Cantai mentre ch'i arsi (Cipriano de Rore): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate| 2020-04-27}} {{CPDLno|58227}} | |||
:'''Original key (high chiavette):''' [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi.pdf|{{pdf}}]] [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi.midi|{{mid}}]] [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi.mxl|{{XML}}]] [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi.ly|{{Ly}}]] | |||
:'''Transposed down a fourth:''' [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi_-_down_a_fourth.pdf|{{pdf}}]] [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi_-_down_a_fourth.midi|{{mid}}]] [[Media:Cipriano_de_Rore_-_Cantai_mentre_ch'i_arsi_-_down_a_fourth.ly|{{Ly}}]] - Alto in transposed violin clef. | |||
{{Editor|Pothárn Imre|2020-04-27}}{{ScoreInfo|A4|5|144}}{{Copy|CPDL}} | |||
:{{EdNotes|Transcribed from 1552 Gardano print. Original note values. Since the Quintus has a slightly higher tessitura than the Tenor, we put Quintus as Tenor I and Tenor as Tenor II.}} | |||
*{{CPDLno|32656}} [[Media:Rore_Cantai.pdf|{{pdf}}]] [[Media:Rore_Cantai.mid|{{mid}}]] [[Media:Rore_Cantai.capx|{{Capx}}]] | *{{PostedDate|2018-11-15}} {{CPDLno|52032}} [[Media:01-cantai_mentre_chi_arsi_del_mio_foco---0-score.pdf|{{pdf}}]] [[Media:01-cantai_mentre_chi_arsi_del_mio_foco---0-score.mxl|{{XML}}]] | ||
{{Editor|Allen Garvin|2018-11-15}}{{ScoreInfo|Letter|6|117}}{{Copy|Creative Commons Attribution Non-Commercial}} | |||
:{{EdNotes|}} | |||
*{{PostedDate|2014-08-10}} {{CPDLno|32656}} [[Media:Rore_Cantai.pdf|{{pdf}}]] [[Media:Rore_Cantai.mid|{{mid}}]] [[Media:Rore_Cantai.mxl|{{XML}}]] [[Media:Rore_Cantai.capx|{{Capx}}]] | |||
{{Editor|Gerd Eichler|2014-08-10}}{{ScoreInfo|A4|5|67}}{{Copy|CPDL}} | {{Editor|Gerd Eichler|2014-08-10}}{{ScoreInfo|A4|5|67}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Transcribed from original print, Mensurstrich layout, original note values and key signature, ''musica ficta'' clearly marked.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Cantai mentre ch'i arsi''}} | |||
{{Composer|Cipriano de Rore}} | {{Composer|Cipriano de Rore}} | ||
{{Lyricist|}} | {{Lyricist|Giovanni Brevio}} | ||
{{Voicing|5|SATTB}} | {{Voicing|5|SATTB}} | ||
{{Genre|Secular|Madrigals}} | {{Genre|Secular|Madrigals}} | ||
{{Language|Italian}} | {{Language|Italian}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|1542|in ''{{NoCo|Il primo libro de madrigali a cinque voci}}''|vol=Edition 1|no=1}} | ||
{{Pub|2|1544|in ''{{NoCo|Il primo libro de madrigali a cinque voci}}''|vol=Edition 3|no=3}} | |||
''' | {{Pub|3|1584|in {{NoComp|Spoglia amorosa|Girolamo Scotto}} (Scotto)|no=9|pg=11}} | ||
{{Pub|4|1592|in {{NoComp|Pratum musicum|Emanuel Adriaenssen}} (ed. Emanuel Adriaenssen) – arr. for two voices and lute|vol=Edition 2|no=18}} | |||
{{Descr| }} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{top}} | |||
{{Text|Italian| | {{Text|Italian| | ||
Cantai, mentre ch'i arsi, del mio foco | Cantai, mentre ch'i arsi, del mio foco | ||
La viva fiamma ov'io morendo vissi, | La viva fiamma ov'io morendo vissi, | ||
Ben che quant'io cantai | Ben che quant'io cantai e quant’io scrissi | ||
Di madonna e d’amor fu nulla o poco. | Di madonna e d’amor fu nulla o poco. | ||
Ma se i begli occhi ond’il mio cor s’accese, | Ma se i begli occhi ond’il mio cor s’accese, | ||
Line 37: | Line 47: | ||
Ov’hora in libertà piagno e sospiro: | Ov’hora in libertà piagno e sospiro: | ||
Ay, pace in cor d’amanti non ha loco.}} | Ay, pace in cor d’amanti non ha loco.}} | ||
{{mdl}} | |||
{{Translation|English| | |||
I sang while I burned from the living flame | |||
of my fire, in which I, dying, lived, | |||
although what I sang and what I wrote | |||
of my lady and of love were nothing, or little. | |||
But if the fair eyes whence my heart was ignited | |||
had not wrongly found me unworthy | |||
of their bright, divine, life-giving splendor, | |||
with song I would have revealed | |||
my inward grievous passion to her ears, | |||
so that there might be pity where anger and disdain now dwell. | |||
I would be a sure mark | |||
for amorous arrows, full of sweet, bitter suffering | |||
where now in freedom I weep and sigh. | |||
Oh, peace has no place in the hearts of lovers!}} | |||
{{btm}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Latest revision as of 20:01, 22 January 2023
Music files
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Help |
- (Posted 2020-04-27) CPDL #58227:
- Editor: Pothárn Imre (submitted 2020-04-27). Score information: A4, 5 pages, 144 kB Copyright: CPDL
- Edition notes: Transcribed from 1552 Gardano print. Original note values. Since the Quintus has a slightly higher tessitura than the Tenor, we put Quintus as Tenor I and Tenor as Tenor II.
- Editor: Allen Garvin (submitted 2018-11-15). Score information: Letter, 6 pages, 117 kB Copyright: CC BY NC
- Edition notes:
- Editor: Gerd Eichler (submitted 2014-08-10). Score information: A4, 5 pages, 67 kB Copyright: CPDL
- Edition notes: Transcribed from original print, Mensurstrich layout, original note values and key signature, musica ficta clearly marked.
General Information
Title: Cantai mentre ch'i arsi
Composer: Cipriano de Rore
Lyricist: Giovanni Brevio
Number of voices: 5vv Voicing: SATTB
Genre: Secular, Madrigal
Language: Italian
Instruments: A cappella
First published: 1542 in Il primo libro de madrigali a cinque voci, Edition 1, no. 1
2nd published: 1544 in Il primo libro de madrigali a cinque voci, Edition 3, no. 3
3rd published: 1584 in Spoglia amorosa (Scotto), no. 9, p. 11
4th published: 1592 in Pratum musicum (ed. Emanuel Adriaenssen) – arr. for two voices and lute, Edition 2, no. 18
Description:
External websites:
Original text and translations
Italian text Cantai, mentre ch'i arsi, del mio foco |
English translation I sang while I burned from the living flame |
- Pothárn Imre editions
- Allen Garvin editions
- Gerd Eichler editions
- Cipriano de Rore compositions
- SATTB
- 5-part choral music
- Secular music
- Madrigals
- Works in Italian
- A cappella
- 1542 works
- Works in Edition 1
- 1544 works
- Works in Edition 3
- 1584 works
- 1592 works
- Works in Edition 2
- Texts
- Italian texts
- Translations
- English translations
- Sheet music
- Renaissance music