Veniat amica mea (Orazio Tarditi): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{PostedDate|2015-07-01}} {{CPDLno|35941}} [[Media:Tarditi_Veniat_Amica.pdf|{{pdf}}]] [[Media:Tarditi_Veniat_Amica.mp3|{{mp3}}]] [[Media:Tarditi_Veniat_Amica.mxl|{{XML}}]] [[Media:Tarditi_Veniat_Amica.musx|{{F14}}]] (Finale 2014) | |||
{{Editor|Anthony Cekada|2015-07-01}}{{ScoreInfo|Letter|4|131}}{{Copy|CPDL}} | |||
:'''Edition notes:''' From CPDL #20036. Soprano lines occasionally swapped and bass line altered to accommodate alto and baritone ranges. Time signatures changed. Continuo extensively altered throughout to better harmonize with voices. {{MXL}} | |||
*{{CPDLno|20036}} [ | *{{CPDLno|20036}} [[Media:Tard-ven.pdf|{{pdf}}]] [[Media:Tard-ven.MID|{{mid}}]] [[Media:Veniat_amica_mea.mxl|{{XML}}]] [[Media:Veniat_amica_mea.MUS|{{mus}}]] (Finale 2008) | ||
{{Editor|André Vierendeels|2009-08-23}}{{ScoreInfo|A4|4|124}}{{Copy|CPDL}} | {{Editor|André Vierendeels|2009-08-23}}{{ScoreInfo|A4|4|124}}{{Copy|CPDL}} | ||
:'''Edition notes:''' | :'''Edition notes:''' {{MXL}} | ||
==General Information== | ==General Information== | ||
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{{Composer|Orazio Tarditi}} | {{Composer|Orazio Tarditi}} | ||
{{Voicing|3|SSB}}<br> | {{Voicing|3|SSB|SAB}}<br> | ||
{{Genre|Sacred|Antiphons}} | {{Genre|Sacred|Antiphons|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|Basso continuo}} | {{Instruments|Basso continuo|Organ}} | ||
''' | {{Pub|1|1643|in ''{{NoCo|Liber quartus motectorum}}''|no=}} | ||
'''Description:''' | '''Description:''' It is appropriate for liturgical use on Marian feasts. | ||
==Original text and translations== | ==Original text and translations== | ||
{{top}} | |||
{{Text|Latin | {{Text|Latin| | ||
Veniat amica mea, dilecta mea, | Veniat amica mea, dilecta mea, | ||
veniat columba mea, immaculata mea. | veniat columba mea, immaculata mea. | ||
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sonet vox tua in auribus meis. | sonet vox tua in auribus meis. | ||
Vox enim tua dulcis, | Vox enim tua dulcis, | ||
et facies tua decora. | et facies tua decora.}} | ||
{{mdl}} | |||
{{Translation|English| | |||
{{ | May my love come, my fair one, | ||
may my dove come, my immaculate one. | may my dove come, my immaculate one. | ||
Come from Lebanon, beloved bride, | Come from Lebanon, beloved bride, | ||
Line 51: | Line 49: | ||
let your voice sound in my ears. | let your voice sound in my ears. | ||
For your voice is sweet | For your voice is sweet | ||
and your face is comely. | and your face is comely. | ||
(Latin text freely adapted from the Song of Songs) | {{Translator|Mick Swithinbank}} | ||
(Latin text freely adapted from the Song of Songs)}} | |||
{{btm}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Baroque music]] | [[Category:Baroque music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 11:46, 25 September 2019
Music files
ICON | SOURCE |
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Midi | |
Mp3 | |
MusicXML | |
Finale | |
Finale 2014 | |
File details | |
Help |
- Editor: Anthony Cekada (submitted 2015-07-01). Score information: Letter, 4 pages, 131 kB Copyright: CPDL
- Edition notes: From CPDL #20036. Soprano lines occasionally swapped and bass line altered to accommodate alto and baritone ranges. Time signatures changed. Continuo extensively altered throughout to better harmonize with voices. MusicXML source file(s) in compressed .mxl format.
- Editor: André Vierendeels (submitted 2009-08-23). Score information: A4, 4 pages, 124 kB Copyright: CPDL
- Edition notes: MusicXML source file(s) in compressed .mxl format.
General Information
Title: Veniat amica mea
Composer: Orazio Tarditi
Number of voices: 3vv Voicing: SAB
Genre: Sacred, Antiphon, Motet
Language: Latin
Instruments: Basso continuo Organ
First published: 1643 in Liber quartus motectorum
Description: It is appropriate for liturgical use on Marian feasts.
Original text and translations
Latin text Veniat amica mea, dilecta mea, |
English translation May my love come, my fair one, |