Ecce beatam lucem (Alessandro Striggio): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
===Full scores=== | ===Full scores=== | ||
* | *{{CPDLno|10762}} [[Media:Striggio Ecce beatam a 40 Partitur.pdf|{{Pdf}}]] [[Media:Striggio Ecce beatam lucem a 40.mid|{{Mid}}]] | ||
{{Editor|Sabine Cassola|2006-01-18}}{{ScoreInfo|A4|32|680}}{{Copy|Personal}} | {{Editor|Sabine Cassola|2006-01-18}}{{ScoreInfo|A4|32|680}}{{Copy|Personal}} | ||
:'''Edition notes:''' Full score, all five SATB–SATB choirs plus basso continuo, 41 staves per page. A4 format, but should be printed or enlarged to A3 format. Individual parts also available below. | :'''Edition notes:''' Full score, all five SATB–SATB choirs plus basso continuo, 41 staves per page. A4 format, but should be printed or enlarged to A3 format. Individual parts also available below. | ||
*''' | **{{CPDLno|10763}} [[Media:Striggio_Ecce_parts.zip|{{zip}}]] (PDF) | ||
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A3|19|559}} | {{Editor|Sabine Cassola|2006-01-18}}{{ScoreInfo|A4|41|2290}} A4, 1 or 2 pages each, each between 60 KB and 80 KB {{Copy|Personal}} | ||
:'''Edition notes:''' All 40 individual voice parts, and separate basso continuo part. | |||
*{{CPDLno|16497}} [[Media:Striggio Ecce beatam lucem FS PML.pdf|{{Pdf}}]] | |||
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A3|19|559}}{{Copy|Personal}} | |||
:'''Edition notes:''' Full score, all five choirs plus continuo. Choir books and continuo also available below. Subsequent minor revisions 16 February 2009 (full score, choir 1) and 2 February 2010 (all files). | :'''Edition notes:''' Full score, all five choirs plus continuo. Choir books and continuo also available below. Subsequent minor revisions 16 February 2009 (full score, choir 1) and 2 February 2010 (all files). | ||
**'''Choir 1:''' {{CPDLno|16491}} [[Media:Striggio Ecce beatam lucem Choir 1 PML.pdf|{{Pdf}}]] | |||
*'''Choir 1:''' | {{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|11|152}}{{Copy|Personal}} | ||
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|11|152}} | **'''Choir 2:''' {{CPDLno|16492}} [[Media:Striggio Ecce beatam lucem Choir 2 PML.pdf|{{Pdf}}]] | ||
*'''Choir 2:''' | {{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|12|158}}{{Copy|Personal}} | ||
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|12|158}} | **'''Choir 3:''' {{CPDLno|16493}} [[Media:Striggio Ecce beatam lucem Choir 3 PML.pdf|{{Pdf}}]] | ||
*'''Choir 3 | {{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|13|185}}{{Copy|Personal}} | ||
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|13|185}} | **'''Choir 4:''' {{CPDLno|16494}} [[Media:Striggio Ecce beatam lucem Choir 4 PML.pdf|{{Pdf}}]] | ||
*'''Choir 4 | {{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|12|162}}{{Copy|Personal}} | ||
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|12|162}} | **'''Choir 5:''' {{CPDLno|16495}} [[Media:Striggio Ecce beatam lucem Choir 5 PML.pdf|{{Pdf}}]] | ||
*'''Choir 5 | {{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|11|161}}{{Copy|Personal}} | ||
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|11|161}} | |||
:'''Edition notes:''' Scores of five double choirs, 8 parts plus continuo. Continuo part separately available below. | :'''Edition notes:''' Scores of five double choirs, 8 parts plus continuo. Continuo part separately available below. | ||
**'''Continuo:''' {{CPDLno|16496}} [[Media:Striggio Ecce beatam lucem Continuo PML.pdf|{{Pdf}}]] | |||
* | {{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|2|67}}{{Copy|Personal}} | ||
:'''Edition notes:''' With text underlay for co-ordination with singers, and some editorial figured bass. | |||
* | |||
===Arrangements=== | |||
*{{PostedDate|2019-09-15}} {{CPDLno|55357}} [[Media:Stri_Ecce11.pdf|{{pdf}}]] [[Media:Striggio_Ecce_beatam_lucem_a11_mid2.mid|{{mid}}]] | |||
{{Editor|Mick Swithinbank|2019-09-15}}{{ScoreInfo|A4|14|197}}{{Copy|CPDL}} | |||
:'''Edition notes:''' This edition is an arrangement for 11 voices, {{Vcat|SATBB.SSATBB|SSATBB.SATBB}}, of the original 40-part work, based on the Sabine Cassola edition on CPDL. The voicing is the same as for the same editor's arrangement of [[Spem in alium (Thomas Tallis)|Tallis's ''Spem in alium'']], so that the two works could conveniently be sung as part of the same programme. The midi file (updated on 2/10/2019) may give some impression of the arrangement. | |||
==General information== | |||
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==Settings by composers== | |||
{{ | {{TextSettingsList}} | ||
==Text and translations== | |||
{{Text|Latin| <!--replace with correct language--> | |||
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{{Translation|English| <!--replace with correct language--> | |||
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==External links == | |||
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[[Category:Text pages]] | |||
==General Information== | ==General Information== | ||
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{{Composer|Alessandro Striggio}} | {{Composer|Alessandro Striggio}} | ||
{{Voicing|40| | {{Voicing|40|SATB.SATB.SATB.SATB.SATB.SATB.SATB.SATB.SATB.SATB|5 choirs × SATB.SATB}}<br> | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|Full instrumental accompaniment; or basso continuo; or may be performed a cappella.}} | |||
{{Pub|1|}} | |||
'''Description:''' One of two extant 40–part motets dating from the 16th Century, the other being Thomas Tallis' [[Spem in alium nunquam habui (Thomas Tallis)|''Spem in alium'']]. This motet had variously been described as being composed of 4 choirs (of varying sizes between 6 and 16 voices), or 10 choirs of 4 voices; however, it shares identical voicing with Striggio's 40-voice ''Missa sopra Ecco sì beato giorno'', which is for five SATB-SATB choirs; unlike the mass, some choir entries include extra voices from adjacent choirs, blurring such clear delineation.<br> | '''Description:''' One of two extant 40–part motets dating from the 16th Century, the other being Thomas Tallis' [[Spem in alium nunquam habui (Thomas Tallis)|''Spem in alium'']]. This motet had variously been described as being composed of 4 choirs (of varying sizes between 6 and 16 voices), or 10 choirs of 4 voices; however, it shares identical voicing with Striggio's 40-voice ''Missa sopra Ecco sì beato giorno'', which is for five SATB-SATB choirs; unlike the mass, some choir entries include extra voices from adjacent choirs, blurring such clear delineation. As for the authorship of the text, Robert Hollingworth and Hugh Keyte state in the CD booklet accompanying I Fagiolini's recording that it was written by 'the celebrated Protestant neo-Latin poet and composer Paul Melissus'. <br> | ||
==Original text and translations== | ==Original text and translations== | ||
{{ | {{top|width=80%}} | ||
{{Text|Latin| | |||
Ecce beatam lucem; | Ecce beatam lucem; | ||
Ecce bonum sempiternum, | Ecce bonum sempiternum, | ||
Vos turba electa celebrate Jehovam eiusque natum | Vos turba electa celebrate Jehovam eiusque natum | ||
aequalem Patri deitatis splendorem. | aequalem Patri deitatis splendorem. | ||
Virtus Alma et maiestas | Virtus Alma et maiestas passim cernenda adest. | ||
passim cernenda adest. | |||
Quantum decoris illustri in sole, | Quantum decoris illustri in sole, | ||
quam venusta es luna, | quam venusta es luna, | ||
quam multo clar'honore sidera fulgent, | quam multo clar'honore sidera fulgent, quam pulcra quaeque in orbe. | ||
quam pulcra quaeque in orbe. | O quam perennis esca tam sanctas mentes pascit! | ||
O quam perennis esca | |||
tam sanctas mentes pascit! | |||
praesto gratia et amor, praesta nec novum; | praesto gratia et amor, praesta nec novum; | ||
praesto est fons perpes vitae. | praesto est fons perpes vitae. | ||
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Rex David ille vates, | Rex David ille vates, | ||
cantans sonans adhuc aeternum Deum. | cantans sonans adhuc aeternum Deum. | ||
O mel et dulce nectar, | O mel et dulce nectar, O fortunatam sedem! | ||
O fortunatam sedem! | |||
Haec voluptas, haec quies, haec meta, hic scopus | Haec voluptas, haec quies, haec meta, hic scopus | ||
Nos hinc attrahunt recta in paradisum. | Nos hinc attrahunt recta in paradisum. | ||
}} | |||
{{middle}} | |||
{{Translation|English | {{Translation|English| | ||
Behold the blessed light, | Behold the blessed light, | ||
behold eternal goodness, | behold eternal goodness, | ||
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This delight, this peace, this goal, this mark | This delight, this peace, this goal, this mark | ||
draw us from here straight to Paradise. | draw us from here straight to Paradise. | ||
{{Translator|Mick Swithinbank}}, incorporating a partial translation by the composer Jonathan Dove found on gerontius.net'' | |||
}} | |||
{{bottom}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:More than 4 choirs]] | [[Category:More than 4 choirs]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 04:54, 26 May 2020
Music files
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Help |
Full scores
- Editor: Sabine Cassola (submitted 2006-01-18). Score information: A4, 32 pages, 680 kB Copyright: Personal
- Edition notes: Full score, all five SATB–SATB choirs plus basso continuo, 41 staves per page. A4 format, but should be printed or enlarged to A3 format. Individual parts also available below.
- Editor: Sabine Cassola (submitted 2006-01-18). Score information: A4, 41 pages, 2.24 MB A4, 1 or 2 pages each, each between 60 KB and 80 KB Copyright: Personal
- Edition notes: All 40 individual voice parts, and separate basso continuo part.
- Editor: Philip Legge (submitted 2008-04-01). Score information: A3, 19 pages, 559 kB Copyright: Personal
- Edition notes: Full score, all five choirs plus continuo. Choir books and continuo also available below. Subsequent minor revisions 16 February 2009 (full score, choir 1) and 2 February 2010 (all files).
- Editor: Philip Legge (submitted 2008-04-01). Score information: A4, 11 pages, 152 kB Copyright: Personal
- Editor: Philip Legge (submitted 2008-04-01). Score information: A4, 12 pages, 158 kB Copyright: Personal
- Editor: Philip Legge (submitted 2008-04-01). Score information: A4, 13 pages, 185 kB Copyright: Personal
- Editor: Philip Legge (submitted 2008-04-01). Score information: A4, 12 pages, 162 kB Copyright: Personal
- Editor: Philip Legge (submitted 2008-04-01). Score information: A4, 11 pages, 161 kB Copyright: Personal
- Edition notes: Scores of five double choirs, 8 parts plus continuo. Continuo part separately available below.
- Editor: Philip Legge (submitted 2008-04-01). Score information: A4, 2 pages, 67 kB Copyright: Personal
- Edition notes: With text underlay for co-ordination with singers, and some editorial figured bass.
Arrangements
- Editor: Mick Swithinbank (submitted 2019-09-15). Score information: A4, 14 pages, 197 kB Copyright: CPDL
- Edition notes: This edition is an arrangement for 11 voices, SSATBB.SATBB, of the original 40-part work, based on the Sabine Cassola edition on CPDL. The voicing is the same as for the same editor's arrangement of Tallis's Spem in alium, so that the two works could conveniently be sung as part of the same programme. The midi file (updated on 2/10/2019) may give some impression of the arrangement.
General information
Settings by composers
Text and translations
Latin text
English translation
External links
add links here
General Information
Title: Ecce beatam lucem
Composer: Alessandro Striggio
Number of voices: 40vv Voicing: 5 choirs × SATB.SATB
Genre: Sacred, Motet
Language: Latin
Instruments: Full instrumental accompaniment; or basso continuo; or may be performed a cappella.
First published:
Description: One of two extant 40–part motets dating from the 16th Century, the other being Thomas Tallis' Spem in alium. This motet had variously been described as being composed of 4 choirs (of varying sizes between 6 and 16 voices), or 10 choirs of 4 voices; however, it shares identical voicing with Striggio's 40-voice Missa sopra Ecco sì beato giorno, which is for five SATB-SATB choirs; unlike the mass, some choir entries include extra voices from adjacent choirs, blurring such clear delineation. As for the authorship of the text, Robert Hollingworth and Hugh Keyte state in the CD booklet accompanying I Fagiolini's recording that it was written by 'the celebrated Protestant neo-Latin poet and composer Paul Melissus'.
Original text and translations
Latin text Ecce beatam lucem; |
English translation Behold the blessed light, |
- Translations with attribution
- Sabine Cassola editions
- Editions with large score files
- Philip Legge editions
- Mick Swithinbank editions
- SATBB.SSATBB
- 11-part choral music
- Texts
- Latin texts
- Translations
- English translations
- Text pages
- Alessandro Striggio compositions
- SATB.SATB.SATB.SATB.SATB.SATB.SATB.SATB.SATB.SATB
- 40-part choral music
- Sacred music
- Motets
- Works in Latin
- Basso continuo
- A cappella
- Sheet music
- More than 4 choirs
- Renaissance music