Who prostrate lies (Thomas Bateson): Difference between revisions

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*{{CPDLno|11118}} [{{filepath:201.pdf}} {{pdf}}] [{{website|brianrussell}}201.mid {{mid}}] [{{website|brianrussell}}201.nwc NoteWorthy Composer]
{{Editor|Brian Russell|2006-02-28}}{{ScoreInfo|A4|5|40}}{{Copy|GnuGPL}}
{{Editor|Brian Russell|2006-02-28}}{{ScoreInfo|A4|5|40}}{{Copy|GnuGPL}}
:'''Edition notes:''' {{NWC}} Transposed down a minor third fron the original key.
:'''Edition notes:''' {{NWCV}} Transposed down a minor third fron the original key.
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Revision as of 18:00, 4 August 2016

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  • CPDL #23915:  Icon_pdf.gif Icon_snd.gif [ Capella.png]
Editor: James Gibb (submitted 2011-07-17).   Score information: A4, 6 pages, 64 kB   Copyright: CPDL
Edition notes: Includes a keyboard reduction of the a cappella choral score. Transposed down a tone from the original key. Files revised 10/03/12 to reflect the 1840 facsimile.
Editor: Brian Russell (submitted 2006-02-28).   Score information: A4, 5 pages, 40 kB   Copyright: GnuGPL
Edition notes: NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer. Transposed down a minor third fron the original key.
Error.gif Possible error(s) identified. See the discussion page for full description.
  • CPDL #10124:  Network.png
Editor: Vince M. Brennan (submitted 2005-11-15).   Score information: Letter, 7 pages, 65 kB   Copyright: Personal
Edition notes: In original key. Copyright (c) 2004 by V. M. Brennan
Error.gif Possible error(s) identified. See the discussion page for full description.

General Information

Title: Who prostrate lies
Composer: Thomas Bateson

Number of voices: 5vv   Voicing: SSATB

Genre: SecularMadrigal

Language: English
Instruments: A cappella

Published: 1604

Description: No. 20 from The First Set of English Madrigals to 3, 4, 5, and 6 voices (Thomas Bateson)

External websites:

Original text and translations

English.png English text

Who prostrate lies at women's feet,
And calls them darlings dear and sweet,
Protesting love and craving grace,
And praising oft a foolish face;
Are oftentimes deceiv'd at last,
Then catch at nought and hold it fast.