Who prostrate lies (Thomas Bateson): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{CPDLno|23915}} [[Media:Who_prostrate_lies.pdf|{{pdf}}]] [[Media:Who_prostrate_lies.mid|{{mid}}]] [[Media:Who_prostrate_lies.mxl|{{XML}}]] [[Media:Who_prostrate_lies.capx|{{Capx}}]] | |||
{{Editor|James Gibb|2011-07-17}}{{ScoreInfo|A4|6|88}}{{Copy|CPDL}} | |||
:'''Edition notes:''' {{KbdRed}} Transposed down a tone from the original key. Files revised 10/03/12 to reflect the 1840 facsimile. {{MXL}} Revised files uploaded 30/01/19. | |||
*{{CPDLno| | *{{CPDLno|11118}} [[Media:201.pdf|{{pdf}}]] [[Media:br-201.mid|{{mid}}]] [[Media:br-201.nwc|{{NWC}}]] | ||
{{Editor|Brian Russell|2006-02-28}}{{ScoreInfo|A4|5|40}}{{Copy|GnuGPL}} | {{Editor|Brian Russell|2006-02-28}}{{ScoreInfo|A4|5|40}}{{Copy|GnuGPL}} | ||
:'''Edition notes:''' {{ | :'''Edition notes:''' {{NWCV}} Transposed down a minor third fron the original key. | ||
{{ScoreError}} | |||
*{{CPDLno|10124}} [http://www.oldmusicproject.com/madrigalia/bateson.html {{net}}] | *{{CPDLno|10124}} [http://www.oldmusicproject.com/madrigalia/bateson.html {{net}}] | ||
{{Editor|Vince M. Brennan|2005-11-15}}{{ScoreInfo|Letter|7|65}}{{Copy|Personal}} | {{Editor|Vince M. Brennan|2005-11-15}}{{ScoreInfo|Letter|7|65}}{{Copy|Personal}} | ||
:'''Edition notes:''' In original key. Copyright (c) 2004 by V. M. Brennan | :'''Edition notes:''' In original key. Copyright (c) 2004 by V. M. Brennan | ||
{{ScoreError}} | |||
==General Information== | ==General Information== | ||
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{{Genre|Secular|Madrigals}} | {{Genre|Secular|Madrigals}} | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|A cappella}} | |||
'' | {{Pub|1|1598|in ''{{NoCo|The First Set of English Madrigals to 3-6 voices}}''|no=20}} | ||
'''Description:''' | '''Description:''' | ||
'''External websites:''' | '''External websites:''' | ||
==Original text and translations== | ==Original text and translations== | ||
{{Text|English | {{Text|English| | ||
Who prostrate lies at women's feet, | Who prostrate lies at women's feet, | ||
And calls them darlings dear and sweet, | And calls them darlings dear and sweet, | ||
Line 38: | Line 36: | ||
And praising oft a foolish face; | And praising oft a foolish face; | ||
Are oftentimes deceiv'd at last, | Are oftentimes deceiv'd at last, | ||
Then catch at nought and hold it fast. | Then catch at nought and hold it fast.}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 07:56, 17 June 2019
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Capella | |
Noteworthy | |
Web Page | |
Score Error | |
File details | |
Help |
- Editor: James Gibb (submitted 2011-07-17). Score information: A4, 6 pages, 88 kB Copyright: CPDL
- Edition notes: Includes a keyboard reduction of the a cappella choral score. Transposed down a tone from the original key. Files revised 10/03/12 to reflect the 1840 facsimile. MusicXML source file(s) in compressed .mxl format. Revised files uploaded 30/01/19.
- Editor: Brian Russell (submitted 2006-02-28). Score information: A4, 5 pages, 40 kB Copyright: GnuGPL
- Edition notes: NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer. Transposed down a minor third fron the original key.
- Possible error(s) identified. See the discussion page for full description.
- Editor: Vince M. Brennan (submitted 2005-11-15). Score information: Letter, 7 pages, 65 kB Copyright: Personal
- Edition notes: In original key. Copyright (c) 2004 by V. M. Brennan
- Possible error(s) identified. See the discussion page for full description.
General Information
Title: Who prostrate lies
Composer: Thomas Bateson
Number of voices: 5vv Voicing: SSATB
Genre: Secular, Madrigal
Language: English
Instruments: A cappella
First published: 1598 in The First Set of English Madrigals to 3-6 voices, no. 20
Description:
External websites:
Original text and translations
English text
Who prostrate lies at women's feet,
And calls them darlings dear and sweet,
Protesting love and craving grace,
And praising oft a foolish face;
Are oftentimes deceiv'd at last,
Then catch at nought and hold it fast.