Te lucis ante terminum (Thomas Tallis)

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  • (Posted 2020-05-21)  CPDL #58738:     
Editor: Jason Smart (submitted 2020-05-21).   Score information: A4, 5 pages, 190 kB   Copyright: CC BY NC ND
Edition notes: Both settings. Edited from the Byrd/Tallis Cantiones Sacrae of 1575. Original pitch and note values retained. Plainsong added. The score includes a critical commentary.
  • (Posted 2020-05-21)  CPDL #58737:     
Editor: Jason Smart (submitted 2020-05-21).   Score information: A4, 5 pages, 191 kB   Copyright: CC BY NC ND
Edition notes: Both settings. The same edition as #58738, but transposed up a major third for SAATB.
  • CPDL #27935:   
Editor: Adrian Wall (submitted 2013-01-01).   Score information: A4, 3 pages, 140 kB   Copyright: Personal
Edition notes: Transposed up a tone from original written pitch, for SATBarB
  • CPDL #09708:      (Finale 2004)
Editor: Thomas F. Strode (submitted 2005-09-18).   Score information: A4, 2 pages, 116 kB   Copyright: Personal
Edition notes: Ferial Tone only. See discussion section for notes on minor errors and a question whether the title of this article is correct.
  • CPDL #06606:      (Finale 2002)
Editor: Paul R. Marchesano (submitted 2004-01-30).   Score information: Letter, 4 pages, 120 kB   Copyright: Personal
Edition notes: Setting of vs. 2, "Procul recedant somnia" only. Festal and Ferial tone, but lacking plainsong - Tallis's polyphony only.

General Information

Title: Te lucis ante terminum (ferial tone)
Composer: Thomas Tallis

Number of voices: 5vv   Voicing: ATTBarB
or SAATB.
Genre: Sacred, Office hymn

Language: Latin
Instruments: A cappella

First published: 1575 in Cantiones quae ab argumento sacrae vocantur, no. 20

Description: One of two settings by Tallis of this text. This is the ferial tone setting; for the other one, see Te lucis ante terminum (festal tone)

External websites:

Original text and translations

Original text and translations may be found at Te lucis ante terminum.

This page is awaiting cleanup. Question.gif     Below is a description of the cleanup required:
The separate pages for Tallis's two 'Te lucis' settings need unscrambling. Since one edition appears on both pages and other editions include both settings, it would be better to combine all editions onto one page. The common description of the settings as 'festal' and 'ferial' is in any case misleading and they would be better placed under the sub-headings '1st setting' (for the so-called 'festal' tune) and '2nd setting'.

  

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