors, is a D in #38566. In #07907 and #45895, it is an E.
The last note of measure 39 of the Credo (p. 19), for the sopranos and tenors, is an A in #38566. In #07907 and #45895, it is a B.
The third note of measure 36 of the Credo, for the sopranos, is a D in #38566. In #07907 and #45895, it is an E.
The last note of measure 59 (p. 20), for the sopranos and tenors, is a B in #38566. In #07907 and #45895, it is a C-sharp.
Ariel Barton (talk) 21:56, 7 March 2019 (UTC)