Cantai mentre ch'i arsi (Cipriano de Rore): Difference between revisions

From ChoralWiki
Jump to navigation Jump to search
(add Pub 4)
 
(28 intermediate revisions by 6 users not shown)
Line 1: Line 1:
==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2018-11-15}} {{CPDLno|52032}} [[Media:01-cantai_mentre_chi_arsi_del_mio_foco---0-score.pdf|{{pdf}}]]  
*{{PostedDate| 2020-04-27}} {{CPDLno|58227}}
:'''Original key (high chiavette):''' [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi.pdf|{{pdf}}]] [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi.midi|{{mid}}]] [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi.mxl|{{XML}}]] [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi.ly|{{Ly}}]]
:'''Transposed down a fourth:''' [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi_-_down_a_fourth.pdf|{{pdf}}]] [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi_-_down_a_fourth.midi|{{mid}}]] [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi_-_down_a_fourth.ly|{{Ly}}]] - Alto in transposed violin clef.
{{Editor|Pothárn Imre|2020-04-27}}{{ScoreInfo|A4|5|144}}{{Copy|CPDL}}
:{{EdNotes|Transcribed from 1552 Gardano print. Original note values. Since the Quintus has a slightly higher tessitura than the Tenor, we put Quintus as Tenor I and Tenor as Tenor II.}}
 
*{{PostedDate|2018-11-15}} {{CPDLno|52032}} [[Media:01-cantai_mentre_chi_arsi_del_mio_foco---0-score.pdf|{{pdf}}]] [[Media:01-cantai_mentre_chi_arsi_del_mio_foco---0-score.mxl|{{XML}}]]
{{Editor|Allen Garvin|2018-11-15}}{{ScoreInfo|Letter|6|117}}{{Copy|Creative Commons Attribution Non-Commercial}}
{{Editor|Allen Garvin|2018-11-15}}{{ScoreInfo|Letter|6|117}}{{Copy|Creative Commons Attribution Non-Commercial}}
:'''Edition notes:'''
:{{EdNotes|}}


*{{CPDLno|32656}} [[Media:Rore_Cantai.pdf|{{pdf}}]] [[Media:Rore_Cantai.mid|{{mid}}]] [[Media:Rore_Cantai.mxl|{{XML}}]] [[Media:Rore_Cantai.capx|{{Capx}}]]  
*{{PostedDate|2014-08-10}} {{CPDLno|32656}} [[Media:Rore_Cantai.pdf|{{pdf}}]] [[Media:Rore_Cantai.mid|{{mid}}]] [[Media:Rore_Cantai.mxl|{{XML}}]] [[Media:Rore_Cantai.capx|{{Capx}}]]
{{Editor|Gerd Eichler|2014-08-10}}{{ScoreInfo|A4|5|67}}{{Copy|CPDL}}
{{Editor|Gerd Eichler|2014-08-10}}{{ScoreInfo|A4|5|67}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from original print, Mensurstrich layout, original note values and key signature, musica ficta clearly marked. {{MXL}}
:{{EdNotes|Transcribed from original print, Mensurstrich layout, original note values and key signature, ''musica ficta'' clearly marked.}}


==General Information==
==General Information==
'''Title:''' ''Cantai mentre ch'i arsi''<br>
{{Title|''Cantai mentre ch'i arsi''}}
{{Composer|Cipriano de Rore}}
{{Composer|Cipriano de Rore}}
{{Lyricist|}}
{{Lyricist|Giovanni Brevio}}


{{Voicing|5|SATTB}}<br>
{{Voicing|5|SATTB}}
{{Genre|Secular|Madrigals}}
{{Genre|Secular|Madrigals}}
{{Language|Italian}}
{{Language|Italian}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1542|in ''{{NoCo|Il primo libro de madrigali a cinque voci}}''|no=1}}
{{Pub|1|1542|in ''{{NoCo|Il primo libro de madrigali a cinque voci}}''|vol=Edition 1|no=1}}
{{Pub|2|1544|in ''Il primo libro de madrigali cromatici a cinque voci''|no=1}}
{{Pub|2|1544|in ''{{NoCo|Il primo libro de madrigali a cinque voci}}''|vol=Edition 3|no=3}}
 
{{Pub|3|1584|in {{NoComp|Spoglia amorosa|Girolamo Scotto}} (Scotto)|no=9|pg=11}}
'''Description:'''
{{Pub|4|1592|in {{NoComp|Pratum musicum|Emanuel Adriaenssen}} (ed. Emanuel Adriaenssen) – arr. for two voices and lute|vol=Edition 2|no=18}}
 
{{Descr| }}
'''External websites:'''
{{#ExtWeb:}}
 
==Original text and translations==
==Original text and translations==
{{top}}
{{Text|Italian|
{{Text|Italian|
Cantai, mentre ch'i arsi, del mio foco  
Cantai, mentre ch'i arsi, del mio foco
La viva fiamma ov'io morendo vissi,  
La viva fiamma ov'io morendo vissi,
Ben che quant'io cantai e quant’io scrissi
Ben che quant'io cantai e quant’io scrissi
Di madonna e d’amor fu nulla o poco.
Di madonna e d’amor fu nulla o poco.
Ma se i begli occhi ond’il mio cor s’accese,
Ma se i begli occhi ond’il mio cor s’accese,
Line 41: Line 47:
Ov’hora in libertà piagno e sospiro:
Ov’hora in libertà piagno e sospiro:
Ay, pace in cor d’amanti non ha loco.}}
Ay, pace in cor d’amanti non ha loco.}}
{{mdl}}
{{Translation|English|
I sang while I burned from the living flame
of my fire, in which I, dying, lived,
although what I sang and what I wrote
of my lady and of love were nothing, or little.
But if the fair eyes whence my heart was ignited
had not wrongly found me unworthy
of their bright, divine, life-giving splendor,
with song I would have revealed
my inward grievous passion to her ears,
so that there might be pity where anger and disdain now dwell.
I would be a sure mark
for amorous arrows, full of sweet, bitter suffering
where now in freedom I weep and sigh.
Oh, peace has no place in the hearts of lovers!}}
{{btm}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Latest revision as of 20:01, 22 January 2023

Music files

L E G E N D Disclaimer How to download
ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
MusicXML.png MusicXML
Logo_capella-software_kurz_2011_16x16.png Capella
Icon_ly.gif LilyPond
File details.gif File details
Question.gif Help
  • (Posted 2020-04-27)  CPDL #58227: 
Original key (high chiavette):        
Transposed down a fourth:       - Alto in transposed violin clef.
Editor: Pothárn Imre (submitted 2020-04-27).   Score information: A4, 5 pages, 144 kB   Copyright: CPDL
Edition notes: Transcribed from 1552 Gardano print. Original note values. Since the Quintus has a slightly higher tessitura than the Tenor, we put Quintus as Tenor I and Tenor as Tenor II.
  • (Posted 2018-11-15)  CPDL #52032:     
Editor: Allen Garvin (submitted 2018-11-15).   Score information: Letter, 6 pages, 117 kB   Copyright: CC BY NC
Edition notes:
  • (Posted 2014-08-10)  CPDL #32656:         
Editor: Gerd Eichler (submitted 2014-08-10).   Score information: A4, 5 pages, 67 kB   Copyright: CPDL
Edition notes: Transcribed from original print, Mensurstrich layout, original note values and key signature, musica ficta clearly marked.

General Information

Title: Cantai mentre ch'i arsi
Composer: Cipriano de Rore
Lyricist: Giovanni Brevio

Number of voices: 5vv   Voicing: SATTB
Genre: SecularMadrigal

Language: Italian
Instruments: A cappella

First published: 1542 in Il primo libro de madrigali a cinque voci, Edition 1, no. 1
    2nd published: 1544 in Il primo libro de madrigali a cinque voci, Edition 3, no. 3
    3rd published: 1584 in Spoglia amorosa (Scotto), no. 9, p. 11
    4th published: 1592 in Pratum musicum (ed. Emanuel Adriaenssen) – arr. for two voices and lute, Edition 2, no. 18
Description: 

External websites:

Original text and translations

Italian.png Italian text

Cantai, mentre ch'i arsi, del mio foco
La viva fiamma ov'io morendo vissi,
Ben che quant'io cantai e quant’io scrissi
Di madonna e d’amor fu nulla o poco.
Ma se i begli occhi ond’il mio cor s’accese,
Del lor chiaro divin almo splendore
Non m’havessero a torto fatto indegno,
Col canto havrei l’interno e grave ardore
A gl’orecchi di tal fatto palese
Che pietà fora ov’alberga ira e sdegno.
A gl’amorosi strali fermo segno sarei,
pieno di dolce aspro martiro
Ov’hora in libertà piagno e sospiro:
Ay, pace in cor d’amanti non ha loco.

English.png English translation

I sang while I burned from the living flame
of my fire, in which I, dying, lived,
although what I sang and what I wrote
of my lady and of love were nothing, or little.
But if the fair eyes whence my heart was ignited
had not wrongly found me unworthy
of their bright, divine, life-giving splendor,
with song I would have revealed
my inward grievous passion to her ears,
so that there might be pity where anger and disdain now dwell.
I would be a sure mark
for amorous arrows, full of sweet, bitter suffering
where now in freedom I weep and sigh.
Oh, peace has no place in the hearts of lovers!