William Ernest Henley: Difference between revisions
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Revision as of 17:02, 25 November 2020
Life
Born: 23 August 1849
Died: 11 July 1903
Biography
(Copied from Wikipedia) William Ernest Henley (23 August 1849 – 11 July 1903) was an influentual poet, critic and editor of the late-Victorian era in England that is spoken of as having as central a role in his time as Samuel Johnson in the eighteenth century. Remembered most often for his 1875 poem "Invictus," a piece which recurs in popular awareness (e.g., see the 2009 Clint Eastwood film, Invictus), it is one of his hospital poems from early battles with tuberculosis and is said to have developed the artistic motif of poet as a patient, and to have anticipated modern poetry in form and subject matter. Moreover, as an editor of a series of literary magazines and journals—with right to choose contributors, and to offer his own essays, criticism, and poetic works—Henley, like Johnson, is said to have had significant influence on culture and literary perspectives in the late-Victorian period.
View the Wikipedia article on William Ernest Henley.
Settings of text by William Ernest Henley
- Bloody, but unbowed (Mark Chapman)
- Bring her again (Horatio W. Parker)
- Evening (Edward Sweeting)
- Invictus (Barbara Rosen)
- Invictus (Charles West)
- Invictus (Vlad Zoborovski)
- Love Blows as the Wind Blows (George Butterworth)
- Margaritae Sorori (Ernest Farrar)
- Spring’s Message (Edward B. Birge)
- Virtues (John Manuel Pacheco)
Publications
External links
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