Who prostrate lies (Thomas Bateson): Difference between revisions
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==Original text and translations== | ==Original text and translations== | ||
{{Text|English | {{Text|English| | ||
Who prostrate lies at women's feet, | Who prostrate lies at women's feet, | ||
And calls them darlings dear and sweet, | And calls them darlings dear and sweet, | ||
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Are oftentimes deceiv'd at last, | Are oftentimes deceiv'd at last, | ||
Then catch at nought and hold it fast. | Then catch at nought and hold it fast. | ||
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[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 22:54, 10 March 2015
Music files
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Help |
- Editor: James Gibb (submitted 2011-07-17). Score information: A4, 6 pages, 64 kB Copyright: CPDL
- Edition notes: Includes a keyboard reduction of the a cappella choral score. Transposed down a tone from the original key. Files revised 10/03/12 to reflect the 1840 facsimile.
- CPDL #11118: NoteWorthy Composer
- Editor: Brian Russell (submitted 2006-02-28). Score information: A4, 5 pages, 40 kB Copyright: GnuGPL
- Edition notes: Transposed down a minor third fron the original key.
- Possible error(s) identified. See the discussion page for full description.
- Editor: Vince M. Brennan (submitted 2005-11-15). Score information: Letter, 7 pages, 65 kB Copyright: Personal
- Edition notes: In original key. Copyright (c) 2004 by V. M. Brennan
- Possible error(s) identified. See the discussion page for full description.
General Information
Title: Who prostrate lies
Composer: Thomas Bateson
Number of voices: 5vv Voicing: SSATB
Genre: Secular, Madrigal
Language: English
Instruments: A cappella
Published: 1604
Description: No. 20 from The First Set of English Madrigals to 3, 4, 5, and 6 voices (Thomas Bateson)
External websites:
Original text and translations
English text
Who prostrate lies at women's feet,
And calls them darlings dear and sweet,
Protesting love and craving grace,
And praising oft a foolish face;
Are oftentimes deceiv'd at last,
Then catch at nought and hold it fast.