Ecce beatam lucem (Alessandro Striggio): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
===Full scores===
*{{CPDLno|10762}} [[Media:Striggio Ecce beatam a 40 Partitur.pdf|{{Pdf}}]] [[Media:Striggio Ecce beatam lucem a 40.mid|{{Mid}}]]
{{Editor|Sabine Cassola|2006-01-18}}{{ScoreInfo|A4|32|680}}{{Copy|Personal}}
:'''Edition notes:''' Full score, all five SATB–SATB choirs plus basso continuo, 41 staves per page. A4 format, but should be printed or enlarged to A3 format. Individual parts also available below.
**{{CPDLno|10763}} [[Media:Striggio_Ecce_parts.zip|{{zip}}]] (PDF)
{{Editor|Sabine Cassola|2006-01-18}}{{ScoreInfo|A4|41|2290}} A4, 1 or 2 pages each, each between 60 KB and 80 KB {{Copy|Personal}}
:'''Edition notes:''' All 40 individual voice parts, and separate basso continuo part.
 
*{{CPDLno|16497}} [[Media:Striggio Ecce beatam lucem FS PML.pdf|{{Pdf}}]]
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A3|19|559}}{{Copy|Personal}}
:'''Edition notes:''' Full score, all five choirs plus continuo. Choir books and continuo also available below. Subsequent minor revisions 16 February 2009 (full score, choir 1) and 2 February 2010 (all files).
 
**'''Choir 1:''' {{CPDLno|16491}} [[Media:Striggio Ecce beatam lucem Choir 1 PML.pdf|{{Pdf}}]]
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|11|152}}{{Copy|Personal}}
**'''Choir 2:''' {{CPDLno|16492}} [[Media:Striggio Ecce beatam lucem Choir 2 PML.pdf|{{Pdf}}]]
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|12|158}}{{Copy|Personal}}
**'''Choir 3:''' {{CPDLno|16493}} [[Media:Striggio Ecce beatam lucem Choir 3 PML.pdf|{{Pdf}}]]
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|13|185}}{{Copy|Personal}}
**'''Choir 4:''' {{CPDLno|16494}} [[Media:Striggio Ecce beatam lucem Choir 4 PML.pdf|{{Pdf}}]]
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|12|162}}{{Copy|Personal}}
**'''Choir 5:''' {{CPDLno|16495}} [[Media:Striggio Ecce beatam lucem Choir 5 PML.pdf|{{Pdf}}]]
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|11|161}}{{Copy|Personal}}
:'''Edition notes:''' Scores of five double choirs, 8 parts plus continuo. Continuo part separately available below.
 
**'''Continuo:''' {{CPDLno|16496}} [[Media:Striggio Ecce beatam lucem Continuo PML.pdf|{{Pdf}}]]
{{Editor|Philip Legge|2008-04-01}}{{ScoreInfo|A4|2|67}}{{Copy|Personal}}
:'''Edition notes:''' With text underlay for co-ordination with singers, and some editorial figured bass.
 
===Arrangements===
*{{PostedDate|2019-09-15}} {{CPDLno|55357}} [[Media:Stri_Ecce11.pdf|{{pdf}}]] [[Media:Striggio_Ecce_beatam_lucem_a11_mid2.mid|{{mid}}]]
{{Editor|Mick Swithinbank|2019-09-15}}{{ScoreInfo|A4|14|197}}{{Copy|CPDL}}
:'''Edition notes:''' This edition is an arrangement for 11 voices, {{Vcat|SATBB.SSATBB|SSATBB.SATBB}}, of the original 40-part work, based on the Sabine Cassola edition on CPDL. The voicing is the same as for the same editor's arrangement of [[Spem in alium  (Thomas Tallis)|Tallis's ''Spem in alium'']], so that the two works could conveniently be sung as part of the same programme. The midi file (updated on 2/10/2019) may give some impression of the arrangement.
==General information==
<!--remove the section above if not necessary-->
 
==Settings by composers==
{{TextSettingsList}}


===Full score===
==Text and translations==
*{{NewWork|2006-02-06}} '''CPDL #10xxx:''' [http://www.cpdl.org/wiki/images/2/2b/Striggio_Ecce_beatam_a_40_Partitur.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif] [http://www.cpdl.org/wiki/images/c/c3/Striggio_Ecce_beatam_lucem_a_40.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif] .<br>
:'''Editor:''' [[User:Sabine Cassola|Sabine Cassola]] ''(added 2006-01-18)''.&nbsp;&nbsp;&nbsp;'''Score information:''' A4, 32 pages, 680 kilobytes (KB)&nbsp;&nbsp;&nbsp;'''Copyright:''' [[ChoralWiki:Personal|Personal]]<br>
:'''Edition notes:''' Full score, all ten SATB choirs plus basso continuo, 41 staves per page. A4 format, but should be printed or enlarged to A3 format. Individual parts also available below.


===Parts===
{{Text|Latin| <!--replace with correct language-->
*Choir 1: [[Media:Striggio_Ecce_CH1-C.pdf|Soprano]] [[Media:Striggio_Ecce_CH1-A.pdf|Alto]] [[Media:Striggio_Ecce_beatam_a_40_CH1-T_.pdf|Tenor]] [[Media:Striggio_Ecce_CH1-B.pdf|Bass]]
<!--Insert text here. There is no need to begin lines with ":" or end-->
*Choir 2: [[Media:Striggio_Ecce_CH2-C.pdf|Soprano]] [[Media:Striggio_Ecce_CH2-A.pdf|Alto]] [[Media:Striggio_Ecce_CH2-T.pdf|Tenor]] [[Media:Striggio_Ecce_CH2-B.pdf|Bass]]
<!--them with "<br>"; the text will be displayed exactly as entered.-->
*Choir 3: [[Media:Striggio_Ecce_CH3-C.pdf|Soprano]] [[Media:Striggio_Ecce_CH3-A.pdf|Alto]] [[Media:Striggio_Ecce_CH3-T.pdf|Tenor]] [[Media:Striggio_Ecce_CH3-B.pdf|Bass]]
}}
*Choir 4: [[Media:Striggio_Ecce_CH4-C.pdf|Soprano]] [[Media:Striggio_Ecce_CH4-A.pdf|Alto]] [[Media:Striggio_Ecce_CH4-T.pdf|Tenor]] [[Media:Striggio_Ecce_CH4-B.pdf|Bass]]
 
*Choir 5: [[Media:Striggio_Ecce_CH5-C.pdf|Soprano]] [[Media:Striggio_Ecce_CH5-A.pdf|Alto]] [[Media:Striggio_Ecce_CH5-T.pdf|Tenor]] [[Media:Striggio_Ecce_CH5-B.pdf|Bass]]
<!--remove the block below if there is no translation-->
*Choir 6: [[Media:Striggio_Ecce_CH_6-C.pdf|Soprano]] [[Media:Striggio_Ecce_CH_6-A.pdf|Alto]] [[Media:Striggio_Ecce_CH_6-T.pdf|Tenor]] [[Media:Striggio_Ecce_CH_6-B.pdf|Bass]]
{{Translation|English| <!--replace with correct language-->
*Choir 7: [[Media:Striggio_Ecce_CH_7-C.pdf|Soprano]] [[Media:Striggio_Ecce_CH7-A.pdf|Alto]] [[Media:Striggio_Ecce_CH_7-T.pdf|Tenor]] [[Media:Striggio_Ecce_CH_7-B.pdf|Bass]]
<!--Insert translation here. There is no need to begin lines with ":" or-->
*Choir 8: [[Media:Striggio_Ecce_CH_8-C.pdf|Soprano]] [[Media:Striggio_Ecce_CH_8-A.pdf|Alto]] [[Media:Striggio_Ecce_CH_8-T.pdf|Tenor]] [[Media:Striggio_Ecce_CH_8-B.pdf|Bass]]
<!--end them with "<br>"; the text will be displayed exactly as entered.-->
*Choir 9: [[Media:Striggio_Ecce_CH_9-C.pdf|Soprano]] [[Media:Striggio_Ecce_CH_9-A.pdf|Alto]] [[Media:Striggio_Ecce_CH_9-T.pdf|Tenor]] [[Media:Striggio_Ecce_CH_9-B.pdf|Bass]]
}}
*Choir 10: [[Media:Striggio_Ecce_CH_10-C.pdf|Soprano]] [[Media:Striggio_Ecce_CH_10-A.pdf|Alto]] [[Media:Striggio_Ecce_CH_10-T.pdf|Tenor]] [[Media:Striggio_Ecce_CH_10-B.pdf|Bass]]
 
* Basso continuo: [http://www.cpdl.org/wiki/images/1/11/Striggio_Ecce_BC.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif] (48 KB)
==External links ==
:'''Editor:''' [[User:Sabine Cassola|Sabine Cassola]] ''(added 2006-01-18)''.&nbsp;&nbsp;&nbsp;'''Score information:''' A4, 1 or 2 pages, each between 60 KB and 80 KB&nbsp;&nbsp;&nbsp;'''Copyright:''' [[ChoralWiki:Personal|Personal]]<br>
''add links here''
:'''Edition notes:''' All 40 individual voice parts, and separate basso continuo part.
 
[[Category:Text pages]]


==General Information==
==General Information==
'''Title:''' ''Ecce beatam lucem''<br>
'''Title:''' ''Ecce beatam lucem''<br>
'''Composer:''' [[Alessandro Striggio]]<br>
{{Composer|Alessandro Striggio}}


'''Number of voices:''' 40vv&nbsp;&nbsp;'''Voicing:''' 10 choirs &times; SATB<br>
{{Voicing|40|SATB.SATB.SATB.SATB.SATB.SATB.SATB.SATB.SATB.SATB|5 choirs &times; SATB.SATB}}<br>
'''Genre:''' [[:Category:Sacred music|Sacred]], [[:Category:Motets|Motet]] <br>
{{Genre|Sacred|Motets}}
'''Language:''' [[:Category:Latin texts|Latin]]<br>
{{Language|Latin}}
'''Instruments:''' full instrumental accompaniment; or basso continuo; or may be performed ''a capella''.<br>
{{Instruments|Full instrumental accompaniment; or basso continuo; or may be performed a cappella.}}
{{Pub|1|}}


'''Description:''' One of two extant 40&ndash;part motets dating from the 16th Century, the other being Thomas Tallis' [[Spem in alium nunquam habui (Thomas Tallis)|''Spem in alium'']].<br>
'''Description:''' One of two extant 40&ndash;part motets dating from the 16th Century, the other being Thomas Tallis' [[Spem in alium nunquam habui (Thomas Tallis)|''Spem in alium'']]. This motet had variously been described as being composed of 4 choirs (of varying sizes between 6 and 16 voices), or 10 choirs of 4 voices; however, it shares identical voicing with Striggio's 40-voice ''Missa sopra Ecco sì beato giorno'', which is for five SATB-SATB choirs; unlike the mass, some choir entries include extra voices from adjacent choirs, blurring such clear delineation. As for the authorship of the text, Robert Hollingworth and Hugh Keyte state in the CD booklet accompanying I Fagiolini's recording that it was written by 'the celebrated Protestant neo-Latin poet and composer Paul Melissus'. <br>


==Original text and translations==
==Original text and translations==
{{Text|Latin}}
{{top|width=80%}}
Ecce beatam lucem;<br>
{{Text|Latin|
Ecce bonum sempiternum,<br>
Ecce beatam lucem;
Vos turba electa celebrate Jehovam eiusque natum<br>
Ecce bonum sempiternum,
aequalem Patri deitatis splendorem.<br>
Vos turba electa celebrate Jehovam eiusque natum
Virtus Alma et maiestas<br>
aequalem Patri deitatis splendorem.
passim cenend'ad est.<br>
Virtus Alma et maiestas passim cernenda adest.
Quantum decoris illustri in sole,<br>
Quantum decoris illustri in sole,
quam venusta es luna,<br>
quam venusta es luna,
quam multo clar'honore sidera fulgent,<br>
quam multo clar'honore sidera fulgent, quam pulcra quaeque in orbe.
quam pulcra quaequ'in orbe.<br>
O quam perennis esca tam sanctas mentes pascit!
O quam perennis esca<br>
praesto gratia et amor, praesta nec novum;
tam sanctas mentes pascit!<br>
praesto est fons perpes vitae.
praesto gratia et amor, praesta nec novum;<br>
Hic Patriarchae cum Prophetis, hic David,
praesto est fons perpes vitae.<br>
Rex David ille vates,
Hic Patriarchae cum Prophetis, hic David,<br>
cantans sonans adhuc aeternum Deum.
Rex David ille vates,<br>
O mel et dulce nectar, O fortunatam sedem!
cantans sonans adhuc aeternum Deum.<br>
Haec voluptas, haec quies, haec meta, hic scopus
O mel et dulce nectar,
O fortunatum sedem!<br>
Haec voluptas, haec quies, haec meta hic scopus<br>
Nos hinc attrahunt recta in paradisum.
Nos hinc attrahunt recta in paradisum.
}}
{{middle}}
{{Translation|English|
Behold the blessed light,
behold eternal goodness,
you throng of the elect, praise God and His Son
who is equal to the Father; praise the splendour of the deity.
Benign power and majesty are seen everywhere.
The dazzling splendour of the sun
is matched by you, the moon,
and by the stars shining brightly in their great glory.
O how such eternal nourishment feeds holy minds!
Mercy and love are here, and always have been;
here is the eternal fount of life.
Here the Patriarchs and Prophets, here David,
King David the bard,
singing and playing instruments still praise eternal God.
O honey and sweet nectar, O blessed place!
This delight, this peace, this goal, this mark
draw us from here straight to Paradise.


{{Translator|Mick Swithinbank}}, incorporating a partial translation by the composer Jonathan Dove found on gerontius.net''
}}
{{bottom}}
[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Sacred music]]
[[Category:More than 4 choirs]]
[[Category:Motets]]
[[Category:Four or more choirs]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]
[[Category:Texts-translations]]
[[Category:Latin texts]]

Revision as of 04:54, 26 May 2020

Music files

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Full scores

  • CPDL #10762:     
Editor: Sabine Cassola (submitted 2006-01-18).   Score information: A4, 32 pages, 680 kB   Copyright: Personal
Edition notes: Full score, all five SATB–SATB choirs plus basso continuo, 41 staves per page. A4 format, but should be printed or enlarged to A3 format. Individual parts also available below.
    • CPDL #10763:  (PDF)
Editor: Sabine Cassola (submitted 2006-01-18).   Score information: A4, 41 pages, 2.24 MB    A4, 1 or 2 pages each, each between 60 KB and 80 KB Copyright: Personal
Edition notes: All 40 individual voice parts, and separate basso continuo part.
  • CPDL #16497:   
Editor: Philip Legge (submitted 2008-04-01).   Score information: A3, 19 pages, 559 kB   Copyright: Personal
Edition notes: Full score, all five choirs plus continuo. Choir books and continuo also available below. Subsequent minor revisions 16 February 2009 (full score, choir 1) and 2 February 2010 (all files).
    • Choir 1: CPDL #16491:   
Editor: Philip Legge (submitted 2008-04-01).   Score information: A4, 11 pages, 152 kB   Copyright: Personal
    • Choir 2: CPDL #16492:   
Editor: Philip Legge (submitted 2008-04-01).   Score information: A4, 12 pages, 158 kB   Copyright: Personal
    • Choir 3: CPDL #16493:   
Editor: Philip Legge (submitted 2008-04-01).   Score information: A4, 13 pages, 185 kB   Copyright: Personal
    • Choir 4: CPDL #16494:   
Editor: Philip Legge (submitted 2008-04-01).   Score information: A4, 12 pages, 162 kB   Copyright: Personal
    • Choir 5: CPDL #16495:   
Editor: Philip Legge (submitted 2008-04-01).   Score information: A4, 11 pages, 161 kB   Copyright: Personal
Edition notes: Scores of five double choirs, 8 parts plus continuo. Continuo part separately available below.
    • Continuo: CPDL #16496:   
Editor: Philip Legge (submitted 2008-04-01).   Score information: A4, 2 pages, 67 kB   Copyright: Personal
Edition notes: With text underlay for co-ordination with singers, and some editorial figured bass.

Arrangements

  • (Posted 2019-09-15)  CPDL #55357:     
Editor: Mick Swithinbank (submitted 2019-09-15).   Score information: A4, 14 pages, 197 kB   Copyright: CPDL
Edition notes: This edition is an arrangement for 11 voices, SSATBB.SATBB, of the original 40-part work, based on the Sabine Cassola edition on CPDL. The voicing is the same as for the same editor's arrangement of Tallis's Spem in alium, so that the two works could conveniently be sung as part of the same programme. The midi file (updated on 2/10/2019) may give some impression of the arrangement.

General information

Settings by composers

  

Text and translations

Latin.png Latin text

English.png English translation

External links

add links here

General Information

Title: Ecce beatam lucem
Composer: Alessandro Striggio

Number of voices: 40vv   Voicing: 5 choirs × SATB.SATB

Genre: SacredMotet

Language: Latin
Instruments: Full instrumental accompaniment; or basso continuo; or may be performed a cappella.

First published:

Description: One of two extant 40–part motets dating from the 16th Century, the other being Thomas Tallis' Spem in alium. This motet had variously been described as being composed of 4 choirs (of varying sizes between 6 and 16 voices), or 10 choirs of 4 voices; however, it shares identical voicing with Striggio's 40-voice Missa sopra Ecco sì beato giorno, which is for five SATB-SATB choirs; unlike the mass, some choir entries include extra voices from adjacent choirs, blurring such clear delineation. As for the authorship of the text, Robert Hollingworth and Hugh Keyte state in the CD booklet accompanying I Fagiolini's recording that it was written by 'the celebrated Protestant neo-Latin poet and composer Paul Melissus'.

Original text and translations

Latin.png Latin text

Ecce beatam lucem;
Ecce bonum sempiternum,
Vos turba electa celebrate Jehovam eiusque natum
aequalem Patri deitatis splendorem.
Virtus Alma et maiestas passim cernenda adest.
Quantum decoris illustri in sole,
quam venusta es luna,
quam multo clar'honore sidera fulgent, quam pulcra quaeque in orbe.
O quam perennis esca tam sanctas mentes pascit!
praesto gratia et amor, praesta nec novum;
praesto est fons perpes vitae.
Hic Patriarchae cum Prophetis, hic David,
Rex David ille vates,
cantans sonans adhuc aeternum Deum.
O mel et dulce nectar, O fortunatam sedem!
Haec voluptas, haec quies, haec meta, hic scopus
Nos hinc attrahunt recta in paradisum.
 

English.png English translation

Behold the blessed light,
behold eternal goodness,
you throng of the elect, praise God and His Son
who is equal to the Father; praise the splendour of the deity.
Benign power and majesty are seen everywhere.
The dazzling splendour of the sun
is matched by you, the moon,
and by the stars shining brightly in their great glory.
O how such eternal nourishment feeds holy minds!
Mercy and love are here, and always have been;
here is the eternal fount of life.
Here the Patriarchs and Prophets, here David,
King David the bard,
singing and playing instruments still praise eternal God.
O honey and sweet nectar, O blessed place!
This delight, this peace, this goal, this mark
draw us from here straight to Paradise.

Translation by Mick Swithinbank , incorporating a partial translation by the composer Jonathan Dove found on gerontius.net