William Jackson of Exeter: Difference between revisions
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==List of choral works== | ==List of choral works== | ||
{{#SortWorks:}} | ===Sacred works=== | ||
{{#SortWorks:Sacred music|cols=3}} | |||
===Secular works=== | |||
{{#SortWorks:Secular music|cols=3}} | |||
{{ArrangementsList}} | {{ArrangementsList}} | ||
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==Publications== | ==Publications== | ||
*Twelve songs, Op.1, c.1755 | |||
*Elegies, Op.3, c.1760 | |||
*Twelve Songs, Op.4, c.1765 | |||
*An Anthem...and An Ode, Op.5, 1766 | |||
*Twelve Hymns, Op.6, 1768 | |||
*Twelve Songs, Op.7, c.1770 | |||
*An ode to Fancy (Warton), Op.8, c.1770 | |||
*Twelve Canzonets, Op.9, c.1770 | |||
*Six Quartets, Op.11, c.1775 | |||
*A Second Set of Twelve Canzonets, Op.13, c.1782 | |||
*Twelve Pastorals, Op.15, 1786 | |||
*Twelve Songs, Op.16, c.1790 | |||
*Six Epigrams, Op.17, c.1795 | |||
*Six Madrigals, Op.18, c.1798 | |||
==External links== | ==External links== |
Latest revision as of 18:45, 6 November 2023
Life
Born: 29 May 1730
Died: 5 July 1803
Biography Jackson usually referred to himself as "of Exeter", not as disambiguation, but because he was proud of his origins. This was analogous to the contemporaneous artist brothers William, George and John Smith invariably labelling themselves as "of Chichester". Jackson's assumed epithet became useful after his death to distinguish him from another composer of the same name, usually referred to as William Jackson "of Masham" (1815-1866).
View the Wikipedia article on William Jackson of Exeter.
List of choral works
Sacred works
Secular works
Click here to search for this composer on CPDL
Publications
- Twelve songs, Op.1, c.1755
- Elegies, Op.3, c.1760
- Twelve Songs, Op.4, c.1765
- An Anthem...and An Ode, Op.5, 1766
- Twelve Hymns, Op.6, 1768
- Twelve Songs, Op.7, c.1770
- An ode to Fancy (Warton), Op.8, c.1770
- Twelve Canzonets, Op.9, c.1770
- Six Quartets, Op.11, c.1775
- A Second Set of Twelve Canzonets, Op.13, c.1782
- Twelve Pastorals, Op.15, 1786
- Twelve Songs, Op.16, c.1790
- Six Epigrams, Op.17, c.1795
- Six Madrigals, Op.18, c.1798