The Hesperian Harp (William Hauser)/List: Difference between revisions
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|1||1||[[Old Hundred (Louis Bourgeois)|Old Hundred]]||||1551||He reigns; the Lord, the Savior reigns||Isaac Watts||1719||A||L.M.||4 | |1||1||[[Old Hundred (Louis Bourgeois)|Old Hundred]]||[[Louis Bourgeois]]||1551||He reigns; the Lord, the Savior reigns||Isaac Watts||1719||A||L.M.||4 | ||
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|2||2a||Aylesbury||''Book of Psalmody''||1717||The Lord my shepherd is||Isaac Watts||1719||a||S.M.||4 | |2||2a||Aylesbury||''Book of Psalmody''||1717||The Lord my shepherd is||Isaac Watts||1719||a||S.M.||4 | ||
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|3||2b||[[Windham (Daniel Read)|Windham]]||||1785||Broad is the road that leads to death||Isaac Watts||1709||f||L.M.||4 | |3||2b||[[Windham (Daniel Read)|Windham]]||[[Daniel Read]]||1785||Broad is the road that leads to death||Isaac Watts||1709||f||L.M.||4 | ||
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|4||3||[[Primrose (Amzi Chapin)|Primrose]]||||1812||Salvation, O the joyful sound||Isaac Watts||1709||A||C.M.||4 | |4||3||[[Primrose (Amzi Chapin)|Primrose]]||[[Amzi Chapin]]||1812||Salvation, O the joyful sound||Isaac Watts||1709||A||C.M.||4 | ||
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|5||3b||[[Rochester (Israel Holdroyd)|Rochester]]||||1722||Come, let us join our cheerful songs||Isaac Watts||1707||A||C.M.||4 | |5||3b||[[Rochester (Israel Holdroyd)|Rochester]]||[[Israel Holdroyd]]||1722||Come, let us join our cheerful songs||Isaac Watts||1707||A||C.M.||4 | ||
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|6||4a||[[Rockbridge (Lucius Chapin)|Rockbridge]]||||1812||Sweet is the work, my God, my King||Isaac Watts||1719||C||L.M.||4 | |6||4a||[[Rockbridge (Lucius Chapin)|Rockbridge]]||[[Lucius Chapin]]||1812||Sweet is the work, my God, my King||Isaac Watts||1719||C||L.M.||4 | ||
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|7||4b||Mear||''Set of Tunes''||1720||In God's own house pronounce his praise||Isaac Watts||1719||G||C.M.||4 | |7||4b||Mear||''Set of Tunes''||1720||In God's own house pronounce his praise||Isaac Watts||1719||G||C.M.||4 | ||
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|8||5a||[[Wakefield (Samuel Wakefield)|Wakefield]]||||1835||Come, weary souls, with sin distressed||Anne Steele||1760||F||L.M.||4 | |8||5a||[[Wakefield (Samuel Wakefield)|Wakefield]]||[[Samuel Wakefield]]||1835||Come, weary souls, with sin distressed||Anne Steele||1760||F||L.M.||4 | ||
|- | |- | ||
|9||5b||[[Supplication (Chapin)|Supplication]]||||1810||Show pity, Lord! O Lord, forgive||Isaac Watts||1719||a||L.M.||4 | |9||5b||[[Supplication (Chapin)|Supplication]]||[[Chapin]]||1810||Show pity, Lord! O Lord, forgive||Isaac Watts||1719||a||L.M.||4 | ||
|- | |- | ||
|10||6a||[[Solemnity (Ananias Davisson)|Solemnity]]||||1817||Twas on that dark and doleful night||Isaac Watts||1711||a||L.M.||4 | |10||6a||[[Solemnity (Ananias Davisson)|Solemnity]]||[[Ananias Davisson]]||1817||Twas on that dark and doleful night||Isaac Watts||1711||a||L.M.||4 | ||
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|11||6b||[[Solemnity (Ananias Davisson)|Solemnity]]||||1817||He dies, the friend of sinners dies||Isaac Watts||1707||a||L.M.||3 | |11||6b||[[Solemnity (Ananias Davisson)|Solemnity]]||[[Ananias Davisson]]||1817||He dies, the friend of sinners dies||Isaac Watts||1707||a||L.M.||3 | ||
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|12||7a||[[Devotion (Alexander Johnson)|Devotion]]||||1818||Sweet is the work, my God, my King||Isaac Watts||1719||C||L.M.||4 | |12||7a||[[Devotion (Alexander Johnson)|Devotion]]||[[Alexander Johnson]]||1818||Sweet is the work, my God, my King||Isaac Watts||1719||C||L.M.||4 | ||
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|13||7b||[[Devotion (Daniel Read)|Devotion]]||||1787||Sweet is the day of sacred rest||Isaac Watts||1719||C||L.M.||4 | |13||7b||[[Devotion (Daniel Read)|Devotion]]||[[Daniel Read]]||1787||Sweet is the day of sacred rest||Isaac Watts||1719||C||L.M.||4 | ||
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|14||8a||Bourbon||''Beauties of Harmony''||1814||Twas on that dark and solemn night||Isaac Watts||1711||a||L.M.||3 | |14||8a||Bourbon||''Beauties of Harmony''||1814||Twas on that dark and solemn night||Isaac Watts||1711||a||L.M.||3 | ||
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|15||8b||Dismission||''Beauties of Harmony''||1814||I cannot bear thy absence, Lord||Isaac Watts||1709||a||L.M.||3 | |15||8b||Dismission||''Beauties of Harmony''||1814||I cannot bear thy absence, Lord||Isaac Watts||1709||a||L.M.||3 | ||
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|16||9a||[[Wells (Israel Holdroyd)|Wells]]||||1722||Ye nations round the earth, rejoice||Isaac Watts||1719||F||L.M.||4 | |16||9a||[[Wells (Israel Holdroyd)|Wells]]||[[Israel Holdroyd]]||1722||Ye nations round the earth, rejoice||Isaac Watts||1719||F||L.M.||4 | ||
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|17||9b||[[Paris (William Billings)|Paris]]||||1779||This spacious earth is all the Lord's||Isaac Watts||1719||A||L.M.||4 | |17||9b||[[Paris (William Billings)|Paris]]||[[William Billings]]||1779||This spacious earth is all the Lord's||Isaac Watts||1719||A||L.M.||4 | ||
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|18||10a||[[Philippi (Peter Erben)|Philippi]]||||1806||Praise God from whom all blessings flow||Thomas Ken||1674||C||L.M.||4 | |18||10a||[[Philippi (Peter Erben)|Philippi]]||[[Peter Erben]]||1806||Praise God from whom all blessings flow||Thomas Ken||1674||C||L.M.||4 | ||
|- | |- | ||
|19||10b||Jehalah||||||He dies, the friend of sinners dies||Isaac Watts||1707||A||L.M.||4 | |19||10b||Jehalah||||||He dies, the friend of sinners dies||Isaac Watts||1707||A||L.M.||4 | ||
|- | |- | ||
|20||11a||[[Tender Thought (Ananias Davisson)|Tender Thought]]||||1816||Arise, my tender thoughts, arise||Philip Doddridge||1755||a||L.M.||4 | |20||11a||[[Tender Thought (Ananias Davisson)|Tender Thought]]||[[Ananias Davisson]]||1816||Arise, my tender thoughts, arise||Philip Doddridge||1755||a||L.M.||4 | ||
|- | |- | ||
|21||11b||[[Angel's Hymn (Orlando Gibbons)|Angel's Hymn]]||||1623||The God of our salvation hears||Isaac Watts||1719||G||L.M.||4 | |21||11b||[[Angel's Hymn (Orlando Gibbons)|Angel's Hymn]]||[[Orlando Gibbons]]||1623||The God of our salvation hears||Isaac Watts||1719||G||L.M.||4 | ||
|- | |- | ||
|22||12a||[[Portugal (Thomas Thorley)|Portugal]]||||1778||Praise to the Lord, of boundless might||Philip Doddridge||1755||G||L.M.||4 | |22||12a||[[Portugal (Thomas Thorley)|Portugal]]||[[Thomas Thorley]]||1778||Praise to the Lord, of boundless might||Philip Doddridge||1755||G||L.M.||4 | ||
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|23||12b||[[Bridgewater (Lewis Edson)|Bridgewater]]||||1782||From all that dwell below the skies||Isaac Watts||1719||C||L.M.||4 | |23||12b||[[Bridgewater (Lewis Edson)|Bridgewater]]||[[Lewis Edson]]||1782||From all that dwell below the skies||Isaac Watts||1719||C||L.M.||4 | ||
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|24||13a||[[Chester (William Billings)|Chester]]||||1770||Let the high heavens your songs invite||Philip Doddridge||1755||F||L.M.||4 | |24||13a||[[Chester (William Billings)|Chester]]||[[William Billings]]||1770||Let the high heavens your songs invite||Philip Doddridge||1755||F||L.M.||4 | ||
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|25||13b||[[Davisson's Retirement (Ananias Davisson)|Davisson's Retirement]]||||1820||Jesus! and shall it ever be||Joseph Grigg||1765||f#||L.M.||4 | |25||13b||[[Davisson's Retirement (Ananias Davisson)|Davisson's Retirement]]||[[Ananias Davisson]]||1820||Jesus! and shall it ever be||Joseph Grigg||1765||f#||L.M.||4 | ||
|- | |- | ||
|26||14a||Williamstown||''Beauties of Psalmody''||1786||Show pity, Lord! O Lord, forgive||Isaac Watts||1719||a||L.M.||4 | |26||14a||Williamstown||''Beauties of Psalmody''||1786||Show pity, Lord! O Lord, forgive||Isaac Watts||1719||a||L.M.||4 | ||
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|27||14b||Litchfield||''Musical Primer''||1793||How soft the words my Savior speaks||Samuel Stennett||1787||A||L.M.||4 | |27||14b||Litchfield||''Musical Primer''||1793||How soft the words my Savior speaks||Samuel Stennett||1787||A||L.M.||4 | ||
|- | |- | ||
|28||15a||[[Gospel Armor (Ely Stansfield)|Gospel Armor]]||||1731||Stand up, my soul, shake off thy fears||Isaac Watts||1709||F||L.M.||4 | |28||15a||[[Gospel Armor (Ely Stansfield)|Gospel Armor]]||[[Ely Stansfield]]||1731||Stand up, my soul, shake off thy fears||Isaac Watts||1709||F||L.M.||4 | ||
|- | |- | ||
|29||15b||[[Passover (James Carrell)|Passover]]||||1821||Twas on that dark and doleful night||Isaac Watts||1711||a||L.M.||4 | |29||15b||[[Passover (James P. Carrell)|Passover]]||[[James P. Carrell]]||1821||Twas on that dark and doleful night||Isaac Watts||1711||a||L.M.||4 | ||
|- | |- | ||
|30||16a||[[Iredell (Samuel Wakely)|Iredell]]||||1818||Oft have I turned my eyes within||Samuel Stennett||1787||C||L.M.||4 | |30||16a||[[Iredell (Samuel Wakely)|Iredell]]||[[Samuel Wakely]]||1818||Oft have I turned my eyes within||Samuel Stennett||1787||C||L.M.||4 | ||
|- | |- | ||
|31||16b||[[The Humble Penitent (Ananias Davisson)|The Humble Penitent]]||||1826||Stay, thou insulted spirit, stay||Charles Wesley||1749||C||L.M.||4 | |31||16b||[[The Humble Penitent (Ananias Davisson)|The Humble Penitent]]||[[Ananias Davisson]]||1826||Stay, thou insulted spirit, stay||Charles Wesley||1749||C||L.M.||4 | ||
|- | |- | ||
|32||17a||[[Salem (Stephen Bovelle)|Salem]]||||1817||He dies! the Friend of sinners dies||Isaac Watts||1707||b||L.M.||4 | |32||17a||[[Salem (Stephen Bovelle)|Salem]]||[[Stephen Bovelle]]||1817||He dies! the Friend of sinners dies||Isaac Watts||1707||b||L.M.||4 | ||
|- | |- | ||
|33||17b||[[Glasgow (Elkanah Dare)|Glasgow]]||||1813||This life's a dream, an empty show||Isaac Watts||1719||G||L.M.||4 | |33||17b||[[Glasgow (Elkanah Dare)|Glasgow]]||[[Elkanah Dare]]||1813||This life's a dream, an empty show||Isaac Watts||1719||G||L.M.||4 | ||
|- | |- | ||
|34||18||Sweet Solitude||''Southern Harmony''||1835||Sweet solitude, thou blessed queen||Hannah More||1782||A||L.M.||4 | |34||18||Sweet Solitude||''Southern Harmony''||1835||Sweet solitude, thou blessed queen||Hannah More||1782||A||L.M.||4 | ||
|- | |- | ||
|35||19||[[Dover (Timothy Swan)|Dover]]||||1792||My soul, the great Creator praise||Isaac Watts||1719||C||L. M. D.||4 | |35||19||[[Dover (Timothy Swan)|Dover]]||[[Timothy Swan]]||1792||My soul, the great Creator praise||Isaac Watts||1719||C||L. M. D.||4 | ||
|- | |- | ||
|36||20a||[[New Jersey (Ishmael Spicer)|New Jersey]]||||1789||Lord, what was man when made at first||Isaac Watts||1719||e||L.M.||4 | |36||20a||[[New Jersey (Ishmael Spicer)|New Jersey]]||[[Ishmael Spicer]]||1789||Lord, what was man when made at first||Isaac Watts||1719||e||L.M.||4 | ||
|- | |- | ||
|37||20b||[[Duke Street (John Hatton)|Duke Street]]||||1793||Lord, when thou didst ascend on high||Isaac Watts||1719||F||L.M.||4 | |37||20b||[[Duke Street (John Hatton)|Duke Street]]||[[John Hatton]]||1793||Lord, when thou didst ascend on high||Isaac Watts||1719||F||L.M.||4 | ||
|- | |- | ||
|38||21a||[[Park Street (Venua)|Park Street]]||||1815||Wake, O my soul, and hail the morn||Anonymous||1806||A||L.M.||4 | |38||21a||[[Park Street (Venua)|Park Street]]||[[Venua]]||1815||Wake, O my soul, and hail the morn||Anonymous||1806||A||L.M.||4 | ||
|- | |- | ||
|39||21b||[[Kedron (Amos Pilsbury)|Kedron]]||||1799||Thou man of griefs, remember me||Charles Wesley||1762||e||L.M.||4 | |39||21b||[[Kedron (Amos Pilsbury)|Kedron]]||[[Amos Pilsbury]]||1799||Thou man of griefs, remember me||Charles Wesley||1762||e||L.M.||4 | ||
|- | |- | ||
|40||22a||[[Melinda (Robert Boyd)|Melinda]]||||1816||In vain the wealthy mortals toil||Isaac Watts||1707||e||L. M. D.||4 | |40||22a||[[Melinda (Robert Boyd)|Melinda]]||[[Robert Boyd]]||1816||In vain the wealthy mortals toil||Isaac Watts||1707||e||L. M. D.||4 | ||
|- | |- | ||
|41||22b||[[Whitestown (Howd)|Whitestown]]||||1800||Where nothing dwell but beasts of prey||Isaac Watts||1719||e||L.M.||4 | |41||22b||[[Whitestown (Howd)|Whitestown]]||[[Howd]]||1800||Where nothing dwell but beasts of prey||Isaac Watts||1719||e||L.M.||4 | ||
|- | |- | ||
|42||24||[[The Voice of Nature (Japhet Washburn)|The Voice of Nature]]||||1793||The spacious firmament on high||Joseph Addison||1712||C||L.M.||4 | |42||24||[[The Voice of Nature (Japhet Washburn)|The Voice of Nature]]||[[Japhet Washburn]]||1793||The spacious firmament on high||Joseph Addison||1712||C||L.M.||4 | ||
|- | |- | ||
|43||25||[[Ballstown (Nehemiah Shumway)|Ballstown]]||||1809||Great God, attend while Zion sings||Isaac Watts||1719||F||L.M.||4 | |43||25||[[Ballstown (Nehemiah Shumway)|Ballstown]]||[[Nehemiah Shumway]]||1809||Great God, attend while Zion sings||Isaac Watts||1719||F||L.M.||4 | ||
|- | |- | ||
|44||26a||[[Russia (Daniel Read)|Russia]]||||1787||My spirit looks to God alone||Isaac Watts||1719||a||L.M.||4 | |44||26a||[[Russia (Daniel Read)|Russia]]||[[Daniel Read]]||1787||My spirit looks to God alone||Isaac Watts||1719||a||L.M.||4 | ||
|- | |- | ||
|45||26b||[[Caldwell (William Little)|Caldwell]]||||1801||Sweet is the work, my God, my King||Isaac Watts||1719||D||L.M.||4 | |45||26b||[[Caldwell (William Little)|Caldwell]]||[[William Little]]||1801||Sweet is the work, my God, my King||Isaac Watts||1719||D||L.M.||4 | ||
|- | |- | ||
|46||27a||[[Hallelujah (Harrison)|Hallelujah]]||||1820||He come, he comes, the Judge severe||Charles Wesley||1758||G||86.86.87.||4 | |46||27a||[[Hallelujah (Harrison)|Hallelujah]]||[[Harrison]]||1820||He come, he comes, the Judge severe||Charles Wesley||1758||G||86.86.87.||4 | ||
|- | |- | ||
|47||27b||[[Hebron (Lowell Mason)|Hebron]]||||1823||Thus far the Lord hath led me on||Isaac Watts||1707||B{{flat}}||L.M.||4 | |47||27b||[[Hebron (Lowell Mason)|Hebron]]||[[Lowell Mason]]||1823||Thus far the Lord hath led me on||Isaac Watts||1707||B{{flat}}||L.M.||4 | ||
|- | |- | ||
|48||28||Clamanda||''Christian Harmony''||1805||Say now, ye lovely social band||Anonymous||1806||e||L.M.||4 | |48||28||Clamanda||''Christian Harmony''||1805||Say now, ye lovely social band||Anonymous||1806||e||L.M.||4 | ||
|- | |- | ||
|49||29||[[Bonnie Doon (Scottish Traditional)|Bonnie Doon]]||||1831||When marshalled on the nightly plain||Henry White||1812||G||L. M. D.||4 | |49||29||[[Bonnie Doon (Scottish Traditional)|Bonnie Doon]]||[[Scottish Traditional]]||1831||When marshalled on the nightly plain||Henry White||1812||G||L. M. D.||4 | ||
|- | |- | ||
|50||30a||[[Arnheim (Samuel Holyoke)|Arnheim]]||||1791||The Lord is come, the heavens proclaim||Isaac Watts||1719||D||L.M.||3 | |50||30a||[[Arnheim (Samuel Holyoke)|Arnheim]]||[[Samuel Holyoke]]||1791||The Lord is come, the heavens proclaim||Isaac Watts||1719||D||L.M.||3 | ||
|- | |- | ||
|51||30b||Vesperia||||||Soft be the gently breathing notes||William Collyer||1812||B{{flat}}||L.M.||3 | |51||30b||Vesperia||||||Soft be the gently breathing notes||William Collyer||1812||B{{flat}}||L.M.||3 | ||
|- | |- | ||
|52||31a||[[Carvosso (William Hauser)|Carvosso]]||||1848||Holy and true and righteous Lord||Charles Wesley||1742||C||L.M.||4 | |52||31a||[[Carvosso (William Hauser)|Carvosso]]||[[William Hauser]]||1848||Holy and true and righteous Lord||Charles Wesley||1742||C||L.M.||4 | ||
|- | |- | ||
|53||31b||[[Ortonville (Thomas Hastings)|Ortonville]]||||1837||Being of beings, God of love||Charles Wesley||1739||B{{flat}}||C.M.||4 | |53||31b||[[Ortonville (Thomas Hastings)|Ortonville]]||[[Thomas Hastings]]||1837||Being of beings, God of love||Charles Wesley||1739||B{{flat}}||C.M.||4 | ||
|- | |- | ||
|54||32a||[[Immensity (Eliakim Doolittle)|Immensity]]||||1806||Within thy circling power I stand||Isaac Watts||1719||a||L.M.||4 | |54||32a||[[Immensity (Eliakim Doolittle)|Immensity]]||[[Eliakim Doolittle]]||1806||Within thy circling power I stand||Isaac Watts||1719||a||L.M.||4 | ||
|- | |- | ||
|55||32b||[[Garden (Newcomb)|Garden]]||||1800||God, from his cloudy cistern, pours||Isaac Watts||1719||a||L.M.||4 | |55||32b||[[Garden (Newcomb)|Garden]]||[[Newcomb]]||1800||God, from his cloudy cistern, pours||Isaac Watts||1719||a||L.M.||4 | ||
|- | |- | ||
|56||33||[[Prospect (Graham)|Prospect]]||||1835||Why should we start and fear to die||Isaac Watts||1709||C||L.M.||3 | |56||33||[[Prospect (Graham)|Prospect]]||[[Graham]]||1835||Why should we start and fear to die||Isaac Watts||1709||C||L.M.||3 | ||
|- | |- | ||
|57||34a||[[Haines (William Hauser)|Haines]]||||1848||Eternal power, whose high abode||Isaac Watts||1706||F||L.M.||4 | |57||34a||[[Haines (William Hauser)|Haines]]||[[William Hauser]]||1848||Eternal power, whose high abode||Isaac Watts||1706||F||L.M.||4 | ||
|- | |- | ||
|58||34b||[[Carlisle (Ishmael Spicer)|Carlisle]]||||1789||Deep in our hearts, let us record||Isaac Watts||1719||a||L.M.||4 | |58||34b||[[Carlisle (Ishmael Spicer)|Carlisle]]||[[Ishmael Spicer]]||1789||Deep in our hearts, let us record||Isaac Watts||1719||a||L.M.||4 | ||
|- | |- | ||
|59||35||Isle of Wight||''Collection of Psalm Tunes in Four Parts''||1711||Lord, shall we part with gold for dross||Anonymous||1769||a||C.M.||4 | |59||35||Isle of Wight||''Collection of Psalm Tunes in Four Parts''||1711||Lord, shall we part with gold for dross||Anonymous||1769||a||C.M.||4 | ||
|- | |- | ||
|60||36a||[[Jonesborough (P. A. Axton)|Jonesborough]]||||1825||Jesus, my all, to heaven is gone||John Cennick||1740||a||L.M.||3 | |60||36a||[[Jonesborough (P. A. Axton)|Jonesborough]]||[[P. A. Axton]]||1825||Jesus, my all, to heaven is gone||John Cennick||1740||a||L.M.||3 | ||
|- | |- | ||
|61||36b||[[Loving-Kindness (Deodatus Dutton)|Loving-Kindness]]||||1830||Awake, my soul, to joyful lays||Samuel Medley||1782||A||L.M.||3 | |61||36b||[[Loving-Kindness (Deodatus Dutton)|Loving-Kindness]]||[[Deodatus Dutton]]||1830||Awake, my soul, to joyful lays||Samuel Medley||1782||A||L.M.||3 | ||
|- | |- | ||
|62||37||Highbridge||''Missouri Harmony''||1820||Though every age, eternal God||Isaac Watts||1719||a||L.M.||4 | |62||37||Highbridge||''Missouri Harmony''||1820||Though every age, eternal God||Isaac Watts||1719||a||L.M.||4 | ||
|- | |- | ||
|63||38a||[[Jackson (William Moore)|Jackson]]||||1825||The spacious firmament on high||Joseph Addison||1712||f#||L. M. D.||3 | |63||38a||[[Jackson (William Moore)|Jackson]]||[[William Moore]]||1825||The spacious firmament on high||Joseph Addison||1712||f#||L. M. D.||3 | ||
|- | |- | ||
|64||38b||[[Watchman's Call (William Walker)|Watchman's Call]]||||1835||The watchmen blow the trumpet round||Unattributed||1835||f#||L. M. D.||3 | |64||38b||[[Watchman's Call (William Walker)|Watchman's Call]]||[[William Walker]]||1835||The watchmen blow the trumpet round||Unattributed||1835||f#||L. M. D.||3 | ||
|- | |- | ||
|65||39||Third Creek||||||Lift up your hands, Emmanuel's friends||Anonymous||1805||e||L.M.||4 | |65||39||Third Creek||||||Lift up your hands, Emmanuel's friends||Anonymous||1805||e||L.M.||4 | ||
|- | |- | ||
|66||40a||[[Camden (William Bradshaw)|Camden]]||||1826||When we, our weary limbs to rest||Tate and Brady||1696||a||L.M.||4 | |66||40a||[[Camden (William Bradshaw)|Camden]]||[[William Bradshaw]]||1826||When we, our weary limbs to rest||Tate and Brady||1696||a||L.M.||4 | ||
|- | |- | ||
|67||40b||[[Atlanta (Ananias Davisson)|Atlanta]]||||1826||Young people all attention give||Anonymous||1804||A||L. M. D.||4 | |67||40b||[[Atlanta (Ananias Davisson)|Atlanta]]||[[Ananias Davisson]]||1826||Young people all attention give||Anonymous||1804||A||L. M. D.||4 | ||
|- | |- | ||
|68||41||[[Averet (Samuel Holyoke)|Averet]]||||1803||Children of God, renounce your fears||John Fawcett||1789||G||L.M.||3 | |68||41||[[Averet (Samuel Holyoke)|Averet]]||[[Samuel Holyoke]]||1803||Children of God, renounce your fears||John Fawcett||1789||G||L.M.||3 | ||
|- | |- | ||
|69||42a||[[Frozen Heart (Elisha King)|Frozen Heart]]||||1844||O! For a glance of heavenly day||Joseph Hart||1762||F||L.M.||4 | |69||42a||[[Frozen Heart (Elisha King)|Frozen Heart]]||[[Elisha King]]||1844||O! For a glance of heavenly day||Joseph Hart||1762||F||L.M.||4 | ||
|- | |- | ||
|70||42b||Sabbath Summons||||||Not by the brazen trumpet's voice||James Montgomery||1822||G||L.M.||4 | |70||42b||Sabbath Summons||||||Not by the brazen trumpet's voice||James Montgomery||1822||G||L.M.||4 | ||
|- | |- | ||
|71||43||[[Corinth (John Massengale)|Corinth]]||||1844||Say, which of you would see the Lord||Charles Wesley||1742||G||L.M.||4 | |71||43||[[Corinth (John Massengale)|Corinth]]||[[John Massengale]]||1844||Say, which of you would see the Lord||Charles Wesley||1742||G||L.M.||4 | ||
|- | |- | ||
|72||44a||The Turtle Dove||''Southern Harmony''||1835||Hark! Don't you hear the turtle dove||Anonymous||1839||C||L. M. D.||3 | |72||44a||The Turtle Dove||''Southern Harmony''||1835||Hark! Don't you hear the turtle dove||Anonymous||1839||C||L. M. D.||3 | ||
Line 159: | Line 159: | ||
|73||44b||Bethel Street||||||O, who will come and go with me||Anonymous||1807||a||L.M.||3 | |73||44b||Bethel Street||||||O, who will come and go with me||Anonymous||1807||a||L.M.||3 | ||
|- | |- | ||
|74||45||[[Lebanon New (James Carrell)|Lebanon New]]||||1831||Come, sinners, to the gospel feast||Charles Wesley||1747||F||L.M.||3 | |74||45||[[Lebanon New (James P. Carrell)|Lebanon New]]||[[James P. Carrell]]||1831||Come, sinners, to the gospel feast||Charles Wesley||1747||F||L.M.||3 | ||
|- | |- | ||
|75||46a||[[Departing Saint (Jeremiah Ingalls)|Departing Saint]]||||1805||Hark! Hark! She bids her friends adieu||Isaac Watts||1707||G||L.M.||4 | |75||46a||[[Departing Saint (Jeremiah Ingalls)|Departing Saint]]||[[Jeremiah Ingalls]]||1805||Hark! Hark! She bids her friends adieu||Isaac Watts||1707||G||L.M.||4 | ||
|- | |- | ||
|76||46b||[[Parting Hand (Jeremiah Ingalls)|Parting Hand]]||||1805||My Christian friends, in bonds of love||Anonymous||1823||G||L.M.||4 | |76||46b||[[Parting Hand (Jeremiah Ingalls)|Parting Hand]]||[[Jeremiah Ingalls]]||1805||My Christian friends, in bonds of love||Anonymous||1823||G||L.M.||4 | ||
|- | |- | ||
|77||47||Home||||||There is a land of pure delight||Isaac Watts||1709||A||86.86.76.||3 | |77||47||Home||||||There is a land of pure delight||Isaac Watts||1709||A||86.86.76.||3 | ||
Line 169: | Line 169: | ||
|78||48a||Peterborough||''Musical Instructor''||1803||Once more, my soul, the rising day||Isaac Watts||1709||G||C.M.||4 | |78||48a||Peterborough||''Musical Instructor''||1803||Once more, my soul, the rising day||Isaac Watts||1709||G||C.M.||4 | ||
|- | |- | ||
|79||48b||[[Suffield (Oliver King)|Suffield]]||||1779||Teach me the measure of my days||Isaac Watts||1719||e||C.M.||4 | |79||48b||[[Suffield (Oliver King)|Suffield]]||[[Oliver King]]||1779||Teach me the measure of my days||Isaac Watts||1719||e||C.M.||4 | ||
|- | |- | ||
|80||49||[[Duane Street (George Coles)|Duane Street]]||||1835||A poor, wayfaring man of grief||James Montgomery||1826||A||L. M. D.||3 | |80||49||[[Duane Street (George Coles)|Duane Street]]||[[George Coles]]||1835||A poor, wayfaring man of grief||James Montgomery||1826||A||L. M. D.||3 | ||
|- | |- | ||
|81||50a||Majesty New||||||Behold! A voice angelic sounds||Henry White||1812||F||L.M.||3 | |81||50a||Majesty New||||||Behold! A voice angelic sounds||Henry White||1812||F||L.M.||3 | ||
|- | |- | ||
|82||50b||[[Mutual Love (William Walker)|Mutual Love]]||||1835||O, when shall I see Jesus||John Leland||1793||G||76.76.D.||3 | |82||50b||[[Mutual Love (William Walker)|Mutual Love]]||[[William Walker]]||1835||O, when shall I see Jesus||John Leland||1793||G||76.76.D.||3 | ||
|- | |- | ||
|83||51||[[Day of Worship (B. F. Davis)|Day of Worship]]||||1848||Dear people, we have met today||Unattributed||1848||G||L. M. D.||3 | |83||51||[[Day of Worship (B. F. Davis)|Day of Worship]]||[[B. F. Davis]]||1848||Dear people, we have met today||Unattributed||1848||G||L. M. D.||3 | ||
|- | |- | ||
|84||52a||[[Winter (Daniel Read)|Winter]]||||1785||The hoary frost, the fleecy snow||Isaac Watts||1719||F||C.M.||4 | |84||52a||[[Winter (Daniel Read)|Winter]]||[[Daniel Read]]||1785||The hoary frost, the fleecy snow||Isaac Watts||1719||F||C.M.||4 | ||
|- | |- | ||
|85||52b||[[Arlington (Thomas Arne)|Arlington]]||||1762||Jesus, with all thy saints above||Isaac Watts||1709||G||C.M.||4 | |85||52b||[[Arlington (Thomas Arne)|Arlington]]||[[Thomas Arne]]||1762||Jesus, with all thy saints above||Isaac Watts||1709||G||C.M.||4 | ||
|- | |- | ||
|86||53||[[Protection (P. Sherman)|Protection]]||||1808||God, my supporter and my hope||Isaac Watts||1719||F||C.M.||4 | |86||53||[[Protection (P. Sherman)|Protection]]||[[P. Sherman]]||1808||God, my supporter and my hope||Isaac Watts||1719||F||C.M.||4 | ||
|- | |- | ||
|87||54a||[[Oak's Creek (Nathaniel Billings)|Oak's Creek]]||||1795||Bless, O my soul, the living God||Isaac Watts||1719||C||L.M.||4 | |87||54a||[[Oak's Creek (Nathaniel Billings)|Oak's Creek]]||[[Nathaniel Billings]]||1795||Bless, O my soul, the living God||Isaac Watts||1719||C||L.M.||4 | ||
|- | |- | ||
|88||54b||[[Suffering Savior (Deodatus Dutton)|Suffering Savior]]||||1830||Alas! And did my Savior bleed||Isaac Watts||1709||e||C.M.||4 | |88||54b||[[Suffering Savior (Deodatus Dutton)|Suffering Savior]]||[[Deodatus Dutton]]||1830||Alas! And did my Savior bleed||Isaac Watts||1709||e||C.M.||4 | ||
|- | |- | ||
|89||55a||[[Rockingham (Amzi Chapin)|Rockingham]]||||1813||Thus saith the mercy of the Lord||Isaac Watts||1707||A||C.M.||4 | |89||55a||[[Rockingham (Amzi Chapin)|Rockingham]]||[[Amzi Chapin]]||1813||Thus saith the mercy of the Lord||Isaac Watts||1707||A||C.M.||4 | ||
|- | |- | ||
|90||55b||[[Tribulation (Amzi Chapin)|Tribulation]]||||1813||Death! 'Tis a melancholy day||Isaac Watts||1709||d||C.M.||4 | |90||55b||[[Tribulation (Amzi Chapin)|Tribulation]]||[[Amzi Chapin]]||1813||Death! 'Tis a melancholy day||Isaac Watts||1709||d||C.M.||4 | ||
|- | |- | ||
|91||56a||[[St. Martin's (William Tansur)|St. Martin's]]||||1748||With cheerful notes let all the earth||Tate and Brady||1696||A||C.M.||4 | |91||56a||[[St. Martin's (William Tansur)|St. Martin's]]||[[William Tansur]]||1748||With cheerful notes let all the earth||Tate and Brady||1696||A||C.M.||4 | ||
|- | |- | ||
|92||56b||[[Liberty Hall (Lucius Chapin)|Liberty Hall]]||||1810||Death, what a solemn word to all||John Bulmer||1834||a||C.M.||4 | |92||56b||[[Liberty Hall (Lucius Chapin)|Liberty Hall]]||[[Lucius Chapin]]||1810||Death, what a solemn word to all||John Bulmer||1834||a||C.M.||4 | ||
|- | |- | ||
|93||57a||[[China (Timothy Swan)|China]]||||1801||Why do we mourn departing friends||Isaac Watts||1709||C||C.M.||4 | |93||57a||[[China (Timothy Swan)|China]]||[[Timothy Swan]]||1801||Why do we mourn departing friends||Isaac Watts||1709||C||C.M.||4 | ||
|- | |- | ||
|94||57b||[[Union (Alexander Gillet)|Union]]||||1781||Lo! What an entertaining sight||Isaac Watts||1719||C||C.M.||4 | |94||57b||[[Union (Alexander Gillet)|Union]]||[[Alexander Gillet]]||1781||Lo! What an entertaining sight||Isaac Watts||1719||C||C.M.||4 | ||
|- | |- | ||
|95||58a||[[Consolation (Lucius Chapin)|Consolation]]||||1812||Once more, my soul, the rising day||Isaac Watts||1709||a||C.M.||4 | |95||58a||[[Consolation (Lucius Chapin)|Consolation]]||[[Lucius Chapin]]||1812||Once more, my soul, the rising day||Isaac Watts||1709||a||C.M.||4 | ||
|- | |- | ||
|96||58b||Georgia||''Rudiments of Music''||1786||Return, O God of love, return||Isaac Watts||1719||e||C.M.||4 | |96||58b||Georgia||''Rudiments of Music''||1786||Return, O God of love, return||Isaac Watts||1719||e||C.M.||4 | ||
|- | |- | ||
|97||59a||[[Walsal (William Tansur)|Walsal]]||||1723||Alas! And did my Savior bleed||Isaac Watts||1709||a||C.M.||4 | |97||59a||[[Walsal (William Tansur)|Walsal]]||[[William Tansur]]||1723||Alas! And did my Savior bleed||Isaac Watts||1709||a||C.M.||4 | ||
|- | |- | ||
|98||59b||[[Funeral Thought (Isaac Smith)|Funeral Thought]]||||1763||Hark! From the tombs a doleful sound||Isaac Watts||1709||a||C.M.||4 | |98||59b||[[Funeral Thought (Isaac Smith)|Funeral Thought]]||[[Isaac Smith]]||1763||Hark! From the tombs a doleful sound||Isaac Watts||1709||a||C.M.||4 | ||
|- | |- | ||
|99||60a||[[Ninety-Fifth (Amzi Chapin)|Ninety-Fifth]]||||1813||When I can read my title clear||Isaac Watts||1709||A||C.M.||4 | |99||60a||[[Ninety-Fifth (Amzi Chapin)|Ninety-Fifth]]||[[Amzi Chapin]]||1813||When I can read my title clear||Isaac Watts||1709||A||C.M.||4 | ||
|- | |- | ||
|100||60b||[[Northfield (Jeremiah Ingalls)|Northfield]]||||1800||O 'tis delight without alloy||Isaac Watts||1706||C||C.M.||4 | |100||60b||[[Northfield (Jeremiah Ingalls)|Northfield]]||[[Jeremiah Ingalls]]||1800||O 'tis delight without alloy||Isaac Watts||1706||C||C.M.||4 | ||
|- | |- | ||
|101||61a||Blackburn||''Sacred Harmony''||1784||O why did I my Savior leave||Charles Wesley||1740||d||C.M.||4 | |101||61a||Blackburn||''Sacred Harmony''||1784||O why did I my Savior leave||Charles Wesley||1740||d||C.M.||4 | ||
|- | |- | ||
|102||61b||[[Bladensburg (Lewis Edson)|Bladensburg]]||||1801||Unite, my roving thoughts, unite||Philip Doddridge||1755||G||C.M.||4 | |102||61b||[[Bladensburg (Lewis Edson)|Bladensburg]]||[[Lewis Edson]]||1801||Unite, my roving thoughts, unite||Philip Doddridge||1755||G||C.M.||4 | ||
|- | |- | ||
|103||62a||[[Fairfield (Hitchcock)|Fairfield]]||||1791||With reverence let the saints appear||Isaac Watts||1719||a||C.M.||4 | |103||62a||[[Fairfield (Hitchcock)|Fairfield]]||[[Hitchcock]]||1791||With reverence let the saints appear||Isaac Watts||1719||a||C.M.||4 | ||
|- | |- | ||
|104||62b||[[Fairfield (Hitchcock)|Fairfield]]||||1791||Come, humble sinner, in whose breast||Edmund Jones||1787||a||C.M.||3 | |104||62b||[[Fairfield (Hitchcock)|Fairfield]]||[[Hitchcock]]||1791||Come, humble sinner, in whose breast||Edmund Jones||1787||a||C.M.||3 | ||
|- | |- | ||
|105||63a||[[Condescension (Ananias Davisson)|Condescension]]||||1816||How condescending and how kind||Isaac Watts||1711||C||C.M.||4 | |105||63a||[[Condescension (Ananias Davisson)|Condescension]]||[[Ananias Davisson]]||1816||How condescending and how kind||Isaac Watts||1711||C||C.M.||4 | ||
|- | |- | ||
|106||63b||[[Reflection (Ananias Davisson)|Reflection]]||||1816||No sleep nor slumber to his eyes||Isaac Watts||1719||B{{flat}}||C.M.||4 | |106||63b||[[Reflection (Ananias Davisson)|Reflection]]||[[Ananias Davisson]]||1816||No sleep nor slumber to his eyes||Isaac Watts||1719||B{{flat}}||C.M.||4 | ||
|- | |- | ||
|107||64a||[[Bray (Nikolaus Herman)|Bray]]||||1554||Awake, my heart, arise, my tongue||Isaac Watts||1707||G||C.M.||4 | |107||64a||[[Bray (Nikolaus Herman)|Bray]]||[[Nikolaus Herman]]||1554||Awake, my heart, arise, my tongue||Isaac Watts||1707||G||C.M.||4 | ||
|- | |- | ||
|108||64b||[[Virginia (Oliver Brownson)|Virginia]]||||1782||Thy words the raging winds control||Isaac Watts||1719||e||C.M.||4 | |108||64b||[[Virginia (Oliver Brownson)|Virginia]]||[[Oliver Brownson]]||1782||Thy words the raging winds control||Isaac Watts||1719||e||C.M.||4 | ||
|- | |- | ||
|109||65||[[New Orleans (Robert Boyd)|New Orleans]]||||1816||Why do we mourn departing friends||Isaac Watts||1709||e||C. M. D.||4 | |109||65||[[New Orleans (Robert Boyd)|New Orleans]]||[[Robert Boyd]]||1816||Why do we mourn departing friends||Isaac Watts||1709||e||C. M. D.||4 | ||
|- | |- | ||
|110||66a||[[Wesley (William Moore)|Wesley]]||||1810||With inward pain my heart-strings sound||Isaac Watts||1706||a||C.M.||4 | |110||66a||[[Wesley (William Moore)|Wesley]]||[[William Moore]]||1810||With inward pain my heart-strings sound||Isaac Watts||1706||a||C.M.||4 | ||
|- | |- | ||
|111||66b||[[Akron (F. A. Sheldon)|Akron]]||||||Keep me, Savior, near thy side||Unattributed||1833||G||77.77.||4 | |111||66b||[[Akron (F. A. Sheldon)|Akron]]||[[F. A. Sheldon]]||||Keep me, Savior, near thy side||Unattributed||1833||G||77.77.||4 | ||
|- | |- | ||
|112||67a||[[Fiducia (J. Robertson)|Fiducia]]||||1813||Father, I long, I fear to see||Isaac Watts||1709||a||C.M.||4 | |112||67a||[[Fiducia (J. Robertson)|Fiducia]]||[[J. Robertson]]||1813||Father, I long, I fear to see||Isaac Watts||1709||a||C.M.||4 | ||
|- | |- | ||
|113||67b||Abbey||''Scottish Psalter''||1615||Jesus, in thy transporting name||Anne Steele||1760||G||C.M.||4 | |113||67b||Abbey||''Scottish Psalter''||1615||Jesus, in thy transporting name||Anne Steele||1760||G||C.M.||4 | ||
Line 241: | Line 241: | ||
|114||68a||Farabee||||||Come, and taste along with me||John Leland||1798||a||77.77.78.98.||3 | |114||68a||Farabee||||||Come, and taste along with me||John Leland||1798||a||77.77.78.98.||3 | ||
|- | |- | ||
|115||68b||[[Calhoun (William Hauser)|Calhoun]]||||1848||Lord, we come before thee now||William Hammond||1745||a||77.77.||4 | |115||68b||[[Calhoun (William Hauser)|Calhoun]]||[[William Hauser]]||1848||Lord, we come before thee now||William Hammond||1745||a||77.77.||4 | ||
|- | |- | ||
|116||69a||[[Sutton (Joseph Stone)|Sutton]]||||1793||Behold the man, threescore and ten||Anonymous||1813||e||C.M.||4 | |116||69a||[[Sutton (Joseph Stone)|Sutton]]||[[Joseph Stone]]||1793||Behold the man, threescore and ten||Anonymous||1813||e||C.M.||4 | ||
|- | |- | ||
|117||69b||[[Woodstock (Deodatus Dutton)|Woodstock]]||||1830||O, for a closer walk with God||William Cowper||1779||A||C.M.||4 | |117||69b||[[Woodstock (Deodatus Dutton)|Woodstock]]||[[Deodatus Dutton]]||1830||O, for a closer walk with God||William Cowper||1779||A||C.M.||4 | ||
|- | |- | ||
|118||70a||[[Sutton New (Joseph Stone)|Sutton New]]||||||Save me, O God! The swelling floods||Isaac Watts||1719||f#||C.M.||4 | |118||70a||[[Sutton New (Joseph Stone)|Sutton New]]||[[Joseph Stone]]||||Save me, O God! The swelling floods||Isaac Watts||1719||f#||C.M.||4 | ||
|- | |- | ||
|119||70b||[[Markham (Sarah Markham)|Markham]]||||1848||O! For a heart to praise my God||Charles Wesley||1742||F||C. M. D.||4 | |119||70b||[[Markham (Sarah Markham)|Markham]]||[[Sarah Markham]]||1848||O! For a heart to praise my God||Charles Wesley||1742||F||C. M. D.||4 | ||
|- | |- | ||
|120||71a||[[Warwick (Samuel Stanley)|Warwick]]||||1800||Lord, in the morning thou shalt hear||Isaac Watts||1719||E||C.M.||4 | |120||71a||[[Warwick (Samuel Stanley)|Warwick]]||[[Samuel Stanley]]||1800||Lord, in the morning thou shalt hear||Isaac Watts||1719||E||C.M.||4 | ||
|- | |- | ||
|121||71b||[[Salvation (Robert Boyd)|Salvation]]||||1816||Come, humble sinner, in whose breast||Edmund Jones||1787||e||C. M. D.||4 | |121||71b||[[Salvation (Robert Boyd)|Salvation]]||[[Robert Boyd]]||1816||Come, humble sinner, in whose breast||Edmund Jones||1787||e||C. M. D.||4 | ||
|- | |- | ||
|122||72||[[Enfield (Solomon Chandler)|Enfield]]||||1785||Before the rosy dawn of day||Elizabeth Rowe||1739||E||C.M.||4 | |122||72||[[Enfield (Solomon Chandler)|Enfield]]||[[Solomon Chandler]]||1785||Before the rosy dawn of day||Elizabeth Rowe||1739||E||C.M.||4 | ||
|- | |- | ||
|123||73||[[Berne (Uri Hill)|Berne]]||||1801||Hear me, O Lord, nor hide thy face||Isaac Watts||1719||a||C.M.||4 | |123||73||[[Berne (Uri Hill)|Berne]]||[[Uri Hill]]||1801||Hear me, O Lord, nor hide thy face||Isaac Watts||1719||a||C.M.||4 | ||
|- | |- | ||
|124||74a||[[Calvary (Daniel Read)|Calvary]]||||1785||My thoughts, that often mount the skies||Isaac Watts||1706||a||C.M.||4 | |124||74a||[[Calvary (Daniel Read)|Calvary]]||[[Daniel Read]]||1785||My thoughts, that often mount the skies||Isaac Watts||1706||a||C.M.||4 | ||
|- | |- | ||
|125||74b||[[Sherburne (Daniel Read)|Sherburne]]||||1785||While shepherds watched their flocks by night||Tate and Brady||1696||D||C.M.||4 | |125||74b||[[Sherburne (Daniel Read)|Sherburne]]||[[Daniel Read]]||1785||While shepherds watched their flocks by night||Tate and Brady||1696||D||C.M.||4 | ||
|- | |- | ||
|126||75||Patmos||||||Sing to the Lord, ye distant lands||Isaac Watts||1719||B{{flat}}||C.M.||4 | |126||75||Patmos||||||Sing to the Lord, ye distant lands||Isaac Watts||1719||B{{flat}}||C.M.||4 | ||
|- | |- | ||
|127||76||[[Ocean (Timothy Swan)|Ocean]]||||1789||Thy works of glory, mighty Lord||Isaac Watts||1719||F||C.M.||4 | |127||76||[[Ocean (Timothy Swan)|Ocean]]||[[Timothy Swan]]||1789||Thy works of glory, mighty Lord||Isaac Watts||1719||F||C.M.||4 | ||
|- | |- | ||
|128||77||[[Edom (Elisha West)|Edom]]||||1797||With songs and honors sounding loud||Isaac Watts||1719||F||C.M.||4 | |128||77||[[Edom (Elisha West)|Edom]]||[[Elisha West]]||1797||With songs and honors sounding loud||Isaac Watts||1719||F||C.M.||4 | ||
|- | |- | ||
|129||78a||[[Messiah (James Carrell)|Messiah]]||||1821||He comes! He comes! To judge the world||Samuel Stennett||1787||f#||C.M.||4 | |129||78a||[[Messiah (James P. Carrell)|Messiah]]||[[James P. Carrell]]||1821||He comes! He comes! To judge the world||Samuel Stennett||1787||f#||C.M.||4 | ||
|- | |- | ||
|130||78b||[[Hanover (Daniel Russ)|Hanover]]||||1791||Vain man, thy fond pursuits forbear||Joseph Hart||1759||a||C.M.||3 | |130||78b||[[Hanover (Daniel Russ)|Hanover]]||[[Daniel Russ]]||1791||Vain man, thy fond pursuits forbear||Joseph Hart||1759||a||C.M.||3 | ||
|- | |- | ||
|131||79a||[[Liberty (Stephen Jenks)|Liberty]]||||1800||No more beneath the oppressive hand||Unattributed||1800||F||C.M.||4 | |131||79a||[[Liberty (Stephen Jenks)|Liberty]]||[[Stephen Jenks]]||1800||No more beneath the oppressive hand||Unattributed||1800||F||C.M.||4 | ||
|- | |- | ||
|132||79b||[[Wilson (William Hauser)|Wilson]]||||1848||Death! 'Tis a melancholy day||Isaac Watts||1709||G||C.M.||3 | |132||79b||[[Wilson (William Hauser)|Wilson]]||[[William Hauser]]||1848||Death! 'Tis a melancholy day||Isaac Watts||1709||G||C.M.||3 | ||
|- | |- | ||
|133||80||Never Part||||||Jerusalem, my happy home||Anonymous||1600||F||86.86.8 10.86.||4 | |133||80||Never Part||||||Jerusalem, my happy home||Anonymous||1600||F||86.86.8 10.86.||4 | ||
|- | |- | ||
|134||81||[[Mantua (Oliver Holden)|Mantua]]||||1800||A blooming paradise of joy||Isaac Watts||1709||G||C. M. D.||4 | |134||81||[[Mantua (Oliver Holden)|Mantua]]||[[Oliver Holden]]||1800||A blooming paradise of joy||Isaac Watts||1709||G||C. M. D.||4 | ||
|- | |- | ||
|135||82a||London New||''Psalmes of David in Verse and Meeter''||1635||Let every tongue thy goodness speak||Isaac Watts||1719||D||C.M.||4 | |135||82a||London New||''Psalmes of David in Verse and Meeter''||1635||Let every tongue thy goodness speak||Isaac Watts||1719||D||C.M.||4 | ||
Line 285: | Line 285: | ||
|136||82b||Houston||||||On Jordan's stormy banks I stand||Samuel Stennett||1787||C||C.M.||3 | |136||82b||Houston||||||On Jordan's stormy banks I stand||Samuel Stennett||1787||C||C.M.||3 | ||
|- | |- | ||
|137||83a||[[Rindge (William Shrubsole)|Rindge]]||||1789||Let every mortal ear attend||Isaac Watts||1707||A||C.M.||4 | |137||83a||[[Rindge (William Shrubsole)|Rindge]]||[[William Shrubsole]]||1789||Let every mortal ear attend||Isaac Watts||1707||A||C.M.||4 | ||
|- | |- | ||
|138||83b||Liverpool||''Virginia Sacred Musical Repository''||1818||My Savior, my almighty friend||Isaac Watts||1719||F||C.M.||4 | |138||83b||Liverpool||''Virginia Sacred Musical Repository''||1818||My Savior, my almighty friend||Isaac Watts||1719||F||C.M.||4 | ||
|- | |- | ||
|139||84||[[Montgomery (Justin Morgan)|Montgomery]]||||1790||Early, my God, without delay||Isaac Watts||1719||C||C.M.||4 | |139||84||[[Montgomery (Justin Morgan)|Montgomery]]||[[Justin Morgan]]||1790||Early, my God, without delay||Isaac Watts||1719||C||C.M.||4 | ||
|- | |- | ||
|140||85||[[Solitude New (Elisha West)|Solitude New]]||||1798||My refuge is the God of love||Isaac Watts||1719||a||C.M.||4 | |140||85||[[Solitude New (Elisha West)|Solitude New]]||[[Elisha West]]||1798||My refuge is the God of love||Isaac Watts||1719||a||C.M.||4 | ||
|- | |- | ||
|141||86a||[[Exhortation (Hibbard)|Exhortation]]||||1796||Lord, in the morning thou shalt hear||Isaac Watts||1719||F||C.M.||4 | |141||86a||[[Exhortation (Hibbard)|Exhortation]]||[[Hibbard]]||1796||Lord, in the morning thou shalt hear||Isaac Watts||1719||F||C.M.||4 | ||
|- | |- | ||
|142||86b||[[Eliza (Stephens)|Eliza]]||||||O could I find from day to day||Benjamin Cleveland||1799||A||C.M.||4 | |142||86b||[[Eliza (Stephens)|Eliza]]||[[Stephens]]||||O could I find from day to day||Benjamin Cleveland||1799||A||C.M.||4 | ||
|- | |- | ||
|143||87||[[New Topia (Reubin Monday)|New Topia]]||||1816||Young people all attention give||Anonymous||1804||e||C.M.||4 | |143||87||[[New Topia (Reubin Monday)|New Topia]]||[[Reubin Monday]]||1816||Young people all attention give||Anonymous||1804||e||C.M.||4 | ||
|- | |- | ||
|144||88||[[Tunbridge (Jacob Kimball)|Tunbridge]]||||1793||Our sins, alas! How strong they be||Isaac Watts||1709||d||C.M.||4 | |144||88||[[Tunbridge (Jacob Kimball)|Tunbridge]]||[[Jacob Kimball]]||1793||Our sins, alas! How strong they be||Isaac Watts||1709||d||C.M.||4 | ||
|- | |- | ||
|145||89||[[Westminster (Nehemiah Shumway)|Westminster]]||||1793||Thou great and sovereign Lord of all||||||F||C.M.||4 | |145||89||[[Westminster (Nehemiah Shumway)|Westminster]]||[[Nehemiah Shumway]]||1793||Thou great and sovereign Lord of all||||||F||C.M.||4 | ||
|- | |- | ||
|146||90||[[Majesty (William Billings)|Majesty]]||||1778||The Lord descended from above||Thomas Sternhold||1561||F||C.M.||4 | |146||90||[[Majesty (William Billings)|Majesty]]||[[William Billings]]||1778||The Lord descended from above||Thomas Sternhold||1561||F||C.M.||4 | ||
|- | |- | ||
|147||91||[[Sardinia (Castle)|Sardinia]]||||1804||Behold the love, the generous love||Isaac Watts||1719||e||C.M.||4 | |147||91||[[Sardinia (Castle)|Sardinia]]||[[Castle]]||1804||Behold the love, the generous love||Isaac Watts||1719||e||C.M.||4 | ||
|- | |- | ||
|148||92||Pilgrim's Triumph||||||To see a pilgrim as he dies||John Granade||1794||A||C.M.||4 | |148||92||Pilgrim's Triumph||||||To see a pilgrim as he dies||John Granade||1794||A||C.M.||4 | ||
|- | |- | ||
|149||93||[[Rainbow (Timothy Swan)|Rainbow]]||||1785||Tis by thy strength the mountains stand||Isaac Watts||1719||C||C.M.||4 | |149||93||[[Rainbow (Timothy Swan)|Rainbow]]||[[Timothy Swan]]||1785||Tis by thy strength the mountains stand||Isaac Watts||1719||C||C.M.||4 | ||
|- | |- | ||
|150||94a||[[Retirement (Wiley Thomasson)|Retirement]]||||||Far from the world, O Lord, I flee||William Cowper||1779||C||C.M.||4 | |150||94a||[[Retirement (Wiley Thomasson)|Retirement]]||[[Wiley Thomasson]]||||Far from the world, O Lord, I flee||William Cowper||1779||C||C.M.||4 | ||
|- | |- | ||
|151||94b||Christian Volunteers||||||Alas! And did my Savior bleed||Isaac Watts||1709||F||86.86.55.85.||3 | |151||94b||Christian Volunteers||||||Alas! And did my Savior bleed||Isaac Watts||1709||F||86.86.55.85.||3 | ||
Line 317: | Line 317: | ||
|152||95a||Blake||||||I love to steal awhile away||Phoebe Brown||1818||B{{flat}}||C.M.||4 | |152||95a||Blake||||||I love to steal awhile away||Phoebe Brown||1818||B{{flat}}||C.M.||4 | ||
|- | |- | ||
|153||95b||[[Balerma (Scottish Air)|Balerma]]||||1840||I love by faith to take a view||Phoebe Brown||1824||B{{flat}}||C.M.||4 | |153||95b||[[Balerma (Scottish Air)|Balerma]]||[[Scottish Air]]||1840||I love by faith to take a view||Phoebe Brown||1824||B{{flat}}||C.M.||4 | ||
|- | |- | ||
|154||96||Hamilton||||||Shepherds, rejoice, lift up your eyes||Isaac Watts||1706||A||C.M.||4 | |154||96||Hamilton||||||Shepherds, rejoice, lift up your eyes||Isaac Watts||1706||A||C.M.||4 | ||
Line 325: | Line 325: | ||
|156||97b||Emory||||||Through all the downward tracks of time||Anonymous||1810||a||C. M. D.||3 | |156||97b||Emory||||||Through all the downward tracks of time||Anonymous||1810||a||C. M. D.||3 | ||
|- | |- | ||
|157||98||[[Jordan (William Billings)|Jordan]]||||1786||There is a land of pure delight||Isaac Watts||1709||A||C. M. D.||4 | |157||98||[[Jordan (William Billings)|Jordan]]||[[William Billings]]||1786||There is a land of pure delight||Isaac Watts||1709||A||C. M. D.||4 | ||
|- | |- | ||
|158||99a||[[Cambridge (John Randall)|Cambridge]]||||1786||Jesus, I love thy glorious name||Philip Doddridge||1755||C||C.M.||4 | |158||99a||[[Cambridge (John Randall)|Cambridge]]||[[John Randall]]||1786||Jesus, I love thy glorious name||Philip Doddridge||1755||C||C.M.||4 | ||
|- | |- | ||
|159||99b||Buena Vista||||||Am I a soldier of the cross||Isaac Watts||1723||a||C.M.||3 | |159||99b||Buena Vista||||||Am I a soldier of the cross||Isaac Watts||1723||a||C.M.||3 | ||
|- | |- | ||
|160||100a||[[Asbury (Simeon Coan)|Asbury]]||||1787||Behold, the Savior of mankind||Samuel Wesley||1707||a||C.M.||3 | |160||100a||[[Asbury (Simeon Coan)|Asbury]]||[[Simeon Coan]]||1787||Behold, the Savior of mankind||Samuel Wesley||1707||a||C.M.||3 | ||
|- | |- | ||
|161||100b||[[Dunlap's Creek (Samuel McFarland)|Dunlap's Creek]]||||1814||Sing to the Lord, ye heavenly hosts||Isaac Watts||1709||G||C.M.||4 | |161||100b||[[Dunlap's Creek (Samuel McFarland)|Dunlap's Creek]]||[[Samuel McFarland]]||1814||Sing to the Lord, ye heavenly hosts||Isaac Watts||1709||G||C.M.||4 | ||
|- | |- | ||
|162||101a||Toccoa||''Southern Harmony''||1835||Happy the souls to Jesus joined||Charles Wesley||1745||C||C.M.||4 | |162||101a||Toccoa||''Southern Harmony''||1835||Happy the souls to Jesus joined||Charles Wesley||1745||C||C.M.||4 | ||
Line 339: | Line 339: | ||
|163||101b||Perkins||||||Father, I stretch my hands to thee||Charles Wesley||1741||A||C.M.||3 | |163||101b||Perkins||||||Father, I stretch my hands to thee||Charles Wesley||1741||A||C.M.||3 | ||
|- | |- | ||
|164||102a||[[Hallelujah (William Walker)|Hallelujah]]||||1835||Amazing grace, how sweet the sound||John Newton||1779||B{{flat}}||C.M.||3 | |164||102a||[[Hallelujah (William Walker)|Hallelujah]]||[[William Walker]]||1835||Amazing grace, how sweet the sound||John Newton||1779||B{{flat}}||C.M.||3 | ||
|- | |- | ||
|165||102b||[[Missouri Mission (Thomas Carter)|Missouri Mission]]||||1844||My span of life will soon be done||Frances Cowper||1792||e||C. M. D.||3 | |165||102b||[[Missouri Mission (Thomas Carter)|Missouri Mission]]||[[Thomas Carter]]||1844||My span of life will soon be done||Frances Cowper||1792||e||C. M. D.||3 | ||
|- | |- | ||
|166||103a||[[Anticipation (Amos Pilsbury)|Anticipation]]||||1799||How happy every child of grace||Charles Wesley||1759||a||C. M. D.||4 | |166||103a||[[Anticipation (Amos Pilsbury)|Anticipation]]||[[Amos Pilsbury]]||1799||How happy every child of grace||Charles Wesley||1759||a||C. M. D.||4 | ||
|- | |- | ||
|167||103b||Watson||||||Father, I stretch my hands to thee||Charles Wesley||1741||a||C.M.||4 | |167||103b||Watson||||||Father, I stretch my hands to thee||Charles Wesley||1741||a||C.M.||4 | ||
Line 351: | Line 351: | ||
|169||104b||New Britain||''Columbian Harmony''||1829||When languor and disease invade||Augustus Toplady||1759||C||C.M.||4 | |169||104b||New Britain||''Columbian Harmony''||1829||When languor and disease invade||Augustus Toplady||1759||C||C.M.||4 | ||
|- | |- | ||
|170||105||[[Pleyel's Hymn Second (Ignaz Pleyel)|Pleyel's Hymn Second]]||||1786||While thee I seek, protecting Power||Helen Williams||1786||F||C. M. D.||4 | |170||105||[[Pleyel's Hymn Second (Ignaz Pleyel)|Pleyel's Hymn Second]]||[[Ignaz Pleyel]]||1786||While thee I seek, protecting Power||Helen Williams||1786||F||C. M. D.||4 | ||
|- | |- | ||
|171||106a||Minister's Farewell||''Wyeth's Repository, Part Second''||1813||Our cheerful voices let us raise||Unattributed||1835||G||C. M. D.||4 | |171||106a||Minister's Farewell||''Wyeth's Repository, Part Second''||1813||Our cheerful voices let us raise||Unattributed||1835||G||C. M. D.||4 | ||
Line 357: | Line 357: | ||
|172||106b||Minister's Farewell||''Wyeth's Repository, Part Second''||1813||Dear friends, farewell, I do you tell||Unattributed||1797||G||C.M.||4 | |172||106b||Minister's Farewell||''Wyeth's Repository, Part Second''||1813||Dear friends, farewell, I do you tell||Unattributed||1797||G||C.M.||4 | ||
|- | |- | ||
|173||107a||[[Tranquillity (Reubin Monday)|Tranquillity]]||||1816||My God, the spring of all my joys||Isaac Watts||1709||C||C.M.||4 | |173||107a||[[Tranquillity (Reubin Monday)|Tranquillity]]||[[Reubin Monday]]||1816||My God, the spring of all my joys||Isaac Watts||1709||C||C.M.||4 | ||
|- | |- | ||
|174||107b||[[Chattanooga (Asahel Benham)|Chattanooga]]||||1790||How sweet the name of Jesus sounds||John Newton||1779||C||C.M.||4 | |174||107b||[[Chattanooga (Asahel Benham)|Chattanooga]]||[[Asahel Benham]]||1790||How sweet the name of Jesus sounds||John Newton||1779||C||C.M.||4 | ||
|- | |- | ||
|175||108a||[[Mortality (Isaac Smith)|Mortality]]||||1796||Stoop down, my thoughts, that used to rise||Isaac Watts||1709||e||C.M.||4 | |175||108a||[[Mortality (Isaac Smith)|Mortality]]||[[Isaac Smith]]||1796||Stoop down, my thoughts, that used to rise||Isaac Watts||1709||e||C.M.||4 | ||
|- | |- | ||
|176||108b||[[Alstead (Oliver Holden)|Alstead]]||||1788||Shepherds, rejoice, lift up your eyes||Isaac Watts||1706||D||C.M.||4 | |176||108b||[[Alstead (Oliver Holden)|Alstead]]||[[Oliver Holden]]||1788||Shepherds, rejoice, lift up your eyes||Isaac Watts||1706||D||C.M.||4 | ||
|- | |- | ||
|177||109||Huntsville||||||O, for a closer walk with God||William Cowper||1779||b||C.M.||4 | |177||109||Huntsville||||||O, for a closer walk with God||William Cowper||1779||b||C.M.||4 | ||
Line 371: | Line 371: | ||
|179||110b||Bethelsdorf||||||Tis done, the precious ransom's paid||Samuel Wesley||1700||f||C.M.||3 | |179||110b||Bethelsdorf||||||Tis done, the precious ransom's paid||Samuel Wesley||1700||f||C.M.||3 | ||
|- | |- | ||
|180||111a||[[Tempest (John Callcott)|Tempest]]||||1791||Let earth stand strembling on her base||Mather Byles||1744||E{{flat}}||C.M.||4 | |180||111a||[[Tempest (John Callcott)|Tempest]]||[[John Callcott]]||1791||Let earth stand strembling on her base||Mather Byles||1744||E{{flat}}||C.M.||4 | ||
|- | |- | ||
|181||111b||Caroline||||||O for a closer walk with God||William Cowper||1772||A||C.M.||4 | |181||111b||Caroline||||||O for a closer walk with God||William Cowper||1772||A||C.M.||4 | ||
|- | |- | ||
|182||112||[[Pisgah (James Lowry)|Pisgah]]||||1817||And let this feeble body fail||Charles Wesley||1759||B{{flat}}||C.M.||4 | |182||112||[[Pisgah (James Lowry)|Pisgah]]||[[James Lowry]]||1817||And let this feeble body fail||Charles Wesley||1759||B{{flat}}||C.M.||4 | ||
|- | |- | ||
|183||113||Christian Triumph||||||O what has Jesus bought for me||Charles Wesley||1759||B{{flat}}||C.M.||4 | |183||113||Christian Triumph||||||O what has Jesus bought for me||Charles Wesley||1759||B{{flat}}||C.M.||4 | ||
|- | |- | ||
|184||114a||[[Garland (William Arnold)|Garland]]||||1807||With songs and honors sounding loud||Isaac Watts||1719||G||C.M.||3 | |184||114a||[[Garland (William Arnold)|Garland]]||[[William Arnold]]||1807||With songs and honors sounding loud||Isaac Watts||1719||G||C.M.||3 | ||
|- | |- | ||
|185||114b||North Carolina||||||O that I were as heretofore||Charles Wesley||1740||F||C.M.||4 | |185||114b||North Carolina||||||O that I were as heretofore||Charles Wesley||1740||F||C.M.||4 | ||
|- | |- | ||
|186||115||[[Newport (William Caldwell)|Newport]]||||||As on the cross the Savior hung||Samuel Stennett||1789||A||C.M.||4 | |186||115||[[Newport (William Caldwell)|Newport]]||[[William Caldwell]]||||As on the cross the Savior hung||Samuel Stennett||1789||A||C.M.||4 | ||
|- | |- | ||
|187||116a||[[Elevation (James Carrell)|Elevation]]||||1821||Talk with us, Lord, thyself reveal||Charles Wesley||1740||C||C.M.||4 | |187||116a||[[Elevation (James P. Carrell)|Elevation]]||[[James P. Carrell]]||1821||Talk with us, Lord, thyself reveal||Charles Wesley||1740||C||C.M.||4 | ||
|- | |- | ||
|188||116b||[[Meditation (William Little)|Meditation]]||||1801||My soul, come meditate the day||Isaac Watts||1709||a||C.M.||4 | |188||116b||[[Meditation (William Little)|Meditation]]||[[William Little]]||1801||My soul, come meditate the day||Isaac Watts||1709||a||C.M.||4 | ||
|- | |- | ||
|189||117||[[Findley (Ananias Davisson)|Findley]]||||1825||Jesus, I throw my arms around||Isaac Watts||1709||C||C.M.||4 | |189||117||[[Findley (Ananias Davisson)|Findley]]||[[Ananias Davisson]]||1825||Jesus, I throw my arms around||Isaac Watts||1709||C||C.M.||4 | ||
|- | |- | ||
|190||118||Penitence||||||Approach, my soul, the mercy seat||John Newton||1779||C||C.M.||4 | |190||118||Penitence||||||Approach, my soul, the mercy seat||John Newton||1779||C||C.M.||4 | ||
|- | |- | ||
|191||119a||[[Barby (William Tansur)|Barby]]||||1742||When rising from the bed of death||Joseph Addison||1699||A||C.M.||4 | |191||119a||[[Barby (William Tansur)|Barby]]||[[William Tansur]]||1742||When rising from the bed of death||Joseph Addison||1699||A||C.M.||4 | ||
|- | |- | ||
|192||119b||[[Jerusalem New (Benjamin White)|Jerusalem New]]||||1835||Jerusalem, my happy home||Anonymous||1600||a||C.M.||3 | |192||119b||[[Jerusalem New (Benjamin White)|Jerusalem New]]||[[Benjamin White]]||1835||Jerusalem, my happy home||Anonymous||1600||a||C.M.||3 | ||
|- | |- | ||
|193||120||[[New Jerusalem (Jeremiah Ingalls)|New Jerusalem]]||||1796||Lo! What a glorious sight appears||Isaac Watts||1707||G||C.M.||4 | |193||120||[[New Jerusalem (Jeremiah Ingalls)|New Jerusalem]]||[[Jeremiah Ingalls]]||1796||Lo! What a glorious sight appears||Isaac Watts||1707||G||C.M.||4 | ||
|- | |- | ||
|194||121a||[[Calvary New (James Carrell)|Calvary New]]||||1821||Now let our lips, with holy fear||Isaac Watts||1719||g||C. M. D.||4 | |194||121a||[[Calvary New (James P. Carrell)|Calvary New]]||[[James P. Carrell]]||1821||Now let our lips, with holy fear||Isaac Watts||1719||g||C. M. D.||4 | ||
|- | |- | ||
|195||121b||[[Canaan (Alexander Johnson)|Canaan]]||||1818||On Jordan's stormy banks I stand||Samuel Stennett||1787||G||C. M. D.||3 | |195||121b||[[Canaan (Alexander Johnson)|Canaan]]||[[Alexander Johnson]]||1818||On Jordan's stormy banks I stand||Samuel Stennett||1787||G||C. M. D.||3 | ||
|- | |- | ||
|196||122a||Sweet Prospect||''Southern Harmony''||1835||On Jordan's stormy banks I stand||Samuel Stennett||1787||e||C.M.||3 | |196||122a||Sweet Prospect||''Southern Harmony''||1835||On Jordan's stormy banks I stand||Samuel Stennett||1787||e||C.M.||3 | ||
|- | |- | ||
|197||122b||[[Gaines (William Hauser)|Gaines]]||||1848||O, for a thousand tongues to sing||Charles Wesley||1740||A||C.M.||4 | |197||122b||[[Gaines (William Hauser)|Gaines]]||[[William Hauser]]||1848||O, for a thousand tongues to sing||Charles Wesley||1740||A||C.M.||4 | ||
|- | |- | ||
|198||123a||[[Thorn (William Hauser)|Thorn]]||||1848||Save me, O God! The swelling flood||Isaac Watts||1719||A||C.M.||4 | |198||123a||[[Thorn (William Hauser)|Thorn]]||[[William Hauser]]||1848||Save me, O God! The swelling flood||Isaac Watts||1719||A||C.M.||4 | ||
|- | |- | ||
|199||123b||Glenroy||||||Beneath our feet, and o'er our head||Reginald Heber||1811||B{{flat}}||C.M.||4 | |199||123b||Glenroy||||||Beneath our feet, and o'er our head||Reginald Heber||1811||B{{flat}}||C.M.||4 | ||
|- | |- | ||
|200||124||[[Isle of Patmos (James Carrell)|Isle of Patmos]]||||1821||Hear what the voice from heaven proclaims||Isaac Watts||1707||A||C.M.||4 | |200||124||[[Isle of Patmos (James P. Carrell)|Isle of Patmos]]||[[James P. Carrell]]||1821||Hear what the voice from heaven proclaims||Isaac Watts||1707||A||C.M.||4 | ||
|- | |- | ||
|201||125||[[Providence (C. Curtis)|Providence]]||||1820||What shall I render to my God||Isaac Watts||1719||A||C.M.||3 | |201||125||[[Providence (C. Curtis)|Providence]]||[[C. Curtis]]||1820||What shall I render to my God||Isaac Watts||1719||A||C.M.||3 | ||
|- | |- | ||
|202||126a||[[Surprise (Barnabas McKyes)|Surprise]]||||1798||Our life contains a thousand springs||Isaac Watts||1709||d||C.M.||4 | |202||126a||[[Surprise (Barnabas McKyes)|Surprise]]||[[Barnabas McKyes]]||1798||Our life contains a thousand springs||Isaac Watts||1709||d||C.M.||4 | ||
|- | |- | ||
|203||126b||Dundee||''Scottish Psalter''||1615||The holy triumphs of my soul||Isaac Watts||1709||F||C.M.||4 | |203||126b||Dundee||''Scottish Psalter''||1615||The holy triumphs of my soul||Isaac Watts||1709||F||C.M.||4 | ||
|- | |- | ||
|204||127a||[[Dublin (William Daman)|Dublin]]||||1591||Lord, what is man, poor feeble man||Isaac Watts||1719||a||C.M.||4 | |204||127a||[[Dublin (William Daman)|Dublin]]||[[William Daman]]||1591||Lord, what is man, poor feeble man||Isaac Watts||1719||a||C.M.||4 | ||
|- | |- | ||
|205||127b||[[Preston (J. H. Darket)|Preston]]||||||When languor and disease invade||Augustus Toplady||1759||F||C.M.||4 | |205||127b||[[Preston (J. H. Darket)|Preston]]||[[J. H. Darket]]||||When languor and disease invade||Augustus Toplady||1759||F||C.M.||4 | ||
|- | |- | ||
|206||128a||Columbus||''Columbian Harmony''||1829||O, once I had a glorious view||Anonymous||1823||f#||C.M.||3 | |206||128a||Columbus||''Columbian Harmony''||1829||O, once I had a glorious view||Anonymous||1823||f#||C.M.||3 | ||
Line 427: | Line 427: | ||
|207||128b||Immortality||''Columbian Harmony''||1829||Young people all attention give||Anonymous||1804||e||C. M. D.||3 | |207||128b||Immortality||''Columbian Harmony''||1829||Young people all attention give||Anonymous||1804||e||C. M. D.||3 | ||
|- | |- | ||
|208||129||[[Coronation (Oliver Holden)|Coronation]]||||1793||All hail the power of Jesus' name||Edward Perronet||1780||A||C.M.||4 | |208||129||[[Coronation (Oliver Holden)|Coronation]]||[[Oliver Holden]]||1793||All hail the power of Jesus' name||Edward Perronet||1780||A||C.M.||4 | ||
|- | |- | ||
|209||130a||[[Devizes (James Tucker)|Devizes]]||||1792||Happy the souls to Jesus joined||Charles Wesley||1745||A||C.M.||4 | |209||130a||[[Devizes (James Tucker)|Devizes]]||[[James Tucker]]||1792||Happy the souls to Jesus joined||Charles Wesley||1745||A||C.M.||4 | ||
|- | |- | ||
|210||130b||[[Clemmons (James Lowry)|Clemmons]]||||1820||Jehovah, God the Father, bless||Charles Wesley||1767||a||C.M.||4 | |210||130b||[[Clemmons (James Lowry)|Clemmons]]||[[James Lowry]]||1820||Jehovah, God the Father, bless||Charles Wesley||1767||a||C.M.||4 | ||
|- | |- | ||
|211||131||[[Milford (Joseph Stephenson)|Milford]]||||1760||If angels sung a savior's birth||Anonymous||1803||A||C.M.||4 | |211||131||[[Milford (Joseph Stephenson)|Milford]]||[[Joseph Stephenson]]||1760||If angels sung a savior's birth||Anonymous||1803||A||C.M.||4 | ||
|- | |- | ||
|212||132||[[Grafton (Joseph Stone)|Grafton]]||||1793||Jesus! The vision of thy face||Isaac Watts||1707||C||C.M.||4 | |212||132||[[Grafton (Joseph Stone)|Grafton]]||[[Joseph Stone]]||1793||Jesus! The vision of thy face||Isaac Watts||1707||C||C.M.||4 | ||
|- | |- | ||
|213||133||[[Silver Spring (Asahel Benham)|Silver Spring]]||||1790||Were I in heaven without my God||Isaac Watts||1719||e||C.M.||4 | |213||133||[[Silver Spring (Asahel Benham)|Silver Spring]]||[[Asahel Benham]]||1790||Were I in heaven without my God||Isaac Watts||1719||e||C.M.||4 | ||
|- | |- | ||
|214||134a||[[Augusta (P. Sherman)|Augusta]]||||1808||O God, our help in ages past||Isaac Watts||1719||d||C.M.||4 | |214||134a||[[Augusta (P. Sherman)|Augusta]]||[[P. Sherman]]||1808||O God, our help in ages past||Isaac Watts||1719||d||C.M.||4 | ||
|- | |- | ||
|215||134b||True Riches||''Divine Musical Miscellany''||1754||I am not concerned to know||Isaac Watts||1706||G||77.77.||4 | |215||134b||True Riches||''Divine Musical Miscellany''||1754||I am not concerned to know||Isaac Watts||1706||G||77.77.||4 | ||
|- | |- | ||
|216||135||[[One Hundred and Nineteenth Psalm (Isaac Smith)|One Hundred and Nineteenth Psalm]]||||1793||My soul lies cleaving to the dust||Isaac Watts||1719||e||C.M.||4 | |216||135||[[One Hundred and Nineteenth Psalm (Isaac Smith)|One Hundred and Nineteenth Psalm]]||[[Isaac Smith]]||1793||My soul lies cleaving to the dust||Isaac Watts||1719||e||C.M.||4 | ||
|- | |- | ||
|217||136a||[[New Durham (B. Austin)|New Durham]]||||1803||Hark! From the tombs a doleful sound||Isaac Watts||1709||b||C.M.||4 | |217||136a||[[New Durham (B. Austin)|New Durham]]||[[B. Austin]]||1803||Hark! From the tombs a doleful sound||Isaac Watts||1709||b||C.M.||4 | ||
|- | |- | ||
|218||136b||[[Trumbull (Asahel Benham)|Trumbull]]||||1783||The promises of my Father's love||Isaac Watts||1711||a||C.M.||4 | |218||136b||[[Trumbull (Asahel Benham)|Trumbull]]||[[Asahel Benham]]||1783||The promises of my Father's love||Isaac Watts||1711||a||C.M.||4 | ||
|- | |- | ||
|219||137||Namur||''Devout Singer's Guide''||1711||Come, happy souls, approach your God||Isaac Watts||1709||G||C.M.||4 | |219||137||Namur||''Devout Singer's Guide''||1711||Come, happy souls, approach your God||Isaac Watts||1709||G||C.M.||4 | ||
|- | |- | ||
|220||138||[[Repentance (John Rollo)|Repentance]]||||1796||O if my soul were formed for woe||Isaac Watts||1706||f#||C.M.||4 | |220||138||[[Repentance (John Rollo)|Repentance]]||[[John Rollo]]||1796||O if my soul were formed for woe||Isaac Watts||1706||f#||C.M.||4 | ||
|- | |- | ||
|221||139a||[[Joyful Sound (Asahel Benham)|Joyful Sound]]||||1790||O for a shout of sacred joy||Isaac Watts||1719||C||C.M.||4 | |221||139a||[[Joyful Sound (Asahel Benham)|Joyful Sound]]||[[Asahel Benham]]||1790||O for a shout of sacred joy||Isaac Watts||1719||C||C.M.||4 | ||
|- | |- | ||
|222||139b||Winchester||''Christian Harmony''||1794||Who is this that comes from far||Charles Wesley||1745||G||77.77.||4 | |222||139b||Winchester||''Christian Harmony''||1794||Who is this that comes from far||Charles Wesley||1745||G||77.77.||4 | ||
|- | |- | ||
|223||140a||[[Communion (Jeremiah Ingalls)|Communion]]||||1805||How sweet and awful is the place||Isaac Watts||1711||E||C. M. D.||4 | |223||140a||[[Communion (Jeremiah Ingalls)|Communion]]||[[Jeremiah Ingalls]]||1805||How sweet and awful is the place||Isaac Watts||1711||E||C. M. D.||4 | ||
|- | |- | ||
|224||140b||[[Tennessee (Jeremiah Ingalls)|Tennessee]]||||1805||Afflictions, though they seem severe||John Newton||1779||F||C. M. D.||4 | |224||140b||[[Tennessee (Jeremiah Ingalls)|Tennessee]]||[[Jeremiah Ingalls]]||1805||Afflictions, though they seem severe||John Newton||1779||F||C. M. D.||4 | ||
|- | |- | ||
|225||141||[[Conversion (Supply Belcher)|Conversion]]||||1794||When God revealed his gracious name||Isaac Watts||1719||C||C.M.||4 | |225||141||[[Conversion (Supply Belcher)|Conversion]]||[[Supply Belcher]]||1794||When God revealed his gracious name||Isaac Watts||1719||C||C.M.||4 | ||
|- | |- | ||
|226||142||[[Vermont (William Billings)|Vermont]]||||1778||In vain we lavish out our lives||Isaac Watts||1707||e||C. M. D.||4 | |226||142||[[Vermont (William Billings)|Vermont]]||[[William Billings]]||1778||In vain we lavish out our lives||Isaac Watts||1707||e||C. M. D.||4 | ||
|- | |- | ||
|227||143a||Williams||||||That glorious day is drawing nigh||John Leland||1790||a||C. M. D.||4 | |227||143a||Williams||||||That glorious day is drawing nigh||John Leland||1790||a||C. M. D.||4 | ||
Line 471: | Line 471: | ||
|229||144a||Azmon||||||Joy is a fruit that will not grow||John Newton||1779||A||C.M.||3 | |229||144a||Azmon||||||Joy is a fruit that will not grow||John Newton||1779||A||C.M.||3 | ||
|- | |- | ||
|230||144b||[[Alton (William Hauser)|Alton]]||||1848||Plunged in a gulf of dark despair||Isaac Watts||1709||A||C. M. D.||4 | |230||144b||[[Alton (William Hauser)|Alton]]||[[William Hauser]]||1848||Plunged in a gulf of dark despair||Isaac Watts||1709||A||C. M. D.||4 | ||
|- | |- | ||
|231||145||[[Velasco (E. L. White)|Velasco]]||||||My earth thou waterest from on high||Charles Wesley||1742||B{{flat}}||C. M. D.||4 | |231||145||[[Velasco (E. L. White)|Velasco]]||[[E. L. White]]||||My earth thou waterest from on high||Charles Wesley||1742||B{{flat}}||C. M. D.||4 | ||
|- | |- | ||
|232||146a||[[North Salem (Stephen Jenks)|North Salem]]||||1799||My soul, come meditate the day||Isaac Watts||1709||e||C.M.||4 | |232||146a||[[North Salem (Stephen Jenks)|North Salem]]||[[Stephen Jenks]]||1799||My soul, come meditate the day||Isaac Watts||1709||e||C.M.||4 | ||
|- | |- | ||
|233||146b||[[Sunday (Davis)|Sunday]]||||1801||The Lord of Sabbath let us praise||Samuel Wesley||1736||A||C.M.||4 | |233||146b||[[Sunday (Davis)|Sunday]]||[[Davis]]||1801||The Lord of Sabbath let us praise||Samuel Wesley||1736||A||C.M.||4 | ||
|- | |- | ||
|234||147||Ashville||''Christian Lyre''||1831||Loving Jesus, gentle Lamb||Charles Wesley||1742||a||77.77.||3 | |234||147||Ashville||''Christian Lyre''||1831||Loving Jesus, gentle Lamb||Charles Wesley||1742||a||77.77.||3 | ||
|- | |- | ||
|235||148a||[[Salem (William Moore)|Salem]]||||1825||How sweet the name of Jesus sounds||John Newton||1779||F||C.M.||4 | |235||148a||[[Salem (William Moore)|Salem]]||[[William Moore]]||1825||How sweet the name of Jesus sounds||John Newton||1779||F||C.M.||4 | ||
|- | |- | ||
|236||148b||[[Warren (William Billings)|Warren]]||||1778||Now begin the heavenly theme||Unattributed||1763||G||77.77.||3 | |236||148b||[[Warren (William Billings)|Warren]]||[[William Billings]]||1778||Now begin the heavenly theme||Unattributed||1763||G||77.77.||3 | ||
|- | |- | ||
|237||149a||[[Dove of Peace (William Walker)|Dove of Peace]]||||1835||O tell me where the Dove has flown||Unattributed||1835||G||C.M.||4 | |237||149a||[[Dove of Peace (William Walker)|Dove of Peace]]||[[William Walker]]||1835||O tell me where the Dove has flown||Unattributed||1835||G||C.M.||4 | ||
|- | |- | ||
|238||149b||[[Sweet Hope (William Hauser)|Sweet Hope]]||||1848||O joyful sound of gospel grace||Charles Wesley||1742||D||C.M.||3 | |238||149b||[[Sweet Hope (William Hauser)|Sweet Hope]]||[[William Hauser]]||1848||O joyful sound of gospel grace||Charles Wesley||1742||D||C.M.||3 | ||
|- | |- | ||
|239||150||[[The Prodigal (Alexander Johnson)|The Prodigal]]||||1818||Afflictions, though they seem severe||John Newton||1779||e||C. M. D.||4 | |239||150||[[The Prodigal (Alexander Johnson)|The Prodigal]]||[[Alexander Johnson]]||1818||Afflictions, though they seem severe||John Newton||1779||e||C. M. D.||4 | ||
|- | |- | ||
|240||151||The Penitent Prodigal||||||Afflictions, though they seem severe||John Newton||1779||C||C.M.||3 | |240||151||The Penitent Prodigal||||||Afflictions, though they seem severe||John Newton||1779||C||C.M.||3 | ||
|- | |- | ||
|241||152a||[[The Converted Thief (William Moore)|The Converted Thief]]||||1825||As on the cross the Savior hung||Samuel Stennett||1789||C||C. M. D.||3 | |241||152a||[[The Converted Thief (William Moore)|The Converted Thief]]||[[William Moore]]||1825||As on the cross the Savior hung||Samuel Stennett||1789||C||C. M. D.||3 | ||
|- | |- | ||
|242||152b||[[Returning Prodigal (P. A. Axton)|Returning Prodigal]]||||1825||Behold the wretch whose lust and wine||Isaac Watts||1707||C||C.M.||3 | |242||152b||[[Returning Prodigal (P. A. Axton)|Returning Prodigal]]||[[P. A. Axton]]||1825||Behold the wretch whose lust and wine||Isaac Watts||1707||C||C.M.||3 | ||
|- | |- | ||
|243||153a||Land of Pleasure||||||Come, thou fount of every blessing||Robert Robinson||1759||C||87.87.||4 | |243||153a||Land of Pleasure||||||Come, thou fount of every blessing||Robert Robinson||1759||C||87.87.||4 | ||
Line 505: | Line 505: | ||
|246||155a||The Promised Land||''Southern Harmony''||1835||Our spirits, too, shall quickly join||Charles Wesley||1759||f#||C.M.||3 | |246||155a||The Promised Land||''Southern Harmony''||1835||Our spirits, too, shall quickly join||Charles Wesley||1759||f#||C.M.||3 | ||
|- | |- | ||
|247||155b||[[Masonic Dirge (William Walker)|Masonic Dirge]]||||1848||Solemn strikes the funeral chime||David Vinton||1816||A||77.77.||3 | |247||155b||[[Masonic Dirge (William Walker)|Masonic Dirge]]||[[William Walker]]||1848||Solemn strikes the funeral chime||David Vinton||1816||A||77.77.||3 | ||
|- | |- | ||
|248||156||[[Washington (William Miller)|Washington]]||||1800||Our souls by love together knit||Anonymous||1803||G||C. M. D.||4 | |248||156||[[Washington (William Miller)|Washington]]||[[William Miller]]||1800||Our souls by love together knit||Anonymous||1803||G||C. M. D.||4 | ||
|- | |- | ||
|249||158a||[[Detroit (William Evans)|Detroit]]||||1814||Do not I love thee, O my Lord||Philip Doddridge||1755||e||C.M.||4 | |249||158a||[[Detroit (William Evans)|Detroit]]||[[William Evans]]||1814||Do not I love thee, O my Lord||Philip Doddridge||1755||e||C.M.||4 | ||
|- | |- | ||
|250||158b||[[Latrobe (Melchior Teschner)|Latrobe]]||||1615||Hail to the Lord's anointed||James Montgomery||1821||D||76.76.D.||3 | |250||158b||[[Latrobe (Melchior Teschner)|Latrobe]]||[[Melchior Teschner]]||1615||Hail to the Lord's anointed||James Montgomery||1821||D||76.76.D.||3 | ||
|- | |- | ||
|251||159||Rusk||''Columbian Harmony''||1825||Hark! Listen to the trumpeters||John Granade||1794||G||C. M. D.||4 | |251||159||Rusk||''Columbian Harmony''||1825||Hark! Listen to the trumpeters||John Granade||1794||G||C. M. D.||4 | ||
|- | |- | ||
|252||160||[[The Martial Trumpet (J. G. Landrum)|The Martial Trumpet]]||||1835||Brethren, don't you hear the sound||Unattributed||1830||C||79.79.D.||4 | |252||160||[[The Martial Trumpet (J. G. Landrum)|The Martial Trumpet]]||[[J. G. Landrum]]||1835||Brethren, don't you hear the sound||Unattributed||1830||C||79.79.D.||4 | ||
|- | |- | ||
|253||161||[[Smyrna (Oliver Holden)|Smyrna]]||||1796||Why should the children of a King||Isaac Watts||1707||A||C.M.||4 | |253||161||[[Smyrna (Oliver Holden)|Smyrna]]||[[Oliver Holden]]||1796||Why should the children of a King||Isaac Watts||1707||A||C.M.||4 | ||
|- | |- | ||
|254||162a||[[Burdened Pilgrim (William Hauser)|Burdened Pilgrim]]||||1848||Pilgrim, burdened with thy sin||George Crabbe||1834||F||77.77.D.||4 | |254||162a||[[Burdened Pilgrim (William Hauser)|Burdened Pilgrim]]||[[William Hauser]]||1848||Pilgrim, burdened with thy sin||George Crabbe||1834||F||77.77.D.||4 | ||
|- | |- | ||
|255||162b||Versailles||''Tennessee Harmony''||1818||Thy mercy, my God, is the theme of my song||Attrib. John Stocker||1774||a||11 11.11 11.||3 | |255||162b||Versailles||''Tennessee Harmony''||1818||Thy mercy, my God, is the theme of my song||Attrib. John Stocker||1774||a||11 11.11 11.||3 | ||
|- | |- | ||
|256||163||[[Sweet Rivers (William Moore)|Sweet Rivers]]||||1825||Sweet rivers of redeeming love||John Granade||1804||F||C.M.||4 | |256||163||[[Sweet Rivers (William Moore)|Sweet Rivers]]||[[William Moore]]||1825||Sweet rivers of redeeming love||John Granade||1804||F||C.M.||4 | ||
|- | |- | ||
|257||164a||[[Depravity (Daniel Read)|Depravity]]||||1793||How sad our state by nature is||Isaac Watts||1709||d||C.M.||4 | |257||164a||[[Depravity (Daniel Read)|Depravity]]||[[Daniel Read]]||1793||How sad our state by nature is||Isaac Watts||1709||d||C.M.||4 | ||
|- | |- | ||
|258||164b||[[Golgotha (William Hauser)|Golgotha]]||||1848||Let me dwell in Golgotha||John Newton||1779||C||77.77.||4 | |258||164b||[[Golgotha (William Hauser)|Golgotha]]||[[William Hauser]]||1848||Let me dwell in Golgotha||John Newton||1779||C||77.77.||4 | ||
|- | |- | ||
|259||165a||The Lonesome Dove||||||Ye weary, heavy-laden souls||||||F||C. M. D.||3 | |259||165a||The Lonesome Dove||||||Ye weary, heavy-laden souls||||||F||C. M. D.||3 | ||
Line 533: | Line 533: | ||
|260||165b||Sovereign Grace||''Christian Lyre''||1830||Sovereign grace has power alone||John Newton||1779||A||77.77.||4 | |260||165b||Sovereign Grace||''Christian Lyre''||1830||Sovereign grace has power alone||John Newton||1779||A||77.77.||4 | ||
|- | |- | ||
|261||166||[[Solitude in the Grove (Ananias Davisson)|Solitude in the Grove]]||||1817||My God, my refuge, hear my cries||Isaac Watts||1719||e||C. M. D.||4 | |261||166||[[Solitude in the Grove (Ananias Davisson)|Solitude in the Grove]]||[[Ananias Davisson]]||1817||My God, my refuge, hear my cries||Isaac Watts||1719||e||C. M. D.||4 | ||
|- | |- | ||
|262||167a||Cedar Bluff||||||Jerusalem, my happy home||Anonymous||1600||A||C.M.||3 | |262||167a||Cedar Bluff||||||Jerusalem, my happy home||Anonymous||1600||A||C.M.||3 | ||
|- | |- | ||
|263||167b||[[Pleyel's Hymn (Ignaz Pleyel)|Pleyel's Hymn]]||||1790||Depth of mercy! Can there be||Charles Wesley||1740||A||77.77.||3 | |263||167b||[[Pleyel's Hymn (Ignaz Pleyel)|Pleyel's Hymn]]||[[Ignaz Pleyel]]||1790||Depth of mercy! Can there be||Charles Wesley||1740||A||77.77.||3 | ||
|- | |- | ||
|264||168a||Conway||||||O tis delight without alloy||Isaac Watts||1706||D||C.M.||4 | |264||168a||Conway||||||O tis delight without alloy||Isaac Watts||1706||D||C.M.||4 | ||
Line 543: | Line 543: | ||
|265||168b||Tabor||||||Come and taste along with me||John Leland||1798||F||77.77.||4 | |265||168b||Tabor||||||Come and taste along with me||John Leland||1798||F||77.77.||4 | ||
|- | |- | ||
|266||169||[[Aiken (Jesse Aiken)|Aiken]]||||1846||Thy gracious presence, O my God||Anne Steele||1760||F||C. M. D.||4 | |266||169||[[Aiken (Jesse Aiken)|Aiken]]||[[Jesse Aiken]]||1846||Thy gracious presence, O my God||Anne Steele||1760||F||C. M. D.||4 | ||
|- | |- | ||
|267||170a||[[Derrick (Thomas Carter)|Derrick]]||||1844||Hark! The glad sound, the Savior comes||Philip Doddridge||1755||F||C. M. D.||4 | |267||170a||[[Derrick (Thomas Carter)|Derrick]]||[[Thomas Carter]]||1844||Hark! The glad sound, the Savior comes||Philip Doddridge||1755||F||C. M. D.||4 | ||
|- | |- | ||
|268||170b||Separation||''Tennessee Harmony''||1818||Why do we mourn for dying friends||Isaac Watts||1709||f#||C. M. D.||3 | |268||170b||Separation||''Tennessee Harmony''||1818||Why do we mourn for dying friends||Isaac Watts||1709||f#||C. M. D.||3 | ||
|- | |- | ||
|269||171||[[Lovest Thou Me (James Carrell)|Lovest Thou Me]]||||1821||Hark, my soul, it is the Lord||William Cowper||1768||G||77.77.||4 | |269||171||[[Lovest Thou Me (James P. Carrell)|Lovest Thou Me]]||[[James P. Carrell]]||1821||Hark, my soul, it is the Lord||William Cowper||1768||G||77.77.||4 | ||
|- | |- | ||
|270||172a||[[Cincinnati (William Bradshaw)|Cincinnati]]||||1820||Father, how wide thy glories shine||Isaac Watts||1706||a||C.M.||4 | |270||172a||[[Cincinnati (William Bradshaw)|Cincinnati]]||[[William Bradshaw]]||1820||Father, how wide thy glories shine||Isaac Watts||1706||a||C.M.||4 | ||
|- | |- | ||
|271||172b||Pilgrim Band||||||We're marching to the promised land||William Hunter||1845||G||C. M. D.||3 | |271||172b||Pilgrim Band||||||We're marching to the promised land||William Hunter||1845||G||C. M. D.||3 | ||
|- | |- | ||
|272||173a||[[Babel's Streams (Stephen Jenks)|Babel's Streams]]||||1811||By Babel's streams we sat and wept||Unattributed||1615||e||C. M. D.||4 | |272||173a||[[Babel's Streams (Stephen Jenks)|Babel's Streams]]||[[Stephen Jenks]]||1811||By Babel's streams we sat and wept||Unattributed||1615||e||C. M. D.||4 | ||
|- | |- | ||
|273||173b||Barbauld||||||Sweeter songs than music knows||John Newton||1779||A||77.77.||4 | |273||173b||Barbauld||||||Sweeter songs than music knows||John Newton||1779||A||77.77.||4 | ||
|- | |- | ||
|274||174a||[[Sussex (James Carrell)|Sussex]]||||1831||With glorious clouds encompassed round||Charles Wesley||1767||b||C. M. D.||3 | |274||174a||[[Sussex (James P. Carrell)|Sussex]]||[[James P. Carrell]]||1831||With glorious clouds encompassed round||Charles Wesley||1767||b||C. M. D.||3 | ||
|- | |- | ||
|275||174b||[[Holly Springs (William Hauser)|Holly Springs]]||||1848||Why should the children of a King||Isaac Watts||1707||C||C.M.||3 | |275||174b||[[Holly Springs (William Hauser)|Holly Springs]]||[[William Hauser]]||1848||Why should the children of a King||Isaac Watts||1707||C||C.M.||3 | ||
|- | |- | ||
|276||175||[[Maysville (E. Heritage)|Maysville]]||||1848||When, my Savior, shall I be||Charles Wesley||1742||A||77.77.||4 | |276||175||[[Maysville (E. Heritage)|Maysville]]||[[E. Heritage]]||1848||When, my Savior, shall I be||Charles Wesley||1742||A||77.77.||4 | ||
|- | |- | ||
|277||176a||The Captive's Song||''Christian Lyre''||1831||O! No, we cannot sing the song||Unattributed||1831||A||C. M. D.||3 | |277||176a||The Captive's Song||''Christian Lyre''||1831||O! No, we cannot sing the song||Unattributed||1831||A||C. M. D.||3 | ||
|- | |- | ||
|278||176b||[[Floyd (William Hauser)|Floyd]]||||1848||O thou who driest the mourner's tear||Thomas Moore||1816||A||C. M. D.||3 | |278||176b||[[Floyd (William Hauser)|Floyd]]||[[William Hauser]]||1848||O thou who driest the mourner's tear||Thomas Moore||1816||A||C. M. D.||3 | ||
|- | |- | ||
|279||177a||[[Sark (William Miller)|Sark]]||||1803||Jesus, all-redeeming Lord||Charles Wesley||1763||G||77.77.||4 | |279||177a||[[Sark (William Miller)|Sark]]||[[William Miller]]||1803||Jesus, all-redeeming Lord||Charles Wesley||1763||G||77.77.||4 | ||
|- | |- | ||
|280||177b||Haven||||||Jesus, lover of my soul||Charles Wesley||1740||E||77.77.D.||4 | |280||177b||Haven||||||Jesus, lover of my soul||Charles Wesley||1740||E||77.77.D.||4 | ||
|- | |- | ||
|281||178a||[[Leander (B. Austin)|Leander]]||||1818||My soul forbears her vain delights||Isaac Watts||1709||a||C. M. D.||4 | |281||178a||[[Leander (B. Austin)|Leander]]||[[B. Austin]]||1818||My soul forbears her vain delights||Isaac Watts||1709||a||C. M. D.||4 | ||
|- | |- | ||
|282||178b||Easter Hymn||''Lyra Davidica''||1708||Christ the Lord has risen today||Charles Wesley||1739||D||74.74.D.||4 | |282||178b||Easter Hymn||''Lyra Davidica''||1708||Christ the Lord has risen today||Charles Wesley||1739||D||74.74.D.||4 | ||
Line 579: | Line 579: | ||
|283||179||Sunbury||||||O that I could revere||Charles Wesley||1749||d||S.M.||4 | |283||179||Sunbury||||||O that I could revere||Charles Wesley||1749||d||S.M.||4 | ||
|- | |- | ||
|284||180||[[Middletown (Amos Bull)|Middletown]]||||1778||Hail the day that saw him rise||Charles Wesley||1739||A||77.77.D.||4 | |284||180||[[Middletown (Amos Bull)|Middletown]]||[[Amos Bull]]||1778||Hail the day that saw him rise||Charles Wesley||1739||A||77.77.D.||4 | ||
|- | |- | ||
|285||181a||[[Campbell (William Hauser)|Campbell]]||||1848||Lift up your hearts to things above||Charles Wesley||1749||C||C. M. D.||4 | |285||181a||[[Campbell (William Hauser)|Campbell]]||[[William Hauser]]||1848||Lift up your hearts to things above||Charles Wesley||1749||C||C. M. D.||4 | ||
|- | |- | ||
|286||181b||[[Alabama (William Hauser)|Alabama]]||||1848||Depth of mercy! Can there be||Charles Wesley||1740||a||77.77.||4 | |286||181b||[[Alabama (William Hauser)|Alabama]]||[[William Hauser]]||1848||Depth of mercy! Can there be||Charles Wesley||1740||a||77.77.||4 | ||
|- | |- | ||
|287||182a||[[Inspiration (R. Heritage)|Inspiration]]||||||Now shall my inward joys arise||Isaac Watts||1707||G||C.M.||4 | |287||182a||[[Inspiration (R. Heritage)|Inspiration]]||[[R. Heritage]]||||Now shall my inward joys arise||Isaac Watts||1707||G||C.M.||4 | ||
|- | |- | ||
|288||182b||Fancy's Vision||''Hesperian Harp''||1848||The faithless world promiscuous flows||Unattributed||1835||G||87.887.||3 | |288||182b||Fancy's Vision||''Hesperian Harp''||1848||The faithless world promiscuous flows||Unattributed||1835||G||87.887.||3 | ||
|- | |- | ||
|289||183a||[[The Faithless World (William Grambling)|The Faithless World]]||||1835||The faithless world promiscuous flows||Unattributed||1835||G||87.887.||3 | |289||183a||[[The Faithless World (William Grambling)|The Faithless World]]||[[William Grambling]]||1835||The faithless world promiscuous flows||Unattributed||1835||G||87.887.||3 | ||
|- | |- | ||
|290||183b||Winburne||||||Great Redeemer, friend of sinners||William Williams||1745||F||87.87.D.||4 | |290||183b||Winburne||||||Great Redeemer, friend of sinners||William Williams||1745||F||87.87.D.||4 | ||
|- | |- | ||
|291||184||[[Come, ye disconsolate (Samuel Webbe)|Come, ye disconsolate]]||||1820||Come, ye disconsolate||Thomas Moore||1816||D||11 10.11 10.11 10.||2 | |291||184||[[Come, ye disconsolate (Samuel Webbe)|Come, ye disconsolate]]||[[Samuel Webbe]]||1820||Come, ye disconsolate||Thomas Moore||1816||D||11 10.11 10.11 10.||2 | ||
|- | |- | ||
|292||185a||Christian Travelers||''Beauties of Harmony''||1828||What poor, despised company||Unattributed||1759||F||C. M. D.||4 | |292||185a||Christian Travelers||''Beauties of Harmony''||1828||What poor, despised company||Unattributed||1759||F||C. M. D.||4 | ||
Line 599: | Line 599: | ||
|293||185b||La Grange||||||Savior, visit thy plantation||John Newton||1779||A||87.87.D.||3 | |293||185b||La Grange||||||Savior, visit thy plantation||John Newton||1779||A||87.87.D.||3 | ||
|- | |- | ||
|294||186a||[[Concordia (William Hauser)|Concordia]]||||1848||How happy every child of grace||Charles Wesley||1759||G||C.M.||4 | |294||186a||[[Concordia (William Hauser)|Concordia]]||[[William Hauser]]||1848||How happy every child of grace||Charles Wesley||1759||G||C.M.||4 | ||
|- | |- | ||
|295||186b||[[Brownson (Ananias Davisson)|Brownson]]||||1816||Blessing, honor, thanks, and praise||Charles Wesley||1742||a||77.77.D.||4 | |295||186b||[[Brownson (Ananias Davisson)|Brownson]]||[[Ananias Davisson]]||1816||Blessing, honor, thanks, and praise||Charles Wesley||1742||a||77.77.D.||4 | ||
|- | |- | ||
|296||187||[[New Hope (P. A. Axton)|New Hope]]||||1825||O how I have longed for the coming of God||Anonymous||1810||a||11 11.11 11.||3 | |296||187||[[New Hope (P. A. Axton)|New Hope]]||[[P. A. Axton]]||1825||O how I have longed for the coming of God||Anonymous||1810||a||11 11.11 11.||3 | ||
|- | |- | ||
|297||188||[[Watchman! Tell us of the night (Benjamin White)|Watchman! Tell us of the night]]||||1844||Watchman! Tell us of the night||John Bowring||1825||E||77.77.||3 | |297||188||[[Watchman! Tell us of the night (Benjamin White)|Watchman! Tell us of the night]]||[[Benjamin White]]||1844||Watchman! Tell us of the night||John Bowring||1825||E||77.77.||3 | ||
|- | |- | ||
|298||189a||Cumberland New||''Beauties of Harmony''||1814||Come, thou fount of every blessing||Robert Robinson||1759||A||87.87.||4 | |298||189a||Cumberland New||''Beauties of Harmony''||1814||Come, thou fount of every blessing||Robert Robinson||1759||A||87.87.||4 | ||
Line 617: | Line 617: | ||
|302||192a||Animation||''Southern Harmony''||1835||What is there here to court my say||Charles Wesley||1759||G||C. M. D.||3 | |302||192a||Animation||''Southern Harmony''||1835||What is there here to court my say||Charles Wesley||1759||G||C. M. D.||3 | ||
|- | |- | ||
|303||192b||[[Heavenly March (William Walker)|Heavenly March]]||||1840||On Jordan's stormy banks I stand||Samuel Stennett||1787||B{{flat}}||C.M.||3 | |303||192b||[[Heavenly March (William Walker)|Heavenly March]]||[[William Walker]]||1840||On Jordan's stormy banks I stand||Samuel Stennett||1787||B{{flat}}||C.M.||3 | ||
|- | |- | ||
|304||193||[[Edneyville (James Edney)|Edneyville]]||||||All hail! Ye heirs of grace||James Edney||1848||G||S.M.||4 | |304||193||[[Edneyville (James Edney)|Edneyville]]||[[James Edney]]||||All hail! Ye heirs of grace||James Edney||1848||G||S.M.||4 | ||
|- | |- | ||
|305||194a||[[Judgment (James Boyd)|Judgment]]||||1813||He comes, he comes, the Judge severe||Charles Wesley||1758||e||L. M. D.||4 | |305||194a||[[Judgment (James Boyd)|Judgment]]||[[James Boyd]]||1813||He comes, he comes, the Judge severe||Charles Wesley||1758||e||L. M. D.||4 | ||
|- | |- | ||
|306||194b||[[Judgment (Nehemiah Shumway)|Judgment]]||||1793||The Lord, the Judge, before his throne||Isaac Watts||1719||G||C. M. D.||4 | |306||194b||[[Judgment (Nehemiah Shumway)|Judgment]]||[[Nehemiah Shumway]]||1793||The Lord, the Judge, before his throne||Isaac Watts||1719||G||C. M. D.||4 | ||
|- | |- | ||
|307||196a||[[Concord (Oliver Holden)|Concord]]||||1793||The men of grace have found||Isaac Watts||1709||C||S.M.||4 | |307||196a||[[Concord (Oliver Holden)|Concord]]||[[Oliver Holden]]||1793||The men of grace have found||Isaac Watts||1709||C||S.M.||4 | ||
|- | |- | ||
|308||196b||[[Brentwood (Jacob Kimball)|Brentwood]]||||1800||Not all the blood of beasts||Isaac Watts||1709||E||S.M.||4 | |308||196b||[[Brentwood (Jacob Kimball)|Brentwood]]||[[Jacob Kimball]]||1800||Not all the blood of beasts||Isaac Watts||1709||E||S.M.||4 | ||
|- | |- | ||
|309||197a||[[Baldwin (John Massengale)|Baldwin]]||||1848||And let our bodies part||Charles Wesley||1749||a||S. M. D.||4 | |309||197a||[[Baldwin (John Massengale)|Baldwin]]||[[John Massengale]]||1848||And let our bodies part||Charles Wesley||1749||a||S. M. D.||4 | ||
|- | |- | ||
|310||197b||[[Backslider (Moss)|Backslider]]||||1820||Ah! Where am I now||Charles Wesley||1749||a||559.669.||3 | |310||197b||[[Backslider (Moss)|Backslider]]||[[Moss]]||1820||Ah! Where am I now||Charles Wesley||1749||a||559.669.||3 | ||
|- | |- | ||
|311||198||[[Concert (Jeremiah Clarke)|Concert]]||||1707||Come, thou everlasting Spirit||Charles Wesley||1745||a||87.87.D.||4 | |311||198||[[Concert (Jeremiah Clarke)|Concert]]||[[Jeremiah Clarke]]||1707||Come, thou everlasting Spirit||Charles Wesley||1745||a||87.87.D.||4 | ||
|- | |- | ||
|312||199a||[[Evening Shade (Stephen Jenks)|Evening Shade]]||||1805||The day is past and gone||John Leland||1790||e||S.M.||4 | |312||199a||[[Evening Shade (Stephen Jenks)|Evening Shade]]||[[Stephen Jenks]]||1805||The day is past and gone||John Leland||1790||e||S.M.||4 | ||
|- | |- | ||
|313||199b||New Dover||''Short and Easy Introduction''||1772||Grace, tis a charming sound||Philip Doddridge||1755||F||S.M.||4 | |313||199b||New Dover||''Short and Easy Introduction''||1772||Grace, tis a charming sound||Philip Doddridge||1755||F||S.M.||4 | ||
|- | |- | ||
|314||200||[[Williamsburg (Hebrew Traditional)|Williamsburg]]||||1500||The God of Abraham praise||Thomas Olivers||1772||F||66.86.D.||4 | |314||200||[[Williamsburg (Hebrew Traditional)|Williamsburg]]||[[Hebrew Traditional]]||1500||The God of Abraham praise||Thomas Olivers||1772||F||66.86.D.||4 | ||
|- | |- | ||
|315||201a||[[Albion (Robert Boyd)|Albion]]||||1816||Come, ye that love the Lord||Isaac Watts||1709||G||S.M.||4 | |315||201a||[[Albion (Robert Boyd)|Albion]]||[[Robert Boyd]]||1816||Come, ye that love the Lord||Isaac Watts||1709||G||S.M.||4 | ||
|- | |- | ||
|316||201b||[[Norwich (Oliver Brownson)|Norwich]]||||1779||My sorrows, like a flood||Isaac Watts||1706||a||S.M.||4 | |316||201b||[[Norwich (Oliver Brownson)|Norwich]]||[[Oliver Brownson]]||1779||My sorrows, like a flood||Isaac Watts||1706||a||S.M.||4 | ||
|- | |- | ||
|317||202a||Jefferson||''Tennessee Harmony''||1818||Glorious things of thee are spoken||John Newton||1779||a||87.87.D.||4 | |317||202a||Jefferson||''Tennessee Harmony''||1818||Glorious things of thee are spoken||John Newton||1779||a||87.87.D.||4 | ||
|- | |- | ||
|318||202b||[[New Monmouth (Lucius Chapin)|New Monmouth]]||||1812||Come, thou fount of every blessing||Robert Robinson||1759||a||87.87.||4 | |318||202b||[[New Monmouth (Lucius Chapin)|New Monmouth]]||[[Lucius Chapin]]||1812||Come, thou fount of every blessing||Robert Robinson||1759||a||87.87.||4 | ||
|- | |- | ||
|319||203||Marcellus||||||Soldiers of Christ! Arise||Charles Wesley||1742||G||S. M. D.||4 | |319||203||Marcellus||||||Soldiers of Christ! Arise||Charles Wesley||1742||G||S. M. D.||4 | ||
|- | |- | ||
|320||204a||[[St. Thomas (Aaron Williams)|St. Thomas]]||||1763||Hark! It is wisdom's voice||Philip Doddridge||1755||A||S.M.||4 | |320||204a||[[St. Thomas (Aaron Williams)|St. Thomas]]||[[Aaron Williams]]||1763||Hark! It is wisdom's voice||Philip Doddridge||1755||A||S.M.||4 | ||
|- | |- | ||
|321||204b||Brimner||||||Give to the winds thy fears||Paul Gerhardt||1656||C||S.M.||4 | |321||204b||Brimner||||||Give to the winds thy fears||Paul Gerhardt||1656||C||S.M.||4 | ||
|- | |- | ||
|322||205||[[Sterling (James Merrick)|Sterling]]||||1793||Come, ye that love the Lord||Isaac Watts||1709||E||S. M. D.||4 | |322||205||[[Sterling (James Merrick)|Sterling]]||[[James Merrick]]||1793||Come, ye that love the Lord||Isaac Watts||1709||E||S. M. D.||4 | ||
|- | |- | ||
|323||206a||[[Martyn (S. B. Ma_)|Martyn]]||||||Hark! A voice divides the sky||Charles Wesley||1742||F||77.77.D.||4 | |323||206a||[[Martyn (S. B. Ma_)|Martyn]]||[[S. B. Ma_]]||||Hark! A voice divides the sky||Charles Wesley||1742||F||77.77.D.||4 | ||
|- | |- | ||
|324||206b||Religious Contentment||''Divine Amusement''||1812||Give me but some humble spot||William Hunter||1845||C||77.77.D.||3 | |324||206b||Religious Contentment||''Divine Amusement''||1812||Give me but some humble spot||William Hunter||1845||C||77.77.D.||3 | ||
Line 663: | Line 663: | ||
|325||207||Good Shepherd||''Wyeth's Repository, Part Second''||1813||Let thy kingdom, blessed Savior||John Granade||1794||F||87.87.D.||3 | |325||207||Good Shepherd||''Wyeth's Repository, Part Second''||1813||Let thy kingdom, blessed Savior||John Granade||1794||F||87.87.D.||3 | ||
|- | |- | ||
|326||208a||[[Sounding Joy (Justin Morgan)|Sounding Joy]]||||1790||Come, sound his praise abroad||Isaac Watts||1719||E{{flat}}||S.M.||4 | |326||208a||[[Sounding Joy (Justin Morgan)|Sounding Joy]]||[[Justin Morgan]]||1790||Come, sound his praise abroad||Isaac Watts||1719||E{{flat}}||S.M.||4 | ||
|- | |- | ||
|327||208b||[[Mocksville (William Hauser)|Mocksville]]||||1848||Glory to God on high||Isaac Watts||1707||C||S.M.||4 | |327||208b||[[Mocksville (William Hauser)|Mocksville]]||[[William Hauser]]||1848||Glory to God on high||Isaac Watts||1707||C||S.M.||4 | ||
|- | |- | ||
|328||209a||[[Backslider's Sorrow (William Hauser)|Backslider's Sorrow]]||||1848||Ah! Where am I now||Charles Wesley||1749||G||559.669.||3 | |328||209a||[[Backslider's Sorrow (William Hauser)|Backslider's Sorrow]]||[[William Hauser]]||1848||Ah! Where am I now||Charles Wesley||1749||G||559.669.||3 | ||
|- | |- | ||
|329||209b||Malette||''Beauties of Sacred Harmony''||1817||Tis religion that can give||Mary Masters||1733||G||77.77.D.||3 | |329||209b||Malette||''Beauties of Sacred Harmony''||1817||Tis religion that can give||Mary Masters||1733||G||77.77.D.||3 | ||
|- | |- | ||
|330||210a||[[America (Truman Wetmore)|America]]||||1798||My soul, repeat his praise||Isaac Watts||1719||a||S.M.||4 | |330||210a||[[America (Truman Wetmore)|America]]||[[Truman Wetmore]]||1798||My soul, repeat his praise||Isaac Watts||1719||a||S.M.||4 | ||
|- | |- | ||
|331||210b||[[Wheeling (William Hauser)|Wheeling]]||||1848||And wilt thou yet be found||Charles Wesley||1739||a||S.M.||3 | |331||210b||[[Wheeling (William Hauser)|Wheeling]]||[[William Hauser]]||1848||And wilt thou yet be found||Charles Wesley||1739||a||S.M.||3 | ||
|- | |- | ||
|332||211a||[[Golden Hill (Abraham Wood)|Golden Hill]]||||1778||With joy the people stand||Isaac Watts||1719||G||S.M.||4 | |332||211a||[[Golden Hill (Abraham Wood)|Golden Hill]]||[[Abraham Wood]]||1778||With joy the people stand||Isaac Watts||1719||G||S.M.||4 | ||
|- | |- | ||
|333||211b||[[Golden Hill (Abraham Wood)|Golden Hill]]||||1778||Give to the winds thy fears||Paul Gerhardt||1656||G||S.M.||4 | |333||211b||[[Golden Hill (Abraham Wood)|Golden Hill]]||[[Abraham Wood]]||1778||Give to the winds thy fears||Paul Gerhardt||1656||G||S.M.||4 | ||
|- | |- | ||
|334||212||[[Rome (Timothy Swan)|Rome]]||||1801||Wandering pilgrims, mourning Christians||John Leland||1794||e||87.87.D.||4 | |334||212||[[Rome (Timothy Swan)|Rome]]||[[Timothy Swan]]||1801||Wandering pilgrims, mourning Christians||John Leland||1794||e||87.87.D.||4 | ||
|- | |- | ||
|335||213a||The Soldier's Return||''Virginia Sacred Musical Repository''||1818||O! That I had some secret place||Unattributed||1823||C||87.87.D.||3 | |335||213a||The Soldier's Return||''Virginia Sacred Musical Repository''||1818||O! That I had some secret place||Unattributed||1823||C||87.87.D.||3 | ||
Line 685: | Line 685: | ||
|336||213b||Louisiana||||||I have my bitters and my sweets||Unattributed||1823||C||87.87.D.||3 | |336||213b||Louisiana||||||I have my bitters and my sweets||Unattributed||1823||C||87.87.D.||3 | ||
|- | |- | ||
|337||214a||[[Shirland (Samuel Stanley)|Shirland]]||||1799||My God, my life, my love||Isaac Watts||1709||A||S.M.||4 | |337||214a||[[Shirland (Samuel Stanley)|Shirland]]||[[Samuel Stanley]]||1799||My God, my life, my love||Isaac Watts||1709||A||S.M.||4 | ||
|- | |- | ||
|338||214b||[[Bridgetown (Elkanah Dare)|Bridgetown]]||||1813||Grace! tis a charming sound||Philip Doddridge||1755||G||S.M.||4 | |338||214b||[[Bridgetown (Elkanah Dare)|Bridgetown]]||[[Elkanah Dare]]||1813||Grace! tis a charming sound||Philip Doddridge||1755||G||S.M.||4 | ||
|- | |- | ||
|339||215||[[Newburg (Amos Munson)|Newburg]]||||1798||Let every creature join||Isaac Watts||1719||C||S. M. D.||4 | |339||215||[[Newburg (Amos Munson)|Newburg]]||[[Amos Munson]]||1798||Let every creature join||Isaac Watts||1719||C||S. M. D.||4 | ||
|- | |- | ||
|340||216a||[[Texas (William Hauser)|Texas]]||||1848||Firm and unmoved are they||Isaac Watts||1719||C||S.M.||4 | |340||216a||[[Texas (William Hauser)|Texas]]||[[William Hauser]]||1848||Firm and unmoved are they||Isaac Watts||1719||C||S.M.||4 | ||
|- | |- | ||
|341||216b||[[Austin (P. A. Axton)|Austin]]||||1825||How happy are they||Charles Wesley||1749||a||569.569.||3 | |341||216b||[[Austin (P. A. Axton)|Austin]]||[[P. A. Axton]]||1825||How happy are they||Charles Wesley||1749||a||569.569.||3 | ||
|- | |- | ||
|342||217a||[[Brownsville (James Carrell)|Brownsville]]||||1821||Don't you see my Jesus coming||Caleb Taylor||1810||a||87.87.||3 | |342||217a||[[Brownsville (James P. Carrell)|Brownsville]]||[[James P. Carrell]]||1821||Don't you see my Jesus coming||Caleb Taylor||1810||a||87.87.||3 | ||
|- | |- | ||
|343||217b||[[Restoration (James Carrell)|Restoration]]||||1821||Jordan's stream shall ne'er o'erflow me||Anonymous||1833||a||87.87.||4 | |343||217b||[[Restoration (James P. Carrell)|Restoration]]||[[James P. Carrell]]||1821||Jordan's stream shall ne'er o'erflow me||Anonymous||1833||a||87.87.||4 | ||
|- | |- | ||
|344||218a||[[Dauphin (Jacob French)|Dauphin]]||||1793||For life without thy love||Isaac Watts||1719||a||S.M.||4 | |344||218a||[[Dauphin (Jacob French)|Dauphin]]||[[Jacob French]]||1793||For life without thy love||Isaac Watts||1719||a||S.M.||4 | ||
|- | |- | ||
|345||218b||[[Doomsday (Abraham Wood)|Doomsday]]||||1789||Behold! With awful pomp||Joseph Hart||1759||C||S.M.||4 | |345||218b||[[Doomsday (Abraham Wood)|Doomsday]]||[[Abraham Wood]]||1789||Behold! With awful pomp||Joseph Hart||1759||C||S.M.||4 | ||
|- | |- | ||
|346||219||Saints Bound For Heaven||''Southern Harmony''||1840||Our bondage it shall end, by and by||Unattributed||1828||C||12 9.13 13 10.||4 | |346||219||Saints Bound For Heaven||''Southern Harmony''||1840||Our bondage it shall end, by and by||Unattributed||1828||C||12 9.13 13 10.||4 | ||
|- | |- | ||
|347||220||[[Parsons (Jonas King)|Parsons]]||||1831||Brother, thou art gone before us||Henry Milman||1822||e||87.86.77.87.||4 | |347||220||[[Parsons (Jonas King)|Parsons]]||[[Jonas King]]||1831||Brother, thou art gone before us||Henry Milman||1822||e||87.86.77.87.||4 | ||
|- | |- | ||
|348||221||[[The Mouldering Vine (James Carrell)|The Mouldering Vine]]||||1821||Hail! Ye sighing sons of sorrow||Anonymous||1795||f||87.87.D.||4 | |348||221||[[The Mouldering Vine (James P. Carrell)|The Mouldering Vine]]||[[James P. Carrell]]||1821||Hail! Ye sighing sons of sorrow||Anonymous||1795||f||87.87.D.||4 | ||
|- | |- | ||
|349||222||[[Disciple (Deodatus Dutton)|Disciple]]||||1831||Jesus, I my cross have taken||Henry Lyte||1824||A||87.87.D.||4 | |349||222||[[Disciple (Deodatus Dutton)|Disciple]]||[[Deodatus Dutton]]||1831||Jesus, I my cross have taken||Henry Lyte||1824||A||87.87.D.||4 | ||
|- | |- | ||
|350||223||Jubilee||''Supplement to the Kentucky Harmony''||1820||Hark! The jubilee is sounding||Anonymous||1801||A||87.87.D.||4 | |350||223||Jubilee||''Supplement to the Kentucky Harmony''||1820||Hark! The jubilee is sounding||Anonymous||1801||A||87.87.D.||4 | ||
Line 715: | Line 715: | ||
|351||224a||Mansfield||''Collection of Psalm Tunes''||1780||Let every creature join||Isaac Watts||1719||C||S.M.||4 | |351||224a||Mansfield||''Collection of Psalm Tunes''||1780||Let every creature join||Isaac Watts||1719||C||S.M.||4 | ||
|- | |- | ||
|352||224b||[[Idumea (Ananias Davisson)|Idumea]]||||1816||O come and dwell in me||Charles Wesley||1762||a||S.M.||4 | |352||224b||[[Idumea (Ananias Davisson)|Idumea]]||[[Ananias Davisson]]||1816||O come and dwell in me||Charles Wesley||1762||a||S.M.||4 | ||
|- | |- | ||
|353||225||[[Solemn Thought (James Carrell)|Solemn Thought]]||||1821||Remember, sinful youth, you must die||Anonymous||1807||a||12 9.12 12 9.||4 | |353||225||[[Solemn Thought (James P. Carrell)|Solemn Thought]]||[[James P. Carrell]]||1821||Remember, sinful youth, you must die||Anonymous||1807||a||12 9.12 12 9.||4 | ||
|- | |- | ||
|354||226||[[Geneva (James Carrell)|Geneva]]||||1821||Come, my friends, and taste with me||Unattributed||1821||F||776.77.76.||4 | |354||226||[[Geneva (James P. Carrell)|Geneva]]||[[James P. Carrell]]||1821||Come, my friends, and taste with me||Unattributed||1821||F||776.77.76.||4 | ||
|- | |- | ||
|355||227a||New Concord||||||How happy are they||Charles Wesley||1749||C||569.569.||4 | |355||227a||New Concord||||||How happy are they||Charles Wesley||1749||C||569.569.||4 | ||
|- | |- | ||
|356||227b||[[Iantha (William Caldwell)|Iantha]]||||1848||Hark! The herald angels sing||Charles Wesley||1739||G||77.77.||4 | |356||227b||[[Iantha (William Caldwell)|Iantha]]||[[William Caldwell]]||1848||Hark! The herald angels sing||Charles Wesley||1739||G||77.77.||4 | ||
|- | |- | ||
|357||228a||[[Zion's Hill (Abraham Wood)|Zion's Hill]]||||1778||How beauteous are their feet||Isaac Watts||1707||F||S.M.||4 | |357||228a||[[Zion's Hill (Abraham Wood)|Zion's Hill]]||[[Abraham Wood]]||1778||How beauteous are their feet||Isaac Watts||1707||F||S.M.||4 | ||
|- | |- | ||
|358||228b||Mount Helicon||||||How blessed are our eyes||Isaac Watts||1707||F||S.M.||4 | |358||228b||Mount Helicon||||||How blessed are our eyes||Isaac Watts||1707||F||S.M.||4 | ||
|- | |- | ||
|359||229a||[[Ingratitude (James Lowry)|Ingratitude]]||||1820||Is this the kind return||Isaac Watts||1709||a||S.M.||4 | |359||229a||[[Ingratitude (James Lowry)|Ingratitude]]||[[James Lowry]]||1820||Is this the kind return||Isaac Watts||1709||a||S.M.||4 | ||
|- | |- | ||
|360||229b||[[Swedesboro' (E. Heritage)|Swedesboro']]||||||Welcome, sweet day of rest||Isaac Watts||1709||A||S.M.||4 | |360||229b||[[Swedesboro' (E. Heritage)|Swedesboro']]||[[E. Heritage]]||||Welcome, sweet day of rest||Isaac Watts||1709||A||S.M.||4 | ||
|- | |- | ||
|361||230a||[[Lisbon (Daniel Read)|Lisbon]]||||1785||The Savior's glorious name||||||B{{flat}}||S.M.||4 | |361||230a||[[Lisbon (Daniel Read)|Lisbon]]||[[Daniel Read]]||1785||The Savior's glorious name||||||B{{flat}}||S.M.||4 | ||
|- | |- | ||
|362||230b||Mount Cumberland||''Columbian Harmony''||1825||Come, all ye happy race||Unattributed||1839||a||669.669.||3 | |362||230b||Mount Cumberland||''Columbian Harmony''||1825||Come, all ye happy race||Unattributed||1839||a||669.669.||3 | ||
|- | |- | ||
|363||231||[[Creation (Elijah Griswold)|Creation]]||||1793||Let every creature join||Isaac Watts||1719||A||S. M. D.||4 | |363||231||[[Creation (Elijah Griswold)|Creation]]||[[Elijah Griswold]]||1793||Let every creature join||Isaac Watts||1719||A||S. M. D.||4 | ||
|- | |- | ||
|364||232||[[Knoxville (Reubin Monday)|Knoxville]]||||1820||Rejoice, my friends, the Lord is King||Anonymous||1813||e||88.887.||4 | |364||232||[[Knoxville (Reubin Monday)|Knoxville]]||[[Reubin Monday]]||1820||Rejoice, my friends, the Lord is King||Anonymous||1813||e||88.887.||4 | ||
|- | |- | ||
|365||233||[[Heavenly Union (Jeremiah Ingalls)|Heavenly Union]]||||1805||Come saints and sinners, hear me tell||Unattributed||1811||G||88.887.||4 | |365||233||[[Heavenly Union (Jeremiah Ingalls)|Heavenly Union]]||[[Jeremiah Ingalls]]||1805||Come saints and sinners, hear me tell||Unattributed||1811||G||88.887.||4 | ||
|- | |- | ||
|366||234||[[Wondrous Love (James Christopher)|Wondrous Love]]||||1840||What wondrous love is this, O my soul||Anonymous||1812||g||12 9.12 12 9.||3 | |366||234||[[Wondrous Love (James Christopher)|Wondrous Love]]||[[James Christopher]]||1840||What wondrous love is this, O my soul||Anonymous||1812||g||12 9.12 12 9.||3 | ||
|- | |- | ||
|367||235||[[Thorny Desert (William Walker)|Thorny Desert]]||||1835||Dark and thorny is the desert||Unattributed||1810||G||87.87.D.||3 | |367||235||[[Thorny Desert (William Walker)|Thorny Desert]]||[[William Walker]]||1835||Dark and thorny is the desert||Unattributed||1810||G||87.87.D.||3 | ||
|- | |- | ||
|368||236||[[Silver Street (Isaac Smith)|Silver Street]]||||1780||Come sound his praise abroad||Isaac Watts||1719||C||S.M.||4 | |368||236||[[Silver Street (Isaac Smith)|Silver Street]]||[[Isaac Smith]]||1780||Come sound his praise abroad||Isaac Watts||1719||C||S.M.||4 | ||
|- | |- | ||
|369||237a||[[Longstreet (Thomas Haweis)|Longstreet]]||||1791||Some sweet savor of thy favor||Anonymous||1811||B{{flat}}||87.77.84.||4 | |369||237a||[[Longstreet (Thomas Haweis)|Longstreet]]||[[Thomas Haweis]]||1791||Some sweet savor of thy favor||Anonymous||1811||B{{flat}}||87.77.84.||4 | ||
|- | |- | ||
|370||237b||Pilgrim's Prayer||||||Guide me, O thou great Jehovah||William Williams||1745||F||87.87.47.||4 | |370||237b||Pilgrim's Prayer||||||Guide me, O thou great Jehovah||William Williams||1745||F||87.87.47.||4 | ||
|- | |- | ||
|371||238||[[Rock of Salvation (William Hauser)|Rock of Salvation]]||||1848||If life's pleasures charm thee||Francis Key||1815||G||65.65.87.87.||4 | |371||238||[[Rock of Salvation (William Hauser)|Rock of Salvation]]||[[William Hauser]]||1848||If life's pleasures charm thee||Francis Key||1815||G||65.65.87.87.||4 | ||
|- | |- | ||
|372||239a||[[Zell (Eyer)|Zell]]||||||Praise to God the great Creator||John Taylor||1795||F||87.87.||4 | |372||239a||[[Zell (Eyer)|Zell]]||[[Eyer]]||||Praise to God the great Creator||John Taylor||1795||F||87.87.||4 | ||
|- | |- | ||
|373||239b||[[Cheerful Hope (Wolfgang Mozart)|Cheerful Hope]]||||1791||Though hard the winds are blowing||Unattributed||1831||G||76.76.||3 | |373||239b||[[Cheerful Hope (Wolfgang Mozart)|Cheerful Hope]]||[[Wolfgang Mozart]]||1791||Though hard the winds are blowing||Unattributed||1831||G||76.76.||3 | ||
|- | |- | ||
|374||240||[[Mixture (William Golightly)|Mixture]]||||1835||Mixtures of joy and sorrow||Levi Hathaway||1820||A||76.76.D.||4 | |374||240||[[Mixture (William Golightly)|Mixture]]||[[William Golightly]]||1835||Mixtures of joy and sorrow||Levi Hathaway||1820||A||76.76.D.||4 | ||
|- | |- | ||
|375||241||Glorious Prospect||||||My soul's full of glory||John Granade||1804||E||65.65.D.||3 | |375||241||Glorious Prospect||||||My soul's full of glory||John Granade||1804||E||65.65.D.||3 | ||
Line 765: | Line 765: | ||
|376||242a||Way to Zion||||||Farewell, my Christian brethren||John Leland||1793||C||76.76.76.||4 | |376||242a||Way to Zion||||||Farewell, my Christian brethren||John Leland||1793||C||76.76.76.||4 | ||
|- | |- | ||
|377||242b||[[New Hope (Ananias Davisson)|New Hope]]||||1820||Come, ye that love the Lord||Isaac Watts||1709||F||S.M.||4 | |377||242b||[[New Hope (Ananias Davisson)|New Hope]]||[[Ananias Davisson]]||1820||Come, ye that love the Lord||Isaac Watts||1709||F||S.M.||4 | ||
|- | |- | ||
|378||243a||Hope||''Collection of Psalm and Hymn Tunes''||1802||My God, my life, my love||Isaac Watts||1709||G||S.M.||4 | |378||243a||Hope||''Collection of Psalm and Hymn Tunes''||1802||My God, my life, my love||Isaac Watts||1709||G||S.M.||4 | ||
Line 771: | Line 771: | ||
|379||243b||Blairsville||||||Did Christ o'er sinners weep||Benjamin Beddome||1769||f#||S.M.||3 | |379||243b||Blairsville||||||Did Christ o'er sinners weep||Benjamin Beddome||1769||f#||S.M.||3 | ||
|- | |- | ||
|380||244a||[[Holy Manna (William Moore)|Holy Manna]]||||1825||Brethren, we have met to worship||George Atkins||1819||C||87.87.D.||4 | |380||244a||[[Holy Manna (William Moore)|Holy Manna]]||[[William Moore]]||1825||Brethren, we have met to worship||George Atkins||1819||C||87.87.D.||4 | ||
|- | |- | ||
|381||244b||[[Holy Manna (William Moore)|Holy Manna]]||||1825||Brethren, see poor sinners round you||George Atkins||1819||C||87.87.D.||4 | |381||244b||[[Holy Manna (William Moore)|Holy Manna]]||[[William Moore]]||1825||Brethren, see poor sinners round you||George Atkins||1819||C||87.87.D.||4 | ||
|- | |- | ||
|382||245a||[[Dalston (Aaron Williams)|Dalston]]||||1763||How pleased and blessed was I||Isaac Watts||1719||B{{flat}}||668.668.||4 | |382||245a||[[Dalston (Aaron Williams)|Dalston]]||[[Aaron Williams]]||1763||How pleased and blessed was I||Isaac Watts||1719||B{{flat}}||668.668.||4 | ||
|- | |- | ||
|383||245b||Volusia||||||O! Cease, my wandering soul||William Muhlenberg||1826||G||S.M.||4 | |383||245b||Volusia||||||O! Cease, my wandering soul||William Muhlenberg||1826||G||S.M.||4 | ||
|- | |- | ||
|384||246a||[[Amity (Daniel Read)|Amity]]||||1785||My tongue repeats her vows||Isaac Watts||1719||A||668.668.||4 | |384||246a||[[Amity (Daniel Read)|Amity]]||[[Daniel Read]]||1785||My tongue repeats her vows||Isaac Watts||1719||A||668.668.||4 | ||
|- | |- | ||
|385||246b||[[Boylston (Lowell Mason)|Boylston]]||||1832||Our days are as the grass||Isaac Watts||1719||C||S.M.||4 | |385||246b||[[Boylston (Lowell Mason)|Boylston]]||[[Lowell Mason]]||1832||Our days are as the grass||Isaac Watts||1719||C||S.M.||4 | ||
|- | |- | ||
|386||247a||Nuremburg||||||Once I thought my mountain strong||John Newton||1779||B{{flat}}||77.77.77.||4 | |386||247a||Nuremburg||||||Once I thought my mountain strong||John Newton||1779||B{{flat}}||77.77.77.||4 | ||
|- | |- | ||
|387||247b||[[Bounding Billows (Deodatus Dutton)|Bounding Billows]]||||1831||Light of those whose dreary dwelling||Charles Wesley||1745||A||87.87.||3 | |387||247b||[[Bounding Billows (Deodatus Dutton)|Bounding Billows]]||[[Deodatus Dutton]]||1831||Light of those whose dreary dwelling||Charles Wesley||1745||A||87.87.||3 | ||
|- | |- | ||
|388||248||[[Palestine (William Hauser)|Palestine]]||||1848||Blest land of Judea, thrice hallowed of song||John Whittier||1843||C||11 12.12 12.||3 | |388||248||[[Palestine (William Hauser)|Palestine]]||[[William Hauser]]||1848||Blest land of Judea, thrice hallowed of song||John Whittier||1843||C||11 12.12 12.||3 | ||
|- | |- | ||
|389||249||Wandering Sinner||||||Come tell me, wandering sinner||Unattributed||1827||D||76.76.T||3 | |389||249||Wandering Sinner||||||Come tell me, wandering sinner||Unattributed||1827||D||76.76.T||3 | ||
|- | |- | ||
|390||250a||[[The Dying Pilgrim (H. Bingham)|The Dying Pilgrim]]||||||Farewell, beloved companions||H. Bingham||1840||d||76.76.D.||3 | |390||250a||[[The Dying Pilgrim (H. Bingham)|The Dying Pilgrim]]||[[H. Bingham]]||||Farewell, beloved companions||H. Bingham||1840||d||76.76.D.||3 | ||
|- | |- | ||
|391||250b||[[Dependence (Findlay)|Dependence]]||||1813||But I, with all my cares||Isaac Watts||1719||a||S.M.||3 | |391||250b||[[Dependence (Findlay)|Dependence]]||[[Findlay]]||1813||But I, with all my cares||Isaac Watts||1719||a||S.M.||3 | ||
|- | |- | ||
|392||251||Pennsville||||||Along where murmuring waters||Unattributed||1848||D||76.76.D.||4 | |392||251||Pennsville||||||Along where murmuring waters||Unattributed||1848||D||76.76.D.||4 | ||
|- | |- | ||
|393||252||[[The Trumpet (J. Williams)|The Trumpet]]||||1830||The chariot, the chariot, its wheels roll in fire||Henry Milman||1827||D||11 12.12 12.||4 | |393||252||[[The Trumpet (J. Williams)|The Trumpet]]||[[J. Williams]]||1830||The chariot, the chariot, its wheels roll in fire||Henry Milman||1827||D||11 12.12 12.||4 | ||
|- | |- | ||
|394||253a||[[Lamberton (Nehemiah Shumway)|Lamberton]]||||1793||Is this the kind return||Isaac Watts||1709||a||S.M.||4 | |394||253a||[[Lamberton (Nehemiah Shumway)|Lamberton]]||[[Nehemiah Shumway]]||1793||Is this the kind return||Isaac Watts||1709||a||S.M.||4 | ||
|- | |- | ||
|395||253b||[[Warren (Isaac Lane)|Warren]]||||1802||Let all our tongues be one||Isaac Watts||1711||A||S.M.||4 | |395||253b||[[Warren (Isaac Lane)|Warren]]||[[Isaac Lane]]||1802||Let all our tongues be one||Isaac Watts||1711||A||S.M.||4 | ||
|- | |- | ||
|396||254||[[Douglass (Dr. Lacy)|Douglass]]||||1831||Holy Ghost! Dispel our sadness||Paul Gerhardt||1650||F||87.87.77.87.||4 | |396||254||[[Douglass (Dr. Lacy)|Douglass]]||[[Dr. Lacy]]||1831||Holy Ghost! Dispel our sadness||Paul Gerhardt||1650||F||87.87.77.87.||4 | ||
|- | |- | ||
|397||255a||Importunity||||||Savior, visit thy plantation||John Newton||1779||F||87.87.D.||4 | |397||255a||Importunity||||||Savior, visit thy plantation||John Newton||1779||F||87.87.D.||4 | ||
Line 809: | Line 809: | ||
|398||255b||Greenville||||||Surely once thy garden flourished||John Newton||1779||F||87.87.D.||4 | |398||255b||Greenville||||||Surely once thy garden flourished||John Newton||1779||F||87.87.D.||4 | ||
|- | |- | ||
|399||256||[[Darley (Elisha King)|Darley]]||||1844||Come brethren and sisters, who love one another||Unattributed||1840||a||12 8.12 8.D.||3 | |399||256||[[Darley (Elisha King)|Darley]]||[[Elisha King]]||1844||Come brethren and sisters, who love one another||Unattributed||1840||a||12 8.12 8.D.||3 | ||
|- | |- | ||
|400||257||The Romish Lady||''Southern Harmony''||1835||There was a Romish lady||Unattributed||1835||A||76.76.D.||3 | |400||257||The Romish Lady||''Southern Harmony''||1835||There was a Romish lady||Unattributed||1835||A||76.76.D.||3 | ||
|- | |- | ||
|401||258||[[Christian's Delight (E. F. Davis)|Christian's Delight]]||||||Young people all, now at the ball||||||G||87.87.D.||3 | |401||258||[[Christian's Delight (E. F. Davis)|Christian's Delight]]||[[E. F. Davis]]||||Young people all, now at the ball||||||G||87.87.D.||3 | ||
|- | |- | ||
|402||259||[[Mecklenburg (James Lowry)|Mecklenburg]]||||1820||Bright scenes of glory strike my sense||Unattributed||1820||g||87.87.D.||4 | |402||259||[[Mecklenburg (James Lowry)|Mecklenburg]]||[[James Lowry]]||1820||Bright scenes of glory strike my sense||Unattributed||1820||g||87.87.D.||4 | ||
|- | |- | ||
|403||260a||[[Tamworth (Charles Lockhart)|Tamworth]]||||1792||Feed me with the heavenly manna||William Williams||1745||F||87.87.D.||4 | |403||260a||[[Tamworth (Charles Lockhart)|Tamworth]]||[[Charles Lockhart]]||1792||Feed me with the heavenly manna||William Williams||1745||F||87.87.D.||4 | ||
|- | |- | ||
|404||260b||Spring Place||||||O Zion, afflicted with wave after wave||James Grant||1784||a||11 11.11 11.||3 | |404||260b||Spring Place||||||O Zion, afflicted with wave after wave||James Grant||1784||a||11 11.11 11.||3 | ||
|- | |- | ||
|405||261||[[Young Ladies' Farewell (William Hauser)|Young Ladies' Farewell]]||||1848||Like yon bright cloud new forms assuming||Miss J. W. Guding||1848||A||98.98.D.||4 | |405||261||[[Young Ladies' Farewell (William Hauser)|Young Ladies' Farewell]]||[[William Hauser]]||1848||Like yon bright cloud new forms assuming||Miss J. W. Guding||1848||A||98.98.D.||4 | ||
|- | |- | ||
|406||262||Redeeming Grace||''Wyeth's Repository, Part Second''||1813||Come all who love my Lord and Master||Unattributed||1813||G||98.98.D.||4 | |406||262||Redeeming Grace||''Wyeth's Repository, Part Second''||1813||Come all who love my Lord and Master||Unattributed||1813||G||98.98.D.||4 | ||
|- | |- | ||
|407||263a||[[Florida (Truman Wetmore)|Florida]]||||1803||Let sinners take their course||Isaac Watts||1719||e||S.M.||4 | |407||263a||[[Florida (Truman Wetmore)|Florida]]||[[Truman Wetmore]]||1803||Let sinners take their course||Isaac Watts||1719||e||S.M.||4 | ||
|- | |- | ||
|408||263b||[[Newingham (William Billings)|Newingham]]||||1770||Death! O the awful sound||William Billings||1770||a||S.M.||4 | |408||263b||[[Newingham (William Billings)|Newingham]]||[[William Billings]]||1770||Death! O the awful sound||William Billings||1770||a||S.M.||4 | ||
|- | |- | ||
|409||264||Morality||''David's Harp''||1803||While beauty and youth are in their full prime||Unattributed||1835||G||10 11.11 12.||3 | |409||264||Morality||''David's Harp''||1803||While beauty and youth are in their full prime||Unattributed||1835||G||10 11.11 12.||3 | ||
Line 835: | Line 835: | ||
|411||265b||Raleigh||||||To go from my home, and from kindred to part||Parley Pratt||1840||A||12 11.12 11.||3 | |411||265b||Raleigh||||||To go from my home, and from kindred to part||Parley Pratt||1840||A||12 11.12 11.||3 | ||
|- | |- | ||
|412||266||[[Babylonian Captivity (Elkanah Dare)|Babylonian Captivity]]||||1813||Along the banks where Babel's current flows||Joel Barlow||1785||f#||10 10.10 10.||4 | |412||266||[[Babylonian Captivity (Elkanah Dare)|Babylonian Captivity]]||[[Elkanah Dare]]||1813||Along the banks where Babel's current flows||Joel Barlow||1785||f#||10 10.10 10.||4 | ||
|- | |- | ||
|413||267a||Happy Land||''Hesperian Harp''||1848||There is a happy land||Andrew Young||1838||E||64.64.67.64.||4 | |413||267a||Happy Land||''Hesperian Harp''||1848||There is a happy land||Andrew Young||1838||E||64.64.67.64.||4 | ||
|- | |- | ||
|414||267b||[[Cornelia (Miss Breckenridge)|Cornelia]]||||||O Jesus, my Savior, to thee I submit||Anonymous||1810||F||11 11.11 11.||3 | |414||267b||[[Cornelia (Miss Breckenridge)|Cornelia]]||[[Miss Breckenridge]]||||O Jesus, my Savior, to thee I submit||Anonymous||1810||F||11 11.11 11.||3 | ||
|- | |- | ||
|415||268a||[[O Tell Me No More (William Walker)|O Tell Me No More]]||||1835||O tell me no more of this world's vain store||John Gambold||1742||G||10 11.10 11.||4 | |415||268a||[[O Tell Me No More (William Walker)|O Tell Me No More]]||[[William Walker]]||1835||O tell me no more of this world's vain store||John Gambold||1742||G||10 11.10 11.||4 | ||
|- | |- | ||
|416||268b||Kingsley||||||Who, who would like alway away from his God||||||F||11 11.11 11.||3 | |416||268b||Kingsley||||||Who, who would like alway away from his God||||||F||11 11.11 11.||3 | ||
|- | |- | ||
|417||269a||[[Unitia (Lucius Chapin)|Unitia]]||||1812||But this I do find, we two are so joined||John Gambold||1742||G||10 11.10 11.||4 | |417||269a||[[Unitia (Lucius Chapin)|Unitia]]||[[Lucius Chapin]]||1812||But this I do find, we two are so joined||John Gambold||1742||G||10 11.10 11.||4 | ||
|- | |- | ||
|418||269b||[[Taladega (J. W. Davis)|Taladega]]||||1844||Come, thou fount of every blessing||Robert Robinson||1759||A||87.87.D.||3 | |418||269b||[[Taladega (J. W. Davis)|Taladega]]||[[J. W. Davis]]||1844||Come, thou fount of every blessing||Robert Robinson||1759||A||87.87.D.||3 | ||
|- | |- | ||
|419||270a||Davis||''Wyeth's Repository, Part Second''||1813||O thou in whose presence my soul takes delight||Joseph Swain||1791||G||11 8.11 8.||3 | |419||270a||Davis||''Wyeth's Repository, Part Second''||1813||O thou in whose presence my soul takes delight||Joseph Swain||1791||G||11 8.11 8.||3 | ||
|- | |- | ||
|420||270b||[[Mount Bether (Freeman Lewis)|Mount Bether]]||||||Where dost thou at noon-tide resort with thy sheep||Joseph Swain||1791||F||11 8.11 8.||4 | |420||270b||[[Mount Bether (Freeman Lewis)|Mount Bether]]||[[Freeman Lewis]]||||Where dost thou at noon-tide resort with thy sheep||Joseph Swain||1791||F||11 8.11 8.||4 | ||
|- | |- | ||
|421||271||Samantha||''Franklin Harmonie''||1821||O why should I wander an alien from thee||Joseph Swain||1791||a||11 8.11 8.D.||4 | |421||271||Samantha||''Franklin Harmonie''||1821||O why should I wander an alien from thee||Joseph Swain||1791||a||11 8.11 8.D.||4 | ||
Line 857: | Line 857: | ||
|422||272||The Hermit||||||At the close of the day, when the hamlet is still||James Beattie||1765||C||11 11.11 11.D.||4 | |422||272||The Hermit||||||At the close of the day, when the hamlet is still||James Beattie||1765||C||11 11.11 11.D.||4 | ||
|- | |- | ||
|423||273||[[Crucifixion (Ananias Davisson)|Crucifixion]]||||1820||Saw ye my Savior! Saw ye my Savior!||Anonymous||1819||F||10 7.779.||4 | |423||273||[[Crucifixion (Ananias Davisson)|Crucifixion]]||[[Ananias Davisson]]||1820||Saw ye my Savior! Saw ye my Savior!||Anonymous||1819||F||10 7.779.||4 | ||
|- | |- | ||
|424||274||[[Behold the Lamb of God (T. K. Collins)|Behold the Lamb of God]]||||||Behold, behold the Lamb of God||Joseph Hoskins||1789||a||86.86.88.86.||4 | |424||274||[[Behold the Lamb of God (T. K. Collins)|Behold the Lamb of God]]||[[T. K. Collins]]||||Behold, behold the Lamb of God||Joseph Hoskins||1789||a||86.86.88.86.||4 | ||
|- | |- | ||
|425||275a||Restoration||''Wyeth's Repository, Part Second''||1813||Ye captives restored and saints of the Lord||Unattributed||1804||A||10 11.11 11.||4 | |425||275a||Restoration||''Wyeth's Repository, Part Second''||1813||Ye captives restored and saints of the Lord||Unattributed||1804||A||10 11.11 11.||4 | ||
|- | |- | ||
|426||275b||[[Christmas Hymn (William Knapp)|Christmas Hymn]]||||1743||A virgin unspotted, the prophets foretold||Unattributed||1800||G||11 11.11 11.||4 | |426||275b||[[Christmas Hymn (William Knapp)|Christmas Hymn]]||[[William Knapp]]||1743||A virgin unspotted, the prophets foretold||Unattributed||1800||G||11 11.11 11.||4 | ||
|- | |- | ||
|427||276||De Kalb||||||Sweet the moments, rich in blessing||James Allen||1757||C||87.87.D.||4 | |427||276||De Kalb||||||Sweet the moments, rich in blessing||James Allen||1757||C||87.87.D.||4 | ||
|- | |- | ||
|428||277a||[[Road's Town (Elkanah Dare)|Road's Town]]||||1813||Daniel's wisdm may I know||Anonymous||1827||a||77.77.77.||4 | |428||277a||[[Road's Town (Elkanah Dare)|Road's Town]]||[[Elkanah Dare]]||1813||Daniel's wisdm may I know||Anonymous||1827||a||77.77.77.||4 | ||
|- | |- | ||
|429||277b||War Department||''Southern Harmony''||1835||No more shall the sound of the war-whoop be heard||Unattributed||1835||e||11 11.11 11.||3 | |429||277b||War Department||''Southern Harmony''||1835||No more shall the sound of the war-whoop be heard||Unattributed||1835||e||11 11.11 11.||3 | ||
|- | |- | ||
|430||278||[[Melody (James Carrell)|Melody]]||||1821||O how I have longed for the coming of God||Anonymous||1810||C||11 11.11 11.D.||4 | |430||278||[[Melody (James P. Carrell)|Melody]]||[[James P. Carrell]]||1821||O how I have longed for the coming of God||Anonymous||1810||C||11 11.11 11.D.||4 | ||
|- | |- | ||
|431||279||Day-Spring||||||Christian, see! The orient morning||John Leland||1790||G||87.87.87.||4 | |431||279||Day-Spring||||||Christian, see! The orient morning||John Leland||1790||G||87.87.87.||4 | ||
|- | |- | ||
|432||280||[[Missionary Hymn (Lowell Mason)|Missionary Hymn]]||||1824||From Greenland's icy mountains||Reginald Heber||1811||F||76.76.D.||4 | |432||280||[[Missionary Hymn (Lowell Mason)|Missionary Hymn]]||[[Lowell Mason]]||1824||From Greenland's icy mountains||Reginald Heber||1811||F||76.76.D.||4 | ||
|- | |- | ||
|433||281||[[The Gospel Among the Indians (William Hauser)|The Gospel Among the Indians]]||||1848||From realms where the day its first dawning extends||Anonymous||1805||C||11 11.11 11.||4 | |433||281||[[The Gospel Among the Indians (William Hauser)|The Gospel Among the Indians]]||[[William Hauser]]||1848||From realms where the day its first dawning extends||Anonymous||1805||C||11 11.11 11.||4 | ||
|- | |- | ||
|434||282||[[Missionary Song (S. B. Pond)|Missionary Song]]||||1841||O'er the gloomy hills of darkness||William Pantycelyn||1772||D||87.87.87.||4 | |434||282||[[Missionary Song (S. B. Pond)|Missionary Song]]||[[S. B. Pond]]||1841||O'er the gloomy hills of darkness||William Pantycelyn||1772||D||87.87.87.||4 | ||
|- | |- | ||
|435||283||[[Missionaries in Palestine (Thomas Hastings)|Missionaries in Palestine]]||||1832||They have gone to the land where the patriarchs rest||Thomas Hastings||1832||C||12 9.12 9.D.||4 | |435||283||[[Missionaries in Palestine (Thomas Hastings)|Missionaries in Palestine]]||[[Thomas Hastings]]||1832||They have gone to the land where the patriarchs rest||Thomas Hastings||1832||C||12 9.12 9.D.||4 | ||
|- | |- | ||
|436||284||[[Isles of the South (William Hauser)|Isles of the South]]||||1848||Wake, isles of the south! Your redemption is near||William Tappan||1822||E||11 11.11 11 11.||4 | |436||284||[[Isles of the South (William Hauser)|Isles of the South]]||[[William Hauser]]||1848||Wake, isles of the south! Your redemption is near||William Tappan||1822||E||11 11.11 11 11.||4 | ||
|- | |- | ||
|437||285||Missionary's Farewell||||||Yes, my native land, I love thee||||||A||87.87.D.||4 | |437||285||Missionary's Farewell||||||Yes, my native land, I love thee||||||A||87.87.D.||4 | ||
Line 889: | Line 889: | ||
|438||286||Missionary Call||||||On Thibet's snow-capped mountains||Deodatus Dutton||1831||C||76.76.D.||3 | |438||286||Missionary Call||||||On Thibet's snow-capped mountains||Deodatus Dutton||1831||C||76.76.D.||3 | ||
|- | |- | ||
|439||287||[[Monroe (Isaac Smith)|Monroe]]||||1820||Jesus, my all, to heaven is gone||John Cennick||1740||G||L. M. D.||4 | |439||287||[[Monroe (Isaac Smith)|Monroe]]||[[Isaac Smith]]||1820||Jesus, my all, to heaven is gone||John Cennick||1740||G||L. M. D.||4 | ||
|- | |- | ||
|440||288||[[Gospel Morning (George Webb)|Gospel Morning]]||||1831||The morning light is breaking||Samuel Smith||1832||C||76.76.D.||4 | |440||288||[[Gospel Morning (George Webb)|Gospel Morning]]||[[George Webb]]||1831||The morning light is breaking||Samuel Smith||1832||C||76.76.D.||4 | ||
|- | |- | ||
|441||289||[[Drummond (Samuel Wakefield)|Drummond]]||||1845||Away from his home and the friends of his youth||Unattributed||1835||A||11 11.12 12.||4 | |441||289||[[Drummond (Samuel Wakefield)|Drummond]]||[[Samuel Wakefield]]||1845||Away from his home and the friends of his youth||Unattributed||1835||A||11 11.12 12.||4 | ||
|- | |- | ||
|442||290||[[The Chariot of Mercy (Traditional Irish)|The Chariot of Mercy]]||||1841||The chariot of mercy is speeding its way||Mary Dana||1841||F||11 8.11 8.D.||3 | |442||290||[[The Chariot of Mercy (Traditional Irish)|The Chariot of Mercy]]||[[Traditional Irish]]||1841||The chariot of mercy is speeding its way||Mary Dana||1841||F||11 8.11 8.D.||3 | ||
|- | |- | ||
|443||291||Babylon is Fallen||||||Hail the day so long expected||Richard McNemar||1813||G||87.87.87.12 10.||4 | |443||291||Babylon is Fallen||||||Hail the day so long expected||Richard McNemar||1813||G||87.87.87.12 10.||4 | ||
|- | |- | ||
|444||292a||[[Yarmouth (Charles Banister)|Yarmouth]]||||1792||When shall the voice of singing||James Edmeston||1822||G||76.76.D.||4 | |444||292a||[[Yarmouth (Charles Banister)|Yarmouth]]||[[Charles Banister]]||1792||When shall the voice of singing||James Edmeston||1822||G||76.76.D.||4 | ||
|- | |- | ||
|445||292b||[[Palmyra (William Bradshaw)|Palmyra]]||||1820||Come, thou long-expected Jesus||Charles Wesley||1745||a||87.87.D.||4 | |445||292b||[[Palmyra (William Bradshaw)|Palmyra]]||[[William Bradshaw]]||1820||Come, thou long-expected Jesus||Charles Wesley||1745||a||87.87.D.||4 | ||
|- | |- | ||
|446||293||[[Rock of Ages (Thomas Hastings)|Rock of Ages]]||||1831||Rock of ages, cleft for me||Augustus Toplady||1775||D||77.77.77.||4 | |446||293||[[Rock of Ages (Thomas Hastings)|Rock of Ages]]||[[Thomas Hastings]]||1831||Rock of ages, cleft for me||Augustus Toplady||1775||D||77.77.77.||4 | ||
|- | |- | ||
|447||294a||Ohio||''Compilation of Genuine Church Music''||1835||Come, my soul, and let us try||Joseph Hart||1759||A||76.76.D.||4 | |447||294a||Ohio||''Compilation of Genuine Church Music''||1835||Come, my soul, and let us try||Joseph Hart||1759||A||76.76.D.||4 | ||
|- | |- | ||
|448||294b||[[Exultation (R. D. Humphreys)|Exultation]]||||1820||Come, away to the skies, my beloved, arise||Charles Wesley||1767||a||11.9.11.9.||4 | |448||294b||[[Exultation (R. D. Humphreys)|Exultation]]||[[R. D. Humphreys]]||1820||Come, away to the skies, my beloved, arise||Charles Wesley||1767||a||11.9.11.9.||4 | ||
|- | |- | ||
|449||295||[[Redemption (Jeremiah Ingalls)|Redemption]]||||1805||Come friends and relations, let's join heart and hand||Unattributed||1803||A||11 11.11 11.||4 | |449||295||[[Redemption (Jeremiah Ingalls)|Redemption]]||[[Jeremiah Ingalls]]||1805||Come friends and relations, let's join heart and hand||Unattributed||1803||A||11 11.11 11.||4 | ||
|- | |- | ||
|450||296||Home, Sweet Home||||||An alien to God, and a stranger to grace||Anonymous||1830||F||11 11.11 11.5 11.||4 | |450||296||Home, Sweet Home||||||An alien to God, and a stranger to grace||Anonymous||1830||F||11 11.11 11.5 11.||4 | ||
Line 919: | Line 919: | ||
|453||298b||The Resolve||''Christian Lyre''||1831||I'll try to prove faithful||Unattributed||1831||F||66.10 7.||4 | |453||298b||The Resolve||''Christian Lyre''||1831||I'll try to prove faithful||Unattributed||1831||F||66.10 7.||4 | ||
|- | |- | ||
|454||299a||[[The Spiritual Sailor (I. Neighbors)|The Spiritual Sailor]]||||1835||Many have been impatient||Anonymous||1810||a||76.76.D.||3 | |454||299a||[[The Spiritual Sailor (I. Neighbors)|The Spiritual Sailor]]||[[I. Neighbors]]||1835||Many have been impatient||Anonymous||1810||a||76.76.D.||3 | ||
|- | |- | ||
|455||299b||[[Grateful Tears (Samuel Wakefield)|Grateful Tears]]||||||Who shall forbid our grateful woe||William Hunter||1845||G||C.M.||3 | |455||299b||[[Grateful Tears (Samuel Wakefield)|Grateful Tears]]||[[Samuel Wakefield]]||||Who shall forbid our grateful woe||William Hunter||1845||G||C.M.||3 | ||
|- | |- | ||
|456||300||The Lord Will Provide||||||Though troubles assail, and dangers affright||John Newton||1779||G||10 10.11 11.10 11.||4 | |456||300||The Lord Will Provide||||||Though troubles assail, and dangers affright||John Newton||1779||G||10 10.11 11.10 11.||4 | ||
|- | |- | ||
|457||301a||[[Good Physician (Oliver Holden)|Good Physician]]||||1806||How lost was my condition||John Newton||1779||e||76.76.D.||3 | |457||301a||[[Good Physician (Oliver Holden)|Good Physician]]||[[Oliver Holden]]||1806||How lost was my condition||John Newton||1779||e||76.76.D.||3 | ||
|- | |- | ||
|458||301b||[[Harrison (William Walker)|Harrison]]||||1835||The worst of all diseases||John Newton||1779||e||76.76.D.||3 | |458||301b||[[Harrison (William Walker)|Harrison]]||[[William Walker]]||1835||The worst of all diseases||John Newton||1779||e||76.76.D.||3 | ||
|- | |- | ||
|459||302||Cumberland||||||Come, children of Zion, and help me to sing||Unattributed||1832||C||11 11.11 11.||4 | |459||302||Cumberland||||||Come, children of Zion, and help me to sing||Unattributed||1832||C||11 11.11 11.||4 | ||
Line 933: | Line 933: | ||
|460||303||Begone Unbelief||||||Begone unbelief, my Savior is near||John Newton||1779||f#||10 10.11 11.||3 | |460||303||Begone Unbelief||||||Begone unbelief, my Savior is near||John Newton||1779||f#||10 10.11 11.||3 | ||
|- | |- | ||
|461||304a||[[Indiana (William Hauser)|Indiana]]||||1848||Now with singing we praise||Charles Wesley||1767||C||669.669.||4 | |461||304a||[[Indiana (William Hauser)|Indiana]]||[[William Hauser]]||1848||Now with singing we praise||Charles Wesley||1767||C||669.669.||4 | ||
|- | |- | ||
|462||304b||[[Solicitation (P. A. Axton)|Solicitation]]||||||How happy are they||Charles Wesley||1749||a||569.569.||4 | |462||304b||[[Solicitation (P. A. Axton)|Solicitation]]||[[P. A. Axton]]||||How happy are they||Charles Wesley||1749||a||569.569.||4 | ||
|- | |- | ||
|463||305a||[[Sweet Gliding Kedron (William Hauser)|Sweet Gliding Kedron]]||||1848||Thou sweet gliding Kedron, by thy silver stream||Maria De Fleury||1791||G||11 11.11 11.||4 | |463||305a||[[Sweet Gliding Kedron (William Hauser)|Sweet Gliding Kedron]]||[[William Hauser]]||1848||Thou sweet gliding Kedron, by thy silver stream||Maria De Fleury||1791||G||11 11.11 11.||4 | ||
|- | |- | ||
|464||305b||Morning's Sweetness||||||Awake with the sound of the bell||Unattributed||1848||e||L. M. D.||4 | |464||305b||Morning's Sweetness||||||Awake with the sound of the bell||Unattributed||1848||e||L. M. D.||4 | ||
|- | |- | ||
|465||306a||[[Star in the East (Deodatus Dutton)|Star in the East]]||||1831||Hail the blest morn, when the great Mediator||Reginald Heber||1811||a||11 10.11 10.D.||4 | |465||306a||[[Star in the East (Deodatus Dutton)|Star in the East]]||[[Deodatus Dutton]]||1831||Hail the blest morn, when the great Mediator||Reginald Heber||1811||a||11 10.11 10.D.||4 | ||
|- | |- | ||
|466||306b||[[Star in the East (Deodatus Dutton)|Star in the East]]||||1831||Cold on his cradle the dew-drops are shining||Reginald Heber||1811||a||11 10.11 10.D.||4 | |466||306b||[[Star in the East (Deodatus Dutton)|Star in the East]]||[[Deodatus Dutton]]||1831||Cold on his cradle the dew-drops are shining||Reginald Heber||1811||a||11 10.11 10.D.||4 | ||
|- | |- | ||
|467||307a||Star of Glory||||||He is our friend in the midst of temptation||Reginald Heber||1811||C||11 10.11 10.||4 | |467||307a||Star of Glory||||||He is our friend in the midst of temptation||Reginald Heber||1811||C||11 10.11 10.||4 | ||
|- | |- | ||
|468||307b||[[Edgefield (Jesse White)|Edgefield]]||||||How tedious and tasteless the hours||John Newton||1779||f#||L.M.||4 | |468||307b||[[Edgefield (Jesse White)|Edgefield]]||[[Jesse White]]||||How tedious and tasteless the hours||John Newton||1779||f#||L.M.||4 | ||
|- | |- | ||
|469||308||[[The Wanderer (William Hauser)|The Wanderer]]||||1848||Mid scenes of confusion and creature complaints||David Denham||1837||a||11 11.11 11.5 11.||4 | |469||308||[[The Wanderer (William Hauser)|The Wanderer]]||[[William Hauser]]||1848||Mid scenes of confusion and creature complaints||David Denham||1837||a||11 11.11 11.5 11.||4 | ||
|- | |- | ||
|470||309||[[Lena (Daniel Belknap)|Lena]]||||1795||See the Lord of glory dying||Joseph Hart||1759||f#||887.887.||4 | |470||309||[[Lena (Daniel Belknap)|Lena]]||[[Daniel Belknap]]||1795||See the Lord of glory dying||Joseph Hart||1759||f#||887.887.||4 | ||
|- | |- | ||
|471||310||The Family Bible||''Southern Harmony''||1835||How painfully pleasing the fond recollection||Unattributed||1818||C||12 11.12 11.D.||4 | |471||310||The Family Bible||''Southern Harmony''||1835||How painfully pleasing the fond recollection||Unattributed||1818||C||12 11.12 11.D.||4 | ||
Line 961: | Line 961: | ||
|474||313a||Impressive Hour||||||In this calm, impressive hour||Thomas Hastings||1820||E||77.77.77.||4 | |474||313a||Impressive Hour||||||In this calm, impressive hour||Thomas Hastings||1820||E||77.77.77.||4 | ||
|- | |- | ||
|475||313b||[[Kingswood (James Peck)|Kingswood]]||||1799||Children of the heavenly King||John Cennick||1740||A||77.77.||4 | |475||313b||[[Kingswood (James Peck)|Kingswood]]||[[James Peck]]||1799||Children of the heavenly King||John Cennick||1740||A||77.77.||4 | ||
|- | |- | ||
|476||314a||[[Bartimeus (Amos Pilsbury)|Bartimeus]]||||1799||Mercy, O thou Son of David||John Newton||1779||F||87.87.||4 | |476||314a||[[Bartimeus (Amos Pilsbury)|Bartimeus]]||[[Amos Pilsbury]]||1799||Mercy, O thou Son of David||John Newton||1779||F||87.87.||4 | ||
|- | |- | ||
|477||314b||[[Pentonville (Francis Linley)|Pentonville]]||||1795||To bless thy chosen race||Tate and Brady||1696||A||S.M.||3 | |477||314b||[[Pentonville (Francis Linley)|Pentonville]]||[[Francis Linley]]||1795||To bless thy chosen race||Tate and Brady||1696||A||S.M.||3 | ||
|- | |- | ||
|478||315a||Conquering Soldier||''Christian Harmony''||1805||O, when shall I see Jesus||John Leland||17933||e||76.76.D.||4 | |478||315a||Conquering Soldier||''Christian Harmony''||1805||O, when shall I see Jesus||John Leland||17933||e||76.76.D.||4 | ||
Line 971: | Line 971: | ||
|479||315b||McAnally||||||Haste, my dull soul, arise||Anonymous||1843||B{{flat}}||64.64.66.64.||4 | |479||315b||McAnally||||||Haste, my dull soul, arise||Anonymous||1843||B{{flat}}||64.64.66.64.||4 | ||
|- | |- | ||
|480||316||[[Imandra (Ananias Davisson)|Imandra]]||||1820||O Jesus, my Savior, I know thou art mine||Attrib. Caleb Taylor||1810||a||11 11.11 11.||4 | |480||316||[[Imandra (Ananias Davisson)|Imandra]]||[[Ananias Davisson]]||1820||O Jesus, my Savior, I know thou art mine||Attrib. Caleb Taylor||1810||a||11 11.11 11.||4 | ||
|- | |- | ||
|481||317||[[The Faithful Soldier (William Walker)|The Faithful Soldier]]||||1835||O, when shall I see Jesus||John Leland||1793||A||77.77.D.||4 | |481||317||[[The Faithful Soldier (William Walker)|The Faithful Soldier]]||[[William Walker]]||1835||O, when shall I see Jesus||John Leland||1793||A||77.77.D.||4 | ||
|- | |- | ||
|482||318a||Parting Friends||''Christian Lyre''||1831||When shall we all meet again||Unattributed||1835||e||77.77.77.||4 | |482||318a||Parting Friends||''Christian Lyre''||1831||When shall we all meet again||Unattributed||1835||e||77.77.77.||4 | ||
Line 979: | Line 979: | ||
|483||318b||Indian's Farewell||''Southern Harmony''||1835||When our burnished locks are gray||Unattributed||1835||e||77.77.77.||3 | |483||318b||Indian's Farewell||''Southern Harmony''||1835||When our burnished locks are gray||Unattributed||1835||e||77.77.77.||3 | ||
|- | |- | ||
|484||319a||[[Mitylene (Malan)|Mitylene]]||||||Come, ye weary, heavy-laden||Joseph Hart||1759||C||87.87.87.||4 | |484||319a||[[Mitylene (Malan)|Mitylene]]||[[Malan]]||||Come, ye weary, heavy-laden||Joseph Hart||1759||C||87.87.87.||4 | ||
|- | |- | ||
|485||319b||How Charming is Jesus||||||There we shall reign with Jesus||Anonymous||1822||E||76.76.D.||3 | |485||319b||How Charming is Jesus||||||There we shall reign with Jesus||Anonymous||1822||E||76.76.D.||3 | ||
|- | |- | ||
|486||320||[[Morning Star (James Lowry)|Morning Star]]||||1820||How splendid shines the morning star||Philip Nicolai||1697||a||887.887.888.||4 | |486||320||[[Morning Star (James Lowry)|Morning Star]]||[[James Lowry]]||1820||How splendid shines the morning star||Philip Nicolai||1697||a||887.887.888.||4 | ||
|- | |- | ||
|487||321||[[Zion's Call (William Caldwell)|Zion's Call]]||||||My brethren all, on you I call||Anonymous||1805||B{{flat}}||87.87.D.||4 | |487||321||[[Zion's Call (William Caldwell)|Zion's Call]]||[[William Caldwell]]||||My brethren all, on you I call||Anonymous||1805||B{{flat}}||87.87.D.||4 | ||
|- | |- | ||
|488||322||Lucas||||||Come, let us anew||Charles Wesley||1749||B{{flat}}||66.6 11.D.||4 | |488||322||Lucas||||||Come, let us anew||Charles Wesley||1749||B{{flat}}||66.6 11.D.||4 | ||
Line 997: | Line 997: | ||
|492||326a||Kershaw||''David's Harp''||1813||Lift your heads, ye friends of Jesus||Charles Wesley||1758||a||87.87.12 7.||4 | |492||326a||Kershaw||''David's Harp''||1813||Lift your heads, ye friends of Jesus||Charles Wesley||1758||a||87.87.12 7.||4 | ||
|- | |- | ||
|493||326b||[[Richmond (William Billings)|Richmond]]||||1778||My beloved, haste away||James Relly||1779||a||78.78.78.||4 | |493||326b||[[Richmond (William Billings)|Richmond]]||[[William Billings]]||1778||My beloved, haste away||James Relly||1779||a||78.78.78.||4 | ||
|- | |- | ||
|494||327||The Bower of Prayer||||||To go from my home, and from kindred to part||Parley Pratt||1840||A||11 11.10 12.||3 | |494||327||The Bower of Prayer||||||To go from my home, and from kindred to part||Parley Pratt||1840||A||11 11.10 12.||3 | ||
|- | |- | ||
|495||328||[[Montague (Timothy Swan)|Montague]]||||1783||Now let our mournful songs record||Isaac Watts||1719||d||L.M.||4 | |495||328||[[Montague (Timothy Swan)|Montague]]||[[Timothy Swan]]||1783||Now let our mournful songs record||Isaac Watts||1719||d||L.M.||4 | ||
|- | |- | ||
|496||329||[[Walworth (John Wainwright)|Walworth]]||||1761||The Lord, the Sovereign, sends his summons forth||Isaac Watts||1719||D||10 10.10 10.10 10.||3 | |496||329||[[Walworth (John Wainwright)|Walworth]]||[[John Wainwright]]||1761||The Lord, the Sovereign, sends his summons forth||Isaac Watts||1719||D||10 10.10 10.10 10.||3 | ||
|- | |- | ||
|497||330||[[Gospel Trumpet (John Cole)|Gospel Trumpet]]||||1799||Hark! How the gospel trumpet sounds||Anonymous||1810||A||88.88.84.||4 | |497||330||[[Gospel Trumpet (John Cole)|Gospel Trumpet]]||[[John Cole]]||1799||Hark! How the gospel trumpet sounds||Anonymous||1810||A||88.88.84.||4 | ||
|- | |- | ||
|498||331a||[[North Cove (Anonymous)|North Cove]]||||1830||There we shall in full chorus join||Unattributed||1830||G||88.88.84.||3 | |498||331a||[[North Cove (Anonymous)|North Cove]]||[[Anonymous]]||1830||There we shall in full chorus join||Unattributed||1830||G||88.88.84.||3 | ||
|- | |- | ||
|499||331b||[[Amsterdam (Johann Hille)|Amsterdam]]||||1730||Rise, my soul, and stretch thy wings||Robert Seagrave||1742||G||76.76.77.76.||4 | |499||331b||[[Amsterdam (Johann Hille)|Amsterdam]]||[[Johann Hille]]||1730||Rise, my soul, and stretch thy wings||Robert Seagrave||1742||G||76.76.77.76.||4 | ||
|- | |- | ||
|500||332||Light Street||''David's Harp''||1813||What now is my object, my object and aim||Charles Wesley||1762||G||11 8.11 8.D.||3 | |500||332||Light Street||''David's Harp''||1813||What now is my object, my object and aim||Charles Wesley||1762||G||11 8.11 8.D.||3 | ||
Line 1,015: | Line 1,015: | ||
|501||333||Scriptures Fulfilling||||||See how the scriptures are fufilling||John Granade||1804||A||98.98.D.||4 | |501||333||Scriptures Fulfilling||||||See how the scriptures are fufilling||John Granade||1804||A||98.98.D.||4 | ||
|- | |- | ||
|502||334||[[Stratfield (Ezra Goff)|Stratfield]]||||1786||Through every age, eternal God||Isaac Watts||1719||f#||L.M.||4 | |502||334||[[Stratfield (Ezra Goff)|Stratfield]]||[[Ezra Goff]]||1786||Through every age, eternal God||Isaac Watts||1719||f#||L.M.||4 | ||
|- | |- | ||
|503||335||[[Schenectady (Nehemiah Shumway)|Schenectady]]||||1805||From all that dwell below the skies||Isaac Watts||1719||E{{flat}}||L. M. D.||4 | |503||335||[[Schenectady (Nehemiah Shumway)|Schenectady]]||[[Nehemiah Shumway]]||1805||From all that dwell below the skies||Isaac Watts||1719||E{{flat}}||L. M. D.||4 | ||
|- | |- | ||
|504||336||[[Mount Moro (William Moore)|Mount Moro]]||||1825||Come, Christians, be valiant, our Jesus is near us||William Moore||1825||f#||12 11.12 11.||3 | |504||336||[[Mount Moro (William Moore)|Mount Moro]]||[[William Moore]]||1825||Come, Christians, be valiant, our Jesus is near us||William Moore||1825||f#||12 11.12 11.||3 | ||
|- | |- | ||
|505||337||[[Spring (Hilsberry)|Spring]]||||1817||Gently he draws my heart along||Isaac Watts||1707||g||L. M. D.||4 | |505||337||[[Spring (Hilsberry)|Spring]]||[[Hilsberry]]||1817||Gently he draws my heart along||Isaac Watts||1707||g||L. M. D.||4 | ||
|- | |- | ||
|506||338a||[[Emerald Gates (Ananias Davisson)|Emerald Gates]]||||1820||Burst, ye emerald gates, and bring||Richard Kempenfelt||1777||B{{flat}}||76.76.777.||4 | |506||338a||[[Emerald Gates (Ananias Davisson)|Emerald Gates]]||[[Ananias Davisson]]||1820||Burst, ye emerald gates, and bring||Richard Kempenfelt||1777||B{{flat}}||76.76.777.||4 | ||
|- | |- | ||
|507||338b||[[Elysian (James Carrell)|Elysian]]||||1821||Four and twenty elders rise||Richard Kempenfelt||1779||G||76.76.77.77.||4 | |507||338b||[[Elysian (James P. Carrell)|Elysian]]||[[James P. Carrell]]||1821||Four and twenty elders rise||Richard Kempenfelt||1779||G||76.76.77.77.||4 | ||
|- | |- | ||
|508||339||Shields||''Wyeth's Repository, Part Second''||1813||When quiet in my house I sit||Charles Wesley||1762||A||88.88.88.||4 | |508||339||Shields||''Wyeth's Repository, Part Second''||1813||When quiet in my house I sit||Charles Wesley||1762||A||88.88.88.||4 | ||
|- | |- | ||
|509||340||[[Ebenezer (James Carrell)|Ebenezer]]||||1831||Love divine, all loves excelling||Charles Wesley||1747||C||87.87.D.||4 | |509||340||[[Ebenezer (James P. Carrell)|Ebenezer]]||[[James P. Carrell]]||1831||Love divine, all loves excelling||Charles Wesley||1747||C||87.87.D.||4 | ||
|- | |- | ||
|510||341a||[[Sons of Sorrow (James Carrell)|Sons of Sorrow]]||||1821||Hail! Ye sighing sons of sorrow||Anonymous||1795||Em||87.87.D.||3 | |510||341a||[[Sons of Sorrow (James P. Carrell)|Sons of Sorrow]]||[[James P. Carrell]]||1821||Hail! Ye sighing sons of sorrow||Anonymous||1795||Em||87.87.D.||3 | ||
|- | |- | ||
|511||341b||Roby||''Hesperian Harp''||1848||Tempest-tossed, troubled spirit||Anonymous||1839||a||87.87.D.||3 | |511||341b||Roby||''Hesperian Harp''||1848||Tempest-tossed, troubled spirit||Anonymous||1839||a||87.87.D.||3 | ||
|- | |- | ||
|512||342||[[Probation (William Walker)|Probation]]||||1835||I find myself placed in a state of probation||Unattributed||1835||C||12 11.12 11.D.||3 | |512||342||[[Probation (William Walker)|Probation]]||[[William Walker]]||1835||I find myself placed in a state of probation||Unattributed||1835||C||12 11.12 11.D.||3 | ||
|- | |- | ||
|513||343||[[Exhortation (Eliakim Doolittle)|Exhortation]]||||1800||Now in the heat of yoithful blood||Isaac Watts||1707||a||L.M.||4 | |513||343||[[Exhortation (Eliakim Doolittle)|Exhortation]]||[[Eliakim Doolittle]]||1800||Now in the heat of yoithful blood||Isaac Watts||1707||a||L.M.||4 | ||
|- | |- | ||
|514||344||Livonia||''American Musical Magazine''||1800||I'll praise my Maker with my breath||Isaac Watts||1719||e||88.88.88.||4 | |514||344||Livonia||''American Musical Magazine''||1800||I'll praise my Maker with my breath||Isaac Watts||1719||e||88.88.88.||4 | ||
Line 1,043: | Line 1,043: | ||
|515||345||Greenfields||''Kentucky Harmonist''||1820||How tedious and tasteless the hours||John Newton||1779||A||L. M. D.||4 | |515||345||Greenfields||''Kentucky Harmonist''||1820||How tedious and tasteless the hours||John Newton||1779||A||L. M. D.||4 | ||
|- | |- | ||
|516||346||[[Welsh (Welsh Traditional)|Welsh]]||||1750||There's a friend above all others||Marianne Nunn||1817||A||84.84.88.84.||3 | |516||346||[[Welsh (Welsh Traditional)|Welsh]]||[[Welsh Traditional]]||1750||There's a friend above all others||Marianne Nunn||1817||A||84.84.88.84.||3 | ||
|- | |- | ||
|517||347a||[[Prescott (George Onler)|Prescott]]||||||I would not live alway; I ask not to stay||William Muhlenberg||1826||F||11 11.11 12.||4 | |517||347a||[[Prescott (George Onler)|Prescott]]||[[George Onler]]||||I would not live alway; I ask not to stay||William Muhlenberg||1826||F||11 11.11 12.||4 | ||
|- | |- | ||
|518||347b||[[Oregon (Carl von Weber)|Oregon]]||||||Heavenly Father, sovereign Lord||Charles Wesley||1740||C||77.77.||4 | |518||347b||[[Oregon (Carl von Weber)|Oregon]]||[[Carl von Weber]]||||Heavenly Father, sovereign Lord||Charles Wesley||1740||C||77.77.||4 | ||
|- | |- | ||
|519||348||[[The Landscape (William Hauser)|The Landscape]]||||1848||Tis night, and the landscape is lovely no more||James Beattie||1770||C||11 11.11 11.D.||4 | |519||348||[[The Landscape (William Hauser)|The Landscape]]||[[William Hauser]]||1848||Tis night, and the landscape is lovely no more||James Beattie||1770||C||11 11.11 11.D.||4 | ||
|- | |- | ||
|520||349||Confidence||''Supplement to the Kentucky Harmony''||1826||Arise, my soul, arise||Charles Wesley||1739||a||66.66.88.||4 | |520||349||Confidence||''Supplement to the Kentucky Harmony''||1826||Arise, my soul, arise||Charles Wesley||1739||a||66.66.88.||4 | ||
Line 1,055: | Line 1,055: | ||
|521||350||Eighty-Ninth Psalm||''Beauties of Psalmody''||1786||Think, mighty God, on feeble man||Isaac Watts||1719||d||888.888.||4 | |521||350||Eighty-Ninth Psalm||''Beauties of Psalmody''||1786||Think, mighty God, on feeble man||Isaac Watts||1719||d||888.888.||4 | ||
|- | |- | ||
|522||351||[[Gethsemane (William Hauser)|Gethsemane]]||||1848||Go to dark Gethsemane||James Montgomery||1825||G||77.77.77.||4 | |522||351||[[Gethsemane (William Hauser)|Gethsemane]]||[[William Hauser]]||1848||Go to dark Gethsemane||James Montgomery||1825||G||77.77.77.||4 | ||
|- | |- | ||
|523||352||[[Vernon (Jeremiah Ingalls)|Vernon]]||||1805||Come, O thou traveller unknown||Charles Wesley||1742||e||88.88.88.||4 | |523||352||[[Vernon (Jeremiah Ingalls)|Vernon]]||[[Jeremiah Ingalls]]||1805||Come, O thou traveller unknown||Charles Wesley||1742||e||88.88.88.||4 | ||
|- | |- | ||
|524||353||Cincinnati||||||Sinner, hear thy Savior's call||John Newton||1779||A||76.76.77.76.||4 | |524||353||Cincinnati||||||Sinner, hear thy Savior's call||John Newton||1779||A||76.76.77.76.||4 | ||
|- | |- | ||
|525||354||[[Christian's Hope (William Walker)|Christian's Hope]]||||1835||A few more days on earth to spend||Anonymous||1822||A||88.86.D.||3 | |525||354||[[Christian's Hope (William Walker)|Christian's Hope]]||[[William Walker]]||1835||A few more days on earth to spend||Anonymous||1822||A||88.86.D.||3 | ||
|- | |- | ||
|526||355||The Old Ship of Zion||||||Come along, come along, and let us go home||Unattributed||1810||A||11 7.11 11.||3 | |526||355||The Old Ship of Zion||||||Come along, come along, and let us go home||Unattributed||1810||A||11 7.11 11.||3 | ||
|- | |- | ||
|527||356||[[Spring Hill (Jeremiah Ingalls)|Spring Hill]]||||1805||The Lord into his garden comes||Anonymous||1801||G||886.886.||4 | |527||356||[[Spring Hill (Jeremiah Ingalls)|Spring Hill]]||[[Jeremiah Ingalls]]||1805||The Lord into his garden comes||Anonymous||1801||G||886.886.||4 | ||
|- | |- | ||
|528||357||[[Garden Hymn (Jeremiah Ingalls)|Garden Hymn]]||||1805||The glorious time is coming on||Anonymous||1801||G||886.886.||3 | |528||357||[[Garden Hymn (Jeremiah Ingalls)|Garden Hymn]]||[[Jeremiah Ingalls]]||1805||The glorious time is coming on||Anonymous||1801||G||886.886.||3 | ||
|- | |- | ||
|529||358||Pilgrim's Farewell||''Psalmodist's Companion''||1793||Farewell, my friends, I must be gone||Samuel Crossman||1664||G||L. M. D.||4 | |529||358||Pilgrim's Farewell||''Psalmodist's Companion''||1793||Farewell, my friends, I must be gone||Samuel Crossman||1664||G||L. M. D.||4 | ||
|- | |- | ||
|530||359||[[Angels' Song (James Carrell)|Angels' Song]]||||1821||He comes, he comes, the Judge severe||Charles Wesley||1758||G||L.M.||4 | |530||359||[[Angels' Song (James P. Carrell)|Angels' Song]]||[[James P. Carrell]]||1821||He comes, he comes, the Judge severe||Charles Wesley||1758||G||L.M.||4 | ||
|- | |- | ||
|531||360a||Hamburgh||||||O Spirit of the living God||James Montgomery||1823||G||L.M.||4 | |531||360a||Hamburgh||||||O Spirit of the living God||James Montgomery||1823||G||L.M.||4 | ||
|- | |- | ||
|532||360b||[[World, Adieu (Abijah Forbush)|World, Adieu]]||||1831||World, adieu! Thou real cheat||Abijah Forbush||1831||a||77.77.77.||4 | |532||360b||[[World, Adieu (Abijah Forbush)|World, Adieu]]||[[Abijah Forbush]]||1831||World, adieu! Thou real cheat||Abijah Forbush||1831||a||77.77.77.||4 | ||
|- | |- | ||
|533||361||[[Eustacy (Alexander Ely)|Eustacy]]||||||Now let me rise and join their song||Isaac Watts||1706||A||C.M.||3 | |533||361||[[Eustacy (Alexander Ely)|Eustacy]]||[[Alexander Ely]]||||Now let me rise and join their song||Isaac Watts||1706||A||C.M.||3 | ||
|- | |- | ||
|534||362||[[Carnsville (Elisha King)|Carnsville]]||||1844||I love my blessed Savior||Anonymous||1829||B{{flat}}||77.76.D.||4 | |534||362||[[Carnsville (Elisha King)|Carnsville]]||[[Elisha King]]||1844||I love my blessed Savior||Anonymous||1829||B{{flat}}||77.76.D.||4 | ||
|- | |- | ||
|535||363||[[Hope Hull (William Hauser)|Hope Hull]]||||1848||Ye souls that are now bound for heaven||Anonymous||1807||G||98.98.D.||4 | |535||363||[[Hope Hull (William Hauser)|Hope Hull]]||[[William Hauser]]||1848||Ye souls that are now bound for heaven||Anonymous||1807||G||98.98.D.||4 | ||
|- | |- | ||
|536||364a||Knight||||||When thou, my righteous Judge, shall come||Selina, Countess Huntingdon||1774||C||886.886.||3 | |536||364a||Knight||||||When thou, my righteous Judge, shall come||Selina, Countess Huntingdon||1774||C||886.886.||3 | ||
|- | |- | ||
|537||364b||[[New Preston (Thomas Carter)|New Preston]]||||1844||The Savior meets his flock today||Anonymous||1794||G||88.88.88.||3 | |537||364b||[[New Preston (Thomas Carter)|New Preston]]||[[Thomas Carter]]||1844||The Savior meets his flock today||Anonymous||1794||G||88.88.88.||3 | ||
|- | |- | ||
|538||365||Invocation||''Southern Harmony''||1835||Rise, my soul, and stretch thy wings||Robert Seagrave||1742||G||76.76.77.76.||4 | |538||365||Invocation||''Southern Harmony''||1835||Rise, my soul, and stretch thy wings||Robert Seagrave||1742||G||76.76.77.76.||4 | ||
Line 1,093: | Line 1,093: | ||
|540||366b||Mount Olive||''Supplement to the Kentucky Harmony''||1826||The King of saints, how fair his face||Isaac Watts||1719||G||L. M. D.||3 | |540||366b||Mount Olive||''Supplement to the Kentucky Harmony''||1826||The King of saints, how fair his face||Isaac Watts||1719||G||L. M. D.||3 | ||
|- | |- | ||
|541||368a||[[Sudbury (William Billings)|Sudbury]]||||1794||What if the saint must die||John Peck||1773||C||S. M. D.||4 | |541||368a||[[Sudbury (William Billings)|Sudbury]]||[[William Billings]]||1794||What if the saint must die||John Peck||1773||C||S. M. D.||4 | ||
|- | |- | ||
|542||368b||Spring Valley||''Easy Instructor''||1803||I'll praise my Maker with my breath||Isaac Watts||1719||D||L. M. D.||4 | |542||368b||Spring Valley||''Easy Instructor''||1803||I'll praise my Maker with my breath||Isaac Watts||1719||D||L. M. D.||4 | ||
|- | |- | ||
|543||369||[[Flower of Calvary (William Hauser)|Flower of Calvary]]||||1848||The finest flower that ever blowed||Joseph Swain||1791||F||C.M.||4 | |543||369||[[Flower of Calvary (William Hauser)|Flower of Calvary]]||[[William Hauser]]||1848||The finest flower that ever blowed||Joseph Swain||1791||F||C.M.||4 | ||
|- | |- | ||
|544||370||[[Nashville (R. D. Humphreys)|Nashville]]||||1820||The Lord into his garden comes||Anonymous||1801||A||886.886.||4 | |544||370||[[Nashville (R. D. Humphreys)|Nashville]]||[[R. D. Humphreys]]||1820||The Lord into his garden comes||Anonymous||1801||A||886.886.||4 | ||
|- | |- | ||
|545||371||[[Kingwood (R. D. Humphreys)|Kingwood]]||||1820||My days, my weeks, my months, my years||Thomas Greene||1780||A||886.886.||4 | |545||371||[[Kingwood (R. D. Humphreys)|Kingwood]]||[[R. D. Humphreys]]||1820||My days, my weeks, my months, my years||Thomas Greene||1780||A||886.886.||4 | ||
|- | |- | ||
|546||372||[[Christian Dirge (John Clarke)|Christian Dirge]]||||||Thou art gone to the grave, but we will not deplore thee||Reginald Heber||1818||B{{flat}}||13 11.12 12.||3 | |546||372||[[Christian Dirge (John Clarke)|Christian Dirge]]||[[John Clarke]]||||Thou art gone to the grave, but we will not deplore thee||Reginald Heber||1818||B{{flat}}||13 11.12 12.||3 | ||
|- | |- | ||
|547||373||[[Caldwell's Funeral Thought (William Caldwell)|Caldwell's Funeral Thought]]||||1837||Thou art gone to the grave, but twere wrong to deplore thee||Reginald Heber||1818||F||13 11.12 11.||4 | |547||373||[[Caldwell's Funeral Thought (William Caldwell)|Caldwell's Funeral Thought]]||[[William Caldwell]]||1837||Thou art gone to the grave, but twere wrong to deplore thee||Reginald Heber||1818||F||13 11.12 11.||4 | ||
|- | |- | ||
|548||374||Holy City||''Columbian Harmony''||1825||There is a holy city||Anonymous||1811||A||76.76.D.||4 | |548||374||Holy City||''Columbian Harmony''||1825||There is a holy city||Anonymous||1811||A||76.76.D.||4 | ||
|- | |- | ||
|549||375||[[Dominion (Daniel Read)|Dominion]]||||1798||Jesus shall reign where-e'er the sun||Isaac Watts||1719||E||L.M.||4 | |549||375||[[Dominion (Daniel Read)|Dominion]]||[[Daniel Read]]||1798||Jesus shall reign where-e'er the sun||Isaac Watts||1719||E||L.M.||4 | ||
|- | |- | ||
|550||376||[[Rhode Island (Amos Pilsbury)|Rhode Island]]||||1799||Thou great mysterious God unknown||Charles Wesley||1747||c||886.886.||3 | |550||376||[[Rhode Island (Amos Pilsbury)|Rhode Island]]||[[Amos Pilsbury]]||1799||Thou great mysterious God unknown||Charles Wesley||1747||c||886.886.||3 | ||
|- | |- | ||
|551||377||New Canaan||''Wyeth's Repository, Part Second''||1813||Ye children of Jesus, who're bound for the kingdom||John Granade||1804||C||12 11.12 11.D.||3 | |551||377||New Canaan||''Wyeth's Repository, Part Second''||1813||Ye children of Jesus, who're bound for the kingdom||John Granade||1804||C||12 11.12 11.D.||3 | ||
Line 1,117: | Line 1,117: | ||
|552||378a||Olney||''Virginia Sacred Musical Repository''||1818||Come, thou fount of every blessing||Robert Robinson||1759||G||87.87.D.||4 | |552||378a||Olney||''Virginia Sacred Musical Repository''||1818||Come, thou fount of every blessing||Robert Robinson||1759||G||87.87.D.||4 | ||
|- | |- | ||
|553||378b||[[Portuguese Hymn (John Wade)|Portuguese Hymn]]||||1799||Hither, ye faithful, haste with songs of triumph||John Wade||1730||A||11 11.11 10.||3 | |553||378b||[[Portuguese Hymn (John Wade)|Portuguese Hymn]]||[[John Wade]]||1799||Hither, ye faithful, haste with songs of triumph||John Wade||1730||A||11 11.11 10.||3 | ||
|- | |- | ||
|554||379||True Love||||||Come away to the skies||Charles Wesley||1767||A||669.669.||4 | |554||379||True Love||||||Come away to the skies||Charles Wesley||1767||A||669.669.||4 | ||
|- | |- | ||
|555||380||[[Bristol (Timothy Swan)|Bristol]]||||1785||The spacious firmament on high||Joseph Addison||1712||F||L. M. D.||4 | |555||380||[[Bristol (Timothy Swan)|Bristol]]||[[Timothy Swan]]||1785||The spacious firmament on high||Joseph Addison||1712||F||L. M. D.||4 | ||
|- | |- | ||
|556||381||[[Delight (Simeon Coan)|Delight]]||||1798||Upward I lift mine eyes||Isaac Watts||1711||e||66.66.88.||4 | |556||381||[[Delight (Simeon Coan)|Delight]]||[[Simeon Coan]]||1798||Upward I lift mine eyes||Isaac Watts||1711||e||66.66.88.||4 | ||
|- | |- | ||
|557||382a||[[Complaint (Ezra Parmenter)|Complaint]]||||1790||Save us, O Lord! Aloud we pray||Isaac Watts||1719||e||L.M.||4 | |557||382a||[[Complaint (Ezra Parmenter)|Complaint]]||[[Ezra Parmenter]]||1790||Save us, O Lord! Aloud we pray||Isaac Watts||1719||e||L.M.||4 | ||
|- | |- | ||
|558||382b||[[Greenfield (Lewis Edson)|Greenfield]]||||1782||God is our refuge in distress||Tate and Brady||1696||a||888.888.||4 | |558||382b||[[Greenfield (Lewis Edson)|Greenfield]]||[[Lewis Edson]]||1782||God is our refuge in distress||Tate and Brady||1696||a||888.888.||4 | ||
|- | |- | ||
|559||383||Woodland||''Southern Harmony''||1835||There is an hour of peaceful rest||William Tappan||1819||G||86.886.||4 | |559||383||Woodland||''Southern Harmony''||1835||There is an hour of peaceful rest||William Tappan||1819||G||86.886.||4 | ||
|- | |- | ||
|560||384||[[Green Hills of Canaan (William Caldwell)|Green Hills of Canaan]]||||1837||Ye objects of sense, and enjoyments of time||Benjamin Fraancis||1795||C||11 8.11 8.||4 | |560||384||[[Green Hills of Canaan (William Caldwell)|Green Hills of Canaan]]||[[William Caldwell]]||1837||Ye objects of sense, and enjoyments of time||Benjamin Fraancis||1795||C||11 8.11 8.||4 | ||
|- | |- | ||
|561||385||Joyful Spring||''Virginia Sacred Musical Repository''||1818||The voice of my beloved sounds||Isaac Watts||1707||G||88.88.77.||3 | |561||385||Joyful Spring||''Virginia Sacred Musical Repository''||1818||The voice of my beloved sounds||Isaac Watts||1707||G||88.88.77.||3 | ||
|- | |- | ||
|562||386||[[Warwick (Benjamin Milgrove)|Warwick]]||||1768||The voice of my beloved sounds||Isaac Watts||1707||A||88.88.77.||4 | |562||386||[[Warwick (Benjamin Milgrove)|Warwick]]||[[Benjamin Milgrove]]||1768||The voice of my beloved sounds||Isaac Watts||1707||A||88.88.77.||4 | ||
|- | |- | ||
|563||387||Salutation||''Western Harmony''||1824||Good morning, brother pilgrim||Caleb Taylor||1810||d||76.86.76.76.||3 | |563||387||Salutation||''Western Harmony''||1824||Good morning, brother pilgrim||Caleb Taylor||1810||d||76.86.76.76.||3 | ||
|- | |- | ||
|564||388||[[Lenox (Lewis Edson)|Lenox]]||||1782||Blow ye the trumpet, blow||Charles Wesley||1749||C||66.66.88.||4 | |564||388||[[Lenox (Lewis Edson)|Lenox]]||[[Lewis Edson]]||1782||Blow ye the trumpet, blow||Charles Wesley||1749||C||66.66.88.||4 | ||
|- | |- | ||
|565||389||[[Sharon (Elisha West)|Sharon]]||||1793||How pleasant 'tis to see||Isaac Watts||1719||D||668.668.||4 | |565||389||[[Sharon (Elisha West)|Sharon]]||[[Elisha West]]||1793||How pleasant 'tis to see||Isaac Watts||1719||D||668.668.||4 | ||
|- | |- | ||
|566||390||[[The Jubilee Trump (William Moore)|The Jubilee Trump]]||||1825||What sound is this salutes my ear||John Granade||1804||A||886.886.||3 | |566||390||[[The Jubilee Trump (William Moore)|The Jubilee Trump]]||[[William Moore]]||1825||What sound is this salutes my ear||John Granade||1804||A||886.886.||3 | ||
|- | |- | ||
|567||391||[[Friendship (George Handel)|Friendship]]||||1735||Friendship, in every willing mind||Unattributed||1786||G||87.87.88.87.||4 | |567||391||[[Friendship (George Handel)|Friendship]]||[[George Handel]]||1735||Friendship, in every willing mind||Unattributed||1786||G||87.87.88.87.||4 | ||
|- | |- | ||
|568||392||[[Pilgrim (Jeremiah Ingalls)|Pilgrim]]||||1805||Come, all ye mourning pilgrims dear||John Granade||1794||f#||86.86.76.86.||4 | |568||392||[[Pilgrim (Jeremiah Ingalls)|Pilgrim]]||[[Jeremiah Ingalls]]||1805||Come, all ye mourning pilgrims dear||John Granade||1794||f#||86.86.76.86.||4 | ||
|- | |- | ||
|569||393||Jesus Crucified||''Southern Harmony''||1835||Vain, delusive world, adieu||Charles Wesley||1742||a||76.76.78.76.||4 | |569||393||Jesus Crucified||''Southern Harmony''||1835||Vain, delusive world, adieu||Charles Wesley||1742||a||76.76.78.76.||4 | ||
Line 1,155: | Line 1,155: | ||
|571||395||Lovely Story||''Sacred Harp''||1844||A story most lovely to tell||Unattributed||1810||A||L. M. D.||4 | |571||395||Lovely Story||''Sacred Harp''||1844||A story most lovely to tell||Unattributed||1810||A||L. M. D.||4 | ||
|- | |- | ||
|572||396||[[Southwell (Elihu Carpenter)|Southwell]]||||1786||Tis finished, the Redeemer said||Joseph Stennett||1769||E||886.886.||4 | |572||396||[[Southwell (Elihu Carpenter)|Southwell]]||[[Elihu Carpenter]]||1786||Tis finished, the Redeemer said||Joseph Stennett||1769||E||886.886.||4 | ||
|- | |- | ||
|573||397||[[Lovely Vine (Jeremiah Ingalls)|Lovely Vine]]||||1805||Behold, a lovely vine||Unattributed||1800||C||S.M.||4 | |573||397||[[Lovely Vine (Jeremiah Ingalls)|Lovely Vine]]||[[Jeremiah Ingalls]]||1805||Behold, a lovely vine||Unattributed||1800||C||S.M.||4 | ||
|- | |- | ||
|574||398||[[New Jordan (Nehemiah Shumway)|New Jordan]]||||1815||On Jordan's stormy banks I stand||Samuel Stennett||1787||c#||C. M. D.||4 | |574||398||[[New Jordan (Nehemiah Shumway)|New Jordan]]||[[Nehemiah Shumway]]||1815||On Jordan's stormy banks I stand||Samuel Stennett||1787||c#||C. M. D.||4 | ||
|- | |- | ||
|575||399||[[The Rose Tree (Ananias Davisson)|The Rose Tree]]||||1820||There is a land of pleasure||Anonymous||1815||A||78.78.D.||3 | |575||399||[[The Rose Tree (Ananias Davisson)|The Rose Tree]]||[[Ananias Davisson]]||1820||There is a land of pleasure||Anonymous||1815||A||78.78.D.||3 | ||
|- | |- | ||
|576||400||[[Paradise (Oliver Holden)|Paradise]]||||1796||Now to the shinign realms above||Isaac Watts||1709||D||L. M. D.||4 | |576||400||[[Paradise (Oliver Holden)|Paradise]]||[[Oliver Holden]]||1796||Now to the shinign realms above||Isaac Watts||1709||D||L. M. D.||4 | ||
|- | |- | ||
|577||401||[[Bellevue (Elkanah Dare)|Bellevue]]||||1813||Ye tribes of Adam, join||Isaac Watts||1719||F||66.66.88.||4 | |577||401||[[Bellevue (Elkanah Dare)|Bellevue]]||[[Elkanah Dare]]||1813||Ye tribes of Adam, join||Isaac Watts||1719||F||66.66.88.||4 | ||
|- | |- | ||
|578||402||[[Few Happy Matches (Crane)|Few Happy Matches]]||||1788||Say, mighty love, and teach my song||Isaac Watts||1706||A||886.886.||4 | |578||402||[[Few Happy Matches (Crane)|Few Happy Matches]]||[[Crane]]||1788||Say, mighty love, and teach my song||Isaac Watts||1706||A||886.886.||4 | ||
|- | |- | ||
|579||403||[[Eden (James Carrell)|Eden]]||||1821||The Lord is the fountain of goodness and love||Anonymous||1811||G||11 11.11 11.||4 | |579||403||[[Eden (James P. Carrell)|Eden]]||[[James P. Carrell]]||1821||The Lord is the fountain of goodness and love||Anonymous||1811||G||11 11.11 11.||4 | ||
|- | |- | ||
|580||404||[[Melodia (James Merrick)|Melodia]]||||1793||The Lord of glory sends his summons forth||Isaac Watts||1719||E{{flat}}||10 10.10 10.10 10.||4 | |580||404||[[Melodia (James Merrick)|Melodia]]||[[James Merrick]]||1793||The Lord of glory sends his summons forth||Isaac Watts||1719||E{{flat}}||10 10.10 10.10 10.||4 | ||
|- | |- | ||
|581||405||[[Symphony (Justin Morgan)|Symphony]]||||1790||Behold, the Judge descends, his guards are nigh||Isaac Watts||1719||E{{flat}}||10 10.10 10.10 10.||4 | |581||405||[[Symphony (Justin Morgan)|Symphony]]||[[Justin Morgan]]||1790||Behold, the Judge descends, his guards are nigh||Isaac Watts||1719||E{{flat}}||10 10.10 10.10 10.||4 | ||
|- | |- | ||
|582||406||[[Judgment (Daniel Read)|Judgment]]||||1785||Behold, my covenant stands forever good||Isaac Watts||1719||C||10 10.10 10.10 10.||4 | |582||406||[[Judgment (Daniel Read)|Judgment]]||[[Daniel Read]]||1785||Behold, my covenant stands forever good||Isaac Watts||1719||C||10 10.10 10.10 10.||4 | ||
|- | |- | ||
|583||407||[[Justice (Solomon Chandler)|Justice]]||||1786||The God of glory sends his summonsforth||Isaac Watts||1719||C||10 10.10 10.10 10.||4 | |583||407||[[Justice (Solomon Chandler)|Justice]]||[[Solomon Chandler]]||1786||The God of glory sends his summonsforth||Isaac Watts||1719||C||10 10.10 10.10 10.||4 | ||
|- | |- | ||
|584||408a||Solicitude||''Virginia Sacred Musical Repository''||1818||How firm a foundation, ye saints of the Lord||Robert Keen||1787||C||11 11.11 11.||4 | |584||408a||Solicitude||''Virginia Sacred Musical Repository''||1818||How firm a foundation, ye saints of the Lord||Robert Keen||1787||C||11 11.11 11.||4 | ||
Line 1,183: | Line 1,183: | ||
|585||408b||New Jerusalem||''Tennessee Harmony''||1818||My gracious Redeemer I love||Benjamin Francis||1787||a||L. M. D.||4 | |585||408b||New Jerusalem||''Tennessee Harmony''||1818||My gracious Redeemer I love||Benjamin Francis||1787||a||L. M. D.||4 | ||
|- | |- | ||
|586||409||[[Amherst (William Billings)|Amherst]]||||1770||Lord of the worlds above||Isaac Watts||1719||G||66.66.88.||4 | |586||409||[[Amherst (William Billings)|Amherst]]||[[William Billings]]||1770||Lord of the worlds above||Isaac Watts||1719||G||66.66.88.||4 | ||
|- | |- | ||
|587||410||Fading, Still Fading||||||Fading, still fading, the last beam is shining||Unattributed||1830||E{{flat}}||Irregular||4 | |587||410||Fading, Still Fading||||||Fading, still fading, the last beam is shining||Unattributed||1830||E{{flat}}||Irregular||4 | ||
Line 1,189: | Line 1,189: | ||
|588||411||Watts' Harp||''Supplement to the Kentucky Harmony''||1820||Say, mighty love, and teach my song||Isaac Watts||1706||G||886.886.||4 | |588||411||Watts' Harp||''Supplement to the Kentucky Harmony''||1820||Say, mighty love, and teach my song||Isaac Watts||1706||G||886.886.||4 | ||
|- | |- | ||
|589||412||[[Thou Art Passing Away (Henry Russell)|Thou Art Passing Away]]||||1848||Thou art passing away, thou art passing away||Unattributed||1848||G||12 11.11 12.||4 | |589||412||[[Thou Art Passing Away (Henry Russell)|Thou Art Passing Away]]||[[Henry Russell]]||1848||Thou art passing away, thou art passing away||Unattributed||1848||G||12 11.11 12.||4 | ||
|- | |- | ||
|590||413||[[Lebanon (William Moore)|Lebanon]]||||1825||Drooping souls, no longer grieve||Anonymous||1823||a||76.76.D.||4 | |590||413||[[Lebanon (William Moore)|Lebanon]]||[[William Moore]]||1825||Drooping souls, no longer grieve||Anonymous||1823||a||76.76.D.||4 | ||
|- | |- | ||
|591||414||[[Mourner (James Carrell)|Mourner]]||||1821||Still out of the deepest abyss||Charles Wesley||1747||C||L. M. D.||4 | |591||414||[[Mourner (James P. Carrell)|Mourner]]||[[James P. Carrell]]||1821||Still out of the deepest abyss||Charles Wesley||1747||C||L. M. D.||4 | ||
|- | |- | ||
|592||415||Liberty||''David's Harp''||1813||Prisoners of hope, lift up your heads||Charles Wesley||1742||A||88.88.88.||4 | |592||415||Liberty||''David's Harp''||1813||Prisoners of hope, lift up your heads||Charles Wesley||1742||A||88.88.88.||4 | ||
|- | |- | ||
|593||416||[[Complainer (William Walker)|Complainer]]||||1835||I am a great complainer||Unattributed||1835||G||76.76.D.||4 | |593||416||[[Complainer (William Walker)|Complainer]]||[[William Walker]]||1835||I am a great complainer||Unattributed||1835||G||76.76.D.||4 | ||
|- | |- | ||
|594||417||[[Witham (J. Fawcett)|Witham]]||||||Master, I own thy lawful claim||Charles Wesley||1749||F||88.88.88.||4 | |594||417||[[Witham (J. Fawcett)|Witham]]||[[J. Fawcett]]||||Master, I own thy lawful claim||Charles Wesley||1749||F||88.88.88.||4 | ||
|- | |- | ||
|595||418||Morgan||''Easy Instructor''||1803||With songs and honors sounding loud||Isaac Watts||1719||E||C. M. D.||4 | |595||418||Morgan||''Easy Instructor''||1803||With songs and honors sounding loud||Isaac Watts||1719||E||C. M. D.||4 | ||
|- | |- | ||
|596||420||[[Lenox New (William Hauser)|Lenox New]]||||1848||Through tribulation deep||Anonymous||1804||a||66.66.88.||4 | |596||420||[[Lenox New (William Hauser)|Lenox New]]||[[William Hauser]]||1848||Through tribulation deep||Anonymous||1804||a||66.66.88.||4 | ||
|- | |- | ||
|597||421||Miss Hataway's Experience||||||Young women all, I pray draw near||||||A||L. M. D.||3 | |597||421||Miss Hataway's Experience||||||Young women all, I pray draw near||||||A||L. M. D.||3 | ||
Line 1,209: | Line 1,209: | ||
|598||422a||Ganges||''Columbian and European Harmony''||1802||Awaked by Sinai's awful sound||Samson Occum||1774||D||886.886.||4 | |598||422a||Ganges||''Columbian and European Harmony''||1802||Awaked by Sinai's awful sound||Samson Occum||1774||D||886.886.||4 | ||
|- | |- | ||
|599||422b||[[Ninety-Third (Jeremiah Ingalls)|Ninety-Third]]||||1805||We lift our hearts to thee||Charles Wesley||1741||C||S.M.||4 | |599||422b||[[Ninety-Third (Jeremiah Ingalls)|Ninety-Third]]||[[Jeremiah Ingalls]]||1805||We lift our hearts to thee||Charles Wesley||1741||C||S.M.||4 | ||
|- | |- | ||
|600||423||[[Psalm Forty-Sixth (Pierre Davantès)|Psalm Forty-Sixth]]||||1565||I'll praise my Maker with my breath||Isaac Watts||1719||F||88.88.88.||4 | |600||423||[[Psalm Forty-Sixth (Pierre Davantès)|Psalm Forty-Sixth]]||[[Pierre Davantès]]||1565||I'll praise my Maker with my breath||Isaac Watts||1719||F||88.88.88.||4 | ||
|- | |- | ||
|601||424a||[[Anticipation (Jeremiah Ingalls)|Anticipation]]||||1805||When thou, my righteous Judge, shall come||Selina, Countess Huntingdon||1774||e||886.886.||4 | |601||424a||[[Anticipation (Jeremiah Ingalls)|Anticipation]]||[[Jeremiah Ingalls]]||1805||When thou, my righteous Judge, shall come||Selina, Countess Huntingdon||1774||e||886.886.||4 | ||
|- | |- | ||
|602||424b||[[Saint's Repose (Amariah Hall)|Saint's Repose]]||||1790||Death is a calm and sweet repose||Ralph Erskine||1740||E||L. M. D.||4 | |602||424b||[[Saint's Repose (Amariah Hall)|Saint's Repose]]||[[Amariah Hall]]||1790||Death is a calm and sweet repose||Ralph Erskine||1740||E||L. M. D.||4 | ||
|- | |- | ||
|603||425||Olivet||''Easy Instructor''||1803||On the cold ground, methinks I see||Anonymous||1772||d||886.886.||4 | |603||425||Olivet||''Easy Instructor''||1803||On the cold ground, methinks I see||Anonymous||1772||d||886.886.||4 | ||
|- | |- | ||
|604||426||[[De Beza (Pierre Davantès)|De Beza]]||||1565||Shout to Jehovah, all the earth||Henry Ainsworth||1612||F||L.M.||4 | |604||426||[[De Beza (Pierre Davantès)|De Beza]]||[[Pierre Davantès]]||1565||Shout to Jehovah, all the earth||Henry Ainsworth||1612||F||L.M.||4 | ||
|- | |- | ||
|605||427||[[Break of Day (William Hauser)|Break of Day]]||||1848||Let me go, the day is breaking||James Montgomery||1825||F||87.87.77.||4 | |605||427||[[Break of Day (William Hauser)|Break of Day]]||[[William Hauser]]||1848||Let me go, the day is breaking||James Montgomery||1825||F||87.87.77.||4 | ||
|- | |- | ||
|606||428||[[Buckfield (Abraham Maxim)|Buckfield]]||||1802||When strangers stand and hear me tell||Isaac Watts||1707||C||L.M.||4 | |606||428||[[Buckfield (Abraham Maxim)|Buckfield]]||[[Abraham Maxim]]||1802||When strangers stand and hear me tell||Isaac Watts||1707||C||L.M.||4 | ||
|- | |- | ||
|607||429||[[The Blue Bird (P. A. Axton)|The Blue Bird]]||||1825||O how charming are the radiant bands||James Denson ||1844||a||Anthem||3 | |607||429||[[The Blue Bird (P. A. Axton)|The Blue Bird]]||[[P. A. Axton]]||1825||O how charming are the radiant bands||James Denson ||1844||a||Anthem||3 | ||
|- | |- | ||
|608||430||Bruce's Address||''Christian Lyre''||1831||Soldiers of the cross, arise||Jared Waterbury||1831||A||77.76.78.86.||4 | |608||430||Bruce's Address||''Christian Lyre''||1831||Soldiers of the cross, arise||Jared Waterbury||1831||A||77.76.78.86.||4 | ||
|- | |- | ||
|609||431||[[Mount Sion (Bartholomew Brown)|Mount Sion]]||||1791||The hill of Zion yields||Isaac Watts||1709||C||S. M. D.||4 | |609||431||[[Mount Sion (Bartholomew Brown)|Mount Sion]]||[[Bartholomew Brown]]||1791||The hill of Zion yields||Isaac Watts||1709||C||S. M. D.||4 | ||
|- | |- | ||
|610||432a||Bannockburn||||||Lord of mercy and of might||Reginald Heber||1827||C||77.75.D.||3 | |610||432a||Bannockburn||||||Lord of mercy and of might||Reginald Heber||1827||C||77.75.D.||3 | ||
|- | |- | ||
|611||432b||[[Horeb (Wolfe)|Horeb]]||||||Hail to the Lord's anointed||James Montgomery||1821||D||76.76.D.||3 | |611||432b||[[Horeb (Wolfe)|Horeb]]||[[Wolfe]]||||Hail to the Lord's anointed||James Montgomery||1821||D||76.76.D.||3 | ||
|- | |- | ||
|612||433||Mount Hor||''Southern Harmony''||1835||The day of the Lord||Anonymous||1823||D||11 11.66.76.||3 | |612||433||Mount Hor||''Southern Harmony''||1835||The day of the Lord||Anonymous||1823||D||11 11.66.76.||3 | ||
|- | |- | ||
|613||434||[[Mount Pleasant (Deolph)|Mount Pleasant]]||||1793||There is a house not made with hands||Isaac Watts||1707||F||C.M.||4 | |613||434||[[Mount Pleasant (Deolph)|Mount Pleasant]]||[[Deolph]]||1793||There is a house not made with hands||Isaac Watts||1707||F||C.M.||4 | ||
|- | |- | ||
|614||435||[[Midnight Cry (William Walker)|Midnight Cry]]||||1835||When the midnight cry began||Unattributed||1832||A||76.76.D.||4 | |614||435||[[Midnight Cry (William Walker)|Midnight Cry]]||[[William Walker]]||1835||When the midnight cry began||Unattributed||1832||A||76.76.D.||4 | ||
|- | |- | ||
|615||436||[[Huntington (Justin Morgan)|Huntington]]||||1790||Lord, what a thoughtless wretch was I||Isaac Watts||1719||A||L. M. D.||4 | |615||436||[[Huntington (Justin Morgan)|Huntington]]||[[Justin Morgan]]||1790||Lord, what a thoughtless wretch was I||Isaac Watts||1719||A||L. M. D.||4 | ||
|- | |- | ||
|616||437||[[Portsmouth (James Carrell)|Portsmouth]]||||1821||Come, sinners, to the gospel feast||Charles Wesley||1747||C||L.M.||4 | |616||437||[[Portsmouth (James P. Carrell)|Portsmouth]]||[[James P. Carrell]]||1821||Come, sinners, to the gospel feast||Charles Wesley||1747||C||L.M.||4 | ||
|- | |- | ||
|617||438||[[Invitation (Jacob Kimball)|Invitation]]||||1784||Hark! The Redeemer from on high||Isaac Watts||1707||D||L. M. D.||4 | |617||438||[[Invitation (Jacob Kimball)|Invitation]]||[[Jacob Kimball]]||1784||Hark! The Redeemer from on high||Isaac Watts||1707||D||L. M. D.||4 | ||
|- | |- | ||
|618||439||[[North Orange (Julius Caswell)|North Orange]]||||1801||Jesus, the holy child, shall sit||Isaac Watts||1707||E||L. M. D.||4 | |618||439||[[North Orange (Julius Caswell)|North Orange]]||[[Julius Caswell]]||1801||Jesus, the holy child, shall sit||Isaac Watts||1707||E||L. M. D.||4 | ||
|- | |- | ||
|619||440||[[St. Helen's (J Jennings)|St. Helen's]]||||1750||How lovely are thy tents, O Lord||Charles Wesley||1742||C||88.88.88.||4 | |619||440||[[St. Helen's (J Jennings)|St. Helen's]]||[[J Jennings]]||1750||How lovely are thy tents, O Lord||Charles Wesley||1742||C||88.88.88.||4 | ||
|- | |- | ||
|620||441||Davis' Experience||||||Come all ye young people, of every relation||Unattributed||1835||A||12 11.12 11.D.||4 | |620||441||Davis' Experience||||||Come all ye young people, of every relation||Unattributed||1835||A||12 11.12 11.D.||4 | ||
|- | |- | ||
|621||442a||[[David's Victory (Robert Boyd)|David's Victory]]||||1825||Now your festal rites prepare||Unattributed||1825||C||77.77.10 10.||4 | |621||442a||[[David's Victory (Robert Boyd)|David's Victory]]||[[Robert Boyd]]||1825||Now your festal rites prepare||Unattributed||1825||C||77.77.10 10.||4 | ||
|- | |- | ||
|622||442b||[[Connecticut (Lyman Ives)|Connecticut]]||||1792||Join all the glorious names||Isaac Watts||1707||D||66.66.88.||4 | |622||442b||[[Connecticut (Lyman Ives)|Connecticut]]||[[Lyman Ives]]||1792||Join all the glorious names||Isaac Watts||1707||D||66.66.88.||4 | ||
|- | |- | ||
|623||443||[[Warrenton (J. Williams)|Warrenton]]||||1822||Whither goest thou, pilgrim stranger||Anonymous||1822||G||87.87.789.||3 | |623||443||[[Warrenton (J. Williams)|Warrenton]]||[[J. Williams]]||1822||Whither goest thou, pilgrim stranger||Anonymous||1822||G||87.87.789.||3 | ||
|- | |- | ||
|624||444||[[Washington (Reubin Monday)|Washington]]||||1813||Dismiss us with thy blessing, Lord||Joseph Hart||1759||a||L. M. D.||4 | |624||444||[[Washington (Reubin Monday)|Washington]]||[[Reubin Monday]]||1813||Dismiss us with thy blessing, Lord||Joseph Hart||1759||a||L. M. D.||4 | ||
|- | |- | ||
|625||445||[[Petersburg (William Billings)|Petersburg]]||||1786||Thus saith the high and lofty one||Isaac Watts||1707||D||L. M. D.||3 | |625||445||[[Petersburg (William Billings)|Petersburg]]||[[William Billings]]||1786||Thus saith the high and lofty one||Isaac Watts||1707||D||L. M. D.||3 | ||
|- | |- | ||
|626||446||[[Scotland (Nehemiah Shumway)|Scotland]]||||1793||Awake our souls, away our fears||Isaac Watts||1707||E||L. M. D.||4 | |626||446||[[Scotland (Nehemiah Shumway)|Scotland]]||[[Nehemiah Shumway]]||1793||Awake our souls, away our fears||Isaac Watts||1707||E||L. M. D.||4 | ||
|- | |- | ||
|627||447||[[All Saints New (Amariah Hall)|All Saints New]]||||1791||O, if my Lord would come and meet||Isaac Watts||1709||d||L. M. D.||4 | |627||447||[[All Saints New (Amariah Hall)|All Saints New]]||[[Amariah Hall]]||1791||O, if my Lord would come and meet||Isaac Watts||1709||d||L. M. D.||4 | ||
|- | |- | ||
|628||449a||Social Meeting||||||Draw nigh to us, Jehovah||Anonymous||1835||C||77.76.D.||4 | |628||449a||Social Meeting||||||Draw nigh to us, Jehovah||Anonymous||1835||C||77.76.D.||4 | ||
Line 1,271: | Line 1,271: | ||
|629||449b||Spanish Hymn||||||Through thy protecting care||Anonymous||1820||B{{flat}}||65.65.66.65.65.||4 | |629||449b||Spanish Hymn||||||Through thy protecting care||Anonymous||1820||B{{flat}}||65.65.66.65.65.||4 | ||
|- | |- | ||
|630||450a||[[Annapolis (Alexander Ely)|Annapolis]]||||1825||Ah, lovely appearance of death||Charles Wesley||1746||D||L. M. D.||3 | |630||450a||[[Annapolis (Alexander Ely)|Annapolis]]||[[Alexander Ely]]||1825||Ah, lovely appearance of death||Charles Wesley||1746||D||L. M. D.||3 | ||
|- | |- | ||
|631||450b||Consolation New||''Wyeth's Repository, Part Second''||1813||Come on, my partners in distress||Charles Wesley||1749||a||886.886.||3 | |631||450b||Consolation New||''Wyeth's Repository, Part Second''||1813||Come on, my partners in distress||Charles Wesley||1749||a||886.886.||3 | ||
Line 1,277: | Line 1,277: | ||
|632||451||O How Pleasant||''Musical Reader''||1817||O how pleasant 'tis to see||Isaac Watts||1719||F||77.77.||4 | |632||451||O How Pleasant||''Musical Reader''||1817||O how pleasant 'tis to see||Isaac Watts||1719||F||77.77.||4 | ||
|- | |- | ||
|633||452||[[Pastoral Elegy (A. Knapp)|Pastoral Elegy]]||||1810||What sorrowful sounds do I hear||Timothy Dwight||1798||e||L. M. D.||4 | |633||452||[[Pastoral Elegy (A. Knapp)|Pastoral Elegy]]||[[A. Knapp]]||1810||What sorrowful sounds do I hear||Timothy Dwight||1798||e||L. M. D.||4 | ||
|- | |- | ||
|634||453||[[Hartford (Elihu Carpenter)|Hartford]]||||1779||This spacious earth is all the Lord's||Isaac Watts||1719||d||L. M. D.||4 | |634||453||[[Hartford (Elihu Carpenter)|Hartford]]||[[Elihu Carpenter]]||1779||This spacious earth is all the Lord's||Isaac Watts||1719||d||L. M. D.||4 | ||
|- | |- | ||
|635||454||Methodist and Formalist||||||Good morning, brother pilgrim||Caleb Taylor||1810||G||12 12.12 12.D.||3 | |635||454||Methodist and Formalist||||||Good morning, brother pilgrim||Caleb Taylor||1810||G||12 12.12 12.D.||3 | ||
|- | |- | ||
|636||456||[[Sinai (Merit Woodruff)|Sinai]]||||1801||Lord, when thou didst ascend on high||Isaac Watts||1719||C||L. M. D.||4 | |636||456||[[Sinai (Merit Woodruff)|Sinai]]||[[Merit Woodruff]]||1801||Lord, when thou didst ascend on high||Isaac Watts||1719||C||L. M. D.||4 | ||
|- | |- | ||
|637||457||[[Middlebury (R. D. Humphreys)|Middlebury]]||||1823||We have laid up our love||Charles Wesley||1767||A||669.669.||4 | |637||457||[[Middlebury (R. D. Humphreys)|Middlebury]]||[[R. D. Humphreys]]||1823||We have laid up our love||Charles Wesley||1767||A||669.669.||4 | ||
|- | |- | ||
|638||458||[[Cumberland (Elijah Griswold)|Cumberland]]||||1796||The God of glory sends his summons forth||Isaac Watts||1719||E||10 10.11 11.||4 | |638||458||[[Cumberland (Elijah Griswold)|Cumberland]]||[[Elijah Griswold]]||1796||The God of glory sends his summons forth||Isaac Watts||1719||E||10 10.11 11.||4 | ||
|- | |- | ||
|639||459||[[Devotion (Amariah Hall)|Devotion]]||||1793||Fly, fly me riches, fly me cares||Robert Seagrave||1742||F||Anthem||4 | |639||459||[[Devotion (Amariah Hall)|Devotion]]||[[Amariah Hall]]||1793||Fly, fly me riches, fly me cares||Robert Seagrave||1742||F||Anthem||4 | ||
|- | |- | ||
|640||461a||[[Shepherd (George Handel)|Shepherd]]||||1742||Ours is the Sabbath school||Anonymous||1845||A||S.M.||4 | |640||461a||[[Shepherd (George Handel)|Shepherd]]||[[George Handel]]||1742||Ours is the Sabbath school||Anonymous||1845||A||S.M.||4 | ||
|- | |- | ||
|641||461b||How Kind the Saviour's Love||||||How kind the Savior's love||Anonymous||1836||G||66.66.88.||3 | |641||461b||How Kind the Saviour's Love||||||How kind the Savior's love||Anonymous||1836||G||66.66.88.||3 | ||
Line 1,297: | Line 1,297: | ||
|642||462a||Reneau||||||Children redeemed in every place||Unattributed||1848||A||86.86.88.||4 | |642||462a||Reneau||||||Children redeemed in every place||Unattributed||1848||A||86.86.88.||4 | ||
|- | |- | ||
|643||462b||[[Abingdon (Jones)|Abingdon]]||||1820||There is an hour when I must die||Isaac Watts||1720||A||L.M.||4 | |643||462b||[[Abingdon (Jones)|Abingdon]]||[[Jones]]||1820||There is an hour when I must die||Isaac Watts||1720||A||L.M.||4 | ||
|- | |- | ||
|644||463||[[Indian's Petition (I. B. Woodbury)|Indian's Petition]]||||1846||Let me go to my home in the far distant west||John Perry||1833||B{{flat}}||12 12.12 12.||4 | |644||463||[[Indian's Petition (I. B. Woodbury)|Indian's Petition]]||[[I. B. Woodbury]]||1846||Let me go to my home in the far distant west||John Perry||1833||B{{flat}}||12 12.12 12.||4 | ||
|- | |- | ||
|645||464||[[Mary's Lamb (Justin Morgan)|Mary's Lamb]]||||||Mary had a little lamb||Sarah Hale||1830||A||76.86.86.86.||4 | |645||464||[[Mary's Lamb (Justin Morgan)|Mary's Lamb]]||[[Justin Morgan]]||||Mary had a little lamb||Sarah Hale||1830||A||76.86.86.86.||4 | ||
|- | |- | ||
|646||465||Sabbath School||||||All the week we spend||Thomas White||1830||E||55.55.77.||4 | |646||465||Sabbath School||||||All the week we spend||Thomas White||1830||E||55.55.77.||4 | ||
Line 1,315: | Line 1,315: | ||
|651||469b||Tippett||||||I saw a little child at play||Jemima Luke||1842||G||C.M.||4 | |651||469b||Tippett||||||I saw a little child at play||Jemima Luke||1842||G||C.M.||4 | ||
|- | |- | ||
|652||470||[[Autumn Leaves (Irish Air)|Autumn Leaves]]||||1820||See the leaves around us falling||George Horne||1795||G||87.87.D.||4 | |652||470||[[Autumn Leaves (Irish Air)|Autumn Leaves]]||[[Irish Air]]||1820||See the leaves around us falling||George Horne||1795||G||87.87.D.||4 | ||
|- | |- | ||
|653||471||Sweet Spring||||||I have seen in the sweet spring time||Mary Schindler||1842||C||11 9.11 9.88.11 9.||4 | |653||471||Sweet Spring||||||I have seen in the sweet spring time||Mary Schindler||1842||C||11 9.11 9.88.11 9.||4 | ||
|- | |- | ||
|654||472a||[[Erie (Justin Morgan)|Erie]]||||1790||Ye tribes of Adam, join||Isaac Watts||1719||F||66.66.88.||4 | |654||472a||[[Erie (Justin Morgan)|Erie]]||[[Justin Morgan]]||1790||Ye tribes of Adam, join||Isaac Watts||1719||F||66.66.88.||4 | ||
|- | |- | ||
|655||472b||[[O come, come away (German Traditional)|O come, come away]]||||1848||O come, come away||Unattributed||1848||D||11 14.88.65.||4 | |655||472b||[[O come, come away (German Traditional)|O come, come away]]||[[German Traditional]]||1848||O come, come away||Unattributed||1848||D||11 14.88.65.||4 | ||
|- | |- | ||
|656||473||Atkinson||''Southern Harmony''||1835||E'en down to old age all my people shall prove||Isaac Watts||1706||F||11 11.11 11.||3 | |656||473||Atkinson||''Southern Harmony''||1835||E'en down to old age all my people shall prove||Isaac Watts||1706||F||11 11.11 11.||3 | ||
Line 1,331: | Line 1,331: | ||
|659||475b||Dwight||||||As crushed by sudden storms||Lydia Sigourney||1815||A||C.M.||4 | |659||475b||Dwight||||||As crushed by sudden storms||Lydia Sigourney||1815||A||C.M.||4 | ||
|- | |- | ||
|660||476a||[[Chalmers (Hugh Wilson)|Chalmers]]||||||Happy the child whose tender years||Isaac Watts||1720||B{{flat}}||C.M.||4 | |660||476a||[[Chalmers (Hugh Wilson)|Chalmers]]||[[Hugh Wilson]]||||Happy the child whose tender years||Isaac Watts||1720||B{{flat}}||C.M.||4 | ||
|- | |- | ||
|661||476b||[[Laban (Lowell Mason)|Laban]]||||1830||There is beyond the sky||Isaac Watts||1720||D||S.M.||4 | |661||476b||[[Laban (Lowell Mason)|Laban]]||[[Lowell Mason]]||1830||There is beyond the sky||Isaac Watts||1720||D||S.M.||4 | ||
|- | |- | ||
|662||477||[[Vesper Hymn (Deodatus Dutton)|Vesper Hymn]]||||1830||Hark! The vesper hymn is stealing||Thomas Moore||1816||F||87.87.86.87.||3 | |662||477||[[Vesper Hymn (Deodatus Dutton)|Vesper Hymn]]||[[Deodatus Dutton]]||1830||Hark! The vesper hymn is stealing||Thomas Moore||1816||F||87.87.86.87.||3 | ||
|- | |- | ||
|663||478||[[Shed Not a Tear (Thomas Bayly)|Shed Not a Tear]]||||1833||Shed not a tear o'er your friend's early bier||Mary Schindler||1841||F||10 8.10 7.10 10.10 7.||3 | |663||478||[[Shed Not a Tear (Thomas Bayly)|Shed Not a Tear]]||[[Thomas Bayly]]||1833||Shed not a tear o'er your friend's early bier||Mary Schindler||1841||F||10 8.10 7.10 10.10 7.||3 | ||
|- | |- | ||
|664||479||Jeshurun||||||None is like Jeshurun's God||Charles Wesley||1742||A||76.76.77.76.||4 | |664||479||Jeshurun||||||None is like Jeshurun's God||Charles Wesley||1742||A||76.76.77.76.||4 | ||
|- | |- | ||
|665||480a||[[There's not a tint (W. W. Brigham)|There's not a tint]]||||1835||There's not a tint||John Wallace||1825||E||C.M.||4 | |665||480a||[[There's not a tint (W. W. Brigham)|There's not a tint]]||[[W. W. Brigham]]||1835||There's not a tint||John Wallace||1825||E||C.M.||4 | ||
|- | |- | ||
|666||480b||American Gratitude||||||Up to thee, almighty Father||Attrib. Lovell||1842||C||87.87.D.||4 | |666||480b||American Gratitude||||||Up to thee, almighty Father||Attrib. Lovell||1842||C||87.87.D.||4 | ||
Line 1,347: | Line 1,347: | ||
|667||481||Sunday School Farewell||||||Farewell, dear friend! A long farewell||George Coles||1827||G||C. M. D.||4 | |667||481||Sunday School Farewell||||||Farewell, dear friend! A long farewell||George Coles||1827||G||C. M. D.||4 | ||
|- | |- | ||
|668||482a||[[Hinton (William Gawler)|Hinton]]||||1792||O Zion, afflicted with wave upon wave||James Grant||1784||A||11 11.11 11.||3 | |668||482a||[[Hinton (William Gawler)|Hinton]]||[[William Gawler]]||1792||O Zion, afflicted with wave upon wave||James Grant||1784||A||11 11.11 11.||3 | ||
|- | |- | ||
|669||482b||Heavenly Welcome||||||O when shall I see Jesus||John Leland||1793||A||76.76.D.||3 | |669||482b||Heavenly Welcome||||||O when shall I see Jesus||John Leland||1793||A||76.76.D.||3 | ||
Line 1,365: | Line 1,365: | ||
|676||487||The light of Sabbath eve||||||The light of Sabbath eve||James Edmeston||1821||G||66.66.D.||3 | |676||487||The light of Sabbath eve||||||The light of Sabbath eve||James Edmeston||1821||G||66.66.D.||3 | ||
|- | |- | ||
|677||488a||[[The Scale (Thomas Hastings)|The Scale]]||||1835||Come, let us learn to sing||Thomas Hastings||1835||G||68.68.778.||3 | |677||488a||[[The Scale (Thomas Hastings)|The Scale]]||[[Thomas Hastings]]||1835||Come, let us learn to sing||Thomas Hastings||1835||G||68.68.778.||3 | ||
|- | |- | ||
|678||488b||Childhood's Gladness||||||We come in childhood's gladness||Anonymous||1832||F||76.76.D.||3 | |678||488b||Childhood's Gladness||||||We come in childhood's gladness||Anonymous||1832||F||76.76.D.||3 | ||
Line 1,371: | Line 1,371: | ||
|679||489||America||''Harmonia Anglicana''||1744||My country, 'tis of thee||Samuel Smith||1831||F||664.6664.||4 | |679||489||America||''Harmonia Anglicana''||1744||My country, 'tis of thee||Samuel Smith||1831||F||664.6664.||4 | ||
|- | |- | ||
|680||490||[[Ode on Science (Jazaniah Sumner)|Ode on Science]]||||1798||The morning sun shines from the east||Jazaniah Sumner||1798||G||L.M.D.D.||4 | |680||490||[[Ode on Science (Jazaniah Sumner)|Ode on Science]]||[[Jazaniah Sumner]]||1798||The morning sun shines from the east||Jazaniah Sumner||1798||G||L.M.D.D.||4 | ||
|- | |- | ||
|681||492||[[Claremont (Temple and Merill)|Claremont]]||||1799||Vital spark of heavenly flame||Alexander Pope||1720||C||Anthem||4 | |681||492||[[Claremont (Temple and Merill)|Claremont]]||[[Temple and Merill]]||1799||Vital spark of heavenly flame||Alexander Pope||1720||C||Anthem||4 | ||
|- | |- | ||
|682||496||[[The Prodigal Son (Josiah Moore)|The Prodigal Son]]||||1816||Behold the wretch whose lust and wine||Isaac Watts||1707||b||Anthem||4 | |682||496||[[The Prodigal Son (Josiah Moore)|The Prodigal Son]]||[[Josiah Moore]]||1816||Behold the wretch whose lust and wine||Isaac Watts||1707||b||Anthem||4 | ||
|- | |- | ||
|683||499||[[John the Baptist (Benjamin White)|John the Baptist]]||||1844||In those days came John the Baptist||Matthew 3:1||0||C||Anthem||4 | |683||499||[[John the Baptist (Benjamin White)|John the Baptist]]||[[Benjamin White]]||1844||In those days came John the Baptist||Matthew 3:1||0||C||Anthem||4 | ||
|- | |- | ||
|684||501||[[ | |684||501||[[David's Lamentation (William Billings)|David's Lamentation]]||[[William Billings]]||1778||David the King was grieved and moved||2 Samuel 18:33||0||a||Anthem||4 | ||
|- | |- | ||
|685||502||[[Heavenly Vision (Jacob French)|Heavenly Vision]]||||1786||I beheld, and lo! A great multitude||Revelation 7:9||0||G||Anthem||4 | |685||502||[[Heavenly Vision (Jacob French)|Heavenly Vision]]||[[Jacob French]]||1786||I beheld, and lo! A great multitude||Revelation 7:9||0||G||Anthem||4 | ||
|- | |- | ||
|686||506||[[Judgment Anthem (Justin Morgan)|Judgment Anthem]]||||1790||Hark ye mortals, hear the trumpet||Anonymous||1789||e||Anthem||4 | |686||506||[[Judgment Anthem (Justin Morgan)|Judgment Anthem]]||[[Justin Morgan]]||1790||Hark ye mortals, hear the trumpet||Anonymous||1789||e||Anthem||4 | ||
|- | |- | ||
|687||514||[[Easter Anthem (William Billings)|Easter Anthem]]||||1787||The Lord is risen indeed||Edward Young||1742||A||Anthem||4 | |687||514||[[Easter Anthem (William Billings)|Easter Anthem]]||[[William Billings]]||1787||The Lord is risen indeed||Edward Young||1742||A||Anthem||4 | ||
|- | |- | ||
|688||517||[[Reverential Anthem (Elisha King)|Reverential Anthem]]||||1844||Give unto the Lord the glory||||||C||Anthem||3 | |688||517||[[Reverential Anthem (Elisha King)|Reverential Anthem]]||[[Elisha King]]||1844||Give unto the Lord the glory||||||C||Anthem||3 | ||
|- | |- | ||
|689||518||[[Rose of Sharon (William Billings)|Rose of Sharon]]||||1778||I am the rose of Sharon||Song of Solomon 2:1||0||A||Anthem||4 | |689||518||[[I am the Rose of Sharon (William Billings)|Rose of Sharon]]||[[William Billings]]||1778||I am the rose of Sharon||Song of Solomon 2:1||0||A||Anthem||4 | ||
|- | |- | ||
|690||524||[[Funeral Anthem (William Billings)|Funeral Anthem]]||||1778||I heard a great voice from heaven||Revelation 11:12||0||f#||Anthem||4 | |690||524||[[Funeral Anthem (William Billings)|Funeral Anthem]]||[[William Billings]]||1778||I heard a great voice from heaven||Revelation 11:12||0||f#||Anthem||4 | ||
|- | |- | ||
|691||525||Anthem of Praise||||||O! Praise God in his holiness||||||F||Anthem||4 | |691||525||Anthem of Praise||||||O! Praise God in his holiness||||||F||Anthem||4 | ||
|- | |- | ||
|692||527||[[Farewell Anthem (Jacob French)|Farewell Anthem]]||||1783||My friends, I am going a long and tedious journey||Unattributed||1789||a||Anthem||4 | |692||527||[[Farewell Anthem (Jacob French)|Farewell Anthem]]||[[Jacob French]]||1783||My friends, I am going a long and tedious journey||Unattributed||1789||a||Anthem||4 | ||
|- | |- | ||
|693||530||[[The Drunkard's Burial (William Hauser)|The Drunkard's Burial]]||||1848||Not a sigh was heard nor a wailing note||Unattributed||1848||G||10 10.10 10.10 8.98.||3 | |693||530||[[The Drunkard's Burial (William Hauser)|The Drunkard's Burial]]||[[William Hauser]]||1848||Not a sigh was heard nor a wailing note||Unattributed||1848||G||10 10.10 10.10 8.98.||3 | ||
|- | |- | ||
|694||531||[[Meeting of the Waters (William Palmer)|Meeting of the Waters]]||||1848||O soft sleep the hills in their sunny repose||Unattributed||1841||A||11 12.11 12.||3 | |694||531||[[Meeting of the Waters (William Palmer)|Meeting of the Waters]]||[[William Palmer]]||1848||O soft sleep the hills in their sunny repose||Unattributed||1841||A||11 12.11 12.||3 | ||
|- | |- | ||
|695||532||The Drink||||||The drink that's in the drunkard's bowl||John Marsh||1841||F||86.86.88.66.||4 | |695||532||The Drink||||||The drink that's in the drunkard's bowl||John Marsh||1841||F||86.86.88.66.||4 | ||
|- | |- | ||
|696||533||[[Ecstasy (Abijah Forbush)|Ecstasy]]||||1806||O that I could now adore him||Anonymous||1794||C||87.87.44.47||4 | |696||533||[[Ecstasy (Abijah Forbush)|Ecstasy]]||[[Abijah Forbush]]||1806||O that I could now adore him||Anonymous||1794||C||87.87.44.47||4 | ||
|- | |- | ||
|697||534||[[Hail to the Cause (Scottish Traditional)|Hail to the Cause]]||||1710||Hail to the cause that in triumph advances||Miss Julia A. P_||1848||D||11 11.12 10.||4 | |697||534||[[Hail to the Cause (Scottish Traditional)|Hail to the Cause]]||[[Scottish Traditional]]||1710||Hail to the cause that in triumph advances||Miss Julia A. P_||1848||D||11 11.12 10.||4 | ||
|- | |- | ||
|698||536||Washington Badge||''Hesperian Harp''||1848||Come, join our temperance army||Folk song||1700||G||98.98.D.||3 | |698||536||Washington Badge||''Hesperian Harp''||1848||Come, join our temperance army||Folk song||1700||G||98.98.D.||3 | ||
Line 1,413: | Line 1,413: | ||
|700||538||The Last Distiller||||||Twas the last sad distiller||||||A||75.75.76.65.||4 | |700||538||The Last Distiller||||||Twas the last sad distiller||||||A||75.75.76.65.||4 | ||
|- | |- | ||
|701||539||[[Naxos (H. R. Bishop)|Naxos]]||||1848||Onward! onward! Band victorious||Unattributed||1842||F||87.87.D.||4 | |701||539||[[Naxos (H. R. Bishop)|Naxos]]||[[H. R. Bishop]]||1848||Onward! onward! Band victorious||Unattributed||1842||F||87.87.D.||4 | ||
|- | |- | ||
|702||540||[[Maltese Boatman's Song (Maltese Traditional)|Maltese Boatman's Song]]||||1650||Hail, brothers Hail! We have met once more||E. M. Pendleton||1848||G||Irregular||3 | |702||540||[[Maltese Boatman's Song (Maltese Traditional)|Maltese Boatman's Song]]||[[Maltese Traditional]]||1650||Hail, brothers Hail! We have met once more||E. M. Pendleton||1848||G||Irregular||3 | ||
|- | |- | ||
|703||541||[[Away the Bowl (Anonymous)|Away the Bowl]]||||1842||Our youthful hearts with temperance burn||Anonymous||1842||C||86.86.886.||4 | |703||541||[[Away the Bowl (Anonymous)|Away the Bowl]]||[[Anonymous]]||1842||Our youthful hearts with temperance burn||Anonymous||1842||C||86.86.886.||4 | ||
|- | |- | ||
|704||542||Sparkling and Bright||||||Sparking and bright in its liquid light||||||B{{flat}}||88.88.87.87.||3 | |704||542||Sparkling and Bright||||||Sparking and bright in its liquid light||||||B{{flat}}||88.88.87.87.||3 | ||
|- | |- | ||
|705||543a||[[Sign of the Sons of Temperance (Stephen Foster)|Sign of the Sons of Temperance]]||||1840||O, sweet the strains are swelling||Peter Walker||1848||G||C. M. D.||3 | |705||543a||[[Sign of the Sons of Temperance (Stephen Foster)|Sign of the Sons of Temperance]]||[[Stephen Foster]]||1840||O, sweet the strains are swelling||Peter Walker||1848||G||C. M. D.||3 | ||
|- | |- | ||
|706||543b||Drunkard's Wife||||||Sadly and hopelessly mourning her lot||||||E{{flat}}||10 10.10 10.||4 | |706||543b||Drunkard's Wife||||||Sadly and hopelessly mourning her lot||||||E{{flat}}||10 10.10 10.||4 | ||
Line 1,429: | Line 1,429: | ||
|708||545||One Glass More||''''||1800||Stay, mortal, stay, Nor heedless thus||John Marsh||1841||B{{flat}}||C. M. D.D.||4 | |708||545||One Glass More||''''||1800||Stay, mortal, stay, Nor heedless thus||John Marsh||1841||B{{flat}}||C. M. D.D.||4 | ||
|- | |- | ||
|709||546||[[Afflicted Zion (William Hauser)|Afflicted Zion]]||||1848||Sitting by the streams that glide||Anonymous||1840||F||77.777.||3 | |709||546||[[Afflicted Zion (William Hauser)|Afflicted Zion]]||[[William Hauser]]||1848||Sitting by the streams that glide||Anonymous||1840||F||77.777.||3 | ||
|- | |- | ||
|710||547||[[Hail Columbia (Philip Phile)|Hail Columbia]]||||1789||Hail, Columbia! Happy land||Joseph Hopkinson||1789||C||77.88.88.||3 | |710||547||[[Hail Columbia (Philip Phile)|Hail Columbia]]||[[Philip Phile]]||1789||Hail, Columbia! Happy land||Joseph Hopkinson||1789||C||77.88.88.||3 | ||
|- | |- | ||
|711||548||The Inebriate's Lament||||||Farewell, farewell, ye blest scenes of my childhood||||||C||11 11.12 11.||3 | |711||548||The Inebriate's Lament||||||Farewell, farewell, ye blest scenes of my childhood||||||C||11 11.12 11.||3 | ||
Line 1,437: | Line 1,437: | ||
|712||549||The Star-Spangled Banner||''''||1814||O say can you see by the dawn's early light||Francis Key||1815||C||11 13.12 13.||3 | |712||549||The Star-Spangled Banner||''''||1814||O say can you see by the dawn's early light||Francis Key||1815||C||11 13.12 13.||3 | ||
|- | |- | ||
|713||550||[[The American Star (William McCarty)|The American Star]]||||1842||Come, strike the bold anthem, the war-dogs are howling||Unknown||1770||F||12 11.12 11.D.||3 | |713||550||[[The American Star (William McCarty)|The American Star]]||[[William McCarty]]||1842||Come, strike the bold anthem, the war-dogs are howling||Unknown||1770||F||12 11.12 11.D.||3 | ||
|- | |- | ||
|714||551||[[Pilgrim Fathers (Augusta Brown)|Pilgrim Fathers]]||||1848||The breaking waves dashed high||Felicia Hemans||1828||D||Irregular||4 | |714||551||[[Pilgrim Fathers (Augusta Brown)|Pilgrim Fathers]]||[[Augusta Brown]]||1848||The breaking waves dashed high||Felicia Hemans||1828||D||Irregular||4 | ||
|- | |- | ||
|} | |} |
Latest revision as of 21:58, 20 January 2020
List of Works
No. | Pg. | Title | Composer | Year | First Line | Author | AYR | Key | Meter | Vo. |
---|---|---|---|---|---|---|---|---|---|---|
1 | 1 | Old Hundred | Louis Bourgeois | 1551 | He reigns; the Lord, the Savior reigns | Isaac Watts | 1719 | A | L.M. | 4 |
2 | 2a | Aylesbury | Book of Psalmody | 1717 | The Lord my shepherd is | Isaac Watts | 1719 | a | S.M. | 4 |
3 | 2b | Windham | Daniel Read | 1785 | Broad is the road that leads to death | Isaac Watts | 1709 | f | L.M. | 4 |
4 | 3 | Primrose | Amzi Chapin | 1812 | Salvation, O the joyful sound | Isaac Watts | 1709 | A | C.M. | 4 |
5 | 3b | Rochester | Israel Holdroyd | 1722 | Come, let us join our cheerful songs | Isaac Watts | 1707 | A | C.M. | 4 |
6 | 4a | Rockbridge | Lucius Chapin | 1812 | Sweet is the work, my God, my King | Isaac Watts | 1719 | C | L.M. | 4 |
7 | 4b | Mear | Set of Tunes | 1720 | In God's own house pronounce his praise | Isaac Watts | 1719 | G | C.M. | 4 |
8 | 5a | Wakefield | Samuel Wakefield | 1835 | Come, weary souls, with sin distressed | Anne Steele | 1760 | F | L.M. | 4 |
9 | 5b | Supplication | Chapin | 1810 | Show pity, Lord! O Lord, forgive | Isaac Watts | 1719 | a | L.M. | 4 |
10 | 6a | Solemnity | Ananias Davisson | 1817 | Twas on that dark and doleful night | Isaac Watts | 1711 | a | L.M. | 4 |
11 | 6b | Solemnity | Ananias Davisson | 1817 | He dies, the friend of sinners dies | Isaac Watts | 1707 | a | L.M. | 3 |
12 | 7a | Devotion | Alexander Johnson | 1818 | Sweet is the work, my God, my King | Isaac Watts | 1719 | C | L.M. | 4 |
13 | 7b | Devotion | Daniel Read | 1787 | Sweet is the day of sacred rest | Isaac Watts | 1719 | C | L.M. | 4 |
14 | 8a | Bourbon | Beauties of Harmony | 1814 | Twas on that dark and solemn night | Isaac Watts | 1711 | a | L.M. | 3 |
15 | 8b | Dismission | Beauties of Harmony | 1814 | I cannot bear thy absence, Lord | Isaac Watts | 1709 | a | L.M. | 3 |
16 | 9a | Wells | Israel Holdroyd | 1722 | Ye nations round the earth, rejoice | Isaac Watts | 1719 | F | L.M. | 4 |
17 | 9b | Paris | William Billings | 1779 | This spacious earth is all the Lord's | Isaac Watts | 1719 | A | L.M. | 4 |
18 | 10a | Philippi | Peter Erben | 1806 | Praise God from whom all blessings flow | Thomas Ken | 1674 | C | L.M. | 4 |
19 | 10b | Jehalah | He dies, the friend of sinners dies | Isaac Watts | 1707 | A | L.M. | 4 | ||
20 | 11a | Tender Thought | Ananias Davisson | 1816 | Arise, my tender thoughts, arise | Philip Doddridge | 1755 | a | L.M. | 4 |
21 | 11b | Angel's Hymn | Orlando Gibbons | 1623 | The God of our salvation hears | Isaac Watts | 1719 | G | L.M. | 4 |
22 | 12a | Portugal | Thomas Thorley | 1778 | Praise to the Lord, of boundless might | Philip Doddridge | 1755 | G | L.M. | 4 |
23 | 12b | Bridgewater | Lewis Edson | 1782 | From all that dwell below the skies | Isaac Watts | 1719 | C | L.M. | 4 |
24 | 13a | Chester | William Billings | 1770 | Let the high heavens your songs invite | Philip Doddridge | 1755 | F | L.M. | 4 |
25 | 13b | Davisson's Retirement | Ananias Davisson | 1820 | Jesus! and shall it ever be | Joseph Grigg | 1765 | f# | L.M. | 4 |
26 | 14a | Williamstown | Beauties of Psalmody | 1786 | Show pity, Lord! O Lord, forgive | Isaac Watts | 1719 | a | L.M. | 4 |
27 | 14b | Litchfield | Musical Primer | 1793 | How soft the words my Savior speaks | Samuel Stennett | 1787 | A | L.M. | 4 |
28 | 15a | Gospel Armor | Ely Stansfield | 1731 | Stand up, my soul, shake off thy fears | Isaac Watts | 1709 | F | L.M. | 4 |
29 | 15b | Passover | James P. Carrell | 1821 | Twas on that dark and doleful night | Isaac Watts | 1711 | a | L.M. | 4 |
30 | 16a | Iredell | Samuel Wakely | 1818 | Oft have I turned my eyes within | Samuel Stennett | 1787 | C | L.M. | 4 |
31 | 16b | The Humble Penitent | Ananias Davisson | 1826 | Stay, thou insulted spirit, stay | Charles Wesley | 1749 | C | L.M. | 4 |
32 | 17a | Salem | Stephen Bovelle | 1817 | He dies! the Friend of sinners dies | Isaac Watts | 1707 | b | L.M. | 4 |
33 | 17b | Glasgow | Elkanah Dare | 1813 | This life's a dream, an empty show | Isaac Watts | 1719 | G | L.M. | 4 |
34 | 18 | Sweet Solitude | Southern Harmony | 1835 | Sweet solitude, thou blessed queen | Hannah More | 1782 | A | L.M. | 4 |
35 | 19 | Dover | Timothy Swan | 1792 | My soul, the great Creator praise | Isaac Watts | 1719 | C | L. M. D. | 4 |
36 | 20a | New Jersey | Ishmael Spicer | 1789 | Lord, what was man when made at first | Isaac Watts | 1719 | e | L.M. | 4 |
37 | 20b | Duke Street | John Hatton | 1793 | Lord, when thou didst ascend on high | Isaac Watts | 1719 | F | L.M. | 4 |
38 | 21a | Park Street | Venua | 1815 | Wake, O my soul, and hail the morn | Anonymous | 1806 | A | L.M. | 4 |
39 | 21b | Kedron | Amos Pilsbury | 1799 | Thou man of griefs, remember me | Charles Wesley | 1762 | e | L.M. | 4 |
40 | 22a | Melinda | Robert Boyd | 1816 | In vain the wealthy mortals toil | Isaac Watts | 1707 | e | L. M. D. | 4 |
41 | 22b | Whitestown | Howd | 1800 | Where nothing dwell but beasts of prey | Isaac Watts | 1719 | e | L.M. | 4 |
42 | 24 | The Voice of Nature | Japhet Washburn | 1793 | The spacious firmament on high | Joseph Addison | 1712 | C | L.M. | 4 |
43 | 25 | Ballstown | Nehemiah Shumway | 1809 | Great God, attend while Zion sings | Isaac Watts | 1719 | F | L.M. | 4 |
44 | 26a | Russia | Daniel Read | 1787 | My spirit looks to God alone | Isaac Watts | 1719 | a | L.M. | 4 |
45 | 26b | Caldwell | William Little | 1801 | Sweet is the work, my God, my King | Isaac Watts | 1719 | D | L.M. | 4 |
46 | 27a | Hallelujah | Harrison | 1820 | He come, he comes, the Judge severe | Charles Wesley | 1758 | G | 86.86.87. | 4 |
47 | 27b | Hebron | Lowell Mason | 1823 | Thus far the Lord hath led me on | Isaac Watts | 1707 | B♭ | L.M. | 4 |
48 | 28 | Clamanda | Christian Harmony | 1805 | Say now, ye lovely social band | Anonymous | 1806 | e | L.M. | 4 |
49 | 29 | Bonnie Doon | Scottish Traditional | 1831 | When marshalled on the nightly plain | Henry White | 1812 | G | L. M. D. | 4 |
50 | 30a | Arnheim | Samuel Holyoke | 1791 | The Lord is come, the heavens proclaim | Isaac Watts | 1719 | D | L.M. | 3 |
51 | 30b | Vesperia | Soft be the gently breathing notes | William Collyer | 1812 | B♭ | L.M. | 3 | ||
52 | 31a | Carvosso | William Hauser | 1848 | Holy and true and righteous Lord | Charles Wesley | 1742 | C | L.M. | 4 |
53 | 31b | Ortonville | Thomas Hastings | 1837 | Being of beings, God of love | Charles Wesley | 1739 | B♭ | C.M. | 4 |
54 | 32a | Immensity | Eliakim Doolittle | 1806 | Within thy circling power I stand | Isaac Watts | 1719 | a | L.M. | 4 |
55 | 32b | Garden | Newcomb | 1800 | God, from his cloudy cistern, pours | Isaac Watts | 1719 | a | L.M. | 4 |
56 | 33 | Prospect | Graham | 1835 | Why should we start and fear to die | Isaac Watts | 1709 | C | L.M. | 3 |
57 | 34a | Haines | William Hauser | 1848 | Eternal power, whose high abode | Isaac Watts | 1706 | F | L.M. | 4 |
58 | 34b | Carlisle | Ishmael Spicer | 1789 | Deep in our hearts, let us record | Isaac Watts | 1719 | a | L.M. | 4 |
59 | 35 | Isle of Wight | Collection of Psalm Tunes in Four Parts | 1711 | Lord, shall we part with gold for dross | Anonymous | 1769 | a | C.M. | 4 |
60 | 36a | Jonesborough | P. A. Axton | 1825 | Jesus, my all, to heaven is gone | John Cennick | 1740 | a | L.M. | 3 |
61 | 36b | Loving-Kindness | Deodatus Dutton | 1830 | Awake, my soul, to joyful lays | Samuel Medley | 1782 | A | L.M. | 3 |
62 | 37 | Highbridge | Missouri Harmony | 1820 | Though every age, eternal God | Isaac Watts | 1719 | a | L.M. | 4 |
63 | 38a | Jackson | William Moore | 1825 | The spacious firmament on high | Joseph Addison | 1712 | f# | L. M. D. | 3 |
64 | 38b | Watchman's Call | William Walker | 1835 | The watchmen blow the trumpet round | Unattributed | 1835 | f# | L. M. D. | 3 |
65 | 39 | Third Creek | Lift up your hands, Emmanuel's friends | Anonymous | 1805 | e | L.M. | 4 | ||
66 | 40a | Camden | William Bradshaw | 1826 | When we, our weary limbs to rest | Tate and Brady | 1696 | a | L.M. | 4 |
67 | 40b | Atlanta | Ananias Davisson | 1826 | Young people all attention give | Anonymous | 1804 | A | L. M. D. | 4 |
68 | 41 | Averet | Samuel Holyoke | 1803 | Children of God, renounce your fears | John Fawcett | 1789 | G | L.M. | 3 |
69 | 42a | Frozen Heart | Elisha King | 1844 | O! For a glance of heavenly day | Joseph Hart | 1762 | F | L.M. | 4 |
70 | 42b | Sabbath Summons | Not by the brazen trumpet's voice | James Montgomery | 1822 | G | L.M. | 4 | ||
71 | 43 | Corinth | John Massengale | 1844 | Say, which of you would see the Lord | Charles Wesley | 1742 | G | L.M. | 4 |
72 | 44a | The Turtle Dove | Southern Harmony | 1835 | Hark! Don't you hear the turtle dove | Anonymous | 1839 | C | L. M. D. | 3 |
73 | 44b | Bethel Street | O, who will come and go with me | Anonymous | 1807 | a | L.M. | 3 | ||
74 | 45 | Lebanon New | James P. Carrell | 1831 | Come, sinners, to the gospel feast | Charles Wesley | 1747 | F | L.M. | 3 |
75 | 46a | Departing Saint | Jeremiah Ingalls | 1805 | Hark! Hark! She bids her friends adieu | Isaac Watts | 1707 | G | L.M. | 4 |
76 | 46b | Parting Hand | Jeremiah Ingalls | 1805 | My Christian friends, in bonds of love | Anonymous | 1823 | G | L.M. | 4 |
77 | 47 | Home | There is a land of pure delight | Isaac Watts | 1709 | A | 86.86.76. | 3 | ||
78 | 48a | Peterborough | Musical Instructor | 1803 | Once more, my soul, the rising day | Isaac Watts | 1709 | G | C.M. | 4 |
79 | 48b | Suffield | Oliver King | 1779 | Teach me the measure of my days | Isaac Watts | 1719 | e | C.M. | 4 |
80 | 49 | Duane Street | George Coles | 1835 | A poor, wayfaring man of grief | James Montgomery | 1826 | A | L. M. D. | 3 |
81 | 50a | Majesty New | Behold! A voice angelic sounds | Henry White | 1812 | F | L.M. | 3 | ||
82 | 50b | Mutual Love | William Walker | 1835 | O, when shall I see Jesus | John Leland | 1793 | G | 76.76.D. | 3 |
83 | 51 | Day of Worship | B. F. Davis | 1848 | Dear people, we have met today | Unattributed | 1848 | G | L. M. D. | 3 |
84 | 52a | Winter | Daniel Read | 1785 | The hoary frost, the fleecy snow | Isaac Watts | 1719 | F | C.M. | 4 |
85 | 52b | Arlington | Thomas Arne | 1762 | Jesus, with all thy saints above | Isaac Watts | 1709 | G | C.M. | 4 |
86 | 53 | Protection | P. Sherman | 1808 | God, my supporter and my hope | Isaac Watts | 1719 | F | C.M. | 4 |
87 | 54a | Oak's Creek | Nathaniel Billings | 1795 | Bless, O my soul, the living God | Isaac Watts | 1719 | C | L.M. | 4 |
88 | 54b | Suffering Savior | Deodatus Dutton | 1830 | Alas! And did my Savior bleed | Isaac Watts | 1709 | e | C.M. | 4 |
89 | 55a | Rockingham | Amzi Chapin | 1813 | Thus saith the mercy of the Lord | Isaac Watts | 1707 | A | C.M. | 4 |
90 | 55b | Tribulation | Amzi Chapin | 1813 | Death! 'Tis a melancholy day | Isaac Watts | 1709 | d | C.M. | 4 |
91 | 56a | St. Martin's | William Tansur | 1748 | With cheerful notes let all the earth | Tate and Brady | 1696 | A | C.M. | 4 |
92 | 56b | Liberty Hall | Lucius Chapin | 1810 | Death, what a solemn word to all | John Bulmer | 1834 | a | C.M. | 4 |
93 | 57a | China | Timothy Swan | 1801 | Why do we mourn departing friends | Isaac Watts | 1709 | C | C.M. | 4 |
94 | 57b | Union | Alexander Gillet | 1781 | Lo! What an entertaining sight | Isaac Watts | 1719 | C | C.M. | 4 |
95 | 58a | Consolation | Lucius Chapin | 1812 | Once more, my soul, the rising day | Isaac Watts | 1709 | a | C.M. | 4 |
96 | 58b | Georgia | Rudiments of Music | 1786 | Return, O God of love, return | Isaac Watts | 1719 | e | C.M. | 4 |
97 | 59a | Walsal | William Tansur | 1723 | Alas! And did my Savior bleed | Isaac Watts | 1709 | a | C.M. | 4 |
98 | 59b | Funeral Thought | Isaac Smith | 1763 | Hark! From the tombs a doleful sound | Isaac Watts | 1709 | a | C.M. | 4 |
99 | 60a | Ninety-Fifth | Amzi Chapin | 1813 | When I can read my title clear | Isaac Watts | 1709 | A | C.M. | 4 |
100 | 60b | Northfield | Jeremiah Ingalls | 1800 | O 'tis delight without alloy | Isaac Watts | 1706 | C | C.M. | 4 |
101 | 61a | Blackburn | Sacred Harmony | 1784 | O why did I my Savior leave | Charles Wesley | 1740 | d | C.M. | 4 |
102 | 61b | Bladensburg | Lewis Edson | 1801 | Unite, my roving thoughts, unite | Philip Doddridge | 1755 | G | C.M. | 4 |
103 | 62a | Fairfield | Hitchcock | 1791 | With reverence let the saints appear | Isaac Watts | 1719 | a | C.M. | 4 |
104 | 62b | Fairfield | Hitchcock | 1791 | Come, humble sinner, in whose breast | Edmund Jones | 1787 | a | C.M. | 3 |
105 | 63a | Condescension | Ananias Davisson | 1816 | How condescending and how kind | Isaac Watts | 1711 | C | C.M. | 4 |
106 | 63b | Reflection | Ananias Davisson | 1816 | No sleep nor slumber to his eyes | Isaac Watts | 1719 | B♭ | C.M. | 4 |
107 | 64a | Bray | Nikolaus Herman | 1554 | Awake, my heart, arise, my tongue | Isaac Watts | 1707 | G | C.M. | 4 |
108 | 64b | Virginia | Oliver Brownson | 1782 | Thy words the raging winds control | Isaac Watts | 1719 | e | C.M. | 4 |
109 | 65 | New Orleans | Robert Boyd | 1816 | Why do we mourn departing friends | Isaac Watts | 1709 | e | C. M. D. | 4 |
110 | 66a | Wesley | William Moore | 1810 | With inward pain my heart-strings sound | Isaac Watts | 1706 | a | C.M. | 4 |
111 | 66b | Akron | F. A. Sheldon | Keep me, Savior, near thy side | Unattributed | 1833 | G | 77.77. | 4 | |
112 | 67a | Fiducia | J. Robertson | 1813 | Father, I long, I fear to see | Isaac Watts | 1709 | a | C.M. | 4 |
113 | 67b | Abbey | Scottish Psalter | 1615 | Jesus, in thy transporting name | Anne Steele | 1760 | G | C.M. | 4 |
114 | 68a | Farabee | Come, and taste along with me | John Leland | 1798 | a | 77.77.78.98. | 3 | ||
115 | 68b | Calhoun | William Hauser | 1848 | Lord, we come before thee now | William Hammond | 1745 | a | 77.77. | 4 |
116 | 69a | Sutton | Joseph Stone | 1793 | Behold the man, threescore and ten | Anonymous | 1813 | e | C.M. | 4 |
117 | 69b | Woodstock | Deodatus Dutton | 1830 | O, for a closer walk with God | William Cowper | 1779 | A | C.M. | 4 |
118 | 70a | Sutton New | Joseph Stone | Save me, O God! The swelling floods | Isaac Watts | 1719 | f# | C.M. | 4 | |
119 | 70b | Markham | Sarah Markham | 1848 | O! For a heart to praise my God | Charles Wesley | 1742 | F | C. M. D. | 4 |
120 | 71a | Warwick | Samuel Stanley | 1800 | Lord, in the morning thou shalt hear | Isaac Watts | 1719 | E | C.M. | 4 |
121 | 71b | Salvation | Robert Boyd | 1816 | Come, humble sinner, in whose breast | Edmund Jones | 1787 | e | C. M. D. | 4 |
122 | 72 | Enfield | Solomon Chandler | 1785 | Before the rosy dawn of day | Elizabeth Rowe | 1739 | E | C.M. | 4 |
123 | 73 | Berne | Uri Hill | 1801 | Hear me, O Lord, nor hide thy face | Isaac Watts | 1719 | a | C.M. | 4 |
124 | 74a | Calvary | Daniel Read | 1785 | My thoughts, that often mount the skies | Isaac Watts | 1706 | a | C.M. | 4 |
125 | 74b | Sherburne | Daniel Read | 1785 | While shepherds watched their flocks by night | Tate and Brady | 1696 | D | C.M. | 4 |
126 | 75 | Patmos | Sing to the Lord, ye distant lands | Isaac Watts | 1719 | B♭ | C.M. | 4 | ||
127 | 76 | Ocean | Timothy Swan | 1789 | Thy works of glory, mighty Lord | Isaac Watts | 1719 | F | C.M. | 4 |
128 | 77 | Edom | Elisha West | 1797 | With songs and honors sounding loud | Isaac Watts | 1719 | F | C.M. | 4 |
129 | 78a | Messiah | James P. Carrell | 1821 | He comes! He comes! To judge the world | Samuel Stennett | 1787 | f# | C.M. | 4 |
130 | 78b | Hanover | Daniel Russ | 1791 | Vain man, thy fond pursuits forbear | Joseph Hart | 1759 | a | C.M. | 3 |
131 | 79a | Liberty | Stephen Jenks | 1800 | No more beneath the oppressive hand | Unattributed | 1800 | F | C.M. | 4 |
132 | 79b | Wilson | William Hauser | 1848 | Death! 'Tis a melancholy day | Isaac Watts | 1709 | G | C.M. | 3 |
133 | 80 | Never Part | Jerusalem, my happy home | Anonymous | 1600 | F | 86.86.8 10.86. | 4 | ||
134 | 81 | Mantua | Oliver Holden | 1800 | A blooming paradise of joy | Isaac Watts | 1709 | G | C. M. D. | 4 |
135 | 82a | London New | Psalmes of David in Verse and Meeter | 1635 | Let every tongue thy goodness speak | Isaac Watts | 1719 | D | C.M. | 4 |
136 | 82b | Houston | On Jordan's stormy banks I stand | Samuel Stennett | 1787 | C | C.M. | 3 | ||
137 | 83a | Rindge | William Shrubsole | 1789 | Let every mortal ear attend | Isaac Watts | 1707 | A | C.M. | 4 |
138 | 83b | Liverpool | Virginia Sacred Musical Repository | 1818 | My Savior, my almighty friend | Isaac Watts | 1719 | F | C.M. | 4 |
139 | 84 | Montgomery | Justin Morgan | 1790 | Early, my God, without delay | Isaac Watts | 1719 | C | C.M. | 4 |
140 | 85 | Solitude New | Elisha West | 1798 | My refuge is the God of love | Isaac Watts | 1719 | a | C.M. | 4 |
141 | 86a | Exhortation | Hibbard | 1796 | Lord, in the morning thou shalt hear | Isaac Watts | 1719 | F | C.M. | 4 |
142 | 86b | Eliza | Stephens | O could I find from day to day | Benjamin Cleveland | 1799 | A | C.M. | 4 | |
143 | 87 | New Topia | Reubin Monday | 1816 | Young people all attention give | Anonymous | 1804 | e | C.M. | 4 |
144 | 88 | Tunbridge | Jacob Kimball | 1793 | Our sins, alas! How strong they be | Isaac Watts | 1709 | d | C.M. | 4 |
145 | 89 | Westminster | Nehemiah Shumway | 1793 | Thou great and sovereign Lord of all | F | C.M. | 4 | ||
146 | 90 | Majesty | William Billings | 1778 | The Lord descended from above | Thomas Sternhold | 1561 | F | C.M. | 4 |
147 | 91 | Sardinia | Castle | 1804 | Behold the love, the generous love | Isaac Watts | 1719 | e | C.M. | 4 |
148 | 92 | Pilgrim's Triumph | To see a pilgrim as he dies | John Granade | 1794 | A | C.M. | 4 | ||
149 | 93 | Rainbow | Timothy Swan | 1785 | Tis by thy strength the mountains stand | Isaac Watts | 1719 | C | C.M. | 4 |
150 | 94a | Retirement | Wiley Thomasson | Far from the world, O Lord, I flee | William Cowper | 1779 | C | C.M. | 4 | |
151 | 94b | Christian Volunteers | Alas! And did my Savior bleed | Isaac Watts | 1709 | F | 86.86.55.85. | 3 | ||
152 | 95a | Blake | I love to steal awhile away | Phoebe Brown | 1818 | B♭ | C.M. | 4 | ||
153 | 95b | Balerma | Scottish Air | 1840 | I love by faith to take a view | Phoebe Brown | 1824 | B♭ | C.M. | 4 |
154 | 96 | Hamilton | Shepherds, rejoice, lift up your eyes | Isaac Watts | 1706 | A | C.M. | 4 | ||
155 | 97a | Solemn Warning | Young people all attention give | Anonymous | 1804 | a | C.M. | 4 | ||
156 | 97b | Emory | Through all the downward tracks of time | Anonymous | 1810 | a | C. M. D. | 3 | ||
157 | 98 | Jordan | William Billings | 1786 | There is a land of pure delight | Isaac Watts | 1709 | A | C. M. D. | 4 |
158 | 99a | Cambridge | John Randall | 1786 | Jesus, I love thy glorious name | Philip Doddridge | 1755 | C | C.M. | 4 |
159 | 99b | Buena Vista | Am I a soldier of the cross | Isaac Watts | 1723 | a | C.M. | 3 | ||
160 | 100a | Asbury | Simeon Coan | 1787 | Behold, the Savior of mankind | Samuel Wesley | 1707 | a | C.M. | 3 |
161 | 100b | Dunlap's Creek | Samuel McFarland | 1814 | Sing to the Lord, ye heavenly hosts | Isaac Watts | 1709 | G | C.M. | 4 |
162 | 101a | Toccoa | Southern Harmony | 1835 | Happy the souls to Jesus joined | Charles Wesley | 1745 | C | C.M. | 4 |
163 | 101b | Perkins | Father, I stretch my hands to thee | Charles Wesley | 1741 | A | C.M. | 3 | ||
164 | 102a | Hallelujah | William Walker | 1835 | Amazing grace, how sweet the sound | John Newton | 1779 | B♭ | C.M. | 3 |
165 | 102b | Missouri Mission | Thomas Carter | 1844 | My span of life will soon be done | Frances Cowper | 1792 | e | C. M. D. | 3 |
166 | 103a | Anticipation | Amos Pilsbury | 1799 | How happy every child of grace | Charles Wesley | 1759 | a | C. M. D. | 4 |
167 | 103b | Watson | Father, I stretch my hands to thee | Charles Wesley | 1741 | a | C.M. | 4 | ||
168 | 104a | Heavenly Wisdom | London | 1760 | O happy is the man who hears | Michael Bruce | 1770 | A | C.M. | 4 |
169 | 104b | New Britain | Columbian Harmony | 1829 | When languor and disease invade | Augustus Toplady | 1759 | C | C.M. | 4 |
170 | 105 | Pleyel's Hymn Second | Ignaz Pleyel | 1786 | While thee I seek, protecting Power | Helen Williams | 1786 | F | C. M. D. | 4 |
171 | 106a | Minister's Farewell | Wyeth's Repository, Part Second | 1813 | Our cheerful voices let us raise | Unattributed | 1835 | G | C. M. D. | 4 |
172 | 106b | Minister's Farewell | Wyeth's Repository, Part Second | 1813 | Dear friends, farewell, I do you tell | Unattributed | 1797 | G | C.M. | 4 |
173 | 107a | Tranquillity | Reubin Monday | 1816 | My God, the spring of all my joys | Isaac Watts | 1709 | C | C.M. | 4 |
174 | 107b | Chattanooga | Asahel Benham | 1790 | How sweet the name of Jesus sounds | John Newton | 1779 | C | C.M. | 4 |
175 | 108a | Mortality | Isaac Smith | 1796 | Stoop down, my thoughts, that used to rise | Isaac Watts | 1709 | e | C.M. | 4 |
176 | 108b | Alstead | Oliver Holden | 1788 | Shepherds, rejoice, lift up your eyes | Isaac Watts | 1706 | D | C.M. | 4 |
177 | 109 | Huntsville | O, for a closer walk with God | William Cowper | 1779 | b | C.M. | 4 | ||
178 | 110a | Red Hill | Behold, the Savior of mankind | Samuel Wesley | 1707 | f# | C.M. | 3 | ||
179 | 110b | Bethelsdorf | Tis done, the precious ransom's paid | Samuel Wesley | 1700 | f | C.M. | 3 | ||
180 | 111a | Tempest | John Callcott | 1791 | Let earth stand strembling on her base | Mather Byles | 1744 | E♭ | C.M. | 4 |
181 | 111b | Caroline | O for a closer walk with God | William Cowper | 1772 | A | C.M. | 4 | ||
182 | 112 | Pisgah | James Lowry | 1817 | And let this feeble body fail | Charles Wesley | 1759 | B♭ | C.M. | 4 |
183 | 113 | Christian Triumph | O what has Jesus bought for me | Charles Wesley | 1759 | B♭ | C.M. | 4 | ||
184 | 114a | Garland | William Arnold | 1807 | With songs and honors sounding loud | Isaac Watts | 1719 | G | C.M. | 3 |
185 | 114b | North Carolina | O that I were as heretofore | Charles Wesley | 1740 | F | C.M. | 4 | ||
186 | 115 | Newport | William Caldwell | As on the cross the Savior hung | Samuel Stennett | 1789 | A | C.M. | 4 | |
187 | 116a | Elevation | James P. Carrell | 1821 | Talk with us, Lord, thyself reveal | Charles Wesley | 1740 | C | C.M. | 4 |
188 | 116b | Meditation | William Little | 1801 | My soul, come meditate the day | Isaac Watts | 1709 | a | C.M. | 4 |
189 | 117 | Findley | Ananias Davisson | 1825 | Jesus, I throw my arms around | Isaac Watts | 1709 | C | C.M. | 4 |
190 | 118 | Penitence | Approach, my soul, the mercy seat | John Newton | 1779 | C | C.M. | 4 | ||
191 | 119a | Barby | William Tansur | 1742 | When rising from the bed of death | Joseph Addison | 1699 | A | C.M. | 4 |
192 | 119b | Jerusalem New | Benjamin White | 1835 | Jerusalem, my happy home | Anonymous | 1600 | a | C.M. | 3 |
193 | 120 | New Jerusalem | Jeremiah Ingalls | 1796 | Lo! What a glorious sight appears | Isaac Watts | 1707 | G | C.M. | 4 |
194 | 121a | Calvary New | James P. Carrell | 1821 | Now let our lips, with holy fear | Isaac Watts | 1719 | g | C. M. D. | 4 |
195 | 121b | Canaan | Alexander Johnson | 1818 | On Jordan's stormy banks I stand | Samuel Stennett | 1787 | G | C. M. D. | 3 |
196 | 122a | Sweet Prospect | Southern Harmony | 1835 | On Jordan's stormy banks I stand | Samuel Stennett | 1787 | e | C.M. | 3 |
197 | 122b | Gaines | William Hauser | 1848 | O, for a thousand tongues to sing | Charles Wesley | 1740 | A | C.M. | 4 |
198 | 123a | Thorn | William Hauser | 1848 | Save me, O God! The swelling flood | Isaac Watts | 1719 | A | C.M. | 4 |
199 | 123b | Glenroy | Beneath our feet, and o'er our head | Reginald Heber | 1811 | B♭ | C.M. | 4 | ||
200 | 124 | Isle of Patmos | James P. Carrell | 1821 | Hear what the voice from heaven proclaims | Isaac Watts | 1707 | A | C.M. | 4 |
201 | 125 | Providence | C. Curtis | 1820 | What shall I render to my God | Isaac Watts | 1719 | A | C.M. | 3 |
202 | 126a | Surprise | Barnabas McKyes | 1798 | Our life contains a thousand springs | Isaac Watts | 1709 | d | C.M. | 4 |
203 | 126b | Dundee | Scottish Psalter | 1615 | The holy triumphs of my soul | Isaac Watts | 1709 | F | C.M. | 4 |
204 | 127a | Dublin | William Daman | 1591 | Lord, what is man, poor feeble man | Isaac Watts | 1719 | a | C.M. | 4 |
205 | 127b | Preston | J. H. Darket | When languor and disease invade | Augustus Toplady | 1759 | F | C.M. | 4 | |
206 | 128a | Columbus | Columbian Harmony | 1829 | O, once I had a glorious view | Anonymous | 1823 | f# | C.M. | 3 |
207 | 128b | Immortality | Columbian Harmony | 1829 | Young people all attention give | Anonymous | 1804 | e | C. M. D. | 3 |
208 | 129 | Coronation | Oliver Holden | 1793 | All hail the power of Jesus' name | Edward Perronet | 1780 | A | C.M. | 4 |
209 | 130a | Devizes | James Tucker | 1792 | Happy the souls to Jesus joined | Charles Wesley | 1745 | A | C.M. | 4 |
210 | 130b | Clemmons | James Lowry | 1820 | Jehovah, God the Father, bless | Charles Wesley | 1767 | a | C.M. | 4 |
211 | 131 | Milford | Joseph Stephenson | 1760 | If angels sung a savior's birth | Anonymous | 1803 | A | C.M. | 4 |
212 | 132 | Grafton | Joseph Stone | 1793 | Jesus! The vision of thy face | Isaac Watts | 1707 | C | C.M. | 4 |
213 | 133 | Silver Spring | Asahel Benham | 1790 | Were I in heaven without my God | Isaac Watts | 1719 | e | C.M. | 4 |
214 | 134a | Augusta | P. Sherman | 1808 | O God, our help in ages past | Isaac Watts | 1719 | d | C.M. | 4 |
215 | 134b | True Riches | Divine Musical Miscellany | 1754 | I am not concerned to know | Isaac Watts | 1706 | G | 77.77. | 4 |
216 | 135 | One Hundred and Nineteenth Psalm | Isaac Smith | 1793 | My soul lies cleaving to the dust | Isaac Watts | 1719 | e | C.M. | 4 |
217 | 136a | New Durham | B. Austin | 1803 | Hark! From the tombs a doleful sound | Isaac Watts | 1709 | b | C.M. | 4 |
218 | 136b | Trumbull | Asahel Benham | 1783 | The promises of my Father's love | Isaac Watts | 1711 | a | C.M. | 4 |
219 | 137 | Namur | Devout Singer's Guide | 1711 | Come, happy souls, approach your God | Isaac Watts | 1709 | G | C.M. | 4 |
220 | 138 | Repentance | John Rollo | 1796 | O if my soul were formed for woe | Isaac Watts | 1706 | f# | C.M. | 4 |
221 | 139a | Joyful Sound | Asahel Benham | 1790 | O for a shout of sacred joy | Isaac Watts | 1719 | C | C.M. | 4 |
222 | 139b | Winchester | Christian Harmony | 1794 | Who is this that comes from far | Charles Wesley | 1745 | G | 77.77. | 4 |
223 | 140a | Communion | Jeremiah Ingalls | 1805 | How sweet and awful is the place | Isaac Watts | 1711 | E | C. M. D. | 4 |
224 | 140b | Tennessee | Jeremiah Ingalls | 1805 | Afflictions, though they seem severe | John Newton | 1779 | F | C. M. D. | 4 |
225 | 141 | Conversion | Supply Belcher | 1794 | When God revealed his gracious name | Isaac Watts | 1719 | C | C.M. | 4 |
226 | 142 | Vermont | William Billings | 1778 | In vain we lavish out our lives | Isaac Watts | 1707 | e | C. M. D. | 4 |
227 | 143a | Williams | That glorious day is drawing nigh | John Leland | 1790 | a | C. M. D. | 4 | ||
228 | 143b | Irwin | O for a thousand tongues to sing | Charles Wesley | 1740 | G | C. M. D. | 3 | ||
229 | 144a | Azmon | Joy is a fruit that will not grow | John Newton | 1779 | A | C.M. | 3 | ||
230 | 144b | Alton | William Hauser | 1848 | Plunged in a gulf of dark despair | Isaac Watts | 1709 | A | C. M. D. | 4 |
231 | 145 | Velasco | E. L. White | My earth thou waterest from on high | Charles Wesley | 1742 | B♭ | C. M. D. | 4 | |
232 | 146a | North Salem | Stephen Jenks | 1799 | My soul, come meditate the day | Isaac Watts | 1709 | e | C.M. | 4 |
233 | 146b | Sunday | Davis | 1801 | The Lord of Sabbath let us praise | Samuel Wesley | 1736 | A | C.M. | 4 |
234 | 147 | Ashville | Christian Lyre | 1831 | Loving Jesus, gentle Lamb | Charles Wesley | 1742 | a | 77.77. | 3 |
235 | 148a | Salem | William Moore | 1825 | How sweet the name of Jesus sounds | John Newton | 1779 | F | C.M. | 4 |
236 | 148b | Warren | William Billings | 1778 | Now begin the heavenly theme | Unattributed | 1763 | G | 77.77. | 3 |
237 | 149a | Dove of Peace | William Walker | 1835 | O tell me where the Dove has flown | Unattributed | 1835 | G | C.M. | 4 |
238 | 149b | Sweet Hope | William Hauser | 1848 | O joyful sound of gospel grace | Charles Wesley | 1742 | D | C.M. | 3 |
239 | 150 | The Prodigal | Alexander Johnson | 1818 | Afflictions, though they seem severe | John Newton | 1779 | e | C. M. D. | 4 |
240 | 151 | The Penitent Prodigal | Afflictions, though they seem severe | John Newton | 1779 | C | C.M. | 3 | ||
241 | 152a | The Converted Thief | William Moore | 1825 | As on the cross the Savior hung | Samuel Stennett | 1789 | C | C. M. D. | 3 |
242 | 152b | Returning Prodigal | P. A. Axton | 1825 | Behold the wretch whose lust and wine | Isaac Watts | 1707 | C | C.M. | 3 |
243 | 153a | Land of Pleasure | Come, thou fount of every blessing | Robert Robinson | 1759 | C | 87.87. | 4 | ||
244 | 153b | Vicksburg | Far above yon glorious ceiling | Anonymous | 1803 | a | 87.87. | 3 | ||
245 | 154 | The Promised Land | Southern Harmony | 1835 | Come, let us join our friends above | Charles Wesley | 1759 | f# | C.M. | 4 |
246 | 155a | The Promised Land | Southern Harmony | 1835 | Our spirits, too, shall quickly join | Charles Wesley | 1759 | f# | C.M. | 3 |
247 | 155b | Masonic Dirge | William Walker | 1848 | Solemn strikes the funeral chime | David Vinton | 1816 | A | 77.77. | 3 |
248 | 156 | Washington | William Miller | 1800 | Our souls by love together knit | Anonymous | 1803 | G | C. M. D. | 4 |
249 | 158a | Detroit | William Evans | 1814 | Do not I love thee, O my Lord | Philip Doddridge | 1755 | e | C.M. | 4 |
250 | 158b | Latrobe | Melchior Teschner | 1615 | Hail to the Lord's anointed | James Montgomery | 1821 | D | 76.76.D. | 3 |
251 | 159 | Rusk | Columbian Harmony | 1825 | Hark! Listen to the trumpeters | John Granade | 1794 | G | C. M. D. | 4 |
252 | 160 | The Martial Trumpet | J. G. Landrum | 1835 | Brethren, don't you hear the sound | Unattributed | 1830 | C | 79.79.D. | 4 |
253 | 161 | Smyrna | Oliver Holden | 1796 | Why should the children of a King | Isaac Watts | 1707 | A | C.M. | 4 |
254 | 162a | Burdened Pilgrim | William Hauser | 1848 | Pilgrim, burdened with thy sin | George Crabbe | 1834 | F | 77.77.D. | 4 |
255 | 162b | Versailles | Tennessee Harmony | 1818 | Thy mercy, my God, is the theme of my song | Attrib. John Stocker | 1774 | a | 11 11.11 11. | 3 |
256 | 163 | Sweet Rivers | William Moore | 1825 | Sweet rivers of redeeming love | John Granade | 1804 | F | C.M. | 4 |
257 | 164a | Depravity | Daniel Read | 1793 | How sad our state by nature is | Isaac Watts | 1709 | d | C.M. | 4 |
258 | 164b | Golgotha | William Hauser | 1848 | Let me dwell in Golgotha | John Newton | 1779 | C | 77.77. | 4 |
259 | 165a | The Lonesome Dove | Ye weary, heavy-laden souls | F | C. M. D. | 3 | ||||
260 | 165b | Sovereign Grace | Christian Lyre | 1830 | Sovereign grace has power alone | John Newton | 1779 | A | 77.77. | 4 |
261 | 166 | Solitude in the Grove | Ananias Davisson | 1817 | My God, my refuge, hear my cries | Isaac Watts | 1719 | e | C. M. D. | 4 |
262 | 167a | Cedar Bluff | Jerusalem, my happy home | Anonymous | 1600 | A | C.M. | 3 | ||
263 | 167b | Pleyel's Hymn | Ignaz Pleyel | 1790 | Depth of mercy! Can there be | Charles Wesley | 1740 | A | 77.77. | 3 |
264 | 168a | Conway | O tis delight without alloy | Isaac Watts | 1706 | D | C.M. | 4 | ||
265 | 168b | Tabor | Come and taste along with me | John Leland | 1798 | F | 77.77. | 4 | ||
266 | 169 | Aiken | Jesse Aiken | 1846 | Thy gracious presence, O my God | Anne Steele | 1760 | F | C. M. D. | 4 |
267 | 170a | Derrick | Thomas Carter | 1844 | Hark! The glad sound, the Savior comes | Philip Doddridge | 1755 | F | C. M. D. | 4 |
268 | 170b | Separation | Tennessee Harmony | 1818 | Why do we mourn for dying friends | Isaac Watts | 1709 | f# | C. M. D. | 3 |
269 | 171 | Lovest Thou Me | James P. Carrell | 1821 | Hark, my soul, it is the Lord | William Cowper | 1768 | G | 77.77. | 4 |
270 | 172a | Cincinnati | William Bradshaw | 1820 | Father, how wide thy glories shine | Isaac Watts | 1706 | a | C.M. | 4 |
271 | 172b | Pilgrim Band | We're marching to the promised land | William Hunter | 1845 | G | C. M. D. | 3 | ||
272 | 173a | Babel's Streams | Stephen Jenks | 1811 | By Babel's streams we sat and wept | Unattributed | 1615 | e | C. M. D. | 4 |
273 | 173b | Barbauld | Sweeter songs than music knows | John Newton | 1779 | A | 77.77. | 4 | ||
274 | 174a | Sussex | James P. Carrell | 1831 | With glorious clouds encompassed round | Charles Wesley | 1767 | b | C. M. D. | 3 |
275 | 174b | Holly Springs | William Hauser | 1848 | Why should the children of a King | Isaac Watts | 1707 | C | C.M. | 3 |
276 | 175 | Maysville | E. Heritage | 1848 | When, my Savior, shall I be | Charles Wesley | 1742 | A | 77.77. | 4 |
277 | 176a | The Captive's Song | Christian Lyre | 1831 | O! No, we cannot sing the song | Unattributed | 1831 | A | C. M. D. | 3 |
278 | 176b | Floyd | William Hauser | 1848 | O thou who driest the mourner's tear | Thomas Moore | 1816 | A | C. M. D. | 3 |
279 | 177a | Sark | William Miller | 1803 | Jesus, all-redeeming Lord | Charles Wesley | 1763 | G | 77.77. | 4 |
280 | 177b | Haven | Jesus, lover of my soul | Charles Wesley | 1740 | E | 77.77.D. | 4 | ||
281 | 178a | Leander | B. Austin | 1818 | My soul forbears her vain delights | Isaac Watts | 1709 | a | C. M. D. | 4 |
282 | 178b | Easter Hymn | Lyra Davidica | 1708 | Christ the Lord has risen today | Charles Wesley | 1739 | D | 74.74.D. | 4 |
283 | 179 | Sunbury | O that I could revere | Charles Wesley | 1749 | d | S.M. | 4 | ||
284 | 180 | Middletown | Amos Bull | 1778 | Hail the day that saw him rise | Charles Wesley | 1739 | A | 77.77.D. | 4 |
285 | 181a | Campbell | William Hauser | 1848 | Lift up your hearts to things above | Charles Wesley | 1749 | C | C. M. D. | 4 |
286 | 181b | Alabama | William Hauser | 1848 | Depth of mercy! Can there be | Charles Wesley | 1740 | a | 77.77. | 4 |
287 | 182a | Inspiration | R. Heritage | Now shall my inward joys arise | Isaac Watts | 1707 | G | C.M. | 4 | |
288 | 182b | Fancy's Vision | Hesperian Harp | 1848 | The faithless world promiscuous flows | Unattributed | 1835 | G | 87.887. | 3 |
289 | 183a | The Faithless World | William Grambling | 1835 | The faithless world promiscuous flows | Unattributed | 1835 | G | 87.887. | 3 |
290 | 183b | Winburne | Great Redeemer, friend of sinners | William Williams | 1745 | F | 87.87.D. | 4 | ||
291 | 184 | Come, ye disconsolate | Samuel Webbe | 1820 | Come, ye disconsolate | Thomas Moore | 1816 | D | 11 10.11 10.11 10. | 2 |
292 | 185a | Christian Travelers | Beauties of Harmony | 1828 | What poor, despised company | Unattributed | 1759 | F | C. M. D. | 4 |
293 | 185b | La Grange | Savior, visit thy plantation | John Newton | 1779 | A | 87.87.D. | 3 | ||
294 | 186a | Concordia | William Hauser | 1848 | How happy every child of grace | Charles Wesley | 1759 | G | C.M. | 4 |
295 | 186b | Brownson | Ananias Davisson | 1816 | Blessing, honor, thanks, and praise | Charles Wesley | 1742 | a | 77.77.D. | 4 |
296 | 187 | New Hope | P. A. Axton | 1825 | O how I have longed for the coming of God | Anonymous | 1810 | a | 11 11.11 11. | 3 |
297 | 188 | Watchman! Tell us of the night | Benjamin White | 1844 | Watchman! Tell us of the night | John Bowring | 1825 | E | 77.77. | 3 |
298 | 189a | Cumberland New | Beauties of Harmony | 1814 | Come, thou fount of every blessing | Robert Robinson | 1759 | A | 87.87. | 4 |
299 | 189b | Kingston | United States Sacred Harmony | 1799 | Agonizing in the garden | Joseph Hart | 1759 | a | 87.87.87. | 4 |
300 | 190a | Burnsville | Far above yon glorious ceiling | Anonymous | 1803 | A | 87.87.D. | 3 | ||
301 | 190b | Alabama | Southern Harmony | 1835 | Angels in shining order stand | Unattributed | 1835 | e | C. M. D. | 4 |
302 | 192a | Animation | Southern Harmony | 1835 | What is there here to court my say | Charles Wesley | 1759 | G | C. M. D. | 3 |
303 | 192b | Heavenly March | William Walker | 1840 | On Jordan's stormy banks I stand | Samuel Stennett | 1787 | B♭ | C.M. | 3 |
304 | 193 | Edneyville | James Edney | All hail! Ye heirs of grace | James Edney | 1848 | G | S.M. | 4 | |
305 | 194a | Judgment | James Boyd | 1813 | He comes, he comes, the Judge severe | Charles Wesley | 1758 | e | L. M. D. | 4 |
306 | 194b | Judgment | Nehemiah Shumway | 1793 | The Lord, the Judge, before his throne | Isaac Watts | 1719 | G | C. M. D. | 4 |
307 | 196a | Concord | Oliver Holden | 1793 | The men of grace have found | Isaac Watts | 1709 | C | S.M. | 4 |
308 | 196b | Brentwood | Jacob Kimball | 1800 | Not all the blood of beasts | Isaac Watts | 1709 | E | S.M. | 4 |
309 | 197a | Baldwin | John Massengale | 1848 | And let our bodies part | Charles Wesley | 1749 | a | S. M. D. | 4 |
310 | 197b | Backslider | Moss | 1820 | Ah! Where am I now | Charles Wesley | 1749 | a | 559.669. | 3 |
311 | 198 | Concert | Jeremiah Clarke | 1707 | Come, thou everlasting Spirit | Charles Wesley | 1745 | a | 87.87.D. | 4 |
312 | 199a | Evening Shade | Stephen Jenks | 1805 | The day is past and gone | John Leland | 1790 | e | S.M. | 4 |
313 | 199b | New Dover | Short and Easy Introduction | 1772 | Grace, tis a charming sound | Philip Doddridge | 1755 | F | S.M. | 4 |
314 | 200 | Williamsburg | Hebrew Traditional | 1500 | The God of Abraham praise | Thomas Olivers | 1772 | F | 66.86.D. | 4 |
315 | 201a | Albion | Robert Boyd | 1816 | Come, ye that love the Lord | Isaac Watts | 1709 | G | S.M. | 4 |
316 | 201b | Norwich | Oliver Brownson | 1779 | My sorrows, like a flood | Isaac Watts | 1706 | a | S.M. | 4 |
317 | 202a | Jefferson | Tennessee Harmony | 1818 | Glorious things of thee are spoken | John Newton | 1779 | a | 87.87.D. | 4 |
318 | 202b | New Monmouth | Lucius Chapin | 1812 | Come, thou fount of every blessing | Robert Robinson | 1759 | a | 87.87. | 4 |
319 | 203 | Marcellus | Soldiers of Christ! Arise | Charles Wesley | 1742 | G | S. M. D. | 4 | ||
320 | 204a | St. Thomas | Aaron Williams | 1763 | Hark! It is wisdom's voice | Philip Doddridge | 1755 | A | S.M. | 4 |
321 | 204b | Brimner | Give to the winds thy fears | Paul Gerhardt | 1656 | C | S.M. | 4 | ||
322 | 205 | Sterling | James Merrick | 1793 | Come, ye that love the Lord | Isaac Watts | 1709 | E | S. M. D. | 4 |
323 | 206a | Martyn | S. B. Ma_ | Hark! A voice divides the sky | Charles Wesley | 1742 | F | 77.77.D. | 4 | |
324 | 206b | Religious Contentment | Divine Amusement | 1812 | Give me but some humble spot | William Hunter | 1845 | C | 77.77.D. | 3 |
325 | 207 | Good Shepherd | Wyeth's Repository, Part Second | 1813 | Let thy kingdom, blessed Savior | John Granade | 1794 | F | 87.87.D. | 3 |
326 | 208a | Sounding Joy | Justin Morgan | 1790 | Come, sound his praise abroad | Isaac Watts | 1719 | E♭ | S.M. | 4 |
327 | 208b | Mocksville | William Hauser | 1848 | Glory to God on high | Isaac Watts | 1707 | C | S.M. | 4 |
328 | 209a | Backslider's Sorrow | William Hauser | 1848 | Ah! Where am I now | Charles Wesley | 1749 | G | 559.669. | 3 |
329 | 209b | Malette | Beauties of Sacred Harmony | 1817 | Tis religion that can give | Mary Masters | 1733 | G | 77.77.D. | 3 |
330 | 210a | America | Truman Wetmore | 1798 | My soul, repeat his praise | Isaac Watts | 1719 | a | S.M. | 4 |
331 | 210b | Wheeling | William Hauser | 1848 | And wilt thou yet be found | Charles Wesley | 1739 | a | S.M. | 3 |
332 | 211a | Golden Hill | Abraham Wood | 1778 | With joy the people stand | Isaac Watts | 1719 | G | S.M. | 4 |
333 | 211b | Golden Hill | Abraham Wood | 1778 | Give to the winds thy fears | Paul Gerhardt | 1656 | G | S.M. | 4 |
334 | 212 | Rome | Timothy Swan | 1801 | Wandering pilgrims, mourning Christians | John Leland | 1794 | e | 87.87.D. | 4 |
335 | 213a | The Soldier's Return | Virginia Sacred Musical Repository | 1818 | O! That I had some secret place | Unattributed | 1823 | C | 87.87.D. | 3 |
336 | 213b | Louisiana | I have my bitters and my sweets | Unattributed | 1823 | C | 87.87.D. | 3 | ||
337 | 214a | Shirland | Samuel Stanley | 1799 | My God, my life, my love | Isaac Watts | 1709 | A | S.M. | 4 |
338 | 214b | Bridgetown | Elkanah Dare | 1813 | Grace! tis a charming sound | Philip Doddridge | 1755 | G | S.M. | 4 |
339 | 215 | Newburg | Amos Munson | 1798 | Let every creature join | Isaac Watts | 1719 | C | S. M. D. | 4 |
340 | 216a | Texas | William Hauser | 1848 | Firm and unmoved are they | Isaac Watts | 1719 | C | S.M. | 4 |
341 | 216b | Austin | P. A. Axton | 1825 | How happy are they | Charles Wesley | 1749 | a | 569.569. | 3 |
342 | 217a | Brownsville | James P. Carrell | 1821 | Don't you see my Jesus coming | Caleb Taylor | 1810 | a | 87.87. | 3 |
343 | 217b | Restoration | James P. Carrell | 1821 | Jordan's stream shall ne'er o'erflow me | Anonymous | 1833 | a | 87.87. | 4 |
344 | 218a | Dauphin | Jacob French | 1793 | For life without thy love | Isaac Watts | 1719 | a | S.M. | 4 |
345 | 218b | Doomsday | Abraham Wood | 1789 | Behold! With awful pomp | Joseph Hart | 1759 | C | S.M. | 4 |
346 | 219 | Saints Bound For Heaven | Southern Harmony | 1840 | Our bondage it shall end, by and by | Unattributed | 1828 | C | 12 9.13 13 10. | 4 |
347 | 220 | Parsons | Jonas King | 1831 | Brother, thou art gone before us | Henry Milman | 1822 | e | 87.86.77.87. | 4 |
348 | 221 | The Mouldering Vine | James P. Carrell | 1821 | Hail! Ye sighing sons of sorrow | Anonymous | 1795 | f | 87.87.D. | 4 |
349 | 222 | Disciple | Deodatus Dutton | 1831 | Jesus, I my cross have taken | Henry Lyte | 1824 | A | 87.87.D. | 4 |
350 | 223 | Jubilee | Supplement to the Kentucky Harmony | 1820 | Hark! The jubilee is sounding | Anonymous | 1801 | A | 87.87.D. | 4 |
351 | 224a | Mansfield | Collection of Psalm Tunes | 1780 | Let every creature join | Isaac Watts | 1719 | C | S.M. | 4 |
352 | 224b | Idumea | Ananias Davisson | 1816 | O come and dwell in me | Charles Wesley | 1762 | a | S.M. | 4 |
353 | 225 | Solemn Thought | James P. Carrell | 1821 | Remember, sinful youth, you must die | Anonymous | 1807 | a | 12 9.12 12 9. | 4 |
354 | 226 | Geneva | James P. Carrell | 1821 | Come, my friends, and taste with me | Unattributed | 1821 | F | 776.77.76. | 4 |
355 | 227a | New Concord | How happy are they | Charles Wesley | 1749 | C | 569.569. | 4 | ||
356 | 227b | Iantha | William Caldwell | 1848 | Hark! The herald angels sing | Charles Wesley | 1739 | G | 77.77. | 4 |
357 | 228a | Zion's Hill | Abraham Wood | 1778 | How beauteous are their feet | Isaac Watts | 1707 | F | S.M. | 4 |
358 | 228b | Mount Helicon | How blessed are our eyes | Isaac Watts | 1707 | F | S.M. | 4 | ||
359 | 229a | Ingratitude | James Lowry | 1820 | Is this the kind return | Isaac Watts | 1709 | a | S.M. | 4 |
360 | 229b | Swedesboro' | E. Heritage | Welcome, sweet day of rest | Isaac Watts | 1709 | A | S.M. | 4 | |
361 | 230a | Lisbon | Daniel Read | 1785 | The Savior's glorious name | B♭ | S.M. | 4 | ||
362 | 230b | Mount Cumberland | Columbian Harmony | 1825 | Come, all ye happy race | Unattributed | 1839 | a | 669.669. | 3 |
363 | 231 | Creation | Elijah Griswold | 1793 | Let every creature join | Isaac Watts | 1719 | A | S. M. D. | 4 |
364 | 232 | Knoxville | Reubin Monday | 1820 | Rejoice, my friends, the Lord is King | Anonymous | 1813 | e | 88.887. | 4 |
365 | 233 | Heavenly Union | Jeremiah Ingalls | 1805 | Come saints and sinners, hear me tell | Unattributed | 1811 | G | 88.887. | 4 |
366 | 234 | Wondrous Love | James Christopher | 1840 | What wondrous love is this, O my soul | Anonymous | 1812 | g | 12 9.12 12 9. | 3 |
367 | 235 | Thorny Desert | William Walker | 1835 | Dark and thorny is the desert | Unattributed | 1810 | G | 87.87.D. | 3 |
368 | 236 | Silver Street | Isaac Smith | 1780 | Come sound his praise abroad | Isaac Watts | 1719 | C | S.M. | 4 |
369 | 237a | Longstreet | Thomas Haweis | 1791 | Some sweet savor of thy favor | Anonymous | 1811 | B♭ | 87.77.84. | 4 |
370 | 237b | Pilgrim's Prayer | Guide me, O thou great Jehovah | William Williams | 1745 | F | 87.87.47. | 4 | ||
371 | 238 | Rock of Salvation | William Hauser | 1848 | If life's pleasures charm thee | Francis Key | 1815 | G | 65.65.87.87. | 4 |
372 | 239a | Zell | Eyer | Praise to God the great Creator | John Taylor | 1795 | F | 87.87. | 4 | |
373 | 239b | Cheerful Hope | Wolfgang Mozart | 1791 | Though hard the winds are blowing | Unattributed | 1831 | G | 76.76. | 3 |
374 | 240 | Mixture | William Golightly | 1835 | Mixtures of joy and sorrow | Levi Hathaway | 1820 | A | 76.76.D. | 4 |
375 | 241 | Glorious Prospect | My soul's full of glory | John Granade | 1804 | E | 65.65.D. | 3 | ||
376 | 242a | Way to Zion | Farewell, my Christian brethren | John Leland | 1793 | C | 76.76.76. | 4 | ||
377 | 242b | New Hope | Ananias Davisson | 1820 | Come, ye that love the Lord | Isaac Watts | 1709 | F | S.M. | 4 |
378 | 243a | Hope | Collection of Psalm and Hymn Tunes | 1802 | My God, my life, my love | Isaac Watts | 1709 | G | S.M. | 4 |
379 | 243b | Blairsville | Did Christ o'er sinners weep | Benjamin Beddome | 1769 | f# | S.M. | 3 | ||
380 | 244a | Holy Manna | William Moore | 1825 | Brethren, we have met to worship | George Atkins | 1819 | C | 87.87.D. | 4 |
381 | 244b | Holy Manna | William Moore | 1825 | Brethren, see poor sinners round you | George Atkins | 1819 | C | 87.87.D. | 4 |
382 | 245a | Dalston | Aaron Williams | 1763 | How pleased and blessed was I | Isaac Watts | 1719 | B♭ | 668.668. | 4 |
383 | 245b | Volusia | O! Cease, my wandering soul | William Muhlenberg | 1826 | G | S.M. | 4 | ||
384 | 246a | Amity | Daniel Read | 1785 | My tongue repeats her vows | Isaac Watts | 1719 | A | 668.668. | 4 |
385 | 246b | Boylston | Lowell Mason | 1832 | Our days are as the grass | Isaac Watts | 1719 | C | S.M. | 4 |
386 | 247a | Nuremburg | Once I thought my mountain strong | John Newton | 1779 | B♭ | 77.77.77. | 4 | ||
387 | 247b | Bounding Billows | Deodatus Dutton | 1831 | Light of those whose dreary dwelling | Charles Wesley | 1745 | A | 87.87. | 3 |
388 | 248 | Palestine | William Hauser | 1848 | Blest land of Judea, thrice hallowed of song | John Whittier | 1843 | C | 11 12.12 12. | 3 |
389 | 249 | Wandering Sinner | Come tell me, wandering sinner | Unattributed | 1827 | D | 76.76.T | 3 | ||
390 | 250a | The Dying Pilgrim | H. Bingham | Farewell, beloved companions | H. Bingham | 1840 | d | 76.76.D. | 3 | |
391 | 250b | Dependence | Findlay | 1813 | But I, with all my cares | Isaac Watts | 1719 | a | S.M. | 3 |
392 | 251 | Pennsville | Along where murmuring waters | Unattributed | 1848 | D | 76.76.D. | 4 | ||
393 | 252 | The Trumpet | J. Williams | 1830 | The chariot, the chariot, its wheels roll in fire | Henry Milman | 1827 | D | 11 12.12 12. | 4 |
394 | 253a | Lamberton | Nehemiah Shumway | 1793 | Is this the kind return | Isaac Watts | 1709 | a | S.M. | 4 |
395 | 253b | Warren | Isaac Lane | 1802 | Let all our tongues be one | Isaac Watts | 1711 | A | S.M. | 4 |
396 | 254 | Douglass | Dr. Lacy | 1831 | Holy Ghost! Dispel our sadness | Paul Gerhardt | 1650 | F | 87.87.77.87. | 4 |
397 | 255a | Importunity | Savior, visit thy plantation | John Newton | 1779 | F | 87.87.D. | 4 | ||
398 | 255b | Greenville | Surely once thy garden flourished | John Newton | 1779 | F | 87.87.D. | 4 | ||
399 | 256 | Darley | Elisha King | 1844 | Come brethren and sisters, who love one another | Unattributed | 1840 | a | 12 8.12 8.D. | 3 |
400 | 257 | The Romish Lady | Southern Harmony | 1835 | There was a Romish lady | Unattributed | 1835 | A | 76.76.D. | 3 |
401 | 258 | Christian's Delight | E. F. Davis | Young people all, now at the ball | G | 87.87.D. | 3 | |||
402 | 259 | Mecklenburg | James Lowry | 1820 | Bright scenes of glory strike my sense | Unattributed | 1820 | g | 87.87.D. | 4 |
403 | 260a | Tamworth | Charles Lockhart | 1792 | Feed me with the heavenly manna | William Williams | 1745 | F | 87.87.D. | 4 |
404 | 260b | Spring Place | O Zion, afflicted with wave after wave | James Grant | 1784 | a | 11 11.11 11. | 3 | ||
405 | 261 | Young Ladies' Farewell | William Hauser | 1848 | Like yon bright cloud new forms assuming | Miss J. W. Guding | 1848 | A | 98.98.D. | 4 |
406 | 262 | Redeeming Grace | Wyeth's Repository, Part Second | 1813 | Come all who love my Lord and Master | Unattributed | 1813 | G | 98.98.D. | 4 |
407 | 263a | Florida | Truman Wetmore | 1803 | Let sinners take their course | Isaac Watts | 1719 | e | S.M. | 4 |
408 | 263b | Newingham | William Billings | 1770 | Death! O the awful sound | William Billings | 1770 | a | S.M. | 4 |
409 | 264 | Morality | David's Harp | 1803 | While beauty and youth are in their full prime | Unattributed | 1835 | G | 10 11.11 12. | 3 |
410 | 265a | Morality | David's Harp | 1803 | While beauty and youth are in their full prime | Unattributed | 1835 | G | 10 11.11 12. | 4 |
411 | 265b | Raleigh | To go from my home, and from kindred to part | Parley Pratt | 1840 | A | 12 11.12 11. | 3 | ||
412 | 266 | Babylonian Captivity | Elkanah Dare | 1813 | Along the banks where Babel's current flows | Joel Barlow | 1785 | f# | 10 10.10 10. | 4 |
413 | 267a | Happy Land | Hesperian Harp | 1848 | There is a happy land | Andrew Young | 1838 | E | 64.64.67.64. | 4 |
414 | 267b | Cornelia | Miss Breckenridge | O Jesus, my Savior, to thee I submit | Anonymous | 1810 | F | 11 11.11 11. | 3 | |
415 | 268a | O Tell Me No More | William Walker | 1835 | O tell me no more of this world's vain store | John Gambold | 1742 | G | 10 11.10 11. | 4 |
416 | 268b | Kingsley | Who, who would like alway away from his God | F | 11 11.11 11. | 3 | ||||
417 | 269a | Unitia | Lucius Chapin | 1812 | But this I do find, we two are so joined | John Gambold | 1742 | G | 10 11.10 11. | 4 |
418 | 269b | Taladega | J. W. Davis | 1844 | Come, thou fount of every blessing | Robert Robinson | 1759 | A | 87.87.D. | 3 |
419 | 270a | Davis | Wyeth's Repository, Part Second | 1813 | O thou in whose presence my soul takes delight | Joseph Swain | 1791 | G | 11 8.11 8. | 3 |
420 | 270b | Mount Bether | Freeman Lewis | Where dost thou at noon-tide resort with thy sheep | Joseph Swain | 1791 | F | 11 8.11 8. | 4 | |
421 | 271 | Samantha | Franklin Harmonie | 1821 | O why should I wander an alien from thee | Joseph Swain | 1791 | a | 11 8.11 8.D. | 4 |
422 | 272 | The Hermit | At the close of the day, when the hamlet is still | James Beattie | 1765 | C | 11 11.11 11.D. | 4 | ||
423 | 273 | Crucifixion | Ananias Davisson | 1820 | Saw ye my Savior! Saw ye my Savior! | Anonymous | 1819 | F | 10 7.779. | 4 |
424 | 274 | Behold the Lamb of God | T. K. Collins | Behold, behold the Lamb of God | Joseph Hoskins | 1789 | a | 86.86.88.86. | 4 | |
425 | 275a | Restoration | Wyeth's Repository, Part Second | 1813 | Ye captives restored and saints of the Lord | Unattributed | 1804 | A | 10 11.11 11. | 4 |
426 | 275b | Christmas Hymn | William Knapp | 1743 | A virgin unspotted, the prophets foretold | Unattributed | 1800 | G | 11 11.11 11. | 4 |
427 | 276 | De Kalb | Sweet the moments, rich in blessing | James Allen | 1757 | C | 87.87.D. | 4 | ||
428 | 277a | Road's Town | Elkanah Dare | 1813 | Daniel's wisdm may I know | Anonymous | 1827 | a | 77.77.77. | 4 |
429 | 277b | War Department | Southern Harmony | 1835 | No more shall the sound of the war-whoop be heard | Unattributed | 1835 | e | 11 11.11 11. | 3 |
430 | 278 | Melody | James P. Carrell | 1821 | O how I have longed for the coming of God | Anonymous | 1810 | C | 11 11.11 11.D. | 4 |
431 | 279 | Day-Spring | Christian, see! The orient morning | John Leland | 1790 | G | 87.87.87. | 4 | ||
432 | 280 | Missionary Hymn | Lowell Mason | 1824 | From Greenland's icy mountains | Reginald Heber | 1811 | F | 76.76.D. | 4 |
433 | 281 | The Gospel Among the Indians | William Hauser | 1848 | From realms where the day its first dawning extends | Anonymous | 1805 | C | 11 11.11 11. | 4 |
434 | 282 | Missionary Song | S. B. Pond | 1841 | O'er the gloomy hills of darkness | William Pantycelyn | 1772 | D | 87.87.87. | 4 |
435 | 283 | Missionaries in Palestine | Thomas Hastings | 1832 | They have gone to the land where the patriarchs rest | Thomas Hastings | 1832 | C | 12 9.12 9.D. | 4 |
436 | 284 | Isles of the South | William Hauser | 1848 | Wake, isles of the south! Your redemption is near | William Tappan | 1822 | E | 11 11.11 11 11. | 4 |
437 | 285 | Missionary's Farewell | Yes, my native land, I love thee | A | 87.87.D. | 4 | ||||
438 | 286 | Missionary Call | On Thibet's snow-capped mountains | Deodatus Dutton | 1831 | C | 76.76.D. | 3 | ||
439 | 287 | Monroe | Isaac Smith | 1820 | Jesus, my all, to heaven is gone | John Cennick | 1740 | G | L. M. D. | 4 |
440 | 288 | Gospel Morning | George Webb | 1831 | The morning light is breaking | Samuel Smith | 1832 | C | 76.76.D. | 4 |
441 | 289 | Drummond | Samuel Wakefield | 1845 | Away from his home and the friends of his youth | Unattributed | 1835 | A | 11 11.12 12. | 4 |
442 | 290 | The Chariot of Mercy | Traditional Irish | 1841 | The chariot of mercy is speeding its way | Mary Dana | 1841 | F | 11 8.11 8.D. | 3 |
443 | 291 | Babylon is Fallen | Hail the day so long expected | Richard McNemar | 1813 | G | 87.87.87.12 10. | 4 | ||
444 | 292a | Yarmouth | Charles Banister | 1792 | When shall the voice of singing | James Edmeston | 1822 | G | 76.76.D. | 4 |
445 | 292b | Palmyra | William Bradshaw | 1820 | Come, thou long-expected Jesus | Charles Wesley | 1745 | a | 87.87.D. | 4 |
446 | 293 | Rock of Ages | Thomas Hastings | 1831 | Rock of ages, cleft for me | Augustus Toplady | 1775 | D | 77.77.77. | 4 |
447 | 294a | Ohio | Compilation of Genuine Church Music | 1835 | Come, my soul, and let us try | Joseph Hart | 1759 | A | 76.76.D. | 4 |
448 | 294b | Exultation | R. D. Humphreys | 1820 | Come, away to the skies, my beloved, arise | Charles Wesley | 1767 | a | 11.9.11.9. | 4 |
449 | 295 | Redemption | Jeremiah Ingalls | 1805 | Come friends and relations, let's join heart and hand | Unattributed | 1803 | A | 11 11.11 11. | 4 |
450 | 296 | Home, Sweet Home | An alien to God, and a stranger to grace | Anonymous | 1830 | F | 11 11.11 11.5 11. | 4 | ||
451 | 297 | Expostulation | Christian Lyre | 1830 | O turn ye, O turn ye, for why will ye die | Josiah Hopkins | 1830 | A | 11 11.11 11. | 4 |
452 | 298a | The Spiritual Sailor | The people called Christians | a | 76.76.D. | 4 | ||||
453 | 298b | The Resolve | Christian Lyre | 1831 | I'll try to prove faithful | Unattributed | 1831 | F | 66.10 7. | 4 |
454 | 299a | The Spiritual Sailor | I. Neighbors | 1835 | Many have been impatient | Anonymous | 1810 | a | 76.76.D. | 3 |
455 | 299b | Grateful Tears | Samuel Wakefield | Who shall forbid our grateful woe | William Hunter | 1845 | G | C.M. | 3 | |
456 | 300 | The Lord Will Provide | Though troubles assail, and dangers affright | John Newton | 1779 | G | 10 10.11 11.10 11. | 4 | ||
457 | 301a | Good Physician | Oliver Holden | 1806 | How lost was my condition | John Newton | 1779 | e | 76.76.D. | 3 |
458 | 301b | Harrison | William Walker | 1835 | The worst of all diseases | John Newton | 1779 | e | 76.76.D. | 3 |
459 | 302 | Cumberland | Come, children of Zion, and help me to sing | Unattributed | 1832 | C | 11 11.11 11. | 4 | ||
460 | 303 | Begone Unbelief | Begone unbelief, my Savior is near | John Newton | 1779 | f# | 10 10.11 11. | 3 | ||
461 | 304a | Indiana | William Hauser | 1848 | Now with singing we praise | Charles Wesley | 1767 | C | 669.669. | 4 |
462 | 304b | Solicitation | P. A. Axton | How happy are they | Charles Wesley | 1749 | a | 569.569. | 4 | |
463 | 305a | Sweet Gliding Kedron | William Hauser | 1848 | Thou sweet gliding Kedron, by thy silver stream | Maria De Fleury | 1791 | G | 11 11.11 11. | 4 |
464 | 305b | Morning's Sweetness | Awake with the sound of the bell | Unattributed | 1848 | e | L. M. D. | 4 | ||
465 | 306a | Star in the East | Deodatus Dutton | 1831 | Hail the blest morn, when the great Mediator | Reginald Heber | 1811 | a | 11 10.11 10.D. | 4 |
466 | 306b | Star in the East | Deodatus Dutton | 1831 | Cold on his cradle the dew-drops are shining | Reginald Heber | 1811 | a | 11 10.11 10.D. | 4 |
467 | 307a | Star of Glory | He is our friend in the midst of temptation | Reginald Heber | 1811 | C | 11 10.11 10. | 4 | ||
468 | 307b | Edgefield | Jesse White | How tedious and tasteless the hours | John Newton | 1779 | f# | L.M. | 4 | |
469 | 308 | The Wanderer | William Hauser | 1848 | Mid scenes of confusion and creature complaints | David Denham | 1837 | a | 11 11.11 11.5 11. | 4 |
470 | 309 | Lena | Daniel Belknap | 1795 | See the Lord of glory dying | Joseph Hart | 1759 | f# | 887.887. | 4 |
471 | 310 | The Family Bible | Southern Harmony | 1835 | How painfully pleasing the fond recollection | Unattributed | 1818 | C | 12 11.12 11.D. | 4 |
472 | 311 | Ellison | Agonizing in the garden | Joseph Hart | 1759 | A | 87.87.87. | 3 | ||
473 | 312 | The Rock | In seasons of grief to my God I'll repair | William Hunter | 1842 | A | 11 12.12 11.8 11. | 3 | ||
474 | 313a | Impressive Hour | In this calm, impressive hour | Thomas Hastings | 1820 | E | 77.77.77. | 4 | ||
475 | 313b | Kingswood | James Peck | 1799 | Children of the heavenly King | John Cennick | 1740 | A | 77.77. | 4 |
476 | 314a | Bartimeus | Amos Pilsbury | 1799 | Mercy, O thou Son of David | John Newton | 1779 | F | 87.87. | 4 |
477 | 314b | Pentonville | Francis Linley | 1795 | To bless thy chosen race | Tate and Brady | 1696 | A | S.M. | 3 |
478 | 315a | Conquering Soldier | Christian Harmony | 1805 | O, when shall I see Jesus | John Leland | 17933 | e | 76.76.D. | 4 |
479 | 315b | McAnally | Haste, my dull soul, arise | Anonymous | 1843 | B♭ | 64.64.66.64. | 4 | ||
480 | 316 | Imandra | Ananias Davisson | 1820 | O Jesus, my Savior, I know thou art mine | Attrib. Caleb Taylor | 1810 | a | 11 11.11 11. | 4 |
481 | 317 | The Faithful Soldier | William Walker | 1835 | O, when shall I see Jesus | John Leland | 1793 | A | 77.77.D. | 4 |
482 | 318a | Parting Friends | Christian Lyre | 1831 | When shall we all meet again | Unattributed | 1835 | e | 77.77.77. | 4 |
483 | 318b | Indian's Farewell | Southern Harmony | 1835 | When our burnished locks are gray | Unattributed | 1835 | e | 77.77.77. | 3 |
484 | 319a | Mitylene | Malan | Come, ye weary, heavy-laden | Joseph Hart | 1759 | C | 87.87.87. | 4 | |
485 | 319b | How Charming is Jesus | There we shall reign with Jesus | Anonymous | 1822 | E | 76.76.D. | 3 | ||
486 | 320 | Morning Star | James Lowry | 1820 | How splendid shines the morning star | Philip Nicolai | 1697 | a | 887.887.888. | 4 |
487 | 321 | Zion's Call | William Caldwell | My brethren all, on you I call | Anonymous | 1805 | B♭ | 87.87.D. | 4 | |
488 | 322 | Lucas | Come, let us anew | Charles Wesley | 1749 | B♭ | 66.6 11.D. | 4 | ||
489 | 323 | Collins | O, hearken sinners, we have cause | Attrib. George Askins | 1817 | G | 87.87.77.77. | 3 | ||
490 | 324 | South Union | Hosanna to Jesus! I'm filled with his praises | Anonymous | 1805 | A | 12 11.12 11.D. | 3 | ||
491 | 325 | Invitation New | Come ye sinners, poor and wretched | Joseph Hart | 1759 | G | 87.87.D. | 3 | ||
492 | 326a | Kershaw | David's Harp | 1813 | Lift your heads, ye friends of Jesus | Charles Wesley | 1758 | a | 87.87.12 7. | 4 |
493 | 326b | Richmond | William Billings | 1778 | My beloved, haste away | James Relly | 1779 | a | 78.78.78. | 4 |
494 | 327 | The Bower of Prayer | To go from my home, and from kindred to part | Parley Pratt | 1840 | A | 11 11.10 12. | 3 | ||
495 | 328 | Montague | Timothy Swan | 1783 | Now let our mournful songs record | Isaac Watts | 1719 | d | L.M. | 4 |
496 | 329 | Walworth | John Wainwright | 1761 | The Lord, the Sovereign, sends his summons forth | Isaac Watts | 1719 | D | 10 10.10 10.10 10. | 3 |
497 | 330 | Gospel Trumpet | John Cole | 1799 | Hark! How the gospel trumpet sounds | Anonymous | 1810 | A | 88.88.84. | 4 |
498 | 331a | North Cove | Anonymous | 1830 | There we shall in full chorus join | Unattributed | 1830 | G | 88.88.84. | 3 |
499 | 331b | Amsterdam | Johann Hille | 1730 | Rise, my soul, and stretch thy wings | Robert Seagrave | 1742 | G | 76.76.77.76. | 4 |
500 | 332 | Light Street | David's Harp | 1813 | What now is my object, my object and aim | Charles Wesley | 1762 | G | 11 8.11 8.D. | 3 |
501 | 333 | Scriptures Fulfilling | See how the scriptures are fufilling | John Granade | 1804 | A | 98.98.D. | 4 | ||
502 | 334 | Stratfield | Ezra Goff | 1786 | Through every age, eternal God | Isaac Watts | 1719 | f# | L.M. | 4 |
503 | 335 | Schenectady | Nehemiah Shumway | 1805 | From all that dwell below the skies | Isaac Watts | 1719 | E♭ | L. M. D. | 4 |
504 | 336 | Mount Moro | William Moore | 1825 | Come, Christians, be valiant, our Jesus is near us | William Moore | 1825 | f# | 12 11.12 11. | 3 |
505 | 337 | Spring | Hilsberry | 1817 | Gently he draws my heart along | Isaac Watts | 1707 | g | L. M. D. | 4 |
506 | 338a | Emerald Gates | Ananias Davisson | 1820 | Burst, ye emerald gates, and bring | Richard Kempenfelt | 1777 | B♭ | 76.76.777. | 4 |
507 | 338b | Elysian | James P. Carrell | 1821 | Four and twenty elders rise | Richard Kempenfelt | 1779 | G | 76.76.77.77. | 4 |
508 | 339 | Shields | Wyeth's Repository, Part Second | 1813 | When quiet in my house I sit | Charles Wesley | 1762 | A | 88.88.88. | 4 |
509 | 340 | Ebenezer | James P. Carrell | 1831 | Love divine, all loves excelling | Charles Wesley | 1747 | C | 87.87.D. | 4 |
510 | 341a | Sons of Sorrow | James P. Carrell | 1821 | Hail! Ye sighing sons of sorrow | Anonymous | 1795 | Em | 87.87.D. | 3 |
511 | 341b | Roby | Hesperian Harp | 1848 | Tempest-tossed, troubled spirit | Anonymous | 1839 | a | 87.87.D. | 3 |
512 | 342 | Probation | William Walker | 1835 | I find myself placed in a state of probation | Unattributed | 1835 | C | 12 11.12 11.D. | 3 |
513 | 343 | Exhortation | Eliakim Doolittle | 1800 | Now in the heat of yoithful blood | Isaac Watts | 1707 | a | L.M. | 4 |
514 | 344 | Livonia | American Musical Magazine | 1800 | I'll praise my Maker with my breath | Isaac Watts | 1719 | e | 88.88.88. | 4 |
515 | 345 | Greenfields | Kentucky Harmonist | 1820 | How tedious and tasteless the hours | John Newton | 1779 | A | L. M. D. | 4 |
516 | 346 | Welsh | Welsh Traditional | 1750 | There's a friend above all others | Marianne Nunn | 1817 | A | 84.84.88.84. | 3 |
517 | 347a | Prescott | George Onler | I would not live alway; I ask not to stay | William Muhlenberg | 1826 | F | 11 11.11 12. | 4 | |
518 | 347b | Oregon | Carl von Weber | Heavenly Father, sovereign Lord | Charles Wesley | 1740 | C | 77.77. | 4 | |
519 | 348 | The Landscape | William Hauser | 1848 | Tis night, and the landscape is lovely no more | James Beattie | 1770 | C | 11 11.11 11.D. | 4 |
520 | 349 | Confidence | Supplement to the Kentucky Harmony | 1826 | Arise, my soul, arise | Charles Wesley | 1739 | a | 66.66.88. | 4 |
521 | 350 | Eighty-Ninth Psalm | Beauties of Psalmody | 1786 | Think, mighty God, on feeble man | Isaac Watts | 1719 | d | 888.888. | 4 |
522 | 351 | Gethsemane | William Hauser | 1848 | Go to dark Gethsemane | James Montgomery | 1825 | G | 77.77.77. | 4 |
523 | 352 | Vernon | Jeremiah Ingalls | 1805 | Come, O thou traveller unknown | Charles Wesley | 1742 | e | 88.88.88. | 4 |
524 | 353 | Cincinnati | Sinner, hear thy Savior's call | John Newton | 1779 | A | 76.76.77.76. | 4 | ||
525 | 354 | Christian's Hope | William Walker | 1835 | A few more days on earth to spend | Anonymous | 1822 | A | 88.86.D. | 3 |
526 | 355 | The Old Ship of Zion | Come along, come along, and let us go home | Unattributed | 1810 | A | 11 7.11 11. | 3 | ||
527 | 356 | Spring Hill | Jeremiah Ingalls | 1805 | The Lord into his garden comes | Anonymous | 1801 | G | 886.886. | 4 |
528 | 357 | Garden Hymn | Jeremiah Ingalls | 1805 | The glorious time is coming on | Anonymous | 1801 | G | 886.886. | 3 |
529 | 358 | Pilgrim's Farewell | Psalmodist's Companion | 1793 | Farewell, my friends, I must be gone | Samuel Crossman | 1664 | G | L. M. D. | 4 |
530 | 359 | Angels' Song | James P. Carrell | 1821 | He comes, he comes, the Judge severe | Charles Wesley | 1758 | G | L.M. | 4 |
531 | 360a | Hamburgh | O Spirit of the living God | James Montgomery | 1823 | G | L.M. | 4 | ||
532 | 360b | World, Adieu | Abijah Forbush | 1831 | World, adieu! Thou real cheat | Abijah Forbush | 1831 | a | 77.77.77. | 4 |
533 | 361 | Eustacy | Alexander Ely | Now let me rise and join their song | Isaac Watts | 1706 | A | C.M. | 3 | |
534 | 362 | Carnsville | Elisha King | 1844 | I love my blessed Savior | Anonymous | 1829 | B♭ | 77.76.D. | 4 |
535 | 363 | Hope Hull | William Hauser | 1848 | Ye souls that are now bound for heaven | Anonymous | 1807 | G | 98.98.D. | 4 |
536 | 364a | Knight | When thou, my righteous Judge, shall come | Selina, Countess Huntingdon | 1774 | C | 886.886. | 3 | ||
537 | 364b | New Preston | Thomas Carter | 1844 | The Savior meets his flock today | Anonymous | 1794 | G | 88.88.88. | 3 |
538 | 365 | Invocation | Southern Harmony | 1835 | Rise, my soul, and stretch thy wings | Robert Seagrave | 1742 | G | 76.76.77.76. | 4 |
539 | 366a | Fidelity | Cast on the fidelity | Charles Wesley | 1767 | A | 76.76.78.76. | 3 | ||
540 | 366b | Mount Olive | Supplement to the Kentucky Harmony | 1826 | The King of saints, how fair his face | Isaac Watts | 1719 | G | L. M. D. | 3 |
541 | 368a | Sudbury | William Billings | 1794 | What if the saint must die | John Peck | 1773 | C | S. M. D. | 4 |
542 | 368b | Spring Valley | Easy Instructor | 1803 | I'll praise my Maker with my breath | Isaac Watts | 1719 | D | L. M. D. | 4 |
543 | 369 | Flower of Calvary | William Hauser | 1848 | The finest flower that ever blowed | Joseph Swain | 1791 | F | C.M. | 4 |
544 | 370 | Nashville | R. D. Humphreys | 1820 | The Lord into his garden comes | Anonymous | 1801 | A | 886.886. | 4 |
545 | 371 | Kingwood | R. D. Humphreys | 1820 | My days, my weeks, my months, my years | Thomas Greene | 1780 | A | 886.886. | 4 |
546 | 372 | Christian Dirge | John Clarke | Thou art gone to the grave, but we will not deplore thee | Reginald Heber | 1818 | B♭ | 13 11.12 12. | 3 | |
547 | 373 | Caldwell's Funeral Thought | William Caldwell | 1837 | Thou art gone to the grave, but twere wrong to deplore thee | Reginald Heber | 1818 | F | 13 11.12 11. | 4 |
548 | 374 | Holy City | Columbian Harmony | 1825 | There is a holy city | Anonymous | 1811 | A | 76.76.D. | 4 |
549 | 375 | Dominion | Daniel Read | 1798 | Jesus shall reign where-e'er the sun | Isaac Watts | 1719 | E | L.M. | 4 |
550 | 376 | Rhode Island | Amos Pilsbury | 1799 | Thou great mysterious God unknown | Charles Wesley | 1747 | c | 886.886. | 3 |
551 | 377 | New Canaan | Wyeth's Repository, Part Second | 1813 | Ye children of Jesus, who're bound for the kingdom | John Granade | 1804 | C | 12 11.12 11.D. | 3 |
552 | 378a | Olney | Virginia Sacred Musical Repository | 1818 | Come, thou fount of every blessing | Robert Robinson | 1759 | G | 87.87.D. | 4 |
553 | 378b | Portuguese Hymn | John Wade | 1799 | Hither, ye faithful, haste with songs of triumph | John Wade | 1730 | A | 11 11.11 10. | 3 |
554 | 379 | True Love | Come away to the skies | Charles Wesley | 1767 | A | 669.669. | 4 | ||
555 | 380 | Bristol | Timothy Swan | 1785 | The spacious firmament on high | Joseph Addison | 1712 | F | L. M. D. | 4 |
556 | 381 | Delight | Simeon Coan | 1798 | Upward I lift mine eyes | Isaac Watts | 1711 | e | 66.66.88. | 4 |
557 | 382a | Complaint | Ezra Parmenter | 1790 | Save us, O Lord! Aloud we pray | Isaac Watts | 1719 | e | L.M. | 4 |
558 | 382b | Greenfield | Lewis Edson | 1782 | God is our refuge in distress | Tate and Brady | 1696 | a | 888.888. | 4 |
559 | 383 | Woodland | Southern Harmony | 1835 | There is an hour of peaceful rest | William Tappan | 1819 | G | 86.886. | 4 |
560 | 384 | Green Hills of Canaan | William Caldwell | 1837 | Ye objects of sense, and enjoyments of time | Benjamin Fraancis | 1795 | C | 11 8.11 8. | 4 |
561 | 385 | Joyful Spring | Virginia Sacred Musical Repository | 1818 | The voice of my beloved sounds | Isaac Watts | 1707 | G | 88.88.77. | 3 |
562 | 386 | Warwick | Benjamin Milgrove | 1768 | The voice of my beloved sounds | Isaac Watts | 1707 | A | 88.88.77. | 4 |
563 | 387 | Salutation | Western Harmony | 1824 | Good morning, brother pilgrim | Caleb Taylor | 1810 | d | 76.86.76.76. | 3 |
564 | 388 | Lenox | Lewis Edson | 1782 | Blow ye the trumpet, blow | Charles Wesley | 1749 | C | 66.66.88. | 4 |
565 | 389 | Sharon | Elisha West | 1793 | How pleasant 'tis to see | Isaac Watts | 1719 | D | 668.668. | 4 |
566 | 390 | The Jubilee Trump | William Moore | 1825 | What sound is this salutes my ear | John Granade | 1804 | A | 886.886. | 3 |
567 | 391 | Friendship | George Handel | 1735 | Friendship, in every willing mind | Unattributed | 1786 | G | 87.87.88.87. | 4 |
568 | 392 | Pilgrim | Jeremiah Ingalls | 1805 | Come, all ye mourning pilgrims dear | John Granade | 1794 | f# | 86.86.76.86. | 4 |
569 | 393 | Jesus Crucified | Southern Harmony | 1835 | Vain, delusive world, adieu | Charles Wesley | 1742 | a | 76.76.78.76. | 4 |
570 | 394 | Carmarthen | Musica Sacra | 1778 | Rejoice, the Lord is King | Charles Wesley | 1746 | G | 66.66.88. | 4 |
571 | 395 | Lovely Story | Sacred Harp | 1844 | A story most lovely to tell | Unattributed | 1810 | A | L. M. D. | 4 |
572 | 396 | Southwell | Elihu Carpenter | 1786 | Tis finished, the Redeemer said | Joseph Stennett | 1769 | E | 886.886. | 4 |
573 | 397 | Lovely Vine | Jeremiah Ingalls | 1805 | Behold, a lovely vine | Unattributed | 1800 | C | S.M. | 4 |
574 | 398 | New Jordan | Nehemiah Shumway | 1815 | On Jordan's stormy banks I stand | Samuel Stennett | 1787 | c# | C. M. D. | 4 |
575 | 399 | The Rose Tree | Ananias Davisson | 1820 | There is a land of pleasure | Anonymous | 1815 | A | 78.78.D. | 3 |
576 | 400 | Paradise | Oliver Holden | 1796 | Now to the shinign realms above | Isaac Watts | 1709 | D | L. M. D. | 4 |
577 | 401 | Bellevue | Elkanah Dare | 1813 | Ye tribes of Adam, join | Isaac Watts | 1719 | F | 66.66.88. | 4 |
578 | 402 | Few Happy Matches | Crane | 1788 | Say, mighty love, and teach my song | Isaac Watts | 1706 | A | 886.886. | 4 |
579 | 403 | Eden | James P. Carrell | 1821 | The Lord is the fountain of goodness and love | Anonymous | 1811 | G | 11 11.11 11. | 4 |
580 | 404 | Melodia | James Merrick | 1793 | The Lord of glory sends his summons forth | Isaac Watts | 1719 | E♭ | 10 10.10 10.10 10. | 4 |
581 | 405 | Symphony | Justin Morgan | 1790 | Behold, the Judge descends, his guards are nigh | Isaac Watts | 1719 | E♭ | 10 10.10 10.10 10. | 4 |
582 | 406 | Judgment | Daniel Read | 1785 | Behold, my covenant stands forever good | Isaac Watts | 1719 | C | 10 10.10 10.10 10. | 4 |
583 | 407 | Justice | Solomon Chandler | 1786 | The God of glory sends his summonsforth | Isaac Watts | 1719 | C | 10 10.10 10.10 10. | 4 |
584 | 408a | Solicitude | Virginia Sacred Musical Repository | 1818 | How firm a foundation, ye saints of the Lord | Robert Keen | 1787 | C | 11 11.11 11. | 4 |
585 | 408b | New Jerusalem | Tennessee Harmony | 1818 | My gracious Redeemer I love | Benjamin Francis | 1787 | a | L. M. D. | 4 |
586 | 409 | Amherst | William Billings | 1770 | Lord of the worlds above | Isaac Watts | 1719 | G | 66.66.88. | 4 |
587 | 410 | Fading, Still Fading | Fading, still fading, the last beam is shining | Unattributed | 1830 | E♭ | Irregular | 4 | ||
588 | 411 | Watts' Harp | Supplement to the Kentucky Harmony | 1820 | Say, mighty love, and teach my song | Isaac Watts | 1706 | G | 886.886. | 4 |
589 | 412 | Thou Art Passing Away | Henry Russell | 1848 | Thou art passing away, thou art passing away | Unattributed | 1848 | G | 12 11.11 12. | 4 |
590 | 413 | Lebanon | William Moore | 1825 | Drooping souls, no longer grieve | Anonymous | 1823 | a | 76.76.D. | 4 |
591 | 414 | Mourner | James P. Carrell | 1821 | Still out of the deepest abyss | Charles Wesley | 1747 | C | L. M. D. | 4 |
592 | 415 | Liberty | David's Harp | 1813 | Prisoners of hope, lift up your heads | Charles Wesley | 1742 | A | 88.88.88. | 4 |
593 | 416 | Complainer | William Walker | 1835 | I am a great complainer | Unattributed | 1835 | G | 76.76.D. | 4 |
594 | 417 | Witham | J. Fawcett | Master, I own thy lawful claim | Charles Wesley | 1749 | F | 88.88.88. | 4 | |
595 | 418 | Morgan | Easy Instructor | 1803 | With songs and honors sounding loud | Isaac Watts | 1719 | E | C. M. D. | 4 |
596 | 420 | Lenox New | William Hauser | 1848 | Through tribulation deep | Anonymous | 1804 | a | 66.66.88. | 4 |
597 | 421 | Miss Hataway's Experience | Young women all, I pray draw near | A | L. M. D. | 3 | ||||
598 | 422a | Ganges | Columbian and European Harmony | 1802 | Awaked by Sinai's awful sound | Samson Occum | 1774 | D | 886.886. | 4 |
599 | 422b | Ninety-Third | Jeremiah Ingalls | 1805 | We lift our hearts to thee | Charles Wesley | 1741 | C | S.M. | 4 |
600 | 423 | Psalm Forty-Sixth | Pierre Davantès | 1565 | I'll praise my Maker with my breath | Isaac Watts | 1719 | F | 88.88.88. | 4 |
601 | 424a | Anticipation | Jeremiah Ingalls | 1805 | When thou, my righteous Judge, shall come | Selina, Countess Huntingdon | 1774 | e | 886.886. | 4 |
602 | 424b | Saint's Repose | Amariah Hall | 1790 | Death is a calm and sweet repose | Ralph Erskine | 1740 | E | L. M. D. | 4 |
603 | 425 | Olivet | Easy Instructor | 1803 | On the cold ground, methinks I see | Anonymous | 1772 | d | 886.886. | 4 |
604 | 426 | De Beza | Pierre Davantès | 1565 | Shout to Jehovah, all the earth | Henry Ainsworth | 1612 | F | L.M. | 4 |
605 | 427 | Break of Day | William Hauser | 1848 | Let me go, the day is breaking | James Montgomery | 1825 | F | 87.87.77. | 4 |
606 | 428 | Buckfield | Abraham Maxim | 1802 | When strangers stand and hear me tell | Isaac Watts | 1707 | C | L.M. | 4 |
607 | 429 | The Blue Bird | P. A. Axton | 1825 | O how charming are the radiant bands | James Denson | 1844 | a | Anthem | 3 |
608 | 430 | Bruce's Address | Christian Lyre | 1831 | Soldiers of the cross, arise | Jared Waterbury | 1831 | A | 77.76.78.86. | 4 |
609 | 431 | Mount Sion | Bartholomew Brown | 1791 | The hill of Zion yields | Isaac Watts | 1709 | C | S. M. D. | 4 |
610 | 432a | Bannockburn | Lord of mercy and of might | Reginald Heber | 1827 | C | 77.75.D. | 3 | ||
611 | 432b | Horeb | Wolfe | Hail to the Lord's anointed | James Montgomery | 1821 | D | 76.76.D. | 3 | |
612 | 433 | Mount Hor | Southern Harmony | 1835 | The day of the Lord | Anonymous | 1823 | D | 11 11.66.76. | 3 |
613 | 434 | Mount Pleasant | Deolph | 1793 | There is a house not made with hands | Isaac Watts | 1707 | F | C.M. | 4 |
614 | 435 | Midnight Cry | William Walker | 1835 | When the midnight cry began | Unattributed | 1832 | A | 76.76.D. | 4 |
615 | 436 | Huntington | Justin Morgan | 1790 | Lord, what a thoughtless wretch was I | Isaac Watts | 1719 | A | L. M. D. | 4 |
616 | 437 | Portsmouth | James P. Carrell | 1821 | Come, sinners, to the gospel feast | Charles Wesley | 1747 | C | L.M. | 4 |
617 | 438 | Invitation | Jacob Kimball | 1784 | Hark! The Redeemer from on high | Isaac Watts | 1707 | D | L. M. D. | 4 |
618 | 439 | North Orange | Julius Caswell | 1801 | Jesus, the holy child, shall sit | Isaac Watts | 1707 | E | L. M. D. | 4 |
619 | 440 | St. Helen's | J Jennings | 1750 | How lovely are thy tents, O Lord | Charles Wesley | 1742 | C | 88.88.88. | 4 |
620 | 441 | Davis' Experience | Come all ye young people, of every relation | Unattributed | 1835 | A | 12 11.12 11.D. | 4 | ||
621 | 442a | David's Victory | Robert Boyd | 1825 | Now your festal rites prepare | Unattributed | 1825 | C | 77.77.10 10. | 4 |
622 | 442b | Connecticut | Lyman Ives | 1792 | Join all the glorious names | Isaac Watts | 1707 | D | 66.66.88. | 4 |
623 | 443 | Warrenton | J. Williams | 1822 | Whither goest thou, pilgrim stranger | Anonymous | 1822 | G | 87.87.789. | 3 |
624 | 444 | Washington | Reubin Monday | 1813 | Dismiss us with thy blessing, Lord | Joseph Hart | 1759 | a | L. M. D. | 4 |
625 | 445 | Petersburg | William Billings | 1786 | Thus saith the high and lofty one | Isaac Watts | 1707 | D | L. M. D. | 3 |
626 | 446 | Scotland | Nehemiah Shumway | 1793 | Awake our souls, away our fears | Isaac Watts | 1707 | E | L. M. D. | 4 |
627 | 447 | All Saints New | Amariah Hall | 1791 | O, if my Lord would come and meet | Isaac Watts | 1709 | d | L. M. D. | 4 |
628 | 449a | Social Meeting | Draw nigh to us, Jehovah | Anonymous | 1835 | C | 77.76.D. | 4 | ||
629 | 449b | Spanish Hymn | Through thy protecting care | Anonymous | 1820 | B♭ | 65.65.66.65.65. | 4 | ||
630 | 450a | Annapolis | Alexander Ely | 1825 | Ah, lovely appearance of death | Charles Wesley | 1746 | D | L. M. D. | 3 |
631 | 450b | Consolation New | Wyeth's Repository, Part Second | 1813 | Come on, my partners in distress | Charles Wesley | 1749 | a | 886.886. | 3 |
632 | 451 | O How Pleasant | Musical Reader | 1817 | O how pleasant 'tis to see | Isaac Watts | 1719 | F | 77.77. | 4 |
633 | 452 | Pastoral Elegy | A. Knapp | 1810 | What sorrowful sounds do I hear | Timothy Dwight | 1798 | e | L. M. D. | 4 |
634 | 453 | Hartford | Elihu Carpenter | 1779 | This spacious earth is all the Lord's | Isaac Watts | 1719 | d | L. M. D. | 4 |
635 | 454 | Methodist and Formalist | Good morning, brother pilgrim | Caleb Taylor | 1810 | G | 12 12.12 12.D. | 3 | ||
636 | 456 | Sinai | Merit Woodruff | 1801 | Lord, when thou didst ascend on high | Isaac Watts | 1719 | C | L. M. D. | 4 |
637 | 457 | Middlebury | R. D. Humphreys | 1823 | We have laid up our love | Charles Wesley | 1767 | A | 669.669. | 4 |
638 | 458 | Cumberland | Elijah Griswold | 1796 | The God of glory sends his summons forth | Isaac Watts | 1719 | E | 10 10.11 11. | 4 |
639 | 459 | Devotion | Amariah Hall | 1793 | Fly, fly me riches, fly me cares | Robert Seagrave | 1742 | F | Anthem | 4 |
640 | 461a | Shepherd | George Handel | 1742 | Ours is the Sabbath school | Anonymous | 1845 | A | S.M. | 4 |
641 | 461b | How Kind the Saviour's Love | How kind the Savior's love | Anonymous | 1836 | G | 66.66.88. | 3 | ||
642 | 462a | Reneau | Children redeemed in every place | Unattributed | 1848 | A | 86.86.88. | 4 | ||
643 | 462b | Abingdon | Jones | 1820 | There is an hour when I must die | Isaac Watts | 1720 | A | L.M. | 4 |
644 | 463 | Indian's Petition | I. B. Woodbury | 1846 | Let me go to my home in the far distant west | John Perry | 1833 | B♭ | 12 12.12 12. | 4 |
645 | 464 | Mary's Lamb | Justin Morgan | Mary had a little lamb | Sarah Hale | 1830 | A | 76.86.86.86. | 4 | |
646 | 465 | Sabbath School | All the week we spend | Thomas White | 1830 | E | 55.55.77. | 4 | ||
647 | 466 | Kidder | Come children young and lowly | W. Fraser | 1844 | A | 76.76.D. | 4 | ||
648 | 467 | Children's Hosannah | When his salvation bringing | John King | 1830 | G | 76.76.D. | 4 | ||
649 | 468 | Royal Proclamation | Southern Harmony | 1835 | Hear the royal proclamation | Anonymous | 1820 | F | 88.88.88. | 4 |
650 | 469a | Royal Proclamation | Southern Harmony | 1835 | Hear the royal proclamation | Anonymous | 1820 | F | 88.88.88. | 4 |
651 | 469b | Tippett | I saw a little child at play | Jemima Luke | 1842 | G | C.M. | 4 | ||
652 | 470 | Autumn Leaves | Irish Air | 1820 | See the leaves around us falling | George Horne | 1795 | G | 87.87.D. | 4 |
653 | 471 | Sweet Spring | I have seen in the sweet spring time | Mary Schindler | 1842 | C | 11 9.11 9.88.11 9. | 4 | ||
654 | 472a | Erie | Justin Morgan | 1790 | Ye tribes of Adam, join | Isaac Watts | 1719 | F | 66.66.88. | 4 |
655 | 472b | O come, come away | German Traditional | 1848 | O come, come away | Unattributed | 1848 | D | 11 14.88.65. | 4 |
656 | 473 | Atkinson | Southern Harmony | 1835 | E'en down to old age all my people shall prove | Isaac Watts | 1706 | F | 11 11.11 11. | 3 |
657 | 474 | Alexander | Virginia Sacred Musical Repository | 1818 | Thou, my God, art good and wise | Charles Wesley | 1763 | A | 76.76.77.76. | 4 |
658 | 475a | New Farewell | Southern Harmony | 1835 | Farewell, my loving friends, farewell | Unattributed | 1793 | a | 87.87.D. | 4 |
659 | 475b | Dwight | As crushed by sudden storms | Lydia Sigourney | 1815 | A | C.M. | 4 | ||
660 | 476a | Chalmers | Hugh Wilson | Happy the child whose tender years | Isaac Watts | 1720 | B♭ | C.M. | 4 | |
661 | 476b | Laban | Lowell Mason | 1830 | There is beyond the sky | Isaac Watts | 1720 | D | S.M. | 4 |
662 | 477 | Vesper Hymn | Deodatus Dutton | 1830 | Hark! The vesper hymn is stealing | Thomas Moore | 1816 | F | 87.87.86.87. | 3 |
663 | 478 | Shed Not a Tear | Thomas Bayly | 1833 | Shed not a tear o'er your friend's early bier | Mary Schindler | 1841 | F | 10 8.10 7.10 10.10 7. | 3 |
664 | 479 | Jeshurun | None is like Jeshurun's God | Charles Wesley | 1742 | A | 76.76.77.76. | 4 | ||
665 | 480a | There's not a tint | W. W. Brigham | 1835 | There's not a tint | John Wallace | 1825 | E | C.M. | 4 |
666 | 480b | American Gratitude | Up to thee, almighty Father | Attrib. Lovell | 1842 | C | 87.87.D. | 4 | ||
667 | 481 | Sunday School Farewell | Farewell, dear friend! A long farewell | George Coles | 1827 | G | C. M. D. | 4 | ||
668 | 482a | Hinton | William Gawler | 1792 | O Zion, afflicted with wave upon wave | James Grant | 1784 | A | 11 11.11 11. | 3 |
669 | 482b | Heavenly Welcome | O when shall I see Jesus | John Leland | 1793 | A | 76.76.D. | 3 | ||
670 | 483 | The Last Rose of Summer | Seraph | 1819 | Tis the last rose of summer | Traditional | 1830 | F | 12 12.11 12. | 4 |
671 | 484 | When Shall We Meet Again | When shall we meet again | Anonymous | 1829 | F | 65.65.66.65. | 4 | ||
672 | 485a | Cheering Thought | How charming the thought, that the spirits of bliss | Anonymous | 1845 | A | 11 11.11 11. | 4 | ||
673 | 485b | Joyful News | Compilation of the Litanies | 1787 | That Jesus hears when children pray | Anonymous | 1842 | F | C.M. | 3 |
674 | 486a | All is Well | Sacred Harp | 1844 | What's this that steals, that steals upon my frame | Anonymous | 1836 | A | 10 6.10 6.88.86. | 3 |
675 | 486b | All is Well | Sacred Harp | 1844 | Hark, hark, my Lord, my Lord and Master's voice | Anonymous | 1836 | A | 10 6.10 6.88.86. | 3 |
676 | 487 | The light of Sabbath eve | The light of Sabbath eve | James Edmeston | 1821 | G | 66.66.D. | 3 | ||
677 | 488a | The Scale | Thomas Hastings | 1835 | Come, let us learn to sing | Thomas Hastings | 1835 | G | 68.68.778. | 3 |
678 | 488b | Childhood's Gladness | We come in childhood's gladness | Anonymous | 1832 | F | 76.76.D. | 3 | ||
679 | 489 | America | Harmonia Anglicana | 1744 | My country, 'tis of thee | Samuel Smith | 1831 | F | 664.6664. | 4 |
680 | 490 | Ode on Science | Jazaniah Sumner | 1798 | The morning sun shines from the east | Jazaniah Sumner | 1798 | G | L.M.D.D. | 4 |
681 | 492 | Claremont | Temple and Merill | 1799 | Vital spark of heavenly flame | Alexander Pope | 1720 | C | Anthem | 4 |
682 | 496 | The Prodigal Son | Josiah Moore | 1816 | Behold the wretch whose lust and wine | Isaac Watts | 1707 | b | Anthem | 4 |
683 | 499 | John the Baptist | Benjamin White | 1844 | In those days came John the Baptist | Matthew 3:1 | 0 | C | Anthem | 4 |
684 | 501 | David's Lamentation | William Billings | 1778 | David the King was grieved and moved | 2 Samuel 18:33 | 0 | a | Anthem | 4 |
685 | 502 | Heavenly Vision | Jacob French | 1786 | I beheld, and lo! A great multitude | Revelation 7:9 | 0 | G | Anthem | 4 |
686 | 506 | Judgment Anthem | Justin Morgan | 1790 | Hark ye mortals, hear the trumpet | Anonymous | 1789 | e | Anthem | 4 |
687 | 514 | Easter Anthem | William Billings | 1787 | The Lord is risen indeed | Edward Young | 1742 | A | Anthem | 4 |
688 | 517 | Reverential Anthem | Elisha King | 1844 | Give unto the Lord the glory | C | Anthem | 3 | ||
689 | 518 | Rose of Sharon | William Billings | 1778 | I am the rose of Sharon | Song of Solomon 2:1 | 0 | A | Anthem | 4 |
690 | 524 | Funeral Anthem | William Billings | 1778 | I heard a great voice from heaven | Revelation 11:12 | 0 | f# | Anthem | 4 |
691 | 525 | Anthem of Praise | O! Praise God in his holiness | F | Anthem | 4 | ||||
692 | 527 | Farewell Anthem | Jacob French | 1783 | My friends, I am going a long and tedious journey | Unattributed | 1789 | a | Anthem | 4 |
693 | 530 | The Drunkard's Burial | William Hauser | 1848 | Not a sigh was heard nor a wailing note | Unattributed | 1848 | G | 10 10.10 10.10 8.98. | 3 |
694 | 531 | Meeting of the Waters | William Palmer | 1848 | O soft sleep the hills in their sunny repose | Unattributed | 1841 | A | 11 12.11 12. | 3 |
695 | 532 | The Drink | The drink that's in the drunkard's bowl | John Marsh | 1841 | F | 86.86.88.66. | 4 | ||
696 | 533 | Ecstasy | Abijah Forbush | 1806 | O that I could now adore him | Anonymous | 1794 | C | 87.87.44.47 | 4 |
697 | 534 | Hail to the Cause | Scottish Traditional | 1710 | Hail to the cause that in triumph advances | Miss Julia A. P_ | 1848 | D | 11 11.12 10. | 4 |
698 | 536 | Washington Badge | Hesperian Harp | 1848 | Come, join our temperance army | Folk song | 1700 | G | 98.98.D. | 3 |
699 | 537 | Auld Lang Syne | Scottish Traditional | 1700 | Be days of drinking wine forgot | Unattributed | 1848 | G | C. M. D. | 4 |
700 | 538 | The Last Distiller | Twas the last sad distiller | A | 75.75.76.65. | 4 | ||||
701 | 539 | Naxos | H. R. Bishop | 1848 | Onward! onward! Band victorious | Unattributed | 1842 | F | 87.87.D. | 4 |
702 | 540 | Maltese Boatman's Song | Maltese Traditional | 1650 | Hail, brothers Hail! We have met once more | E. M. Pendleton | 1848 | G | Irregular | 3 |
703 | 541 | Away the Bowl | Anonymous | 1842 | Our youthful hearts with temperance burn | Anonymous | 1842 | C | 86.86.886. | 4 |
704 | 542 | Sparkling and Bright | Sparking and bright in its liquid light | B♭ | 88.88.87.87. | 3 | ||||
705 | 543a | Sign of the Sons of Temperance | Stephen Foster | 1840 | O, sweet the strains are swelling | Peter Walker | 1848 | G | C. M. D. | 3 |
706 | 543b | Drunkard's Wife | Sadly and hopelessly mourning her lot | E♭ | 10 10.10 10. | 4 | ||||
707 | 544 | Angels' Whisper | A baby was sleeping | Unattributed | 1848 | C | 66 12.77 12. | 4 | ||
708 | 545 | One Glass More | ' | 1800 | Stay, mortal, stay, Nor heedless thus | John Marsh | 1841 | B♭ | C. M. D.D. | 4 |
709 | 546 | Afflicted Zion | William Hauser | 1848 | Sitting by the streams that glide | Anonymous | 1840 | F | 77.777. | 3 |
710 | 547 | Hail Columbia | Philip Phile | 1789 | Hail, Columbia! Happy land | Joseph Hopkinson | 1789 | C | 77.88.88. | 3 |
711 | 548 | The Inebriate's Lament | Farewell, farewell, ye blest scenes of my childhood | C | 11 11.12 11. | 3 | ||||
712 | 549 | The Star-Spangled Banner | ' | 1814 | O say can you see by the dawn's early light | Francis Key | 1815 | C | 11 13.12 13. | 3 |
713 | 550 | The American Star | William McCarty | 1842 | Come, strike the bold anthem, the war-dogs are howling | Unknown | 1770 | F | 12 11.12 11.D. | 3 |
714 | 551 | Pilgrim Fathers | Augusta Brown | 1848 | The breaking waves dashed high | Felicia Hemans | 1828 | D | Irregular | 4 |