Who prostrate lies (Thomas Bateson): Difference between revisions

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==Music files {{editions|3}}==
==Music files==
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==Original text and translations==
==Original text and translations==
{{Text|English}}
{{Text|English}}
 
<poem>
:Who prostrate lies at Women's feet,
Who prostrate lies at Women's feet,
:and calls them darlings dear and sweet,
and calls them darlings dear and sweet,
:protesting love and craving grace,
protesting love and craving grace,
:and praising oft, and praising oft a foolish face,
and praising oft, and praising oft a foolish face,
:are often times deceiv'd at last,
are often times deceiv'd at last,
:then catch at nought and hold it fast.
then catch at nought and hold it fast.
</poem>


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 14:18, 31 October 2011

Music files

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  • CPDL #23915: Icon_pdf.gif Icon_snd.gif [ Capella]
Editor: James Gibb (submitted 2011-07-17).   Score information: A4, 6 pages, 64 kB   Copyright: CPDL
Edition notes: Includes a keyboard reduction of the a cappella choral score.
Editor: Brian Russell (submitted 2006-02-28).   Score information: A4, 5 pages, 40 kB   Copyright: GnuGPL
Edition notes: Nwc.png
Error.gif Possible error(s) identified. See the discussion page for full description.
  • CPDL #10124: Network.png
Editor: Vince M. Brennan (submitted 2005-11-15).   Score information: Letter, 7 pages, 65 kB   Copyright: Personal
Edition notes: Copyright (c) 2004 by V. M. Brennan
Error.gif Possible error(s) identified. See the discussion page for full description.

General Information

Title: Who prostrate lies
Composer: Thomas Bateson

Number of voices: 5vv   Voicing: SSATB

Genre: SecularMadrigal

Language: English
Instruments: a cappella
Published: First Book of Madrigals, 1604

Description:

External websites:

Original text and translations

English.png English text

Who prostrate lies at Women's feet,
and calls them darlings dear and sweet,
protesting love and craving grace,
and praising oft, and praising oft a foolish face,
are often times deceiv'd at last,
then catch at nought and hold it fast.