Who prostrate lies (Thomas Bateson): Difference between revisions

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==Original text and translations==
==Original text and translations==
{{Text|English}}
{{Text|English|
<poem>
Who prostrate lies at women's feet,
Who prostrate lies at women's feet,
And calls them darlings dear and sweet,
And calls them darlings dear and sweet,
Line 39: Line 38:
Are oftentimes deceiv'd at last,
Are oftentimes deceiv'd at last,
Then catch at nought and hold it fast.
Then catch at nought and hold it fast.
</poem>
}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 22:54, 10 March 2015

Music files

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  • CPDL #23915:  Icon_pdf.gif Icon_snd.gif [ Capella]
Editor: James Gibb (submitted 2011-07-17).   Score information: A4, 6 pages, 64 kB   Copyright: CPDL
Edition notes: Includes a keyboard reduction of the a cappella choral score. Transposed down a tone from the original key. Files revised 10/03/12 to reflect the 1840 facsimile.
Editor: Brian Russell (submitted 2006-02-28).   Score information: A4, 5 pages, 40 kB   Copyright: GnuGPL
Edition notes: Nwc.png Transposed down a minor third fron the original key.
Error.gif Possible error(s) identified. See the discussion page for full description.
  • CPDL #10124:  Network.png
Editor: Vince M. Brennan (submitted 2005-11-15).   Score information: Letter, 7 pages, 65 kB   Copyright: Personal
Edition notes: In original key. Copyright (c) 2004 by V. M. Brennan
Error.gif Possible error(s) identified. See the discussion page for full description.

General Information

Title: Who prostrate lies
Composer: Thomas Bateson

Number of voices: 5vv   Voicing: SSATB

Genre: SecularMadrigal

Language: English
Instruments: A cappella

Published: 1604

Description: No. 20 from The First Set of English Madrigals to 3, 4, 5, and 6 voices (Thomas Bateson)

External websites:

Original text and translations

English.png English text

Who prostrate lies at women's feet,
And calls them darlings dear and sweet,
Protesting love and craving grace,
And praising oft a foolish face;
Are oftentimes deceiv'd at last,
Then catch at nought and hold it fast.